Short Analysis of Robert Browning
Short Analysis of Robert Browning
Meeting at Night
Imagery:
Sight : “grey sea”, “long black land”, “yellow half-moon large”, “startled little waves”, “fiery
ringlets”, etc. (almost all the parts of this poem give sight imagery).
Surface meaning:
The Robert Browning’s poem, as the title shows it, is about a meeting at night of a couple who are in love
with each other. To meet the woman, the man should do a very long journey through the sea with his boat,
walking through three fields, until he arrives at a farm. Still, he has to be very careful when meeting her
because exactly they are not allowed to meet each other. That’s why the man comes at night and they should
talk with a very soft voice.
Deep meaning:
This poem is telling us about the process of a relationship. When someone could not find his love, he would
feel so lonely in life. Robert Browning represented it with the phrase “the grey sea and the long black land”.
Love can be aimed to someone or dream. Then, to be able to reach his love, he passed trough many
challenges and restrictions. However, he did it happily since he has a big optimistic. After all the hassles, he
succeed to find what he’s been looking for. The loneliness then is gone and turned into brightness (“And
blue spurt of a lighted match”). Finally, he got what he had been dreaming about.
Themes:
A success will be reached if someone has a big motivation and works hard pass trough many
challenges and restrictions.
Messages:
To reach our love/dream, we have to work hard and enjoy the process. By doing it, we will find the real
happiness of our success.
What is Imagery?
Imagery, in a literary text, is an author's use of vivid and descriptive language to add depth to their work. It
appeals to human senses to deepen the reader's understanding of the work. Powerful forms of imagery
engage all of the senses.
Imagery is the use of visual or other types of images in poetry. The use of all kinds of concrete, metaphoric and
more abstract is called imagery. Images are usually visual, but they can have all the dimensions like: visual
(seeing), auditory (hearing), tactile (touch), gustatory (taste), olfactory (smelling), kinetic (movement) and even
conceptual (abstract).
There are seven major types of imagery, each corresponding to a sense, feeling, action, or reaction:
Visual imagery pertains to graphics, visual scenes, pictures, or the sense of sight.
Auditory imagery pertains to sounds, noises, music, or the sense of hearing. (This kind of imagery
may come in the form of onomatopoeia).
Less used