101 HITS FOR BUSKERS BOOK 2 PIANO EDITION104 * Aint Ske Sweet L Alll You Need Is Love Amazing Grace 8 And Love Her4 Angelo 5 Anniversary Song (Oh! How We Danced) 6 Auivederci Roma? ‘As Long As He Needs Me & ‘Auld Lang Syne 9 ‘A You're Adorable 11 Ballad Of Bonnie And Clyde (The) 13 Banks O! The Ohio 12 Big Spender 14 Black And White 18 Brazil 17 Burlington Bertie 18 + Bye Bye Baby 16 Can't Get Used To Losing You 19 Carolina Moon 20 Catch A Falling Star 21 Chanson D'Amour 22 Cielito Lindo 283 Dancing Queen 24 Danny Boy 26 Datlin’ 28 England Swings 27 Every Day 28 Georgia Or My Mind 80 Get Back 41 Gil Of My Dreams 28 Ged Save The Queen 10 Goodnight Sweetheart $2 Grenada 34 Green Green Grass Of Home 38 Guantanamera 38 Happy Days Are Here Again 87 He's Get Tne Whole World In His Hands 96 Hey Jude 88 Honeysuckle Rose 38 [Believe 40 “an See Clearly Now 41 1 Can't Give You Anything But Love 42 ILelt My Heart In San Francisco 45 [Wanna Be Like You 49 I(Who Have Nothing) 50 IflHod A Hammer 44 It You Know What] Mean 48 Ill Walk With God 47 It's Four In The Mong 43 Jeannie With The Light Brown Hair 48 King Of The Road 51 Buscer 2 Kiss Me Honey Honey Kiss Me 52 Knowing Me, Knowing You 8 Last Thing On My Mind (The) 54 Lazy River 55 Little Bit More (A) 56 Live And Let Die 88 Liverpool Lou 87 Long and Winding Road (The) 5 Love Me Tender 60 Love's Been Good To Me 61 Memories Ate Made Ot This 62 Michelle 63 Money Money Money 65 Mood Indigo 64 Mc. Tambourine Man 68 Music Goes Round And Around (The) 67 My Ding-A-Ling 68 My Love 68 Nights In White Satin 70 On The Sunny Side Of The Street 71 Paperback Writer 72 Pennies From Heaven 78 ‘Quando Quando Quando 74 Red Roses For A Blue Lady 75 Release Me 76 Sailing 77 Save The Last Dance For Me 78 Save Your Kisses For Me 79 She 80 Show Me The Way To Go Home 81 Side By Side 83 Sing 82 Solitaire 84 + Sophisticated Lady 85 Spinning Wheel 87 Sugar Sugar 86 Supercalifragilisticexpialidocious 88 Superstar 89 ‘There Goes My Everything 90 ‘Try A Little Tenderness 91 Tulips Fiom Amsterdam 92 Tuxedo Junction 93 When I'm Sixty-Pour 95 When The Saints Go Marching In 84 Why 98 With A Little Help From My Friends 96 You Are My Sunshine 99 You Won't Find Another Foo! Like Me 100 You're A Star 97 You're Nobody Til Somebody Loves You 10156 ALITTLE BIT MORE Wotds and Music by by Gosh G 2 be: £ When your bo-dy’s had me,— and I'm lay - DI Am Am7(55) ing flat out on the floor; when you think I’ve loved_ you G ——. — = Sa ¥ all T can,_I’m gon-na_ love you a lit-tle bit more, —_ Come I've got to be touch-in’ you. AL = z = 5 _— Let me rub your ti- red — shoul - ders the way_I used to do._ Look in - to my eyes — and giveme that smile; the Am D7 G 87 Em one that al-ways turns me on, — and let me take your hair__ down ‘cause we're AT D7 G stay-in’ up to greet the sun, And when your bo-dy’s had e -DOG D7 SSS EE Po think I've loved — you all I can,_ I'm gon-na_ love you a__lit-tle bit more._ G Am7 DI bie r ee # i = ta —s — Got to say afew things that have feel-ing all - right _ and youre c Am DT G been on my mind, and you know where my mind has been. — read-y for me, know that I'm read-y for you. By Em AT 1 guess1 learned a les - son, and now's the time_ to be-gin._ Webet-ter get it. on ____ now — ‘cause we — So if you’re got a whole life to live _—_ through. __. G Ev — And when your bo-dy’s had =e = nough of me,__and I’m lay - Am Am7(5b) D7 — in’ flat out on the floor; — when you think I've loved_you G bz G all I can, I'mgon-na love you a lit-tle bit more. When you11 A’ YOU'RE ADORABLE rcs and tusig by Buddy Kaye, Fred Wise and Sichey Lippman aS °C’ you're a cu-tie full of ‘A. youre a-dor-a-ble, 'B” Dm7 AT = = = — = —— = 6 SS a 'D you're a dar-ling, and 'B you're ex-ci - ting, and Dm7 G7 c DmiG7 C ‘F' you're a feath-er in. my arms, G' you look good to me, = = age = you’re the one I i - dol - ize, Dm7 G7 = Se J’ we'relikeJack and Jill, "K’ you're so kiss-a- ble, is the lovelight in your Am? Dm? G+ could go on al-pha = bet-ic-"ly — speak- ing you're o~ kay!_ D7 'U' made my life comrplete, means you're ve-ry sweet, dou-ble'U, X, Y, D7. Dédim c At7 pase aiemd Zee’, I's fun to wander through the al- pha-bet with you to Dm? cr Ve bm? c7_ Rc tell you what you mean tome! __1 AIN’T SHE SWEET Words by Jack Yellen ‘Music by Milton Ager Moderato Eb FT, ED __2b7 Bee} SS Ss There she is!_ There she is! Tell me where!_ Tell me where!l_ G7 Ep Boe Eb po eb cm There's what keeps me up at night. Oh, gee whiz! Oh, gee whizl_ Have you seen one justlike that? «1 de- clare, «I_s de - clare, cm G7 CmG7_ Cm Be7. Eb ‘Thereswhy 1 can't eat a bite. Those flaming eyes! That flam-ing ‘That sure is worth look-ing at. Oh, boy,how sweet ‘Those lips must cl BP Cm? F7 Bb7, youth! Oh, Mis-ter! Tell me the truth: be! Gaze on itl Dog-gon it! Now an-swer mel Chorus Eb Br. Bb7 Eb Bz Bo7. gb G7 Ain't she sweet? See her com-ing down the street! NowI ask you ve-ry G7 F9 Bb? Eb Bb? ED B7__—iBDT Eb _B7 confidentially ain't she sweet? Ain't she nice? Look her ov-er once or Bb7 ED G7 c7 FO Bb7 Bb EDT twice. Now I ask youve-ry con-fi-den-tial-ly, ain't. she _niceJust castan eye Ab7, BD Eb7 AD7 in her di = rec - tion, Oh melOh my! _____ Ain't that per- Bb7 Eb B7 Bb? Eb Bb Bb? Eb B7 fec- tion? — I re = peat, dont you thinkthat’s kind of neat? And [ Gi ro? |e» Bb7 Eb Ab7 Eb =o = = Eb ask you ve- ry con-fi-den-tial-ly, Ain't she sweet? sweet?2 ALL YOU NEED IS LOVE Words and Music by John Lennon and Paul McCartney Moderato G Em G Em br G Love love love love love love 3 D love love love CG g—3 3 Em There's no-thing you can do that cant be done, ‘There's no-thing you can make that cant be made. ‘There's no-thing you can know that is- nt known, GC. 3 D3 Em No - thing you can sing thet can’t be sung, No - thing you can save that can’t be saved. No- thing you can see that is - n't shown, D/. c 3 Nothing you can say, but you can learn how to play the game; No-thing you can do, but you can learn howto be you in time; | I's No-where youcan be that is-n't where you're meant tobe; G Aysus4 D7 ATsus4__D7 easy, Allyouneedis love,_ All youneed is love,_ To Coda gg [J Em GC md en All you need is love. Love, _that is all_you need. Love love love [2 (Ds. al @ Gc Dp Em DG D7 love love love love love love CODA 0 c A7sus_ D7 (AML to-geth-er now,_| B7 Em G All youneed is love, D7 G All you need is love, (Ev’-ry-bo-dy,) All you need is love. Love 3 repeat and fade G 7 7 ‘That is all _ you need, ‘That is all you need, ‘That is (That ie all youneed)3 AMAZING GRACE Traditional Adapted by Judy Collins 1/5.A = ma = zing Grace, how sweet the ~— sound —that_ Grace that___ taught ~=my heart to fear, and— saved a wretch like me. I once was— lost, but_ Grace my fear re - lieved, How. prec -ious— did that_ To Coda dy D7 C6 G c G 3 06 2. ' Twas ‘Through. now I'm found, was_ blind, but now see, Grace ap - pear, the hour I first be - lieved. (3) ma - ny dan - gers, toils and snares we have al ~ (4) we've been there ten thou- sand years, bright. shi - ning — rea - dy come. "Twas. Grace that__ broughtus_ safe thus as the. sun, We've.no less days tossing God's. far, and_ Grace will lead us home, 4. When_ praise than. when we first be - gun. 5. A- see.4 AND ILOVE HER Words aed Music John Lennon an Paul ota Slowly and gently Fm 1 give her all my —_love,_ That's all She gives me ev'-ry - thing, And ten - der - Bright are the stars that shine,_ Dark is the do, And if you sawmy —love,_ You'd love her ly, ‘The kiss my lover — brings_ She brings to sky. 1 know this love of mine Will nev- er Bb7 wb To Coda gy [1 7 com too. dove her, A love like ours_ me, And1 love her. —_ _ die, And love her. — could nev-er die, _ As longas 1 — have you near_ me. -5 ANGELO Words and Music by Tony Hiller, Les Sherdan and Martin Lee Medium tempo Dm — 3, f = =< esa eed eee Long a-go, high on a moun-tain in| Mex-i-co, lived a young shep-herd boy, = who met a young girl and he loved her so. c 3, —~3 = = = oa ee eg os ee Rich was she, camefroma ve - ry high fam-i-ly, Am-gel-o knew it could Long a- go, high