PIANO-CONDUCTOR’S SCORE VYou’re A Good Man, Charlie Brown [Revised] Based on The Comic Strip “Peanuts®” by Charles M. Schulz. Book, Music and Lyrics by Clark Gesner Additional Dialogue by Michael Mayer Additional Music and Lyrics by Andrew Lippa Original Direction for this version of “You're A Good Man, Charlie Brown” by Michael Mayer Originally Produced in New York by Arthur Whitelaw and Gene Persson | : Faro Reduction by DleS Kage | Book | Copyright ©1967 by Clark Gesner | Copyright © 1996, 1999 by Clark Gesner and United Feature Syndicete, Ine. ‘Music and Lyrics \t Copyright © 1971 by Jeremy Music Inc. 2 Copyright © 1996, 1999, 2000 by Jeremy Music Inc. and United Feature Syndicate, Inc. “Tams-Wiemark Music Library, Ine so Lesion Avene, Now Yo New Yok 10022act one 1 2a, 2b. 2¢, Sa. 6a, Ta, 8a, 8b. 10. 1M. 12, 12a, 13. 14, Musical Numbers page Opening - Sally, Lucy, Snoopy, Schroeder & Linus with Charlie Brown .ovsvssereeee 5 “You're a Good Man, Charlie Brown” - Sally, Lucy, Schroeder, C. Brown & Linus ecw. 8 Good Man Playoff - Orchestra........ Px) Before Lunch Hour - Orchestra vives... 23 After Lunch Hour - Charlie Brown, Sally, Snoopy & Linus... estneenses 4 “Schroeder” - Lucy... Quick Changes ~ Spaghetti - Orchestra ... “Snoopy” - Snoopy with [offstage] Sally & Lucy Quick Changes - Moon - Orchestra... “My Blanket and Me” - Linus with Saily, Lucy, C. Brown, Schroeder & Snoopy ... After Blanket - Orchestra... Queen Lucy ~ Melodrama - Orchestra with Lucy. Quick Changes ~ Coathanger - Orchestra with Sally 50 “The Kite” - Charlie Brown... 51 Quick Changes — Valentines - Orchestra 57 Before Doctor - Lucy Opens Shop - Orchestra ... 58 “The Doctor Is In” - Charlie Brown & Lucy 59 Quick Change —Ice Cream - Orchestra... 64. Quick Changes — Art - Orchestra.........ccccscsscensssnnsesee . 65 “Beethoven Day” (§) - Schroeder & Company ....... 6 Beethoven Day Playoff - Orchestra. 1 Rabbit Chasing — Pantomime [Quick Changes — The Wall] - Orch. with Sally & Snoopy... 78 “The Book Report” - Lucy, Schroeder, Charlie Brown & Linus with Sally & Snoopy 83 CBR. Poe Contneaeact two 15. 16. 16a. 17. Va, 17b. VAT. isa. 19. 20. © 20a, 21. 22. ‘Musical Numbers (continued ) ‘The Red Baron - Melodrama - Orchestra & Snoopy with offstage] Sally... = 102 -- 109 “My New Philosophy” (8) - Sally with Schroeder... Before Baseball - Orchestra. 15 “The Baseball Game" - Charlie Brown & Company ..... 116 After Baseball - Orchestra.... .. 128 Quick Changes ~ Crabbiness Survey - Orchestra..........4 129 129 Quick Change — A Loving Little Brother - Orchestra... “Glee Club Rehearsal” - Sally, Lucy, Charlie Brown, Linus, Schroeder & Snoop} 130 Quick Changes ~ Snoopy - Orchestra... 138 “Little Known Facts” - Lucy with Linus & Charlie Brown. 139 “Suppertime” - Snoopy with C. Brown & {offstage] Sally, Lucy, Schroeder & Linus ......... 146 ‘Night Scene — Underscore - Orchestra... +. 156 “Happiness” - Full Company . 157 Bows - Full Company - 163 Exit Music - Orchestra. 167 (© Music and Lyries by Andrew Lippe.Cast and Vocal Ranges SALLY BROWN LUCY VAN PELT sNooPy & eS wre vd vs SCHROEDER LINUS VAN PELT be tom © abe paar Instrumentation 1, Reed —Fiut, Clarinet and Alto Saxophone. {also doubling: Pesolo, Soprano Recorder, Soprano Sexophone and optional Kazoo) 1 Violin and Viola. {also doubling: Alto Recorder, Kazoo and Tambourine} 1 Bass — acoustic and elec instruments {alo doubling: Teaoe Recorder and Kazoo} 1 Percussion trap set and mallet instruments "Kat" percusion syuthesize) ae Seed — ean hee tee re gis nek ae Tepes ee EEC acme BBs or = ch m French = = = eines Cow Bell (2 sizes) Sate ioe bie eater ec : ane ne a 1. Piano/Partitur [also doubling: Keyboard Synthesizer and Ksz00] [synthesizer registrations include: Celeste, Gospel Organ, Harmonium, Ballpark Organ, ‘Electric Piano, Fender Rhodes, Tremolo Strings, solo Ceio, Trumpets and French Hors) Sound Effects Bus Hom ‘School Bell Kite Crash ‘Alarm Clock Crack of Bat striking Baseball Aluplane Engine roar ‘Aamplane Engine spottering toward silence Mackinegun rapilire (Opening Act Two: Loud wartime battle sounds — ‘explosions, airplane engines, sens, machinegun fire, et. (CBR. Pao Concur1 Opening (Sally, Lucy, Snoopy; Schroeder & Linus with Charlie Brown) il ghes dim out on the Seyret ee test NOTE: wpe dr git Alber fal 7 ‘Light spots each character for their spoken dialogue only.) ee ee Se os ee a ae fo = = om) aod = 4688 ' Pom aut) asin Tis “Ts a yes 2 Pers2-Operng Cueto end fermata: C. BROWN: eS pe Tm more han Be, = A {dialogue} Cueto comin: LINUS Gut conine SALLY: ‘Oh, well, that’s the way it goes. ‘his lack of confidence, his— ALL YEOPE, 1 (C-BROWN does noting in this number Sp [xe SALLY) = You're a good man, Char-lie Brown. You're a cv. Fro. [dialogue] a nf 7 Bs, Pao, HH TF ALL [20] (including SALLY] (Char- lie Brown) You're the kind of re-mind - er we Cueto continue; SCHROEDER ———— *. marvel a his consistency. ‘ALL You have hu = mil-i-ty, no-bil-i-ty, and a sense of hon or That is [dialogue] ae Contacoe ontinue: SNOOPY: ue 10 oF LLINUS: Ithink Charlie CH ones eo cho ‘Brown has nie hands ; ov LUCY ver = y tare SNOOPY - SCHROEDER LINUS ver [dialogue W [dialogue] a (Cue to continue: LUCY: ALL ble se for #1008 wile. ALL : You're @ could be king. ma [dialogue] | £ ott a a a * A lighe it ittuminates Charte Brown's face at stage center) [32]. Tempo (=100) Monologue: C, BROWN: Some Gays LAKE VP o oe “good = man. good == man, — You're a b OWN: How can anything ©. BRS yong on day ike ths? vamp (Cue to continue: C: BROWN: cis —= and the sun's so bright. | fam I |orer eeer woe) na. (Ba. et) Attacca (CBR. Pao Conte“You’re a Good Man, Charlie Brown” (Gally, Lucy, Snoopy, Schroeder, Charlie Brown & Linus) Cue: (Attacea from No. 1 Opening.) [ay er ap to brighr morning day as te COMPANY assembles) C-BROWN Bright march (J=160) [10] SNOOPY, ALL [except C. BROWN] You're a good man, —Char- lie Brown. You're the kind of re-mind- er we Yn, Pro. nf Bs, BD, Pro. (44 continue ehh (CER. Pita Candee2-"Yev2es Geol Man, Chace Bove" ° ‘You have hu - mil-i-ty, no-Dil-i-ty and a sense of honor That is SALLY ‘a, ‘USI LUCY i ver-y rare in -| deed, You're a |good man, Char-lie |Brown. SNOOPY - SCHROEDER SNISC. SNOOPY © Linus ut * ver-y rare in - deed! (Woof!) Youre a good man, Charlie Brown. Yn, Poe ALL [except C BROWN] Know you will go Yes, it's hard to. be-lieve, — Al- most t pr (CBR. Pane Contuetr"Yes Ged Man, Chai Brown » —p(SAMLU) = == = eae SSS = eo —— = Y= nit to - ceive, Ye fright’-ning to con - ceive, What a |good man you SCHROEDER fou are (sNSCALL] ROPER sc. eg v2 = —- — Se es —— — * a good man, you are. You are kind. ‘You’ are fright’ -ning to con ~ ceive, © [SNOOPY sacel] kind to all Vn Pro 2 mp _(uthryi) Be, re, Pro o heart of gold you be-lieve what you're told. Ev’ - ry sin- gle sol - i-ta- ry you’ believe what you're told. heat of gold + (COR. Pane CooticeYee Good Ma, Chie Brows” [34] n SALLY LUCY i : : . z You brave - ly face : si-ty, You're © word : ‘SCHROEDER TINS, You brave = ly face ad - ver. = sie ty, - You're Un, Syn #2 Bs. Ds, Pro cheer - fulrthrough the You're |thought - ful, brave and cour = te-ous. And you > = f ‘You're thought - ful, brave and cour - te- ous. cheer = ful through the [42] ALL [exceptC. BROWN] also have.some faults But for the mo-ment Jet's just say: That you're a good man, Char-lie Poo: Vos Pat 85, 8D, (CBR-Pine Cootscor5-Yea' Good Mas, Ct rows? 2 [ALL exceprC. BROWN] : You're a prince, and a prince could be king. — Vs Ate, Pro. heart such as yours You could o-pen an-y doors, You could SALLY LUCY thing, ‘You could be | king, Char - lie Brown, You could be SNOOPY - SCHROEDER i You could be king, Char - lie Brown, 80 Dee ra v (CAR. Pine Coase6-28 Gand Msn, Chae Baw 3 Abit faster [52] (CHARLIE BROWN Eyv'-ry-bod - y says to me: (SAU) sais, King! You're a goodman, Char - lie Brown.— ISNISCALL} King! ‘You're agood- man, Char - lie Brown. ato Ey'-ry. voice in har - mo-ny.. You're a good man, Char - lie Brown. You're a good— man, Char - lie Brown.— e EF’ ei rycet?re [60] [68] 7-8 Gad Man Cate Brows ©. BROWN AMT need— is one— more try— Got-ta get that kite to fly 0. ap CLF BID. Be, oust Or.natime fot (4 ets) And Pm not— the kind of Pn0,88, Oym., BD. [C BROWN] Won - der why they stop— to say SAMLU. You're a good— man, Char - lie Brown.— You're a goodman, Char - lie Brown.— es : ee CCAR- Pasa Condonar28 Yas Got Mas, Cate Brow 18 You're @ good— man, Char - lie Brown. You're a good man, Char - lie Brown.— io : p apirts Pro, Be, Oe } = It ‘50.20 ' trates (76) | (c.prown Not to make a scene. ——— Pop YP OD =— ‘Try- ing. not_ to eler |r "BD, Bs. sust, Oe hatte fal HHH agi) T- don’t know what they mean.— I want to But vn bce 7 o = I con-fess,— vn vn, Pro. tom BAL (COR Fao Coiste9 "Yo' Good Man, Cs Bro 16 Be. GH atin) = IC. BROWN] lie a-wake— at night With ques-tions in— my — ear. OTHERS to join the © dance, (CBR. Pine Conduior10-"Yau' res Goes an, Chal Brows 1” ‘vn. cote SALLY Lucy Char = lie Brown... You're a 5 [98] 4g (SAJLU] evn. cota voce good man, Char-lie Brown. . You're a good man, Char-lie| Brown. SNUSC, You're a good man, Char - tie Brown! Ato caia eee TLINUS ‘You're a good man, Char-lie Brown. Posh i) i nee tr se se Fc 0. Lucy SALLY SAMLU. Get onthe bus! ‘Don't wan-na be late for school! That’s right! SCHROEDER LINuS SNJSC/LL. Get on the bust Go a-head, get on_the bus, Char-lie Brown! That's right! Pre.) Bs, Pro, (CBR. Pisa Conductor11 -Yo' Goat ha, Che Brown 18 C.BROWN Don't _wan-na be late SNOOPY (Woof) ab eae Don't wan-na be late for school! La [109] C. BROWN SNOOPY Hoy!) ‘There they. goa - gain, aleeges good man, Charlie Brown, ‘Don’t know what they mean, You have hu - mil-i-ty, no-bil-i-ty And 2 sense of hon-or That is ——— Fo, - (CBR. Phun Conte12-"¥o' ood Bae, Cale Broa 9 (7) ver-y rare in 8s, Pro, De. Drs (8. baokoeats) T don't un-der - stand. LUCY Brown. You're a prince, and a prince could be |king! SNOOPY - SCHROEDER LINUS Brown, You're a prince,’ and a prince could be king! ~~ > =~20 -13-"Ye'm a od Min, Chae Brower Lucy | hheart such as yours you could o-pen an-y doors, You could Ab. ‘You could be| \ You could go out and do an-y- thing ‘SNOOPY - SCHROEDER LINUS ' heart “such as yours you could o-pen an-y doors, You could Ab. ‘You could be oe. sin ooo [127] C.BROWN “Noth - ing lasts_ —for-ev SAU] a king, Char-lie Brown, ‘You could be || king! ‘You could be (SNISCALL] ‘fp — a King, Char-lie Brown, ‘You could be king! ‘to FHF oe 35.55 ito nate oes) CBR Fae Cotte14 "Yoe'w a God Map. Cat Broa! a [C. BROWN] “All good things must end."__ T've mem.-or - ized that phrase_ by OTHERS _ [135] beatae ee So tell me I need to ‘And you were bom for this part You're @ good man, When do the good things ‘You're a good. man, Char - lie Brown! a 7 Cee Fran rd a CBR. Pano ConusMan, hate Bw 2 casey [c. BROWN] SNOOPY start? Ob, you're a good SCHROEDER -LUCY You're a good|— man, Char - lie Brown! ‘LINUS - SALLY Brave-ly fac-ing ad - ver Ob,— you're’ a good— man, Char - lie Brown! SC. T we. Char - lie Brown! ‘You're a good|— man, Char - lie Brown! ‘You're a goodman, Char - lie Brown! Al-ways kind to an- i - mals! A = of A Applause ~ segue23 No. 2a Good Man Playoff Cue: Applause - segue from No.2 (Oretesta) “Sete « Good Man, Chae Brows.") 160) wis = > = Aerie . _- “EER ERE FF oe Ph isiewwm LF # iF EE LF LF . SALLY: This is —- ‘my report... z = Segue t Before Lunch Hour Cg teins, ee! (Cichesta) Cg fot BROWN SALLY ents Schobel” 9 Ee c. BROWN: (Alone onstage. He hat SO fedarse, semetimes mornings When schooibell taps:) Cie te hunch bag) I ink aneh tne a (=160) dada _~, (CER. Fe CondorAfter Lunch Hour (C. Brown, Sally, Snoopy & Linus) ‘Gehoo!belD Oh, well, (music in) oe ine = Tunch hour over with. Only 2.863 10 go. we S1gsigrg t r= Cue: C. BROWN: I won: ‘why she never looks at me. = (d=160) ove mp se AUT need— is one— Got-ta. get that kite Dr. alte eal HH hs) Who gives up eas - i- ly io Berl, f And I'm not— the — kind 7 2,008, P00. SALLY, SNOOPY & LINUS You're & good fn, Poot (CBR. Fae ContrNo. 3 “Schroeder” (Cue: (Segue from No.2e After Lunch Hour.) Gacy) Adagio sostenuto (4=64) ‘Siidove suonare tutto questo pezzo delcatissimamente¢ senza sordint. sempre PP-=—g 3 | afar fama 1s)_1yor a know some-thing, Schroed- er? T think the way you play the pi-an = 0 is nice. (CBR- Pane Consaeor6 2 Seeder fucy) ee 3 35 been my dream That I'd mar ry a man who plays the pi - an - 0. par-‘ties he'd play some-thing nice - like “A - pril Show - ers.” sure You could play some-thing nice like “A - pril Show = - ex,” 2 SF a 3 2 como r FBee - tho- ven’s nice, Just i-mag -. ine, ‘What would you think if some-day you and > Would-n't- you like that if some - day we two should get — mar - ried? eee eee (Lights come down LUCY: My Aut Maron wassght, never Sul i chords — Soar ee a [dialogue} a Segue an. asa Conte28 No. 4 Quick Changes — Spaghetti (Orchestra) SALLY & LINUS enter ~ dialogue) WN dialogue Ce: SALLY. Web opaghet a houie thee ines this week cepts regia i iths (= ‘Hey, Frieda! Listen to this! Swing (=120) Ee aE ei vn a [dialogue] a (acoustic or efectric) Bs. pizz. ete SCHROEDER: ‘Beethoven used to be fond Sew {C BROWNISALLY doe) 77)” Adagio eantabile G48) [4] Swing eighths ‘tall seemed so futile y = a | - [dialogue] Pre. solo = P (LINUS runs past with a bal, chased by LUCY) —: LUCY:... back here with that ball! (music ou!) music out) — a P o eto stop: (LINUS saps ‘eligi nb) Guo conte: LINUS: i ‘SCHROEDER: [15] Insix Tmlosng my favor. (A bearhs Beooven ad nie va estes ucling Ms han ro. Wa a (Ligh ou) [dialogue] a [dialogue] (Un darkness, C. BROWNILUCY dialogue. On cue; LUCY: [efstage).. you're so adorable. Lights come up on SNOOPY | gua [ping contantedly on top of his doghouse — dialogue continues) {19] Cue to segue: C. BROWN: [offstage] He's just about the best there is "Use time only) loco. = vamp: & (CBR Pine Conde“Snoopy” (Snoopy with [offstage] Sally and Lucy) » Cue: (Seque from No. 4 Quick Changes ~ Spaghett,) a 8] Pensively ‘SNOOPY They like me. 1 think they're Ves, Va, Be. harmonie Is- n't it re-mark-a-ble How things tum out so weil?. Andante con moto (¢=126) senipre legato (CR- Pina Consiort Pleas - ant day, pret-ty sky. 4 “Life goes on, here I. lie, oats a Fee. Pro. a Co- zy home, board and bread. Sturd- y roof be-neath my head, —— ec, Ves Pre, 7 ges —= Provlegato cana 3 282, Pro. (as bof) (CBR- Pan Consep61 3. Saooey” 31 Faith - ful friends Bring me bones, Lit- tle birds come to cheer me, sitting here, t On my stom-ach is (wvesto0%=) | re, With their sharp lit-tle claws, Which are u- su-al ly cold, And oc-ca- sion-al-ly pain- ful, Trewern eee eee ata ‘Poco a poco crese, —— ~ (CBR. Pane Condor32 oor” oF ‘And some-times there are so man-y _ That I can hard-ly stand it... pang Ferociously [41] Sublto “spanish” 3 == [tempo di Paso Doblé] feel ev'-ry now and then That I got-ta bite some-one. Pro, Tam mp Pho, Va (eden) ate . Va. cotavoce ae = = : SSS know ev'-ry now and then what I wan-na be, A. fires jun- gle Pro, Jungle Ds. CBR. Fae Contaccca [59] SALLY [optrage) “ “mal crouched on the limb of a eel Lala lala La la la, : &£ £ faa ve ee a A — Lala lala, La la la La I'd wait know-ing ver-y well ev'-ry sec-ond And then like the fierce jun - gle creature 1 _ — = of Pro. unger. (CBR. Pca Candseor34 [79] [SNooPY] pounce. Td pounce! Sf Rtn ae = |, or SNOOPY: You know, I never realized it r asso far dowa othe ground from bee. 4a tym Andante con moto aie bose —e (95) Po, Be == where was I? Oh, that’s right, 1s : e FPO. “po the pretty sky. _— (CAR. Pine ConnerBs, Pro (ar betore) be-neath my head. F., Vos, Pro. eS = — £3 Tost “_____ (CBR Pine Const36 8a SNOOPY: I wonder if "Aa it wil sow tonight. Segue 5a Quick Changes - Moon (Orchestra) (C.BROWN enters, SNOOPY remains ‘natage on op his doghouse ~ dialogue) BROWN think os walle fee ++» flap my arms and fly to the moon. SNOOPY: There's just so lite hope of advancement (ucric. BROWN Solemn [3] Even eighths (=120) dialogue) nm ‘Ao, Oe TF mee __Milogue SR {dialogue} bd —— | be wecusictsaco Kb Bs. pe, rs Cue t0 continue ue to continue: LUCY: SNOOEY. coud ot be less interested ” Gost ie shooting fish ina barrel (She exits) music in “LUCY sneaks in, grabs [5] Moderate two (=120) __LINUS enters, ozcks LINUS' baker & tears ef agai) ‘on doghouse ~ dialogue) a Aro (tpt. Pro} CS ro BE = of : [dialogue] 10, er. a? pom. t g t z # # re ta (R- Pano Conde<2 Quek Changes Moon 37 ‘Cue to continue: LUCY: (exiting) T got it! T got it! [10] Even cighths (LINUS gives chase. The doghouse moves offstage with SNOOPY.) io mp 20,85. a10 1eieivip om > 7 powteored Col CT (SCHROEDER eroses carrying asign reading “Only IM more days until Beethoven's Birthday.” cs - 7 7 94,80. ro (SNOOPY pulls SALLY across wit the jumprope i is teth) [18] SALLY croses jumping rope. C. BROWN crosses on role skates) Poo. Oe | Tale Be, Pro . reahOym) ys. i b b — 7 b Ly (The sofa moves onstage with LUCY hiding on it with the Blanket, and LINUS following.) ers (LINUS grabs one end of he Blanket ~a tug-of-war follows. Music abruptly stops) sup crese. ie ie CAR- Fine Coase?38 No. 6 “My Blanket and Me” (Linus with Sally, Lucy, C. Brown, Schroeder & Snoopy) Cue: LINUS:... smooth talking and some fast action Freely (9-7) nee + Got you back “a - gain. 2] A tempo (/=128) De- light-ful ‘ange ae Ee (COR. Paco Cantar2M Bane and Me™ 39 paws) lea [IT] La deda de la la la la la. de da de da — 7 Crea : 3 f LINUS: Sucking your ham without a blanket is like eating a cone without ice eream! (eben on) aa dialogue) >—— ro ‘My blan = ket and Pochissimo accel. F oe (LINUS dances offage withthe Blanket as SALLY, LUCY, (6 otto) (A, Waterfall ‘SCHROEDER, CHARLIE BROWN & SNOOPY enter.) eo ESD ane ssa pee, CBR. Piano Conse40 3M Banka and ME [31] Tango LUCY: Guys, guys, come here! You gotta see this! (LINUS tangos onstge with the blanket) =f cae S + ete sn ae 7 Cue continue noe TOUCH. wih thee Bankes, a Lteahi) ‘LINUS: Whaddya mean? LENUS (INUSISALLY/LUCY ~ ailogue) a re Isa CB voce (CBR. Pine Conductor4 "MyBiaetane™ sim - ple dem - on-stra"- tion Of my in’ - de-pend - ent sta - tion I at F a-way and leave : r [48] 3 walk a-way and leave it Though I know you won't be-lieve it, T'll aC Pro # 41 just 3 % = SS walk as vay and leave ton (CBR. Fe Candcora hy skeen 7s dependence is 10 much Sor Linas, he sreans) “Aarrrgggha a a LINUS: (grabs the blantet and LUCY: You're hopeless case, Linus, clutches if 10 him): Don'tever "(ALL except LINUS exit) Slowly Tet me do that again, ‘D The Blanket Baitei > (ANUS runs to the Blanket) foogiee a LINUS: (calling fier them): I thought Teould dot... actually thought | could éo it... (CBR- Piano Cour6M Blake Me™ : a (LINUS shuts his eves and imagines a world where he and his blanket can be together in peace, The blanket magically rises and joins him inthe dance. The whole gang. even SNOOPY, eventually enter his fantasy with their own blankets. and join inthe dance.) [72] secco, in four —~ ow auf ‘Seay wele = woe 8) Pro. (48.0) 3 Bee em) Bebe, CBR. Pine Conse 28005 tne44 7 My Bishan" te —~ ats stRencazel piano knock W-thytin on ood pane ame no ua ae pest] pr iz —= _—i swede SH) S| rhs Bot to = ¢ (97) ———____ = —_____ Pe AcPm : (Red, plane pay cue ino deus se preset] (SALLY enters.) [102] steady and plodding (SCHROEDER enters) vn rman 3 ee “eo eir eT at et pss 7 io S2,Pro, Dr. stetbur ae any 2, Pro, Or set our a oat om (C. BROWN enters.) (LUCY enters) 3a c3—, Building, swing eghths cs (HL re,slh thvbar 16) (Splash OF ee em) con. puso ConicBM Bane and Me™ fa oo [112] Wita Blankets (tempo primo] (SNOOPY enters. ea e aa = ase swing it o A e 1] ion Ss ein RO A a nous 80.8 Feats (oto [124] straight cighths, tempo