Kendrick Lamar - HUMBLE Review César Alfonso López Torres
Kendrick Lamar - HUMBLE Review César Alfonso López Torres
Initially dressed like the Pope in a cassock, the scene immediately jumps to Lamar
in all black lying on a table of money, shooting loads of money from a cash cannon.
First, he’s an modest man of the church, then an braggart, setting the tone for a
clip that features its subjects at their “best” and “worst.”
The entire “Humble” video is a poignant exercise in irony and is also filled with
messaging that could be perceived as anti-conformist.
It’s unclear if scenes where Lamar and his corn-rowed head is the only one with
hair in a sea of bald Blacks or the closing shot of him being the only man wearing
white at what's possibly a funeral are jarring images that could have deeper
meanings, or if they’re just interesting shots thought would be cool to use.