on a mountain in Mex-i-co, lived a young shepherd toy, —— AL = SS == a a a z oa Y they ran a- way to their des-ti-ny. who met a young girl and he loved her so. G Run-ning a-way— to-geth-er, run-ning a-way_ for ev-er, An-gel-o, — ooo = —- a ee Rurening a way from dan-ger, hhid-ing from ev - ‘ry stran-ger, An-gel-o, —__ — ‘They knew it was -n't wrong,-they founda love so strong they took their lives that night, And in the morn-ing light.they found them on _ the sand,.they saw them cS To Coda ¢ |} 2 DS. @ copa AT al Coda a oe ly - ing there hand in hand,ANNIVERSARY SONG (OH! HOW WE DANCED) Words and Music by AA Jolson ang Saul Chaplin Valse moderato B7 Em 7 Oh how we danced on the night _____ we were wed, __ night seemed to fade in-to blos - — som-ing dawn, Am Em 87 Em — We vowed our true love, though 2 word ____ was-n't_ said, —__ shone a - new, but the dance ___lin-gered on. — The sun —— The world __ was in bloom, __ there were stars ____ in the _ skies, _ — Could we but re - live that sweet mo - — ment sub- lime —_ By To Coda Q — Ex - cept — We'd find for the few _ that our love that were there in your — is un - al - tered by eyes Dearjas I held youso close in my arms, An-gels were By Cdim Em B7 sing-ing 2 hymn to your charms, Two hearts gent-ly beat-ing were mur-mur-ing D.C. al @ | Copa | Em Am EmEdimB7 Em Em low, "My dar-ling, 1 love you so." The time,7 ARRIVEDERCI ROMA \Woxds by Garine! and Grovannint Music by Ronato Rascel English lyres by Cari Saman bye to Rome, Ci-ty of 2 mil - lion moon-lit pla-ces, Ci-ty of a mil - lion warmem- bra-ces,Where1 found the one of all the fa- ces far from G Gtdim7 Am7 D7 G cm G home, —____ Ar - ri - ve - der = ci Ro-ma, —___ I's time for us to part, Save the wed-ding bells for my re - turn - ing, Keep my lov-er's arms out-stretched and yearn-ing, Please be sure the G Am7 D7 GF flame of love keeps burn-ing in her heart Ar- heart. (his)8 : AS LONG AS HE NEEDS ME Words and Music by Lionel Bart Moderately He does-n't act as ma? CoC pe a Bur deep in-side I knowhe cares, And that is why I'm tied right by his Slowly gy Chorus Dm7Fm6 G7 Cma? C6 Cma? me & = gE side, he needs me———— know where 1 must life is long I'll love him, right or BP? G7 Ei + = eS fa . I'll cling on stead- fast. - ly — As long as he needs wrong, Andsome-how I'll be strong As long ashe needs Cma7 C6 Fsus4 F Dm? _ G7 — iss = If you are lone - ly then you will pom oF Ameus4 am D7 Dm7 4 = = a =f = know When some-one needs you you love thom so, Cma7 C6 Cma7__ C6 Cma? Chim —Dm7 tray his trust, ‘Tho’ peo-ple say 1 must, I've got to stay true To Coda D.S. al @ €) C004 7 Dm7 G9 oc sa Dm7 G73) co a just —_ As long as he needs me. Aslongas he needs me9 AULD LANG SYNE Tractional Andante Should auld ac=quain-tance be —for-got_ And nev - er bro't to here’s a hand, my trus - ty frien’,And gie’s a hand 0” BD F Dm Gm7 AZ Bb c7 F mind? Should auld acquaintance be for-got, And days of auld lang syne? thine; We'll tak’ a cup o’ — kind-ness yet For auld lang syne. BF Dm Gm7 c7 F E7 Bb For auld lang _— syne, mydear,For auld lang_syne; We'll F Dm Gm7___A7 Bb ao ir 2p tak’ a cup o’ — kind-ness yet For_ auld lang syne. = And_——syne. ‘Tas atangerent © Coryraht 977 by Dosey Bics. Music Lined. "newman Set cordon WIP SLA 10 GOD SAVE THE QUEEN Traditional Maestoso G Em Am Dav D G Em c G D Em God save our — grac- ious Queen. Long live our no - ble Queen. Am G D7? G DIG D7 G D7G D7 God save the Queen. Send her vic - to - ri-ous, Hap- py and G D7 G DIGBLEm G D7 G7 Cc G D7 e glo - ri-ous, Long to. reign. ov - er us. | God_save the Queen!12 BANKS OF THE OHIO Traditional Asranged by Bruce Welch and Jonn Farrar Moderato 1 asked my love to take a walk, — knife a+ gainst_ his breast home “bween twelve and one, —_ To take a walk, — just a lit- tle walk, — asin - to my — armshe pressed 1 eried,'My — God, what have I done! — E ‘ Down be-side where the wat-ers flow, — He — cried,"My love, dont you murder me, I've killed the on - y man I love." G? Down by the Banks — of theO- hi - o I'm not pre-pared for e- ter- mi -ty."__ He would not take __ me_ for his bride._ oe 7 And only say that you'll be mine, — In no (G7) Cc oth - er's arms en - twine, Down be- side F Cc t — _ where the waters flow — Down by the Banks — (Where thewa-ters flow o7 c fhe held a 3. «1 wan - dered c oF c ee Down by the Banks of the O- hi - o14 BIG SPENDER Words by Oorathy Fietds Music By Cy Coleman Strong slowish beat a mp i The min-ute you Bb SS =: ae - . ve walked in the joint ~ 1 could see you were a man of _dis-tinc-tion, a real big spen-der, Good look-ing, — so re-fined,_ Say, Bb7 AT+ o fe would-n’t you like to knowwhat’'sgo- ing on in my mind?_ So let me get right to the point, F I don’t pop my cork for ev’- ry guy 1 see. To E? Dm Coda 4 Bb? A7 F oh Hey!Big spen-der,_ Spend = © a lit-tle time_with me. fDm Ay D Fem Bm D tf ete Fore “¢ bay Would-n’t you like to have fun, fun, fun? How's a-bouta few Em Bt Em? Az Bb? TT laughs, laughs? I can show you a good time, D.S. al @ AT Bb? AT “pe ww E OT mp * = Let me show you a ~ good time. ‘The min-ute you coDA Bbm ———— 9 $a f Hey! Big spen-der,— Hey! Big spen-der,_ Bb7 a7 (tacet) spena__! Bw it-tte time with Dm ap me, Spenda lit-tle time_with me, (Dm) Dmé P Spenda lit-tle time with me.15 BLACK AND WHITE Words by Davic Ark Music by Ea’ Robinson Lightly and brightly 1, The ink is black, ‘The page is white, To geth-er we learn to D7 G 1 read and write, To read and write, And now a — child can un - der - stand This isthe law of all the land, All the land! G c.oG ey 1-4 5 AT Db? c D7 G (G) D7 D; g The ink is black, The page is white, To-geth-er we learn to a read and write, To read and write. 2. The 2. ‘The slate is black, the chalk is white, 4. The world is black, the world is white, ‘The Words stand out so clear and bright, It turns by day and then by night, So clear and bright. It turns by night, And now at last we plainly see It tums so each and ev'ryone ‘The alphabet of liberty, Liberty! Can take his station in the sun, in the sun! ‘The slate is black, the chalk is white, ‘The world is black, the world is white, ‘The words stand out so clear and bright, It turns by day and then by night, So clear and bright It turns by night 3. A child is black, a child is white, 5. Their robes were black, their heads were white, ‘The whole world looks upon the sight, The schoolhouse doors were closed so tight, A beautiful sight, Were closed up tight! For very well the whole world knows Nine judges all set down their names ‘This is the way that freedom grows, To end the years and years of shame, Freedom grows! Years of shame! A child is black, a child is white, ‘The robes were black, the heads were white, ‘The whole world looks upon the sight, ‘The schoolhouse doors were closed so tight, A beautiful sight, Were closed up tight!13 _ THE BALLAD OF BONNIE AND CLYDE Words and Music by Mien Murray ang Peter Callancer Bright blues tempo D7 G oT Gidim?7 Cm6 GODT Bon - nie and Clyde. were pret - ty look - in’ peo-ple, But Bon - nie and Clyde ad - vanced their re- pu-ta- tion And Act - ing up - on re - lia - ble in - for-maction, A cr DZ 3 c7 G I can tell you peo-ple they were the — dev- il’s, chil - dren. made the grad-u- a- tion in-to the — bank-ing bus’ - ness. Fed’- ral dep - u- ta- tion laid a dead-ly am - bush = When cL D7 Bon - nle and Clyde_ be - gan their ev - il do- in’ One "Reach for the sky!"