primo vn 40h submp —crese. Pro, Or. douletie fo!9 -My Bank [140] pinus = == — == = —= = aor — Ty ane |e Rab ame SS ee == : “Sit pe ee me = os. ca wnaies woe = = ———— oe * * Pil wy te outgrow it But meanwhile, jgyq) HS my blan = ket... And= 10--My Bola and Me™ a (SNOOPY & LUCY exit) (SALLY exits) (C.BROWN exits) SALLY C.BROWN SCHROEDER me. gs fo seat ot —_—_~ (SCHROEDER exis) Linus oe Applause ~ segue No. 6a After Blanket (Orchestra) ue: (Applause ~ segue from No, 6 My Blanket end Me.") (CBR. Pane Consetor“8 No.7 Queen Lucy - Melodrama (Orchestra with Lucy) ‘Cue: LUCY: Tintend tobe a queen. (Cue to continue: LUCY: ».and YI ive ths ig palee .. (music in, dialogue continues) [2] [Maestoso, ma non troppo} Se a Pin —T {dialogue |) F P mf a | mp a be Pro (va. tecette bar 20} ——— 23 (silence) Cue to fade out: LINUS: Lean’t think of any possible Urner peceettieet tayo could eves Desa gue. baits _ . [dialogue] a 7 ¢ @ (Cue to continue: LUCY: Me Md inthe surataestime, (music in, dialogue consinuts) m AyLNs: Hse 2 EDGY. Ter int ea ope Cue: LUCY: Is undemoert. (mic oyu cote (rus ou INOS Cod ge —. Va. tem, Cl Pre ie SE uo stp: LUCY: What do 1 Go mean Tean't be queen? | Cue: LUCY: (music in) I usually just a matter | [22], Faster | ctr, RR | nw) z Cue fo stop: LINUS: think TM > Wath levision Ce vontca tothe see, Ci: LUCY: (music in) (Cue: LUCY: Twill buy myself a urns ton sumac sonekine comion) Yknow what'll do. If can't Loco. Ae == 2056 6b Kie [58] [C. BROWN) it’s caught the It's past a £ what a beau-ti-ful sight. And T’m not such a ‘CBR - Pano Conductor | | |(Kite crash) ae [Blackout] fT A a = = .. 2 2 ; . Applause = segue No. 8a Quick Changes — Valentines (Cue: (Applause ~ segue from No. 8 “The Kite.") (Orchestra) SCHROEDER: How aan “(Lights come up az SCHROEDER & SALLY enter) ‘xe you today, Selly? ss > M logue continues) a a te * 12" A = = [dialogue] a —=—— arouse. paz, HH, Pr, (Peed teeta fa (COR. Pane Coduetor v58 2- Quick Changes ~ Went Cue contin: SALLY: mada stupid jmpropest C BROVIN: Tis for you [4] swing eighths — ¢¢cHROEDER & SALLY ex C.BROWN enters) Be epprcaces hin) [dialogue] vatova} a oe.?m Cue: C, BROWN... Mery Christmas, (LUCY tates card SALLY: T've been BROWN eaierwlrie'saiereans) Atl) Cage Cue ancy lbs. kn Ge crosses to mailbox). =~ anything (SALLY enters seni you any! Pi eins Saree nm 5 a. F00_ or [dialogue] es a ors 20 ro TF z rae AL hig) ence ee ee Segue No. 8b Before Doctor — Lucy Opens Shop (Orchestra) CAs: BROWN. Mi So the eee aera ae) Dine Help Scena” Sood mors om (+88) goin. <— stage left. LUCY is standing behind her booth.) P opt Pro on. rao Co| | | | | 9 “The Doctor Is In” (Charlie Brown & Lucy) Slow, loose ad lib. tempo CHARLIE BROWN calmly & rexignedly or lu - cid, T've > “always been stupid at spell ~ing and numbers. I've nev ~er been much’ play ing football, or base-ball, or stick ball, or check-ers,. or mar bles, or ping - pong. 'm CBR. Pane Condoro- 2b A tempo (¢-=82) 19] iccnnowny us'-al-ly aw-ful at parties and danc-es, I stand like a stick or I fi 2 sepa EE ‘move more rapidly e cough, or I laugh, Or I don't bring a pres-ent, or I spill the ice cream, Or I a7] get so de-pressed that I stand and I scream. Oh, how could there pos-si-bly Pao. J es oS thor-ough-ly, to-tal-ly,—ut-ter-ly blah Bs. pie C8R- Pn Conse2: "Theos a ‘LUCY: Well, that's okay fora starter. CBROWN: A starter? “LUCY: Certainly. You don't think really have to delve, wey ——— [31] Tempo, move along C.BROWN stupid, self-cen-tered and mood-y. I'm mood -y. You're ter-ri- bly dull to be ‘Yes, Iam. And no-bod-y likes me, Not Frie-da, or Sherm-y, or i Va, Pra (CR. Pare Coastera 24 Me Dacre i [C. BROWN) Lucy cB. Lucy cB. Lin - us, or Schroed-er— Or Lucy. Or Lu-cy. Or Snoop-y. Or Sn. (C.BROWN: Now waita minute. 5 [42] 4 tempo Snoopy likes me. cB. 1008) f LUCY: He only ee Eo tends ike =a = —— eS Ss : == oe Or Snoop-y. On, why——____________was_I_ bom just to | doesn't count, tt a (diatogue] a . Ba 60m.) Lucy, be One small per-son as thor-ough-ly, to-tal-ly, ut-ter-ly, Wait! You're | ce per gh ly i, , = so ™~ a — s sp is [48] Faster cB. Lucy not ver-y much of a per-son. That's certain. And yet there is _rea-son_for Kat oboe or (CBR. Pane Coster$5-"Te Det a 6 For al-though you are no good at mu-sic, Like Schroed-er, or LV Pag oo There is hope? Bots He like Snoop - y, a 3.) 43 _———————_ poco rall. Es [56] . A tempo . No one else but the sin-gu-lar, re-matk-a-ble, u- nique Char-lie Brown. I'm me! (CBR- Pane Condor6 6 Toe Doct ia 164] Lucy it's a-maz-ing-ly tue, For what-ev-er it's 672] a, ermey Be [68] worth, Char-lie Brown, You're you. poco rall. C. BROWN: Gosh, Lucy, you know something? I'm beginning to LUCY: Thar'l be ‘eel better already. You're a true friend, Lucy, a true fiend. fivecents, please, wv. E Beet "Applause — segue No. 10 Quick Change - Ice Cream (Orchestra) Cue: (Applause ~ segue from No. 9 “The Doctors I.”) (s204) = (C. BROWN & LUCY exit.) chem yd (CBR. Pam Contour2- Quik Cange—Iee Cen 6 (GALLY enters — jade out as she'sarts dialogue.) “3 No. 11 Quick Changes - Art- (Orchestra) (Cue: SALLY: ... my life isn't a Shakespearean tragedy... (She exits) (Cue to continue; LINUS: | Allegro (BROWS 81280 eur) ‘atone him eg | Allegro [dialogue] (Change to SNOOPY.) : het contin SNOOP s~ : . = 2 gle) EB | (oy; Canentuey a séumomnen) (Cue to stop: LUCY: Schroeder, do piano players make alot of money? ‘On cue: (pound fist on keyboard with stage): arn 3 SEEROEDER See tete an ant PEER coe eC “You fascinate me! Oe + (dialogue (COR Pina Candace«6 No. 12 “Beethoven Day” (Gehroeder & Company} (SCHROEDER (He pays then Cue: LUCY: You fascinate me! Soprandgags) | Sepbagan) (SCHROEDER plays, LUCY listens) ee is Allegro a nf molto rit. i, Nan Pro. est 7% eaten [6] Tempo (J=144) optional vamp aa ‘SCHROEDER (voice tat ime) LUCY: What?! Call the prin-ci~pal and hand him, the news,— aff Pro. (+H backboat bar 11) : — Foe SSS SS ? G eS We've got a bol - i - day that he can't re ~ fuse.— 3 [5 = Abe SSS SSS SS & —— = = A day of har-mo-ny—— A day of mu - sic: Bee - tho- ven’s (CBR Paro Condor<2. "Betover Dey" or : EIMtir Grr) SCHROBDER Bee-tho-ven Day? A rev-er - en - tial mis - eee . LINUS (entering) SCHROEDER Bee - tho - ven Day? guy To stand up. and. say: © (CHARLIE BROWN enters~ dialogue) Cue to conrinwe: LUCY: Commercialized? vamp {six times) ray, Bee - tho ven, Hoo- rayl. Pro... (Foot tactoeat HH. Pra (8, 80. quar) | susp (2. tae) (CBR: ana Coase6 o (SNOOPY enters wearing a Beethoven T-shirt) Cue to continue: ‘SCHROEDER: ... Beethoven T-shirts, ‘vamp [four times] nf ei Bs, Pro. Ting, how do we start?” We'll have a par - ty, ate SNOOPY Bee -tho-ven Day? = f Just Bee - tho ven's [26] ==—~ scHRorpEr blow birth the If you're won- der-ing,Now, day!4 "Bexoves Day 0 SCHROEDER SALLY-LUCY And when you state the ti - te, ‘You hear a Bee-tho- ven Day! Bee-tho- ven Day! SNOOPY = ML pad]. Beethoven Day! Bee -tho- ven Day! Lh rr 4: [SCHROEDER] [SCHROEDER] stand up and say: Hoo - ray, Bee - tho-ven, Hoo- ray! OTHERS nis. Hoo = ray,’ Bee - tho-ven, Hoo-ray!