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What Is Drama

This document discusses the origins and evolution of drama. It begins in ancient Egypt with ritual performances honoring gods like Osiris and Horus. Drama then originated as "wordless actions" through ritual dances and performances involving costumes and masks in ancient Greek festivals. Greek drama further developed in Athens through hymns called dithyrambs honoring Dionysus. English drama originated from religious rituals in churches commemorating Jesus and important biblical figures. It later evolved through morality plays and the works of playwrights like Shakespeare and Marlowe during the Elizabethan era. The University Wits from Oxford and Cambridge also contributed significantly to developing English drama.

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RAMESHWAR PADVI
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0% found this document useful (0 votes)
121 views28 pages

What Is Drama

This document discusses the origins and evolution of drama. It begins in ancient Egypt with ritual performances honoring gods like Osiris and Horus. Drama then originated as "wordless actions" through ritual dances and performances involving costumes and masks in ancient Greek festivals. Greek drama further developed in Athens through hymns called dithyrambs honoring Dionysus. English drama originated from religious rituals in churches commemorating Jesus and important biblical figures. It later evolved through morality plays and the works of playwrights like Shakespeare and Marlowe during the Elizabethan era. The University Wits from Oxford and Cambridge also contributed significantly to developing English drama.

Uploaded by

RAMESHWAR PADVI
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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What is drama?

 Specific mode of fiction represented in performance.


 The word "theater" comes from the Greek
word theatron . The Greek "- tron " loosely translates
as "an instrument for", while thea-
"  " means "viewing."
Thus literally, theatron
a   is a place or instrument for
viewing purposes—i.e., a theater.
 Term has come from Greek word ‘action’.
 Classical Greek drama derived from verb ‘to do’ or
‘to act’.
 Origin of drama rooted in the religious
predisposition of mankind
Origin of Drama
 Art of drama western form of literature
 Originated from Greeks
 It traces its origin in Egypt back into 3200 BC.
 Ritual dramas in Egypt performed at seasonal
festivals in the honour of God- Osiris, Isis and
Horus.
 Many scholars trace the origin of drama-
 ‘Wordless actions’.
Ritual dramas- Egypt
 ‘ The Triumph of Horus’- performed during the
festival of Victory of Edfou.
GOD Osiris, isis and Horus
Ceramic Anubis Mask
Wordless actions as drama
 Ritual dances – a form of drama
 Performance by dancers, masks players,
 Performances during the traditional festivals
and ceremonies
 Athens (city in Greece) –ancient hymns called
dithyrambs’ were sung in honour of the God
‘Dionysus’.(God of wine, pleasure, fertility of
Earth
 Participants dress up in costumes and masks
 Series of public festivals ‘City Dionysia’
Masks Greek Festivals
The ancient Greek Theatre at
Epidauros
Evolution of English Drama
 The religious rituals commemorate the
resurrection of Jesus Christ- English drama
born in Churches.
 In order to make people familiar with the Bible-
incidents from the life of Christ, the Bishops of
the Church
 began to dramatize stories, episodes from
Bible.
Evolution of English Drama

 13th ,14th centuries plays –describing Christ’s


life, Saints life called as Morality and Miracle
plays.
 At the end of the 15th century morality play
took birth sign of growth of drama in England.
 Plays were didactic and religious in nature.

 The Somonyng of Everyman (1490)

 Sackville and ThomasNorton’sGorboduc


(1561) first English tragedy
Evolution of English Drama
 Nicholas Udall’sRalph Roister Doister (1566)
first comedy.
 The Elizabethan drama reached its climax with
the works of Shakespeare and Marlowe.
William Shakespeare and
Christopher Marlowe
William Shakespeare
 Shakespeare Marlowe theory by critics
 Christopher Marlowe (also known as Kit
Marlowe) both are same personality.
 Marlowe changed name as Shakespeare to
save himself from punishment of murder
 Marlowe reappeared as Shakespeare
William Shakespeare
(1564-1616)
 Such personality understood the subconscious
of the human mind
 Called as a psychologist
 Works are still contemporary- all characters
still exists in the present world in our society.
Drama of Elizabethan Age
 Establishment of ‘The Theatre’ (1576) increase
of competition in the sphere of drama
 The need of ‘novelty’ arise.
 Managers of drama searching such people –
old plays mix the new matter- making
something more good, adorable
Drama of Elizabethan Age
 Thomas Killigrew (7 February 1612 – 19 March
1683) was an English dramatist and theatre
manager. He was a witty, dissolute
figure at the court of King  Charles II Of
England.
 Removed tragedy part replacing with
comedy to make people laugh
Claracilla  and The Prisoners ,(1636)
 The Parson’s Wedding (1637)
University Wits
 Term was not used in their lifetime but later on
coined by George Saintsbury (19th century
journalist author)
 A group of Bohemian writers associated with the
Oxford/Cambridge University
 Absorbed the renaissance spirit ,synthesized
vigour of the native tradition and imbued the
refined Classicism
 Known as ‘The Seven Stars of the Cosmos’.
 Made Elizabethan drama more popular with the
Renaissance Humanism and pride of patriotism
University Wits
 Wrote classical plays , courtly comedies,
farces, chronicle plays and melodramas
 Imparted thrills, action, sensation, humour as
well as lot of music.
 Paved the way for Shakespeare and other
dramatists of coming ages.
 Were source for Shakespeare’s works.
University Wits
 George Peele-25 July 1556 – buried 9
November 1596
 Oxford Scholar first writer of History plays

 Member of Lord Admiral’s Company

 Plays lot of poetic beauty

 The Battle of Alcazar,The Arranigment of Paris


–source for Shakespeare’s King John
 Edward I

 The Old Wives Tale- satire on Romantic drama

 The Hunting of Cupid


University Wits
 John Lyly - 1553 or 1554 – November 1606
Euphues /The Anatomy of Wit (1578) –derived
from Greek –graceful witty’
 Adopted from Roger Ascham’sThe
Schoolmaster.
 well known for its euphuism style of English
prose- employing a deliberate excess of literary
devices such as Antithesis, Alliteration,
Repetitions, Rhetorical Questions etc.
University Wits
 John Lyly-Euphues and His England (1580)
 Allegorical play-Midas (comedy) (1592)

 Allegorical pastoral comedy-Love’s


Metamorphosis (1601)
 Endymion (1591)

 Woman in Moon (1595) only play blank verse


University Wits
 Thomas Lodge (1558-1625)
 The Wounds of Civil War (1594)

Rosalynde or, Euphues' Golden Legacie (1590)


prose romance source for Shakespeare’sAs
You Like It (1599)
A LookingGlass for London and England (1594)
University Wits
 From Cambridge-
 Robert Greene (1558-1592)
 first Shakespeare critic
 He called Shakespeare as
 ‘an upstart crow beautified with our feathers’.
 The History of Orlando Furioso’ based on Ludovico
Ariosto’sOrlando Furioso
 Virginia Woolf’s works are influenced by this play.
 A Maiden’s Dream- dedicated to Elizabeth Harten
 The Scottish History of James IV, Alphonsus
 Friar Bacon and Friar Bungay - considered as a
document of Elizabethan life.
University Wits
 Thomas Nash (1567-1601)
 Unfortunate Traveler/Life of Jack Milton

 Protagonist Jack Milton- first picaresque hero


meets three historical persons
 Erasmus, Henry Howard and Thomas More
University Wits
 Christopher Marlowe (1564-1593)
 Father of University Wits

 Tamberlaine the Great (1591)

 Doctor Faustus /The Tragical History of Life


and Death of Dr. Faustus
 Jew Of Malta

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