_ sweet - talk - ing Clyde would hol-ler As Bon - nie and Clyde_ came walk ing inthe sun-shine A cr Dz To Coda® 7 G la- zy af-ter-noon down Sa - van-nah way. They robbed store. and Bon-nie load-ed dol-lars into the dew-lap bag... Now one brave man_ he half a doz-en car-bines op- ened c G7 high-tailed out- a that town, tried to take them a - lone Got cleana- way. ina sto-len car_ and ‘They left him ly~- ing in a poolof blood and AT D7 GG? Gdim7.cm6. «GoD? wait - ed till the heat died_ down. 33 3 laughed about it all the way home.Bon-nie and Clyde got to be pub-lic en-e- my num-ber one, — S 7 oT, 3 Eby D c 3 Run-ning and hid-ing from ev'-ry A- me-ri- can law-man’s — gun, Se but deep in- side them they knew. — ‘That pret - ty soon they'd be ly - in e-neath the ground to - geth- er, Push-in’ up dai-sies to wel-come the sun and the D7 SS up on them, _ ‘They lived a lot to-geth-er and Very slowly cm DI & so Chaim? Cm6 G —— 4 nas fin-al-ly to-geth-er they_ diedi s 317 BRAZIL Words by 5. K. Russet! Music by Ary Barroso Bra - zil,________ the Brazil that I knew, ___ where I wan-der‘d with rit. a tempo (Moderately bright) G6 ET+ E7 D7 you, lives in my i- ma-gi- na - tion, Where the songs (D7) are pas - sion-ate, And a smile has flash_in_ it, And a kiss (D7) G Gt G6 Gma? has art_ in it, For youput = your heartin it, And Am Fma7 A6 Fldim7G = G+ = G6 Gma7_ Am_—s Fma7_—s Am6 so —____ 1 dream —___ of old Chorus Bra - ail, _____________ Where hearts were en - ter-tain-ing June,_ We stood be-neath an am-ber moonAm F Am6 Am Cm6 G Gt G6 Gma7_ Am Fma?7 — And soft-ly mur-mured,"Some-day soon."__________ We _ kissed Am6 Fédim?7 G G7 Gb? F7 ET —— and clung to. = ge - ther, © Then —__________ to mor-row was an-oth-er day, The morning _ found me miles a - way. Dm E7 Am F With still a mil-lionthings to say. when twi-light dims the sky a- bove,_ Re-call-ing thrills of our love, _ (am) D7 G G+ G6 Gma7_ Ams Fma7 There's one thing I'm certain of; —___ Re - wm Am6 Fedim7 — G G+ G6 Gma7 Am Fma7_— Am6_‘Fi'dim7 — I will —___ to old Bra -18 BURLINGTON BERTIE Words and Music by ‘Wiliam Hargreaves Tempo di valse D7 G 1m Bert, p'raps you've heard of me; Bert, youve had word of me: Jog-ging a - long, heart-y and strong, 87 Am B7 Em BT liv -ing on plates of fresh air. 1 dress —__ Em 37 Em fash-ion, and when I am feeling de - pressed, 1 shave from my 87 ay Am7 DT cuff all the whis-kers and fluff, stick my hat on and tod-dle up West. Chorus G I'm Bur-ling-ton Ber-tie, I rise at ten thir-ty and saun-ter a- long like a toff. E7 Am — 1 walk down the Strand with my gloves on my hand, then I walk down a-gain with them D7 G D7 off, ’'m_ alll airs and gra-ces,cor-rect ea-sy pa-ces, with-out food sopt long I've for - got where my face is; I'm Bert, Bert, I haven't a D7 G Em7 Am7 D7 G shirt, but my peo-ple are well off, you Near-ly ev-"xy - one E7 A D? G knows me, from Smith to Lord Rose-b’ry, I’m Bur-ling-ton Ber-tie from Bow! I stroll with Lord Hurlington, roll in the Burlington, Call for champagne, walk out again, come back and borrow the ink. I live most expensive; like Tom Lipton, I'm in the swim, He's got so much ‘oof’ that he sleeps on the roof, and I live in the room over him, I'm Burlington Bertie, [ rise at ten thirty then saunter along Temple Bar. As round there I skip I keep shouting, "Pip! Pip!", and the darn'd fools think I'm in my car. At Rothehild’s I swank it, my body I plank it on his front doorstep with "The Mail’ for a blanket; I'm Bert, Bert, and Rothchild was hurt; he said, "You cant sleep there." I said, "Oh!" He said, "I’m Rothchild, sonny!" 1 said,""That's damn’d funny, I'm Burlington Bertie from Bow!" I smile condescendingly while they're extending me Cheer upon cheer when I appear captain with my polo team. So strict are my people, they’re William the Conqueror’s strain. If they ever knew I'd been talking to you, why, they’d never look at me again! I'm Burlington Bertie, I rise at ten thirty and reach Kempton Park about three. I stand by the rail when a horse is for sale, and you ought to see Wooton watch me! T lean on some awning while Lord Derby's yawning, then he bids, “Two thousand, " and [ bid, "Good morning;" I'm Bert, Bert, I'd buy one, a cert, but where could I keep it, you know! Ican’t let my man see me in bed with a gee-gee! I’m Burlington Bertie from Bow! My pose, though ironical, shows that my monocle Holds up my face, keeps it in place, stops it from slipping away. Cigars, I smoke thousands; I usually deal in the Strand, But you've got to take care, when you're getting them there, or some idiot might stand on your hand, I'm Burlington Bertie, I rise at ten thirty then Buckingham Palace I view. 1 stand in the Yard while they’re changing the guard, and the King shouts across, '"Toodle-o% ‘The Prince of Wales’ brother, along with some other, slaps me on the back and says, “Come and see mother." I'm Bert, Bert, and royalty's hurt when they ask me to dine I say, "No. I've just had a banana with Ledy Diana; I'm Burlington Bertie from Bow!”16 BYE BYE BABY Words by Leo Robin Music by Jule Styne Moderato Bho F+ Bb G7 Cm F7 Bb Bbdim (He) Bye bye Ba-by, Re-mem-ber you're my ba-by When they [She] Bye bye Ba-by, Re-mem-ber you're my ba-by When they Bb Gm7 cl E7 Bb D7 give you the give you the Bor Al - though I know that you care, And just to show that [care Won't you write and de - clare_ That though on the loose, — 1 will write and de - clare — ‘That = I'm on the loose. F7 Bb Gm7 cm7_F7 Bb F+ Bb G7 _ Youare still on the square, _ Tn be gloom-y, — But I'll stay om the_— square. — Il be — lone-ly, F7 Bb OBbdim Gm7 Am7 But send that rain-bow to me Then my — shad-ows will But ev -en though [’m lone-ly There'll be no._oth-_ er Boo Eb —— Though you'll be gone for awhile, — 1 know that Though I'll be gone for awhile, — 1__know that co Tl be smil-ing With my ba-by bye and bye. Tl be smil -ing With my ba-by bye and 2 Fm6é 7. G+ G7? pb bo BB bye, With my baby __ bye and bye.19 CAN'T GET USED TO LOSING YOU Words and Music by Doc Porras and Mort Shuman Guess there's no use in hang-in’ round, Guess I] get dressid and do the Called up some girl I used to know, Af-ter [heard her say hel - Tl find some- bo - dy, wait and see. Who am I kid- din’? On-ly town. I'l find some crow-ded a- ve - nue, =lo, Could-n't think of a - ny -thing to say, me, "Cause no - one else could take your place. D7 o7 F i= Tho’ it will be emp-ty with-out you. Since you're gone it hap-pens ev-’ry day. Gant get used to los-in’ you,no Guess that I am just a hope-less case, Em Dm? G7 mat-ter what I try to do; — Gon-na live my whole life through Loy-in' you, —20 CAROLINA MOON Words and Music by Benny Dav anc Joe Burke Valse moderato The moon was shining bright_in Car-o- li - na ‘The _ night we sald good- D7 G com G bye so ten-der - ly, —____ And now that I'm a -way— from Car-o - D ET A7 Am? D+ li - na, Won’t_some-bo-dy tell __the moon for me, On. Car - o-li-na moon keep shi - _ ning, Shi - ning on the D7 Gc OG c cm one — who waits for me. G D7 Car - o-H-ne moon, I'm pi - ning, G co G G7 Pi - ningfor the place I long to be, How I’m _hop-ing to-night G Ay 3 you'll go, Go to the right win-dow, scatter your light, Say I'm al-right,please Am7 DI+ G c cm do, — Tell her that 'm blue and lone = ly, G D7 Ig DT v7 Ig Dream - y Car-o - Hi - na moon. moon,21 CATCH AFALLING STAR Words and Music by Paul Vanoe and Lee Poskriss Catch a fall-ing star and put it in your pock- et, Nev-erlet it fade a - - way. Catch a fall-ing star and put it im_-your pock ~ et, vy 1% ° Gr a g F Fdim F Save it for a rain - y day. 1. For love may come and — tap— 2 Caimt c cr 2 = $ 5 FSS a = + — you on the shoul ~ der Some star - less night, And F Fdim F c Cdim CG? just in case you feel__ you want to hold her, You'll have a — pock= - et full of star~light, Catch a fall-ing star and put it in your pock-et,Nev-er let it fede 2 = way. Catch a fall ~ ing star and put it in yourpock - et, Save it for a rain- y day. 2, For F Fdim F c Caimi? when your trou- bles start in multi - ply ~ ing, And they just Fr Fdim F —_ t — ea - ey to for With just 2 pock = et full of star-light, Catch a fall-ing star and put it in your pock - et, Nev-er let it fade a - way. a oc Fc ac —— - = Catch a fall-ing star and put it im your pock-et, Save it for a rain-y day,22 CHANSON D‘AMOUR Words and Music by ‘Wayne Shanklin Medium rock tempo Chan - son da - mour —___ xa dada da da, Ft Bb D7 G7 1 G70) cm _ ra da da da da more and more, —_____ Chan - son ra dada da da, je ta-dore, Each time I hear —— ra dada da da, chanson,. chanson _ d'amour, — ~ Ev'ry time I hear chanson, chanson _ _d’a-mour.23 CIELITO LINDO Words ang Music by ‘Quirino Mencioza