__ a orc ee ax. re Cii-reotmim 2 HS | “cok (Splash (Cow Sm) “Sa I ts [45] Dolce ma sensible (J=124) Moderately (eas Chas - ing, we're rab - bit we're rab - bit (BR. Pino Conta80 3 Rabi Chasing Petoine [50] Marcia e molto marcato (d=112) SALLY & SNOOPY Agghaaht Pir St (Ve tat om) = ¥ BP sempre stace. molto cresc. a. epato = [54] Frantic waltz a _> (ering. ot) Bs, Pra, Tm. (An endless Garden Wall moves on (SALLY & SNOOPY exit) ‘ith CHARLIE BROWN leaning anit) ‘C. BROWN: Sometimes, when you're ao ee depressed, all you want a 7 [dialogue] a (CBR. Pine Conscor(Cue to continue: C- BROWN: Rabi Chasing Pattie 81 a eee ete (The Wall moves on. SALLY & SNOOPY re-enter and continue rabbit chasing.) [66] Moderate caprice (+-=120) ee - in. ee cea. “bee ee rtsae |) Fa wmpr.so. * 7 ra —_ F Se oy @ ia (WUCY & SCHROEDER appear athe Wall — dialogue) ea ee (SALLY & SNOOPY exit) Gue to continue: LUCY: He touched my pte! nd conte the chase) ) [78] Allegro motto vivace (4=152) A 3 p (dialogue) SF ——— (CBR. Pine Coadeor82 5 Rabbis Chasing Panos Beli, Pro. * v, mel EDI ect ~ (SALLY & SNOOPY exit. The Garden Wall moves on revealing LINUS ) [dialogue] I CCBR- Pine Connera “The Book Report” (Lucy, Schroeder, Charlie Brown & Linus with Sally & Snoopy) ‘cue: BROWN: (to LINUS) You're a lot of fun to have around I ‘March militaire Cue 19 continue: Cie 10 continue: It (SALLY & SNOOPY enter rabbit chasing) LUCY enters reading) (SALLY & SNOOPY exit) SALLY & SNOOPY Chasing rab-bits, chasing rab-bits. Chasing rab-bits, chas-ing rab-bits. va pee. Pro, scout Bs. pi, HH wer [6] Madrigal, a cappella (2: (Stams book shut) Rab- bits! book re - port on Pe-ter SCHROEDER Rab-bits! A Rab-bits? 5 Pra, Bas + [6] Madrigal, cappella (4=132) 2 Woe lok — = 7 ¥ 7 TRenesral paso knock WB hytim on ood plana ramen Sma resea) oe =| =Rab - bit, Pe - ter— SCHROEDER <2 Mh Rok Reg Rab - bit, {a tempo] book 7 re - port on Pe-ter (CBR Paes Conder [a tempo) ad i i3-“Tee Book Rego” 85 ‘Vivo (/=176) LUCY Rab-bit is this st-pid book a - bout this stu - pid rab-- bit who steals 7 LUCY: (in eaesira, counts words one through [17] Slowly (d=112) seventeen) Hinm. Fighty-three 10 $0. SCHROEDER veg’ -ta- bles from other peo-ples’ gar dens. The name of the book a- = J “Starman bout which This book re - port_is about is, “Pe-ter Rab - bit”— which is'a- TO‘6 ie crosses PEE Slashes word out) [SCHROEDER} ‘aword ou) * liked the part where. e _ Tt re-mind-ed_me_ of xf {a tempo) [31] Fast (4182) =I “Ro-bin. Hood!" ‘And the part" where Lit-tle John jumped from a rock to the a anf Pro. Bs, Timp. 5 Sher - iff of Not- ting-ham’s back. =. And then Ro-bin and ev’ - ry - one f z } swung from the tees in a sud-den sur-prise_- at - tack, =. And they aall of his goods, And they car-ried him back to. theit ‘camp in the woods, And the Sher-iff was guest at their din-ner and all. But he vac *t z erese. poco a poco wrig-gled a-way and he sound-ed the call And his men rushed in Vn Pro ‘poco allarg, ——= < rubato = [a tempo} esizaingly Lucy ar - rows flew. Pe-ter Rab-bit did, sort of, that kind of thin, pp In. 390 (CAR- Pine Conair88 -6Te ok Rept LUCY: (in fermara, counts words [51] Vivo sighteen through twenty-three) Emm. LUCY) im oth-er peo-ple's name was Mac- Gre - - o..¥n na 1o.uy.7 f LINUS: (monologue) In examining a work such as Peter Rabbit, [54] Religiously =80) = aaa F = 1 (LINUS) ...conficting roles as farmer and hnmenitarian.(C. BROWN begins to sing, LINUS continues monologue) Secularly (J=132) — a : = = G = vues eT oe oo Se] Se pte eZ. oe Se = (C3R- Paro CancerThe Bs Rep” 9 (LINUS: continuing) Peter Rabbits established from the tat. F i 167] 1c, BROWN) start writ - ing now real - ly rest - ed, It could £ 8n.uem atpontobow (bar 6 eared fet”) up - set my think -ing which is no good at all, I'l get a ooo ee Ham wir, Pro, Vibes ' not due till Wednes-day.. So. I'l EEE b ee = = SS 6 sas — SS have all of Tues-day un- less some - thing should hap - pen. Why does (CER Pao Conde90 Te Book Rega! (75) (cmrown) this al - ways hap -pen? - out - side play - ing get - ting air and sun-shine. I work best un - der pressure, and there'll wait till to - mor-row. I should start writ - ing now. But start writ- ing now when I'm Poco crese.91 = ——S SS not real - ly - rest - ed, It could up = set my think=ing which’ is | TT poco rall. [a tempo} i Ee tuey, Vivo mo good at all. © The mame of the Rab - bit was Pe - —— four, Twen-ty-five, Twen-ty-six, Twen-ty-seven, Twen-ty - eight, Twen-ty-nine, Thir-ty. Hal [90] °. Tempo (J=166) SCHROEDER Down came the staff on his head, smash! And Ro-bin fell ike a sack fill of hy = + ma CBR- Pin Conic10. Toe Boa Rear oa) of ‘- nf {SCHROEDER] ‘i = = = = = SS ae é SSS lead, crash! ‘The Sher-iff laughed and he left him for dead, Ah! But he was acy A 198] scumosomn plz Pro, De —=—~ = =~ = = eS Sa = & i = c= ust then an ar - row flew in, whingl It was a sign for the fight to be on =. be x c= = =>——F = a === = 5 2 -—— be eid gin, zing! ‘And then it looked ‘like the Sher - iff could win, Ab! But not for ave 2 — —, bee) = SSS SS Saas 7 = ¥ E = (9008) e 7 *. 2 = ¢ = =| —S = campo."Te Bak Reger™ 8 Who mn alot, As you can tell ‘From the sto-ry Of Pe-ter (@8.0%e. cer) Reb- bit, Which this re - port %% ap a ae (SALLY & SNOOPY erase with a butterfly net continuing their rabbit chase.) SALLY & SNOOPY Rab - bits, rab-- bits, rab- bits, tab - bits, rab - bits, chas - ing ro. Vn. st molto crese. | | | L | I woo CAR Fon inc12-"The Book Reger 118] Grandioso (¢=128) Lucy = = 5 os - a ‘There were C.BROWN 3. How do they o oe ae ——s ex - pect us to write a veg’-ta-bles in just__ two i ———— SS — = $ = = $ Such as car - rots, and spin - ach, and on - ions, And CBR ne Condorcan they cab - bage, and string beans, ta-toes, as par-a-gus, caul-i - flow-er, and tur - nips, and pars - ley, And to. make life a k - ra, and thu-barb and chives. 2 (CBR Pista Candar foes ma an «MPa BP pot td 7S = i i s96 "The Beat Rep LLINUS: Not to mention the exteme pressure exerted on hima by his ‘deeply rooted rivalry with Flopsy, Mopsy and Cottontail Lucy e Pe-ter SCHROEDER The = fp molto cresc. 