SCENE LOCATION SHOT DESCRIPTION SHOT - START/END (STORY) NOTES/ COMMENTS
Spray bottle for sweat
Pallavi starts to twitch, sweat
do you mean this (img. ref.)
1 1 CU - Top shot of Pallavi trickle down her temple...
if yes, then we'll be requiring
phone rings and wakes her up
a ladder and cam on gimbal
CU of side table with phone and
She reaches for her phone... frame Photoframe with picture of
2 photoframe - her hand enters
falls pallavi & Avinash
touches the frame, it falls
MS/MLS of Pallavi - moves her She gets up with a jerk...
3
hand over the frame setting it back into place
CU - Pallavi's hand going over the Pallavi runs her hand over the
INT./ DAY 4 Insert
MASTER frame (MATCH CUT) frame
BEDROOM
MS - Pallavi burying her face in She breathes a... buries face in
5
her hands hands, looks around
Wide - Pallavi alone in the room
6 She looks around...
(MATCH CUT)
CU/MS Folding the sheets/
7 hands across sheet to remove Removes sheets and walks away Lust stories ref
creases
Follow shot as she walks out of
8 Pallavi walks out of bedroom
the room
SCENE LOCATION SHOT DESCRIPTION SHOT - START/END (STORY) NOTES/ COMMENTS
Follow shot - till Pallavi
2 1 Pallavi walks to kitchen
reaches gas
Int. MS - Pallavi's back as she reaches
Kitchen - out for various ingredients Pallavi prepares coffee for herself
Day
Can also take an insert -
2 CU - Pouring Coffee into mug Cont. Pallavi prepares coffee for herself CU of water boiling on the
gas
Follow shot till main door -
3 Pallavi goes to the main door to take newspaper
she takes the newspaper
MS/CU She enters frame, sits
4 on dining table to read the paper
Pallavi sits to read the paper at the dining table
Int. Living MLS - She read but keeps looking
Room - 5 at her phone - picks it up and dials
Pallavi reading but distracted by phone, picks it up to call Avinash
Day
6 CU - phone screen - Pallavi calling Avinash 'Dialling Avinash'
Track shot - Side to front - Pallavi Dialogues from - Pallavi - "So toh...." Pallavi
7 speaking to Avinash -"Avi!"
8 CU - Pallavi Pallavi's eyes well up, wipes face, gets up
9 Follow shot - Pallavi Walks up till Anay's bedroom
10 WIDE Shot Anay's bedroom, A sleeping Blanket/sheet barely on his body
11 MCU/CU - Pallavi Pallavi opens curtains - Dialogue - "Good
mo... gayi"
12 MS/ 2 Shot - Anay Anay moves around irritately, pulls blanket close to him.
Pallavi enters - pulls blanket, nudges and tickles
13 MS/Objective - Pallavi Dialogue - "Nahi, aaj nahi... kaam hai!"
Int. Anay 14 MS/ Objective - Anay Dialogue - "Arrey kar lunga... please!" Anay pulls blanket back
Room -
Day 15 2 Shot - P & A P makes a face looking at A. P - "Anay, phir
mat...get up!" P exits frame.
16 CU - Fan switch P's hand enters frame and switches off
Room -
Day
MS - A
A removes his blanket, looks up, gets up lazily, cries and
rubs his eyes. P - "Don't rub your eyes itna
zyaada!" A makes a face a gets off the bed.
17
SCENE LOCATION SHOT DESCRIPTION SHOT - START/END (STORY) NOTES/ COMMENTS
Need grater, plate &
3 1 CU - Breakfast Grating carrots
carrots
2 CU - Breakfast Pouring milk in a vessel Milk and vessel
3 Int. - CU - Breakfast Cutting bread corners Bread slices, knife
Kitchen - P's phone rings (audio) - she reaches out to look at it
4 Day CU - Pallavi
instantly - frowns on looking at it
P picks up the phone & starts talking to her mother
5 MS - Pallavi (camera follows her) while moving around the kitchen.
Dialogue - Mother - "Morning beta...." - P - "Aniii!"
A is scribbling on paper he's kept on his pillow.
6 MS - Anay (frontal) Crayons, paper
Reacts to P's voice, hides the things & lies down
MS - Anay (side -from the room's A lying on the bed and mock narrating his line
7 enterance)
/ OS of Pallavi Dialogue - A - "O mighty...lord!"
8 Int. - Anay's MS - Pallavi Dialogue - P - "What is... clock?"
9 Room - Day MS - Anay / OS of Pallavi Dialogue - A - "Arrey brush... hai?
10 MS - Pallavi (sternly) P - "Aapko.... nahi?"
2 Shot - Pallavi & Anay A - "Aap peechhe...jao yahaan se!"
Camera PANS at the P's reaction (shuts eyes & gulps down
11 end anger) - pulls A's hand & drags A out as camera pans
12 CU - Pallavi (MATCH CUT) P's reaction
Int. - Bathroom 2 Shot - Pallavi & Anay P & A Exit from the bathroom as she drags him
13 corridor - Day Camera PANS at the
14 end
Int. - Anay's 2 Shot - MS - Pallavi & Anay P wiping A's head with towel. P-
Room - Day "Uniform.... rehna."