Moderato c G7 c G7 c Pa- ja - ro quéa’-ban- do- na su pri - mer ni- do su Siem-pre que te - ma - mo- res mi- ra pri- me-ro mi - pri - omer ni - do, —___ Si IS en-cuen- tri - cu - ra pri - me - ro, —____ Don- de po - nes los pa-do Cie - li-to Lin-do muy me- re - ci - do, o- jos Cie - li-to Lin-do no Mo- res lue- go. ay ay ay ay! —__ can = k¥ no Mo = res, por - que can - tan - do se&&- le - gran Cie - - M+ to Lin-do los co- ra - 20 ~ nes, —__ —24 DANCING QUEEN Words and Music by Benny Andersson, Stig Anderson and Bjom Ulvaeus hav-ing_ the time of — your G7 Bb Gm7 c7 life. Oh see that_ girl, _ watch that scene, dig in the F Bb F Bb, Danc-ing_ Queen. Bb F Bb F Fri-day night and the lights arelow, — look-ing out for a Dm c place to go, Oh where they play_the right mu-sic, c c Dm c Dm — get-ting In the swing you come to look for a king. An - y-bo- dy could be that guy, — night is young-and the You're a tea- ser,you turn ‘em on, —__ Jeave’em burn-ing and Dm c F — Em = ees mu-sic’s high, — with a bit_ of rock mu-sic eve-ry-thing-is fine, then you're gone —_ look-ing out for an -oth-er, an - y-one_ will do,you're in the mood for a dance,— and when-you get the. chance. c7 F Bb You are_ the Danc-ing_ Queen, _ young and sweet, F Bb FE on - ly sev-en - teen, — Dane-ing Queen, Bo — feel the beat from the tam-bou - rine, You can dance,— you can jive, hav -ing_ the time of_ your life. Oh see that girl, — watch that_ scene, __—dig in. the dig in the Danc-ing_ Queen, ___25 DANNY BOY Traditional Words by Fred E Weatherley Andante G Dm7 G7 Cc G7 Oh, Dan-ny Boy, the pipes,the pipes are call - ing from glen to Fo Am D7 G7 Dm7 G7 glen and down the — moun - tain side,_______ The sum- mer's c G7 oc (ea F6 oo Dm7 G7 = r ——= = =| SS ee gone, and all the ros - es fall - ing, it's you, it’s c F oc G7 Dm7G7_ ¢ roo F G7 + VS you must go,and I must bide. — But come you back when summer's in the Or when the — val - ley’s hushed and white with c7 F6 snow. __________ I's I'l be here in sun- shine or in Dm? leer eeereeeeetiil Z =c F ¢ G7 oc Cc? FG GTF OC D7. « good to touch the green,green grass of home. 2, The shade of that rall. B cm7 B7 EbBD C7 Bb ON old oak tree As they lay me heath thegreen,green grass of home. 3. [spoken] Then I awake and look around me At four grey walls that surround me, And I realize that I was only dreaming, For there’s a guard and there’s a sad old padre— arm in arm we'll walk at daybreak; Again I'll touch the green, green grass of home. [CHORUS]35 GUANTANAMERA Words by Jose Mart Music adaptation by Hector Angulo and Pete Seeger Moderato Guan-ta-na-me-ra gua-ji-ra Guan-ta-na-me-ra to verse | Fine F F Bb co F Be co cs Guan-ta-na-me - ra gua-ji-ra Guan-ta-na-me - ral ral 1. Yo soy un hom-bre sin-ce-ro De don-de cre-ce 1a pal-ma. y Gm7 pakma, Yantes de mo-rir-mequie - ro E-char mis ver-sos del al - ma. Literal translation Mi verso es de un verde claro, 1, Tam a truthful man from the land Y de un carmin encendido. of palm trees. Mi verso es de un verde claro, Before dying I want to share these Y de un carmin encendido. poems of my soul. Mi verso es un cierro herido Que busca en el monte amparo. 2. My poems are light green, [Chorus] but they are also flaming crimson. My verses are like a wounded faun 3. Con los pobres de le tierra seeking refuge in the forest. Quiero yo mi suerte echar. Con los pobres de la tierra 3. With the poor people of this earth Quiero yo mi suerte echar. I want to share my fate. El arroyo de la sierra ‘The little streams of the mountains Me complace mas que el mar. please me more than the sea, [Chorus]37 HAPPY DAYS ARE HERE AGAIN Words by Jack Yellen Music by Milton Ager Allegro moderato cm Bw AbD SG So long. sad times! Go "long, bad times! No more sigh - ing, No more —_—ery- ing, We are rid of you at last. Clouds of grey have turned to blue. How - dy, gay times! Clow - ay grey times, Sor - row fly - ing, Cares de - ny - ing, Am? D7 Dm7 c7 You are now a thing of the past. . All our ro- sy dreams have come true. —_ ‘Cause — are clear a gain. Let us sing a song ofcheer a- gain!___ Hap - py days are. = here a - gain) ___ Al - to-ge - ther shout it now! There's no one who. can doubt it now, So let's tell the world_ a - bout it now, Hap- py days are here a - gain! Your cares and trou-bles are gone, There'll be no = morefrom now on, Hap - py days are here a> gain, _ The skies a-bove are c Cdim G7 clear a- gain, Let us sing a song of cheer a- gain, Hap - py36 HE’S GOT THE WHOLE WORLD IN HIS HANDS Tradiional Steady beat C7 He's got the whole world_ in His hands;He's got the whole wide world. 2 ee in His hands;He's got the whole world. in His hands;He’s got the F oe a He's got the earth and sky. in His _hands;He’s got the night and day_ bands. He's got the land and sea_ _—in His hands;He’s got the wind and rain_ He’s got the young and old- in His hands;He’s got the rich and poor in His hands; He’s got the sun and moon_ in His hands;_ in His hands; He's got the spring and fall _ in His hands;_ He's got the in His hands; Yes, He’s got ev - 'ry - one in His hands; 1,2 FE - = a whole world in His hands, He's got the hands, He's got the whole world Gp, ry in His hands;He's got the whole wide world. in His hands; He's got the whole world_ c7 F Bb F in His hands;He's got the whole world in His, hands.38 HEY JUDE Words and Music by John Lennon and Paul MeCariney = Se PO sad song and make it bet-ter, _ Re-mem-ber to Iether in - to your + Eb =I Fes Eb —— CLS = . Jude, __ don't be a - fraid, You were made to__ go outand gether. The Jude, _ don't let me down, You have found her now go and gether. Re- A ED Bb7 : —— — foo —— . min-ute you lether under your skin, then you be-gin to make it __bet-ter._ mem-ber to let her in-to your heart,then youcan start. to make it better. — AD Fm7 And an-y Ume_you feel the pain, Hey Jude, re-frain, don't car - ry the world So let it out——and let it in. Hey Jude,— be-gin, — you're wait - ing for some ~ Eb Eb7 2 — —_ ———— oe = — up-en your shoul ders. For now you know that it's a fool one to per-form with. And don’t you know that it’s just you. —— whoplays_ it cool By mak - ing his world alit- te — cold- — Hey Jude, youll do. The move - ment you need ison — your shoul- ED Eb7 Bb7 il 2 er. | Ger, Dada da da_da dadada da Hey Hey_ don't make it bad; take a sad song___ and make it Jude, bet-ter,— Re- mem-ber to let her un-der your skin then youll be - gin B7 Eb == —— tomake it bet - ter, bet-ter, bet-ter, bet-ter, —_bet-ter, bet-ter, Oh ___ yeh yeh yeh yeh yeh yeh yeh da da da da dadadada Hey Jude. repeat and fade Eb Db Ab Eb da dada da dada da dadada da. Hey_ Jude.39 HONEYSUCKLE ROSE Words by Andy Razat Music by thomas Waller Moderato Ew'ry hon-ey bee fills with jeal-ous-y When they see you out with c7 F 6 Se SH me, I don't blame them, good-ness knows, Hon-ey -suck-le Rose, _ Fdim? Gm7 cr Gm7 c7 Gm7 When you'repass-in’ by flow-ersdroop and sigh, And I know the rea- son c7 F CZ F Bp? why, You're muchsweeter, good-ness knows, Hon- ey-suck-le Rose. Don’t buy sug - ar, You just have to touch my cup.