8, Pro. Tin, [137] Vivo (=s04) w. Rab- bit is this stu - pid. book a - bout a stu-pid rab - bit who steals SALLY & SNOOPY (Appearing from behind the Wall, they join the sing.) Rab - bit chas’ - ing, mab - bit, chas - ing, name of the book a - bout which 2 ‘This , — sc. Fm = & = . = oe t- o = SS roto Se Oo T start writ - ing - now when Pm not real = ly rest-ed, It could Liwus E What drove an oth - er - wise mor - al rab (137) Vivo (@=164) «vn calesonnoeoen on —— —15 The Book Report" 2 k ; up - set my think - ing which is no good at all to per - form = gar - dens, Sev-en-ty - five, Sev-en-ty-six, - Sev-en-ty- ing Chas ing! Rab - bits, rab - bits, bit” “Pe-ter Rab it” ‘All__for one, ev) = ty n 3 So - G-o - log-i-cal Ol. vn a a submip — crese. poco a poco CCBR- Plane Coaeoe98 -16-"The Book Rep Eighty, High-ty - one, Bigh-ty - two. sev - en, Sev-ev-ty-- eight, Sev-en- ty - nine, Find a rab - bit, first thing af - ter Fam’ -ly pres - sure, [147] Aa ibitum feadenza} And they were ver - y, ver-y, ver-y, ver-y ver-y, . ver-y hap-py to. be cntonat Sra (CR. Pano Cota:| 2 1" Book Repo” ‘Ninety-four, Nine-ty-five. The ver-y, ver-y, ver SCHROEDER [157] A tempo (160) Pe- ter Rab-bit, Pé - ter Rab-bit, SALLY & SNOOPY 4 Rabo - itt Pe-ter Rab-bit was a coarowy * BRON "book report on"Pe-tet Rab Linus So. - i= o-log = i-cal [157] A tempo voiced Pre, 88, Os (COR- Plane Contactor100 sa. sh sc, oS. ww. 18h Beak Rep” ® Pe - ter Rab- bit, Pe - ter Rab - bit, writ - ing, You can ter-Rab - bit, Rb - +) Pe - ter Rab - bit do it, Pe - ter Rab - bit, bit! Noth - ing » a = = ; = SSE Pe - ter Rab - bit, Pe - ter Rab - bit Rab - bit, rab - bit, rab - bit, CBR Pine Constr ab - bit, fie Rab - bit, ‘crm au rab - bit, rab - bit, rab - bit, rab - bit, ‘fab - bit, rab - bit, fr marcatorab - bit, rab -bit, rab - bit, rab -bit, rab - bit, have-n't even ‘start-ed yet! rab —bit, rab - bit, tempo [move it!] bit. A tempo [move it!] tree TELE: Pe-ter c-prown P°- ‘SCHROEDER tL Pe FP (95.0.r0h fp —— | vd End of Act One102 act two No. 15 The Red Baron - Melodrama (Orchestra & Snoopy with [offsrage] Sally) (Cue: (Wartime sound effects~explosions airplane engines, sirens, gunfire, et. ‘The sound volume diminishes and fades out under the opening measures of music) Military four (4-120) [2] SNOOPY is discovered cn top of his doghouse) (Reh, piapo pay cv if ‘no drums re present] soa PB secures SNOOPY: Here's the World War I fying ace igh over France in is Sopwith Camel, ... searching forthe infamous Red Baron! [10] Gently herote Cl.86 ve PP er sacousle Be, Or, Trmust bring him dowat P TEErercer|? Veer vercer CBR- Paso Conductor2. Tee Re Baron Neloenms 108 er? story Succnty F| es ee —— os L : ant-sitcraft fire archie we used to cll it, began to burst beneath my plane. z ‘The Red Baron has spotted sme. SS 01a ye aS {in fermata:] (Actually tough flying aces Youcasthitmel — BEMAY Nye MDC sin) i (28) a a.m spot [dialogue] a Foot TBs tam. sulzont104 3. The Res Boon —Meloeana (SNOOPY:)... to have to fight the Red Baron without having to fly in weather like this, ‘Allright,Red Baron! Where are you! You can't hide forever! Ct, Va.Pro, Rie Gy. 82,8. Pro, vely vel vel yeu [37] Soaring & relaxed SALLY (offstage — unidentified female voice), Bs, (mae on susp. Om. sust) SNOOPY: Ah, the sun has broken through .... Tansee the woods of Montsec below ee i a oF CCER- Paw Concer4 ee Red Base - Melo 108 P* el SNOOPY in cosira nd tt? SR fe EAT Intense) ye gan i ie, Ra Ba eles xP ie oe = 7 o [54] 'SNOOPY: He's diving down out ofthe sun! 18°F, Va. Pro, ids Gym S'S e (COR- Pane Contacte108 (SNOOPY:) He's tricked me again! let's go! Go Camel, go! & [63] The Great Plane Ride 5-The Ree Bon = Melon Tye goto run! iy (CBR. Pan Cone ‘Come on, Sopwith Caml, SALLY (offstage ~ ad lib. chromatic “siren” ) _—— Aah,-6-The Ret Buon -Melosnmt 107 SNOOPY: Tean’t shake hima! He's ridaling my plane with bullets! [74] _ swoopy: Curse you, Red Bara! es te [Reb piano play cue ino SFX ie preent) Es (0.00 - = GNOOPY:) Curse you and your kind! b, 2 T (SNOOPY:) Curse the evil that causes allthis unhappiness! ba (COR- Pine Coutaee108 <1 The Red Bion = Melrams 5 EOE GE bE zips xhz= esc, 3 2 caveats on ' AY es. sust (eCrshOym. ro) (Fie or.) (saat -T a0) 4 il ‘SPX Ata onane spetengoutroses, [85] SNOOPY: Here's the World War I fiying ace | (Poort 0) | ——— o = = oo = [89] ‘ack at the aerodrome in France, he is exhausted and yet he doesnot sleep, for one thought continues o burn in his mind Fj oes ‘Taste Someday, someday in fermata) 1 get you, Red Baron! _ z babe gh [Blackout] ——— LSE— I 2 iii Te 8s, Po, Oe z CBR: Pian Contacte14 <9 -Me Bal Gane [125] Tempo I Whisper chorus Which is (Ge tect) (LUCY:) Imean this kid can't pitch He pitches like my grandmother, Charlie Brown. here! We will show you we're the > just bear down—and when you get to first, watch me for my signals. Gotit, Flash?” ver-y litte league this we'll be big _time With the big PRR [tetera R- Pan Contute ordinary tone SAJSNISC/LI. LUCY: (19 C. BROWN) Allright, Charlie Brown, we are all behind you—sort of our team ‘Now all you have to do is bear down, best team league base - ball=10-“Toe Baal Gare Broadening LUCY: ..and the championship is ma _LUCY ours! fp dd SALLY whispered echo Ours. Ours! Ours!! {a tempo} Waltz (@-=60) C.BROWN me with one ‘quasi music box (CBR- Pine Conta 15126 11-"Te Besa Game [c. BROWN] ° 7 strike co ae Then 1 saw , OTHERS whispered ae == One strike! One. strike! [C. BROWN} this cute lit- tle Red-head- ed girl a 175] Growing in intensity ‘know, —_____ Fimn-ly I vowed I would win it for vn. a loco Yo, Vibes wn a ree te<12-"The Bell Gane 2 shoul-dered my bat and I swung... [He swings inhale) pies exhale) OTHERS Uh, Tm told where you live is _—-Real-ly quite far. Would you please send di - rec-tions on how I can get where you (BR Pian Contact128 1 --ToeBaebal Gane [195] IC. BROWN} ad libitum ‘Your friend, 2 Bate vn Pp No. 17a After Baseball (Orchestra) Applause ~ segue Cue: (Applause ~ segue from No. 17 "The Baseball Game.”) Moderate four S07. nf een.to ip pr Cr” (SCHROEDER & LUCY enter) [dialogue]129 Quick Changes - Crabbiness Survey Coa Cueto continue: LUCY: fled SIUC. (shouting 10 offstage) Who war, ‘with the glow of self-awareness. 4 Sis) "Know thysel,”bamph! music in.) mere One : i" ‘i Swing eighths LUCY goer fage—retr witha ciphoarend peri 7 ‘E-BROWN enters with SNOOPY. music out Pre. ao wage > = [dialogue] —p, iWtiga zy Cueto continue: LUCY: ow fat SALLY enters, as she crosses "word ofthese surveys gets arour ne LUCY stops her. music out) (LINUS enters) Fy Pre, (dialogue) Fe a 2,08, Ors, . 