Answer Key Section A One Mark 1) D 2) A 3) A 4) A 5)
Answer Key Section A One Mark 1) D 2) A 3) A 4) A 5)
1) D
2) A
3) A
4) A
5)
21 AM radio is amplitude modulated, meaning that the amplitude of the carrier frequency is varying in
the same manner as the audio signal you are transmitting. FM radio is frequency modulated, meaning that
the frequency of the carrier frequency is varying in the same manner as the audio signal you are
transmitting
22 Satellite Radio In this type of radio stations, the broadcast is done through satellite signals
rather than an antenna, allowing it to reach a wider area. The sound quality of programmes relayed
by this type of radio stations is also higher. One needs to have a subscription to listen to satellite
radio stations. e.g., world space satellite radio
23 XLR stands for "External Line Return". XLR connectors were invented as a means of passing large
electrical currents cleanly, while providing a standardized connector for most types of audio devices, such
as speakers, mixing boards, amplifiers, microphones, and other recording equipment.
25 Radio Mirchi is a nationwide network of private FM radio stations in India. It is owned by the
EntertainmentNetwork India Ltd (ENIL), which is one of the subsidiaries of The Times Group. mirchi is
Hindi for Red Chilli. The tagline of Radio Mirchi is "Mirchi Sunnewaale Always Khush!".
26 That is, buying commercials, frequently called spots in the radio industry, to promote their products
or services. Advertisers pay commercial radio stations for airtime and, in exchange, the radio station
broadcasts the advertiser's commercial to its listening audience.
27 Bi-directional microphone:- Here again as the name (bi) suggests, the voice or sound is
picked up from two directions. If you are recording an interview in a radio studio, you may use
this type of a microphone.
28 The script is examined to make it suitable for broadcast. It is examined according to the
principles of writing for radio or in other words ‘for the ear’. We will discuss this is detail in the
next section.
29 Radio drama There are three methods of presenting radio plays: (a) as completely self-
contained plays of 30,45 or 60 minutes in length; (b) as serial dramas of 15 or 30 minutes in length in
which the action goes forward from one episode to another; (c) as series drama, each broadcast
generally lasting for 30 minutes and completing one whole episode of a continued story; the principal
characters reappear in new situations in each new drama in the series.
30 In music, a radio edit is a modification, typically truncated, intended to make a song more suitable for
airplay, whether it is adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits
may also be used for commercial single versions, which may be denoted as the 7" version.
31. a
32. a.
b.
33. a. Radio jockeying is to present popular songs and programmes like film songs on public
demands. Radio jockeys (RJ) adopts various tricky, funny style of presentation to attract and keep the
audience with the station. It is the duty of RJ to retrieve the disc from the archive or stations disc
library or digital repository and play it with interesting introduction.
Normally, RJs are criticized for being more voluble and talking too much. But, a good RJ keeps a
balance to entertain the audience. RJ makes enough preparations before presentation and keeps
him/herself a radiogenic personality. Well modulated voice, proper pronunciation and delivery,
awareness and general knowledge, alertness, microphone manners; and love for broadcasting are the
attributes of a radiogenic personality, RJs present themselves as pleasant, friendly, cheerful, active,
team players and confident. RJ shall be practical and rise to situation.
b.
34. a.
b.
35. a.
b. Sound effects: Sound effects in a radio programme give meaning and sense of location. It
adds realism to a programme and helps a listener to use imagination. Think of a crowded market
or temple. If you are creating that scene in a radio programme, you do not have to go to a
crowded market or temple to record. Well, you can record those sounds and use them. But in
most cases, you use sound effects which are already recorded. Sound effects can be used in two
ways:
(a) spot effects or effects that are created as we speak and
(b) recorded sound effects.
If you are recording a radio programme in which someone knocks at the door, you can make a
knocking sound either on a door or a wooden partition. Or you want to show that someone is
pouring water from a bottle into a glass; here again you can use the actual sounds produced on
the spot. But if you want a lion roaring or a dog barking, you probably cannot bring a lion or a
dog to the studios! Here we use recorded sounds which are kept on tapes or discs. Almost all
sounds are available on CDs which you can try and use. There are also certain types of computer
software available for this. You can also create sound effects. You can use two coconut shells to
produce the sound effects of the sounds of horses’ hooves.
36.
37.
38.
39.
40. Radio drama
In many ways, radio drama differs from theatre and television dramas. Radio dramas opens unlimited
options for the listeners to imagine things mentioned in the drama since everything is presented in
dialogue or sound effects. It means that there are no limits on the imaginative potential of the
dramatist and there are no limits on how the radio dramatist can express that potential since the sound
medium is free of all the physical and practical limitations of the stage and film set. A radio play can
move through any dimension of time. It can move to any location. It can voice surrealist and
subconscious feelings and image very easily.
A good radio dramatist makes a creative interaction with the listener to create a unique world in the
listener's imagination. Theatre, film and TV plays paint the colours for the audience, whereas the
pictures in the mind of the radio listener are very personal to that person alone. This gives radio a
special intimacy. Radio is very good at dramatizing what people are thinking. The contrast between
what people says and what they think can be shown very effectively on radio. 'Interior thought' is a
convention which is special to the radio medium. In radio the listener can be instantly transported
inside the head of a character and can hear those secret, private thoughts that are often better left
unsaid. Radio drama has been described as 'the theatre of the mind'. The key to writing successful
plays for radio is to realise that the listener can only understand what is going on by what he or she
hears. The physical environment and the appearance of the characters depend on what they say and
the images created in the listener's imagination by words and sounds and/or music.
Section – B
Section – C
Answer in about 200 words each choosing either (a) and (b) (5X6=30)
Section - D