— c7 Fhim7 Gdim7G7—¢ oc oa Gm? c7 You're my sug - ar, I's sweet when you stir it up... When I’m tak-in’ sips Gm7 cr Gm7 c7 from your tas-ty lips, Seems the hon-ey fair - ly drips, You're con-fec- tion, F oa F Fdim7 2, be F good-ness knows, Hon-ey suckle Rose. Rose. —40 IBELIEVE Words and Music by Etvin Drake, livin Graham. Jimmy Shit and AI Siillan Moderato, con espressione I be-lieve for evry drop of rain that falls, __ a flow-er grows. __ G7 c Am Dm 1 be-lieve that somewhere in the dark- est night___ a can-dle glows. —__ c Em F By E7 1 be-lieve for ev-'ry-one who goes a-stray, _ some-one will come to show the Am Am? Dm7 G9 G7 Dm7G7_C way; T be-lieve, —_ 1 be - lieve. I be-lieve a - go _ or co c SaaS SSS bove the storm the small-est pray’r_— will still be heard, ___ 1 be-lieve that Am Dm7 G7 Cc Cc someone in the greatsomewhere hears ev'ry word, —___ Evry time I Em F 37 57 Am hear a new-born ba - by cry, ortoucha leaf, or _see the sky, — Then I know why 1 be - lieve.41 ICAN SEE CLEARLY NOW Words and Music by ‘Sohnny Nash Moderato, with a strong beat Eb B ‘F7 ee = = T can see all __ ob - sta-cles in my way. Bb ED pb Gone are the dark clouds _ that had me blind,_ Its gon-na be a bright, bright ____ sun-shi-ny day, Its gon-na be a bright, bright sun-shi-ny day, Eb ——— a ee 1 think T can make it now, the pain has gone. _Eb F7 All of the bad _ feel - ings have dis-ap - peared, — Here is the rain - bow I've beenpray - ing for,— Ab ED Bb It’s gon-na be a_ bright, bright sun-shi-ny day, —___ Look all a- round, there’ no-thing but blue sky,. b> FP pb D> OF > ee Look straight a- head, no-thing but blue sky, ___ Am Rb Am Bb AD per) p D.C. al @ Ee OTB os It’s gon- na be a bright, sun-shi-ny day. ee42 ICAN’T GIVE YOU ANYTHING BUT LOVE Words by Dorothy Fields Music by Jimmy McHuch Andante con moto G cm C6 Cm Am7 D7 G Gee, but it’s tough to be broke,kid,— It’s not a joke, kid, It’s a curse; Rome wasn't built in a day, kid, Youhave to pay, kid,Forwhatyou get, ‘Thinkthat you ought to be know-ing, My luck is go - ing— from bad to worse. But 1 am will - ing to wait, dear, Your lit-tle mate, dear, will not for- get. Bm PAZ Bm E7 ET Gdim7Am7 D7 Who knows someday I will win too, [ll be-gin to reach my You have a life-time be -fore you, I'll a - dore you, come what prime. may. G cm cé cm G Ag Am? D7 Now, tho’ I see what our end is, All I can spend is just my time, Pleasedont be blue for the pre-sent, When it's so plea-sant to hear you say, G Gaim? Am7 D7 T can’t give you an - y - thing but love, Ba - by,That's the on - ly thing I've plen-ty of, Ba - by, Dream a - while, scheme a - while, We're sure to find __ AT Am? D7 hap-pi-ness, and I guess All those things you've al - ways pined for. Gee, I'd like to see you look~- ing swell, Ba - by, Dia - mond brace-lets Wool - worth does- n't sell, Ba - by. TIM that luck - y day, you know damed well, Ba - by. Mcp amp py 2 Am? Ag D7 G Gdim? Am7 D7 Gcm G 1 can't give you an-y- thing but love. love.45 ILEFT MY HEART IN SAN FRANCISCO Words and Music by Douglas Cross and George Cory cm7 FT Bbma7 B6 et = = az zi a EF love - li - ness of Par - is Seems The glo - ry that was cm Gm7 c7 F7sus4 Ev Rome 7 Is of = an = 0 ~ ther day. I've been a tempo slow, steady beat FE om75) Bom ter - ri-bly a - lone And for -got - ten in Man-hat-tan, I'm go - ing home Tomy cit- y by the bay, 1 left my Chorus Bb(ma7) BBG Chdim? C7 heart In San Fran-cis-co, High on a hillCm? FT Bb(ma7) Bie m7 Cidim7 Bb(mat) it calls to me. To be where little ca-ble cars __ Bbs Av Dm Am Dr Gm7 _ climb half-way to the stars! The morn - ing fog ——____ a F7sust FT Bb(ma’) —— may chill the air, I don’t care! My love waits there Bb Gaim? m7 ET In San Fran - cis-co, A - bove the blue —— and win- dy sea. When I come home to you, San Fran - cis - co, Your gol-den sun will cm? F7 BO FT Be! shine for me! 1 left my —49 I WAN'NA BE LIKE YOU Words and Music by Richard M. Sherman and Robert B. Sherman Brightly, with a jungle beat Am 1, Now ['m_ the king of the swing-ers, the jun- gle V. 1. 2. Don't) try to Kid me, man- cub, —and_— don’t get in a a oD ape your man - ner - is- ms, welll be a set of P, T've reached the top and had to stop, and stew. What I de-sire is man's red fire, so twins. No one will know where man - cubends and o - AI that’s what both-er- in’ me. 1 wen-na be a man, 1 can be like you. Give me the se- cret, yang- u = tan be =~ gins. And when 1 eat be - man - cub, And stroll right in - to town, And man - cub, Just clue me what to do. Give na - nas, I won't peel them with my feet, * Cause G7 be just like the oth-er men, I’m tired of mon-key-in’ ‘round! Oh me the pow’r of man'sred flow'r, And make my dream come true! Oh I be-come a man, mamcub, And leamsome'et - ti - keetl’ Oh ghorus AT (Ee = ee) (Ee - ee) Ooh, ooh, oh! Iwan-na be like yott, ooh, ooh! 1 wan-na D9 G7 AT 7 G7 (Ee - ee) You'll see it’s walk like you, talk like you too, 00h, 00! c AZ (Ee - ee) (ooh - ooh) true, ooh, ooh! ‘An ape like me, ee - ee Can D9 G7 c ET Ee - learn to. be Hu-ooh-ooh-man 90, Oot-ooh! P°" ®) 2, Don't * 3.50 I WHO HAVE NOTHING English words by Jerry Leiber and Mike Stoll ‘Music by C. Donida, Slowly . 1 who have noth-ing, L, 1 who have no one, A dore you and want you so. I'm just a no-one with noth-ing to give you but, oh, T love you.. . he buys you dia-monds, Bright, spar- kling dia-monds, But be-lteve me, dear,when I say that he can cm B AD —— 3 ~ SSS eee —S s-————— SS = 3 a 3 give you the world, but he'll nev- er love you the way 1cm F9 Bb 3 love you. He can take youan-y place he wants,_ to Ab Bb 3 fan-cy clubs and res-tau-rants, But I can on-ly watch you with— my ab Dm7 G7 nose pressed up a - gainstthe win - dow pane. L I who have noth-ing, 1, who have no-one, Must watch you go dan-cing by, wrapped in the cm Bb ab GT —— —I— 3 arms of some-bod-y else, when, darling, it is T who Von |[2 molto rit c love you, —___ love you.44 IF 1HAD AHAMMER Words and Music by Lee Hays and Pete Sever Bright, steady rhythm 1, 1 had a ham- mer, T'd ham-mer in the morn-ing, — 2.(f 1 had a) — bell, I'd ring it in the morn-ing, 3.(f 1 had a) song, Vd sing it in the morn-ing, — 4. (Well 1 got a) ham= mer, And I've got a bell, c7 = I'd ham-mer in the eve - ning all o - verthis land; Vd ring it in the eve - ning all o - verthis land; I'd sing it in the eve - ning all o - verthis land; And I've gota song allo - verthis land; FE Dm Vd ham-mer out dan - ger, Td ham-mer out a Vd ring out dan - ger,_ Ta ring out a warn-ing, — Vd sing out dan - ger, Vd sing ont a warn-ing, - Its the ham-mer of jus - tice, It’s the bell of free~dom,- F Be F c7 Fb Vd ham-mer out love be-tween all of my bro-thers AM) —____ Yd ring out love._‘be-tween —all of my bro-thers All Td sing out love be-tween all of my bro-thers All It's the song a - bout love be-tween all of my bro-thers All 1-2-3 4 E FB - ver this land, _______ 2, If I had a - ver this land. _—_____ 3, fT had a + ver this land —_____ 4, WellI got a - ver this land, —___ eooo46 IF YOU KNOW WHAT I MEAN Words and Music by Neil among Moderato, legato 7? When the night re- turns just like a friend, AD Bw? ED Ab B7 When the evening comes to set me free, — When the qui-et hours that wait be - Cm Gm AD Eb AD Fm7 B BP6 BT yond the day make peaceful sounds in me; E> Bbr Eb Ab wb? PSS ==: = ee SS aS SS Took a drag from my last ci-ga-rette,_ Took a drink from aglass of old — ED Ab 7 cm Gm Ab Eb wine, I closed my eyes and 1 could make it real and Ab Fm7 7 8 om feel it one more time.— Can you hear it babe?_ Can you hear it babe? Do you BbT Ab hear it babe? _ Froma - no-ther time,_ from a - hear it babe? It was a - no-ther uime,— it was a -no-ther place, Do you re - mem-ber it babe? no-ther place, - Do you re - mem-ber it babe? Chorus Steady 4 Eb Fm? 3 And the ra-di-o played like a car-ni-val tuneas we lay in our bed in the oth - er Eb Ab room, when we gave it a- way forthe sakeof a dream in a pen-ny ar - cade, To Coda 4 Eb FR Fm Bb Ab If you know what I mean. Verse Tempo 1 zempo ED Ab Bbz, Eb Here's to the songs we used to sing, AD Bb7 Eb Ab BO7 And here's to the times we used to know; _ It's hard to hold them in our cm Gm Ab OED Ab Fm7 Bb7 D.S. al @ arms a - gain, and hard to let them go. Do you CODA Ab Eb Ab If you know what I mean, If you know what I Eb Ab Bb Fao Fm BD mean, If you know what I mean.47 I'LL WALK WITH GOD Words by Paul Francis Webster Music by Nicholas Brodszky Moderato, molto espress. F Dm Gm7 cc F IN walk with God from this day on, His help- ing hand TMH lean up = on, This is my prayer, — my hum-ble plea, May the Lord be ev- er with me. ‘There is no death, ____ tho’ eyes grow dim, There is no fear when I’m near to Him, ___ rn Jean on Him for - ev + er, And He'll ~=— for - sake me nev - er.Cantabile, pit mosso Eb He will not fail me as_—slong_______ as my faith is strong, What - ev - er road I may walk a - long. IN walk with God, T'll take His hand, Tl talk with God, —_ —_ He'llun-der- stand. TM pray to Him, each day to AbT Db Him, And He'll hear the words that I say,_______ His hand will guide my throne and rod, And I'll nev-er walk a - Broadly lone while 1 walk —_____with = God!43 IT’S FOUR IN THE MORNING Words and Music by ‘erty Chesnut Moderately moving I's four in the morn-ing, and once more the dawn-ing Just (I've) nev-er de-servedher, God knows,when 1 hurt her, That's the woke up the want-ing in me; ________ Wishing I'd nev - er met her,Know-ing last thing that I want to do, She_— tries, but she cant tell how if I'd for- get her How much bet-ter off she would be.