17e Quick Change - A Loving Little Brother (Orchestra) [dialogue] (osuep. 09m.) is Soprano, to & Tene Racor: (nstuments coubea by Reed Vn.Va. end Bass pyre] as = Np |e (CBR. Pass Caner,bo | No. 18 “Glee Club Rehearsal” (Gally, Lucy, Charlie Brown, Linus, Schroeder & Snoopy) (Cue: SCHROEDER: (blows "C" on apitchpine. The GROUP responds in “unison,” but each with his own idea of the pitch, SCHROEDER cuts them of and says:) Remember Adagio con brio. Moderately slow (/=120) SALLY & LUCY Ob, give me a home where the buf - fa-lo roam, Where the deer and the C.BROWN & LINUS Ob, give me a home where the buf - fa-lo roam, Where the deer and the like a PTA Mosher [rigid harmonic rhythm oblivious to nuance) (Phy Voice cues forebears only) of oie ue ‘scout Be. pi cole ve TRed ct Va oP ce Porc taco bar] Give me my pen-cil. Where an - te lope2-"Giee Cb Rees” mn ag-ing word. a . 017) a, = = ~ | 4 day. If you don’t tell me what you told Lu-cy I'm just going to scream! Give me that pen - cil you block - head! I day, Home, i a2 a12 tell her! ke Cub Rebeca” Give me my pen-cill Where the deer Where the deer Not un - til you play. What~'re you try-ing to, do, Sti-fle my free-dom of (CBR Pin Contacte"Ghee Cb Ree 13 Give me my pen ~ cil! No prom - ise, no134 5-"Ciee Cb Reheas [33] (SALLY victoriousty holds up the pencil.) SA What pen - cil? Oh, ce day, —______ Oh, give me a land (LINUS discovers his pencil is missing.) where. the day. No! Give me that pen - ‘SCHROEDER: Sing! : nif _with vigor Li-mus, it, just is-n't fair! — Flows_ ei = sure-ly down aff with vigor the wy, : —- bright dia - mond sand, Hlows_ lei = sure-ly down. the tf with vigor cB, bright dia - mond sand, Flows lei - sure - ly, lei sure-ly__ down the iff with vigor a bright ia - mond Flows. lei - sure - ly iff with vigor hs (CBR Paco Conse6 "Glee Cb Rebun 135 of Where the grace-ful white swan goes of ‘Where the e-ful white 2 grace-fal wh swan of © cnipering NUS) “ream. (Why did you take Sal-ly's pencil?) Where the grace-ful white swan goes (LINUS stomps affitage in desperation) Arguh! Peper Bs per. cole LM Pa, What did he call me? ... = ‘gia ing a - long Like a He said. He said you were... slid - ing a + long Like a maid ina heavy - en. = oy (CAR Pew Cntione136 27a Ca Reet” = An en-ig-ma! An en-ig-ma? SNOOPY (SALLY stomps offtage.) SA. What a ter-ri-ble thing to calla... What's an en - ig-ma? Nev-er mind! w. ca, (BR Pano Contacte ee eee137 (oC.BROWN) 5 (What's an en-ig - ma?) an - = lope GoSNOOPY)_3 and the— (What's an en-ig- ma) _ play. GoNOBODY) 3 ‘What's an en...? (LUCY exits) we Hey, he’s still got_my pen-cil! (C.BROWN exits) i ce Where sel-dom is heard. a dis - cour - ag- ing word ‘SCHROEDER a And the r dimin. poco a poco (CBR Pima Caner| 138 9 lee Ci abe [SCHROEDER] (SNOOPY blows SCHROEDER a kiss) a skies are not cloud-y all" day. SNOOPY (Howil)__ 0. val Applause — segue No. 18a Quick Changes - Snoopy (Orchestra) Cue: Applause segue from No. 18 “Glee Cub Rehearsal.” Swing four ——_, Pro, woe sus Ee db Oy, POSH tne ty rr = = Cueto continue: SNOOPY: Probably Tighter the invention o 00}, a Quickly [dialogue] npr to Bs ii Het witrushes| ae Cue to continue: SNOOPY: ...just stare (Cueto continue: SNOOPY: Sea Ea at em lke this... (He stares ar SALLY who ‘T'm stuck with tingly teeth. ‘itches in exasperation. Music in and Segue) Groovy four Gospel Or. Ao 20%. [dialogue] a i f ftir {dialogue} Segue BR. Pine Contre139 “Little Known Facts” (Lucy with Charlie Brown & Linus) Se eee (LINUS enters followed by CHARLIE BROWN) ” — omeo 28g ePte se ==——-=— ee z S i = a . ft _? SSS —#. = 1 =|} = SSS ‘C.BROWN: Hi Linus, Where are you going? LINUS: Lucy's teaching me, Charlie Brown She says a sister is responsible forthe education of her litle brother so she's teaching me. Boy is she intellegent. LUCY: (entering) Come slong Linas od re repeat ad lib, rr a abp . . +s —- Ss (52. tc) Gate) p 5 vee, Do you see this A140 +2. Known Fe 0161. wes ° Ja si mp ——— | = 85,30, HH tne | cause it gives us fur, For coals. Ik also gives us wool inthe Pao LINUS: I never knew that before. Lacy, that's very interesting win-ter-time, This is an P Bete ee, elm ree. I's ver-y —lit-tle, But it will grow up , in - a ocr. |va.beoeess |Saatonoe) Pn 85,80, HH tine: CBR - Plane Conductor 7e tite Know Fa 14 tell how old it by count-ing. its there, . Those fluff-y lit-tle white things, Those are clouds, ap They make the wind blow ny lit-tlerr Line Kowa Fa qucyy black things, Those are bugs ‘They make the grass grow. = : = may ! i Cueto continue: LINUS: I tht so? E-BROWN: Oh, god gret. [66] LUCY: Thats ight. They run around repeat ad lib _ 2 lve. Bs, Dre, Pro [72] ‘And this thing." here. W's called a vn, C4, Pro, —<— They grow all o-ver, and no_one seems to ‘e* cuvn (ATES5." Known Fs” 13 A. it-tle thing like that Gives so. much wa-ter. D’ya see that Vn —— 21a > Dj he It’s called an eagle, : it's lit-tle 12 : ‘vn i it hhas an-oth-er mame, A. spar-row, And on Christ - mas_and Thanks = giv - ing We i ee ©. BROWN: Lucy, how can you say that! I'm sorry but just can’t stand idly by and listen to your wild...44 6." Kaown Fits” the little stars and plan — That falls in show - ers, it's cold And win-ter is up- vn by SSS | == = Der p E C. BROWN: Now, Lucy, Tow thas wrong. The snow comes up, Just like the flow - ers. Ft Pr be Teal | i = eae) (dialogue continues to cue) LUCY: now comes up! LINUS: Lucy, why is Chasie Brown bang ‘€. BROWN: Oh, good gre! (Bur uptage of ree) Cueto continue: LUCY: Come along, Lins. repeat ad lib. d 1 a a ” [dialogue] mf (ast ine) F : be wan. 82,80, Pr. CR- Pine Concer| | <7 ite Koes ate 145; “Clouds can make the wind blow, Bugs‘can make the grass grow. So, there you ihn Pre. These are lit tle known = kvm Be, Os, Pas146 No. 20 “Suppertime” (Snoopy with Charlie Brown and Gospel Chorus [offstage]: Sally, Lucy, Schroeder & Linus) cieeteats operates Sorcnmas aioe cornet scorn, SHO oh pe but the bleached bones of. te with your supper. ae : [dialogue] 7) o a sscouste Be are con sot i] snoory Quast recitative Sup- per-time? Sup -per-time! Be-hold_ The brim-ming bowl of meat and i ke Gla, eCencan Gand 6S. “ips Be area oor o je ‘meal_— Which is brought forth to ease our un- ger, Be- hold The flow-ing fla-gon moist and —— ao, i (CBR Pian Contact2 "Supine Which has been sent to slake our thirst Oo Bese (He sin. rrovghbars2) @ Doo doo Doo doo doo— doo. doo doo. 17 C.BROWN: Okay, there's no need for a big production. Just f= get down off that Soghouse end eat Doo doo doo doo. It'sue suet 2271 svoorn sup~per - time. it sup - per - time. =e e [RH. Piano play harmonte ee, hough ba 32, for eescel only ou ou sup.