15 MS - PAN - Pallavi P enters bedroom, opens cupboard
Chooses clothes, takes them out - midway - notices
16 MCU - Back of Pallavi red file
17 Int. - Master CU - Red File
Bedroom - CU - Pallavi - side view P looks at it - zones out - back to senses - shuts the
18 Day cupboard
SCENE LOCATION SHOT DESCRIPTION SHOT - START/END (STORY) NOTES/ COMMENTS
4 Corridor 1 MS - Pan as Pallavi walks out of the bathroom Pallavi steps out of bathroom... COSTUME CHANGE for
towards the living room wearing semi-formal attire Pallavi - formal attire
Int. Living Room. 2 MATCH CUT - Handheld - Camera follows Pallavi as we see Anay sitting by dining table... smiles COSTUME CHANGE for
Day. Anay sitting at the dining table holding a sheet - camera cheekily, looks at Pallavi Anay - school uniform
moves forward to show him smiling cheekily at her
Int. Living Room. CU - Pallavi looking at him with a blank face,
3 Pallavi looks at Anay Comb needed
Day. hands on hips - exit frame
Int. Living Room. Day. 4 MS - 2 Shot - Pallavi picks comb, holds Anay's face Pallavi holds Anay's face
Int. Living Room. Day. 5 CU - Anay's face - combing Pallavi combing Anay's hair
MS - 2 Shot - Pallavi picks a mug and hands it Pallavi hands Anay the mug and
6 over to Anay. She then picks the tiffin and his bag. reaches for Anay's bag, which he pulls
Anay pulls it from her and keeps it himself. from her.
Int. Living Room.
Day. MATCH CUT - MCU Anay keeping bag aside and Anay keeping bag aside andd holding
7
holding mug mug
Pallavi is confused/annoyed - tells Anay to
8 CU - Pallavi's reaction - DIALOGUE - Finish Karo Jaldi
finish milk
MS - Pan - Pallavi enters her bedroom - stands in front Pallavi getting ready in front of the
9 of the mirror on cupboard mirror
10 MS - Pallavi grooming in the mirror, opens cupboard Pallavi goes to pick up handbag,
and picks up her handbag - notices red file notices red file
Pallavi goes to pick up handbag,
Int. Bedroom. 11 CU - Red file lying in cupboard
notices red file
Day 12 SIDE CU - Pallavi looking at file, turning back, then Pallavi goes to pick up red file, looks
back inside the cupboard as herhand reaches out at photo frame
Insert between 12
MATCH CUT - CU - Red file - Pallavi's hand
13 Pallavi goes to pick up red file (looking at photo
enters the frame towards red file to pick it up
14 MSshutting
MS - Pallavi - Photo frame on bedside
the cupboard, turning back Pallavi looks at photo frame frame)
Pallavi picks up red file and heads
15 with red file and handbag - decisive look and heads
out.
16 CU - Dahi Cheeniout - PAN
bowl picked up by Pallavi Pallavi feeds Dahi Cheeni to Anay
Int. Living Room. MATCH CUT - MS - Pallavi is feeding Anay from Alternatively, these
17 Pallavi feeds Dahi Cheeni to Anay
Day the bowl two shots can be
clubbed
Int. Living Room. Alternatively, these
Day MS - Palllavi helps Anay wear schoolbag, picks up two shots can be
18 red file. Both exit frame. Shot stays till we hear the Pallavi and Anay head out clubbed
door shut.
OMMENTS
SCENE LOCATION SHOT DESCRIPTION SHOT - START/END (STORY) NOTES/ COMMENTS
Camera Follows - as A pulls P's hand. Dialogue - Anay and Pallavi walk out of the house -
1
Mujhe Dar... Anay is scared - till "lag raha hai..."
2 CU - Anay sad and frowning Anay scared
2 shot - Pallavi goes on her knees to be level with
Pallavi soothes Anay's fears.. till "aur
3 Anay - pulls Anay towards her - Dialogue - "Darr
phir sab acha hoga, okay?"
kyu... aur phir sab accha hoga, okay?"
4 CU - Pallavi shutting her eyes as she's holding Anay Pallavi and Anay conversation
5 CU - Anay notices someone and exits frame Anay notices uncle
MLS - Pallavi's face - pan as she looks at Anay
6 Anay rushes towards uncle
runnning towards uncle
MS - Pallavi, camera follows as she walks towards
7 uncle - Dialogue - "Itni subah- subah uncle? Aunty Pallavi speaks to uncle
ne koi duty pe lagaya hai kya?
Ext.
5 Street. MS - Uncle and Anay
Day 8 Uncle's dialogue - Haha nahi... chhote packetne Uncle replies
bulaaya..."
9 CU - Pallavi's reaction Pallavi looks at Anay and chuckles
MLS - Uncle, Anay and Pallavi. Anay gives his bag
10 to uncle, takes out card and chocolate, goes towards Anay reveals the surprise
Pallavi
MS - Anay and Pallavi - 2-shot, Dialogues
Anay: "Aaj aapka... mat darna"
11 Anay conversation with Pallavi
Pallavi is overwhelmed, kisses Anay.
Anay: "All the best... okay!"
FOLLOW SHOT - Anay and Uncle drop Pallavi till
Uncle and Anay drop Pallavi till the
12 the taxi
taxi
"Uncle dialogue - "Madam ko sahi se drop..."
SCENE LOCATION SHOT DESCRIPTION SHOT - START/END (STORY)
Looking at card - reaction - phone
1
buzzes - picks
2 Phone CU
3 Pallavi reaction - cries
6 Int. Car - Day 4 Picks file
5 CU - file open - Resume
6 Pallavi looking out with hope
NOTES/ COMMENTS