________The she feels, But I know too well what she’s go - ing through. SI long-er 1 hold on, and the long-er this goes on, The hard-er 1 love her so much,I dont know why I can't do the right thing and c7 F G7 c fur ne oe But it’s four in the morn-ing, and once more the s Am Dm? G7 c 12 davn-ing Just woke up the want-ing in me. __ — 2 Ive Last night I told her, this time it's all over, Making ten times I told her goodbye, Last night we broke up, this morning I woke up, And for the tenth time I'm changing my mind. Taw more love in her eyes when I left her Than most foolish men will ever see; And it’s four in the morning, and once more the dawning Just woke up the wanting in me.48 JEANNIE WITH THE LIGHT BROWN HAIR Words and Music by ‘Stepnen Foster : Moderato cr F Be FO C7 F ? dream of Jean-nie with the light brown. hair, 1 long for Jean-nie with the day - dawn— smile, F7 Bw E, G2 c? F BD. Borne, like 2 va - pour, on the summer's air; I see her trip-pingwherethe Rad - jant in glad-ness, warm with win-ning guile; 1 hear her mel-o-dies, like Foc? F G7 c F6 c o7 c —___ —s Ss bright streams play, Hap-py as the dai - sies that dance on her way. joys gone— by, Sigh-ing round my heart.c'er the fond hopes that die; cr F Bb FAT were the blithe birds that ig for the lost one that Man-y were the wild notes her mer-ry voice would pour, Man Sigh-ing like the night wind and sob-bing like the rain, Wail-i Dm G7 c wb oC c7 F B war - bled themo'er; © Ah! — 1 dream of Jean-niewith the comes not a- gain; = Ah) — 1 long for Jean-nie and_my Foc? Bw aT F6 Bb6 F cr F light brown_ hair, Floating, like a va-pour, on the soft sum-mer air. heart bows — low, Nev- er more to find her where the bright wa-ters flow.51 KING OF THE ROAD Woids and Music by Roger Miller Moderato c F G7 1&3, Traiker_ for sale ___—or_rent;_ rooms— to let 2. Third box_ car, mid - night train, des - t- na- tion fif- ty cents Ban-gor, Maine; G7 No phone, no pool, no pets, Old worn = out suit and shoes. I ain't got no ci-ga - rettes, Ah but two hours. of I dont pay no Un-ion dues, I smoke old sto - gies E o7 c push-in’ broom_ buys a eight - by - twelve four bit room: ),,,, I have found, short _ but not too big a - ona? ™ cr F G7 ic co fine man of means__ by no means_ King of the road, — - «) F — I mow ev-er-y en-gi-neeron ev-er-y train,_ All of the chil-dren and all of theirnames,. And ev-er-y hand - out in F G7 D.C. al fine ev-er-y town, And evry lock that ain't locked when no-one’s a - round,_I sing52 KISS ME HONEY HONEY Words and Music by A Timothy and Michael Jullen Moderate cha-cha Chorus Kiss me, hon-ey hon-ey, kiss me. ‘Thrill me, hon-ey hon-ey, thrill me. F7 Bb Gm7 c7 F Don’t care ev-en if 1 blow my top, But hon-ey hon-ey, don’t stop. Verses Cc I'd like to play a lit- tle game with you, A lit-tle game es - pec-tally Weve nev-er played this lit- tle game be - fore. ‘If _ you re-lax then you'll en - You kiss so well my lips be- gin to burn, And I can tell I've got a c G7 made for two. If you come close then I will show you how. joy it more. Just set-tle down and let me teach you how. lot to learn. So holdme close and, dar-ling, show me how. Chorus E c7 Clos- er, clos- er now. Clos-er, clos- er now. Kiss me, hon-ey hon-ey, kiss me, Clos-er, clos er now ‘Thrill me, hon-ey hon-ey, thrill me. Don't care ev-en if 1 BP GmT c7 F F blow my top, But hon-ey hon-ey,__—don’t__ stop. stop. —__53 KNOWING ME, KNOWING YOU Words and Music by Benny Andersson, Stig Anderson and Bjom Ulvaeus Moderato No more_ care - free _ laugh - ter, Mem- "ries, — good days, — bad days si = lence. ev = ere af - ter, Walk- SS - ing thro’ an em-pty house, tears in my eyes ;_ —— these old fa- mil-iar rooms _ chil-dren would play OS LL_aorar"™"e*""JO"OOe This is where the sto-ry ends,_ this is good-bye, Now there's on-ly em-pti- ness, — no - thing to say. Know-ing me, know-ing you, there is no- thing we can do.Know-ing me, know-ing you, we just have to face it; this time_ we're through, Breaking up is nev-er ea~- sy, 1 know, but I F Bb c EF pbma?7 c To Coda * Se have to go. Know-ing me,know-ing you, it's the best____ I can [Instrumental] Dm AD D.S. al @ B® So = et “——T know-ing me, know-ing CODA Fo Dm Am, BE c repeat to fade do.55 LAZY RIVER Words and Music oy Hoagy Carmichael and Sichey Arodin Can't be blamed for hav-ing la - zy ways. Some old la- zy riv-er Gm G7 Gm? C7 sleeps be-side my door, Whis-p'ring to. the sun - lit shore. Chorus D7 Cm DT G7 oF + Up a la-zy riv-er by the old mill-run, That la-zy,la-zy riv-er in the Dm? G7 a mt cr noon-day sun, Lin-ger in the shade of a kind old tree, E o7 F co a + ‘Throw a-way your troubles,dream a dream with me... Up a la-zy_riv-er where the Dm7 Gi cm Di G7? id ' rob-in’s song A - wakes a bright new morn-ing, we can loaf a - long, Bo Bdim7 F Cm6 D7 GT cr Blue skies up a - bove, ev-'ry-one’s in love, Up a la-zy river how ft ev m7 F D7 Gr c7 hap-py you can be, Up a la-zy riv-er with me. me,LIVE AND LET DIE Words and Music by Paul McCartney When you were young, and your heart was an. op- en book x9) Se — SSS = Youusedto say live and let live, (Youknowyou did, you know you did, you know you F Am ‘Bb G7 But in this ev-er chang - ing world in which we live — it makes you c7 Ab F Bb give in and ery. — Say live and let die,_ live and let To Coda Fdim = F7 F Bb Faim die, live and let die, — live and let die. _ ‘Instrumental. U a J Whatdoesit mat - ter to ya when you got a job to do,— You got-te c7 Dm ED _D.8.al do it welll You got-ta give the otter fel-low hell!57 LIVERPOOL LOU Words and Music by Dominic Behan Moderato hear peo-ple talk = — ing, — sounds fromthe riv - er keep telling me ev - er __ — school chil-dren play - ing, |_—- know what they're say - —— that [should for - get you like I nev-er met G @) Am7 D7 they‘e say-ing__ you'll grieve me, you; tell me— their song, love, _ was. nev-er more that you will de - ceive me, some morn-ing you'll leave = me _—__ all wrong, love, say I be - long, love, to my Chorus (7) G (6) c G Packed up and _ gone. Liv- er- pool Lou. Oh Liv-er-pool Lou, —love-ly__Liv-er-pool Lou, Am7 DT Bm Em? AZ — Why dont you be - have Just like oth-er_ girls do? (D7) c c G Why must my poor heart keep fol -low -ing you? Stay home and ! 2c om G Dr c love me, my Liy-er- pool Lou. 2. TheLOVE ME TENDER Words and Music by Eis Presley and Vera Matson Moderately slow G AT Drsust D7 G 1. Love me ten-der, love me sweet; Nev-er let me go. 2. Loveme ten-der, love me long; Take me to your —_ heart, 3, Love me ten-der,. love me dear; Tell_me you are mine. [opt.] When at last my dreams come true, Dar- ling, this 1 know: AT Disusd D7 c You have made my life com-plete, And I love you — so. For it's there that 1 be = long, ‘And we'll nev- er part. Tl be yours through all the years Till. the end of time. Hap - pi - ness will fol- low you Eve-ry - where you go. Chorus Love me ten-der, love me true; All my — dreams ful - G Dm6 E7+ ET AT fill. For, my dar - lin’, I love you, [1,2 [8 (and opt.) Disus4 D7 G Am7 D7 Disus4 DT G And 1 al- ways will. And I al - ways will,61 LOVE’S BEEN GOOD TO ME Words and Music by od Mckuon Moderately Chorus I have been a rov-er, I have walked a - lone, Ba Eb Hikeda hun - dred high -ways, Nev-er found 2 home, cm Gm Ab Abm6 == Still, in all, I'm hap-py; ‘The reason is, you see, Bbsus¢ Bb7 £0 Verses fine ED ‘Eb? Ab Abm6 Eb Once in awhile, a- long the way, Love's beengood to. me. Therewas a me. 2. There wes a Verses Fm? 8b7 Fm? Bbsust poy ph girl in Den- ver Be-forethe sum- mer storm, girl in Port-Land Be-fore the