- sup - sup-per-time, ver-y best time of day. o (35] sup~per - time. _ : And sup-per-time comes can sup-per be far [Reh poopy Soeif bo due tre pretv4 Serie us [143] stop time ‘Bring on 4, De, Pro. o Bring on the ba-con and —fill«S=s me. up. ‘Cause it's. sup es £ Supper, sup per, sup - per (Whistle) 1151] Brighter (CAR. Pino Conor150 25 "Sepa [sNooPY] Da-doo-m-ba-dah, za-doo-buh ya~ba doo ba. Sup-per-time.— [59] Vaudevitie Bon” Fs doo doo dot - doot, ye cn. po. play cue if so edn ae present Le 2 a pe ie t t¥ rT Fh reas [67] Stop time (CBR Pan Concrete<6 "Sapper 1st Bring on the bar-rel and roll-me home, *Cause it's 3 Pro Sup-per, supper, sup-per super pep-per (SNOOPY mimes drum solo.) 44-per sup-per - time! meet oa) elewere end [79] zt t es = | fide deem | f Win-ter-time’s nice with the ice and snow,— ‘Sum-mer-time’s nice with a Pro. vn. tam) ols place to go. =: anf oe : Poco a poco crese. Ba +P no, Dra 2 z= @ we (CBR. Pano Canueor ve ve vou132 <7 Supping” Bedtime, -ver-time, half - time too, But they just can’t hold a can-dle toMy Fro. poco rit. | p [87] “Jolson” ” (d=78) oe Sup - per - time! — Sime Fe er, re tne UReb, po. play vei sbarume fe resent] [95] G=1s2) ing on the hamburg, bring on the bun, Pap-py’s lit tle pup-py loves (CBR. Pin Conver* = ry-one, ’Cause it's Sup-per, sup-per, 8. Dre © Sup ~ pen— Su-per pep-per up-per. Sup = per — su-per du-per sup-per. - zs f 2 Fast gospel two (J-444) {SNOOPY] (107) “Scat” ime! Whoo! Smet “Gospel chorus” 00 SCHROEDER & LINUS (ofage) ‘ \ = rier tS " SALLY & LUCY (offstage) a) i tw Sup=per = timel— ¢ € ¢ Fe | ed 7 Behe rn (Drums st enpo | 1 80,08. oe g no on Tbe aia hae can. eet154 9 Spine” {SNOOPY} Bring on the meat! o (SALUISCALI] ‘Sup-per-time!— Sup-per-time!— time to eat. Sup-per time! Sup-per-time!— — TT 1119] G0 fo churn Oh! Yeah! Sup-per- time! Sup - per - timet_ egzepelore = Be, 01 Tard. CCR. Pine Contcor10-"Suppenioa” 455 on, bring on the soup lsh! be (Cue to stop vamp: C. BROWN: Now cat that out? GI | P vamp con the ham-burgt (ding nprovicron E b } ‘Abo 1818 Se ime, ete, | | i t BROWN: Why Slow (J=112) ® | aimly like any t ‘tae normal dog? SNOOPY: (ery 3088) Solwia's wong wit making Sup - per Supper, sup-pet, sup-per - a iF Cease a I Be, Os, CBR- Fano Cnasce136 , Seppe” af dig ritard [cadenza] [Blackout "D pre. wit ting proven Tamb, susan hake, Oy. oo ag wk” B o y alk sl. . Applause — segue No. 20a Night Scene - Underscore | (Orchestra) Cue: (Applause ~ segue from No. 20 “Suppers.” Music in. Lights up ona drop ofsarlit night sky) (LUCY & LINUS enter—dialogue,) At cue: LUCY: ‘blinking on and off (SCHROEDER & SALLY enter) (SNOOPY climbs onto his doghouse ~dialogue.) Give to continue: LINUS: ...over here to get a closer look. ue to continue: SNOOPY: needed. p te 7 emai, = [vnVa., Bs. facet) 5 (C.BROWN enters—dialogue.) So Ha a 4d a a Segue“Happiness” (ull Company) fom No, 2a Night Scene = Unersoe. ih come up day) exGidOwn inant Ren such abd dy at ‘Moderato (J=120) . C.BROWN SNOOPY Linus Hap-pi-ness is find-ing pen-cil, Piz-za with sau-sage, Tell-ing the time. SCHROEDER = Hap-pi-ness is leam-ing to whis-tle, Ty-ing your shoe for the (1) SALLY © + ver-y first time. Hap-pi-ness 5 is sazousie Se are (CBR: Pan Cntr158 2a SALLY] c. BROWN = ——— —? —| & ——F play - in’ the drum in your own G.va school band. And hap - pi-ness is walk - ing hand in hand. or =a two Kinds of ice cream, Know-ing a sec - ret, Lye fone ; mg > ee eee Oe) verses 1 a | 2 , Fay fa BE —— SS = — ane) i oP ? ‘SCHROEDER C.BROWN Hap-pi-ness _ is ao, “em limb = in —— Climb-ing a tree. Baa vine eu Ve. @s) (aR. Pane Condor3 Hopes 159 SCHROEDER (© five dif’-rent cray- ons, Catch-ing a fire-fly. Set-ting him_free.. Pro. ve J fre ¥ os a eu Mod oo i ee a oe [29] c.prown ALL o Hap-pi-ness is be-ing a-lone ev'-ry now and then, And Vee hap - pi - ness is com - ing home a Pro, ———— ie = Meee mor = eve - ning, Hap-pi-ness is miom ing and BY pms cme Va {e.cacao) (CBR. Plane Concer1 cano 4 tpi oes [C-BROWN] We Day-time and night - time r Sharing a _sand- wich, Get-ting a - long, a “MT 7 NF CBR: Po ConareeSapien 161 SALLY & LUCY a Hap-pi-ness is | sing - = ing, sing -ing to - geth- er when ‘SNOOPY, SCHROEDER, C. BROWN & LINUS ee ee Hap - pi- ness is singing to - geth-er when day [orc taco Va fon) is through. And those who sing, those who sing with you. Pron Ch¥n arco. suet Oy. [62] oe those who sing with Mom-ing and eve ~" ning, | Hap-pi-ness is mom-ing and eve - ning, as —_ | ee md2 6a promena saLLy Slower tempo ~ [Lucy Day-time and night - time | too. (MEN) SNOOPY & C. BROWN] BROWN SCHROEDER & LINUS Day-time and nigh - time “too For hap-pi-ness is Pi InN, 2 bike & e Bets, tne a molio Ti, —— et (opm om) an-y-one and an-y-thing ccs &*--. That’s loved Bete Pro. a oe -~2# lc oe — = (General exit) Pro. (nl opt taza te bar 7) (ars (pt tact bar 7) a ' a ‘You're @ good man, Charlie Brown! — ‘vos, Pr, Be Segue163 F k a B i? Sa © Ga: Segue from No. 21 “Happiness”) Solid four (4=120) (COMPANY enters and bows to applause) Pre, cf Fe dor wim or nim = ea Peon a et (CBR. Pine Conseicewee DAA Hap - pi - ness SALLY. LUCY too. SCHROEDER ‘C, BROWN & LINUS tones x 2 mom-ing and eve For hap-pi-ness SE oe ning, . Day-time and night - time +0 Hap-pi- fap pi-ness, 2that’s loved 8s,80, [28] Charlie Brown groovetest 4. 4 SNOOPY you. C.BROWN, Hap - pi-ness_” is SALLY & LINUS o you. Hap-pi-ness is an ice SCHROEDER Lucy ‘you, ‘You're a good. man, Char lie Browal Charlie Brown groovefest eR ees (CBR Po Cantor 165 z 25! Oh, you're a good. You're a good_166 A.B [SX Oh, —— you're a good man. (33 Hap - pi- ness— yrone. y-- thing (SA/LL) @ & Hap-pi-ness is a_ sec-| Hap-pi-ness is a iLuusc} = You're @ good man, Char - lie Brown! man, Char - lie Brown! you're a good man, Char « Tie Brown! Char - tie Brown! You're a good man, Char - lie Brown!Exit Music (Orchestra) | cues Seate fromWNo, 21 Bows.) Groovefest vn [7] Swing four COR- Pine Contscoe| | a aac af Ws Saueeieend i ne ea : her ++ Bm = | sm bteat troigbas2) 6 (CBR Pine Censor3-BaMine vn (34) 3" 16 te Bs, Pro, Dr. ine Fast gospel two 4 2 A Gena) if Ry poo pay eue it So drums ate present) 1 = [Drums sei tempo] = 4. 2 ch mg bd 14 (inane aoe)(or. 154] ‘Mo, Gospetorg 8s, Or, Tan. 7 3 jo . pd’ © vamp (four times] io Sean sin big ritard — [cadenza] > wat a, |000 2fGenst " a ———— vt STS) wir zatn Tent stn stats ei = Pa $$$ | ai | bg. 4 gf g = ee 5. S ws eee 3 a = the Bnd