win - ter chill. cm Ab Oh her arms were ten-der! Oh her arms were warm! And she could We used to go a - court-ing A-long Oc-to - ber Hill, And she could AD Abm6 _Db9 Eb smile a- way the thunder, Kiss a -way the rain, laugh = a- way the — dark clouds, Cry away the snow, And,ev-en though she’s gone a - way, You wont hear me com - plain. It seems like on = ly yes -ter-day As down the road I g0.62 MEMORIES ARE MADE OF THIS Words and Music Tery Gilkyson, Fichard Bon ar Frank Miler Medium bounce tempo G D7 G Db? OG D7 Add one stol-ennightof bliss; D7 G One girl, one boy, Some grief, some joy: Mem-o - ries aremadeof this._ % G Db? G D7 G Db? —— Don’t for - get a small moon-beam,_ Fold in light-ly with a dream... With some bless-ingsfrom a - bove, — Serve it gen‘rous-ly with love. G Db? G D7 G == - Your lips and mine, ‘Two sips —_of wine: a _— Ome man, one wife, One love — thro’ life; | MOM = To Coda 7 c pc G ‘Then add thewedding bells, One house where ries are made of this. D7 G Gma7 G7 C = lov-ers dwell,_ Three little kids — for the fla-vour, Stir care-f'lly D.S. al @ AT Am7__Di o thro’ the days,. See how the fla-vour stays... ‘Thesearethedreams youwill sa - vour, G o¢ G copa Mem - 0 ~- ries are made of this,63 MICHELLE Words and Music by. ‘John Lennan and Paul McCartney Moderately D Gm7 c BT A A Mi-chelle, ma belle, These are words that go to-geth-er well, my Mi - chelle, D Gm? c BbT A BT Mi- chelle, mabelle sont les mots qui__vonttres bien en - semble,trés bien en - A Dm $Dm, cm F7 1 love you, I love you, I love you, ‘That's all [want to semble. }1 need you, I need you, need you, I need to make you want you, [want you. 1 want you, I think you know by + A Dm Gm Dm say. Un-til 1 find a way I will say the on - ly see what you mean to me, —_ Un - ti £ do, I'm now, T'll get to you some - how. _— = 0 Dé To Coda Fi 2, DS ale words I know that you'll un - der - stand, hop - ing you will know what I mean, I tell- ing you so you'll un- der - A c Bb7 = stand, Mi - chelle, ma belle sont les mots qui vont trés bien en - A Bb A Dm Gm Dm Gm semble, trés bien en - semble. I will say the on- ly wordsI know that Dm A D Gm7 c7 Bb A you'll un-der ~ stand, my.Mi - chelle.65 MONEY MONEY MONEY Words and Music by Benny Andersson and join Ulvaeus Steady 4 Gm pr aS I~ 2S ae | work all night,] work all day to pay the bills T have to pay, man like that is hard w find, tut 1 can't get him off my mind, And still thereney-er seems to be a And if he hap-pens tobe free I sin-gle penny lef for me, that's too bed - bet he wouldnt fan~cy me that's too bad) So cm = eS SSE oo In my deeams have alam if 1 gor me a To tmust leave Tit hive to go to Las Segue or rit $35 SS weal - thy, man, I would-n’t have to work at al, I'dat a tempo DT fool a - round and have a ball. — life will nev- er he the same, Mon-ey, mon-ey, mon-ey myst be fun -ny inthe rich man’s world. — Mon-ey, mon-ey, mon-ey, al - ways sun-ny in the rich man’s world.— A> ha cm D or cm D7 all the things 1 could do if 1 had 2 lit -tle _mon-ey: it’s 2 rich man’s world, — it’s a rich man's world, — 2A64 MOOD INDIGO Words and Music Duke Ellington, ving Mils anc Albany Bigard Slowly, with expression Ab Bb7 Eb Re AD wT You ain’t been blue, — no, no, no, You ain't been blue— E7 ‘Eb7 Ab7 Ab7 Till youve had that. mood in -di-go. ‘That feelin’ goes -steal-in’ Db Dbm Ab w7 Eb OBb+ Ab down to my shoes, While I sit and sigh:_ "Go ‘long, blues. Eb7 Eb7 Ab Al-ways get that mood indi-go _ Since my ba-by said good - bye. Ab Be Im the eve - nin’ when lights are low,_ I'm so lone-some I could Bb7 AbT ery, "Cause theres no -bo-dy who cares a- bout me, Db7 Dem? Ab I'm just a soul who's blu-er than blue. can be. When I get that 1 2 Bb7 Boz Bb7 wen Ew mood in-di-go — I could lay me down and die. die.66 MR. TAMBOURINE MAN Words and Music by Boo Dylan Moderate 2 Hey! Mis-ter Tam-bou-rine Man, play a song for me,_‘I'm not D c Em A sleep-y and there is no place I'm —go- in’ to. G D Hey! Mis-ter Tam-bou - rine Man, play a song _ for me. In the D G Em Al pcp fm TM come fol = low-in’ you. jin -gle jan-gle Verse 6 A D c Tho' 1 know that eve-nin’s em- pire has re-turnedin-to sand, D G D G Em Van -ished from my hand, Leftme blind-ly here to stand, but still not A G A My = wear-i_ - ness a - maz-es me, I'm D brand -ed on my feet. I have no one to meet, And the D G Em A an- cient emp-ty street's too dead for dream-in’,68 MY DING-A-LING Words ang Music by ‘Chuck Berry When Iwas a lit-tle bid-dy boy, My grandmother bought me a cute lit-tle toy, — F G7 c Sil - ver bells hanging on a string,.She told me it was my ding-eling-a-ling. Oh Chorus Koc E G7 _ c My ding-a-ling, my ding-a-ling, 1 want you to play with my ding-a-ling, F GT To Coda? c My — ding-a-ling, my ding-a-ling, I want you to play with my ding-a-ling. And Verses 2,4,4,5 \ F G7 then mom-ma took me to Gram-mar school, But 1 stopped off in the c C7 F —— ves - ti-bule,_ Ev-'ry time that bell would ring, — 12,34 PS D.S. al @ G7 Catch me playin’ with my ding-a-ling- a -ling! Oh own ding-a-ling! Ohmy — ding-a-ling! Oh your___ding-a-ling, your __ding-a-ling, We saw_ — you playin’ with your ___—ding-a-ling; Well my ____ding-a-ling, ev - ‘ry-bo- dy sing, I —_ wantto play with my ding-a-ling, My ding-a-ling, my ding-a-ling, 1 want to play with «= my_—ding- a -_ Ling! 3. Once I was climbing the garden wall, I slipped and had a terrible fall; I fell so hard I heard bells ring, But held on to my ding-a-ling-a-ling! [Chorus] 4. Once I was swimming ‘cross Turtle Creek man, ‘Them snappers all around my feet, Sure was hard swimming ‘cross that thing With both hands holding my ding~a-1ing-a-ling! [Chorus] 5. This here song it ain’t so sad, ‘The cutest little song you ever had. Those of you who will not sing You must be playing with your own ding-a-ling! [Chorus]69 MY LOVE Words and Music by Paul and Linda MeCartney Slowly Abma7 1. Andwhen 1 go a= way 1 know my heart can stay— with my 2. And when the cup-board’s bare T11 still find something therewith my 3. Don't ev -er ask me why I nev-er say good-bye to my Gm7 G7 Fm? love, It’s un ~ der - stood it’s inthe hands_of my love, love, It’s un - der- stood _ it's ev'ry- where with my love, —_} And love, It's un - der - stood it’s ev'ry- where with my love, —_ _Gm7___a?ma7 ‘Amz7(5b) Eb Fm? my love does it good Wo- Wo Wo - wo wo- wo wo- Wo Ab To Coda $1 35 2 > Fm? Bb? My love does it good. — — I love - oh wo — BD G+ AD Be? ED Gt my love, — On-ly my love holds the oth - er key — to me, oh oh —_ Pm, ‘BOT Bb Ebt Ab Bb? oS on-ly my love does it good to D.C. al @ ED Eb . Fm? ab me. — Wo-wo Wo-wo — Wo- wo wo-wo My love does it good. Ebt BD oh wo Eb Ebt <= === my love, —______ On-ly =e my love does it good to-00-00 ___ me, Wo-wo wo-wo wo-wo wo- wo wo.70 NIGHTS IN WHITE SATIN Words ard Musi by “kat Hayward Slowly D Em D =——: : = — J Nights in white sa-tin— never reaching the end, Ga -zing at peo-ple, — some hand in hand, G Em Let-ters I've writ-ten, never meaning to send, —— Just what I'm go~ ing through they can't un-der- stand, D Em aD c em) Beauty I'd al-ways missed with these eyes _be-fore, Just what thetruth is_ Some try to tell me— thoughts they cannot defend. Just what you want to be, Em A : c ~ = — a a SSS SSS qoot=pee Icant say an-y-more, cause 1 love you, youll be inthe end, and 1 _love you, Yes, T— Toveyou,— Oh, how. 1 fr BB em ifine Em jem (28 p-—_——_Em__" solo = love you, —____ How_1 — love you.71 ON THE SUNNY SIDE OF THE STREET Worce ty Dorothy Flos ley Jy eth Moderato c Br Fin?) p75) pm?) ¢ D7 Walked with no one, and talked with no one, And I had nothing but shad-ows, No use scheming,and no use dreaming,And no use chasing the _rain-bow: Dm7 G7 Cmat Em Am Br G7 Then one morn-ing you passed, © And [brightened at last. ‘There’sno need to look glum, Take things just as they come, c G7 Bb Bey Now I greet the day, and com-plete the day With the sun in my heart, Life's a hol-i - day, just a jol-ly day Made for laugh-ter and play; All my wor-ry blew a - way When you taught me how to say: __ If you'd have your share of fun, There's but one thing to be done: Grab your coat, and get your hat, Leave your wor-ry on the door - step, c DT Dm? Gr Just di - rect your feet To the sun - ny side_ of thestreet, Can't you hear a pit - ter - pat? And that hap - py tune is your step; Life can be so sweet On the Dm7 cr c Dm? Cdim7 C7 Gm7 sun - ny side— of the street. 1 used to walk in the — shade c7 Cdim? C7 F c F DT Am7 — With those blues on_ pa - rade, — But I'm not a - fraid_ D7 G7 Gdim? Dm? G7 c — This ro- ver crossed o- ver. Mf I me- ver have a cent, I'll be rich as Rock-e - fel - ler; Gold- dust at my feet On the sun-ny side. of the street. Grab your _ street.72 PAPERBACK WRITER Words ang Music by Jon Lennon and Paul McCartney Bright rock G7 Dear. Sir. or_~=— Madam, will you read my —-book?It_ took me (i’sa) thou - sand pa-ges, give or take a — few: TU be years to write, will you take a look? Based on a nov-el by a writ- ing more in a — weekor two, lean make it long-er if you man named Lear, and [ need a job, So I want to be a pa-per-back like the style, I can change it ‘round, AndI want to be a_pa-per-back c Din? oo -——_ writ -er, —____ pa - per-back — writ- er, —___ It's the writ -er, ——__ pa - per-back — writ- er, —_____ If you dirt-y sto-ry of a dirt- y man, andhis cling-ing wife does-n’t real-ly like it, youcan have the rights,_ it could make a million for you un-der-stand. His son is work-ing for the Dail- y Mail; Its a ov-er-night. If you must re - turn it, you can send it here But I stead - y job, But he wants to be 2 _pa -per-back need a break, And want to be a pa-per-back — pa - per-back writ- er, — pa - per-back writ- er, —_—73 PENNIES FROM HEAVEN Words by John Burke Muse by Artnur Jonnston Moderato G7 Dmi G7 For ev-'ry time it rains,t rains — penniesfromhea - ven, G7 pm7 G7 c Em7 CaimT Dmz Don't you know each cloud con-tains perniesfromhea - ven? You'll find your for - tune fall - ing all 0 - ver town. D7 Am Di G Dm? G7 Be sure that your um - brel - la is up - side down. Cdim7 Dnt G7 Dm? G7 c EmtT Trade them for a pack- age of sun-shine and flow - ers, —— c cr Fr If you want the things you love, you must have show - ers. Fm Em Edim 06 AT So when you hear it thun-der, don’t run un-der a tree, _—‘Therell be Dm7 {l,> 2 —3— —3—PedG G7 ce ‘Ab7_ G7 Ab7 oc pen-nies from hea-ven for you and me, —____ For74 QUANDO QUANDO QUANDO Words by A Testa Music by Tony Reris: English Ivics by Pat Boone Tell me when will you be mine, Tell me quando quando me, —___________ Tell me quando quando Bb BG Bo Baim Cm7 FE? Cm? FT Cm7 quan = We can sharea love di - vine, quan - You mean hap -pi- ness for me, —— F7 Bb fl Baim Please don't make me wait a - gain. When will you say,"Yes" to —— Oh my love,pleasetell me When [2 (Bb) _ Fm7 BbT_Fm7 Bbi Fm? Bb? Eb Ev'ry mo-ment’s a day, Ev'ry day seems a life - Am7 CT _Gm7 C7 Gm7 C7 time. Let me show you the way To a_ joy beyond com- m7 FT Cm? FT Cm F7 Bb Bdim = Cm7 FY Cm? PY Cm7 F7 pare,________________I can’t. wait a mo-ment more,____________ Tell me cm? FT Bb Bb6 Bb Bdim Cm7 FT CmT FT OmT quando quando quan - do. Say it's me that you a - dore, F7 Cm? P7 Bb 1 pam |om7 — And then darling tell me when, _______ Tell me when will you be75 RED ROSES FOR A BLUE LADY Words and Wusic by Sid Tepper and Roy Brodsky Moderato Em Cdim G7 c By 1 want some red ros-es for a blue la - dy, Mis - ter Flo - rist, take my or - der, _ please, ___ We G7 Em Am? quar-rel the oth - er day, Dm7 Gdim G7 Em Cdim G7 = ee ere Hope these pret-ty flow- ers chase her blues a - way. Wrap up some. c B7 E7 red ros-es for a blue la - dy, Send them to the sweet-est gal in town, ——____ And if they do the trick, rm hur- ry back to pick Your best white or-chid Tic Dm? Em Cdim G7 2g for her wed-ding gown. 1 want some gown.76 RELEASE ME Words and Music by Eddie Miler, Oud Wiliams. Robert Yourgand Roben Hams Moderato F Fdim Gm7 F D7 Gm7 c7 1, Please re- leaseme, let me go, —__ For don’t 201 have found a new love dear, And will F c7 F Fdim Gm? FD? love you an-y - more. To waste our lives wouldbe a al- ways wanther near. Her lips are warm while yours are sin Re - leaseme and let me love -_ gain. cold. Re - leaseme, my dar-ling, let me go. F Fdim Gm? F D7 Gm7 c7 3. Please re - leaseme, can’t you see ____ You'd be a F c7 F Fdim Gm7 F Di fool to cling to me? To live a lie would bring us So re-leaseme and let me__ love a - gain, __77 SAILING Words and Music by Gavin Sutheriang I am sail-ing, [am sail-ing home a- gain. ‘cross the sea, I am fly-ing, 1am fly-ing like a bird. ‘cross the sea, I am sail-ing stor-my wa- ters, to be near-you, to be free. Tam fly-ing, pass-ing high clouds to be near_you, to be 2p 7 Bw Gm Eb Bb of free. Can you hear me, can you hear me thro’ the dark night, far a - way? I am c7 Gm cmt Bw OF? dy -ing, for ev-er try-ing to._ be with_you; who can say? Can you BP Gm Eb Bb . > . hear-me, can you hear me thro’ the dark night, far a - way. Iam sail- ing, we are sail-ing home a - gain ‘cross the sea, Weare c7 cm? Ip B7 dy - ing, for ev-er try-ing to be —with_you;. whocan say? sail-ing __ stor-my wa-ters, to be near.you, to be Repeat and fade 2 [2 Bo ; cm Bb G7 Weare free. Oh Lordto be —_near_you, to be free. Oh Lordto be78 SAVE THE LAST DANCE FOR ME Words and Music by Doc Pamus ang Mort Shuman Moderately Chorus ¥ = = = oe fa a re Youcan dance ev-'ry dancewiththe guy who gave you the eye; let him know that the mu-sic is fine, like spark-ling wine;- go and Bb7 hold you tight. You can smile ev-"ry__ smile for the man who have your fum.— Laugh and sing, but while we're a-part— don’t Eb Bt held your hand ’neath the pale moon-light._ give your heart. to an - y - one.— But don’t for - SS get who's tak-ing you. home, and in whose arms you're gon - na be. — Bb? Eb 1 So dar-lin',__ savethe last dancefor — me. Oh, Bo7 ED + Ba-by,don’tyou know I love you so? Can’t you feel it when we touch?I will nev-er, nev-er let you go. I love you, oh so much, Youcan dance, goand car-xy on till the night is gone_ and it’s time to go. fhe asks if you're all a-lone, can he —take_you home,-you must tell him no. "Cause don’t for - get who's tak-ing you home and in whose arms you’re gon - na be. So, dar-lin', ______ save the To Coda ® D.S.al Coda 9 CODA Eb Eb last dance for me. You can me, —___79 SAVE YOUR KISSES FOR ME Words and Music by Tony Hiller, Lee Sheriden and Martin Lee G eee Se ee ere Though it hurts togo— a-way,. it im - Gma7 G7 c = oe = SS ee pos-si-ble_ to stay, But there’s one thing I must say be-fore.1 go. I om G Am? love you,-(Tlove you) -you.—sknow,~—T'l be think-ing of you in “most id ev-'ry-thing 1 do. Now the time is mov-in’ on, — and I got to work each day, and that’s Gma7 c7 zeal-ly should be gone, but you keep me _—shang-in’ on —for one—_ more why [go a-way, but 1 count. the se - conds till T'm home_ with G smile, 1 love you (I love you) all the while, _ With your you, I love you, (I love you) it’s true, You're so cute lit - tle wave, will, you = prom-ise that you'll save your cute,hon-ey gee, wont you save themup for me, yourKiss-esfor me,— save all your kiss-es for me,_ Bye-bye.ba-by, bye- bye, Don't cry,hon-ey, don’t cry. Gon-na walk out thedoor,. but (Il soon be back for more. Kiss-es for me, save all your kiss-es for me, _ 50 long,honey, 50 long. Hang on, baby, hang on, don't you dare me to stay, ’Cos you know I'll have to say, That I've know youVvegotto save your Kiss-es for me, save all your kiss-es for me,_ Bye-bye, ha-by, bye - bye, Don'tery, hon-ey, don’t ral. G Am7 Dr G ery, Won't you savethemfor me, ev-en tho’ you're on-ly three!so SHE Words by Herbert Kretemer Music by Charles Aznavour She ___ may be the face can’t for - get, a trace of plea-sure or re - pret, may be my trea-sure or the price I have to pay. im Bodim E (SS as 6 SS a eS == She — may be the song that sum- mer sings, may be the chill that aut - umn D Bm Em? AT D Em7 Av . brings, may be a hun-dreddif-ferent things_with-in the mea-sure of a day. She may be the beau-ty or the beast, may be the fam-ine or the She —_ may be the reas-on I sur - vive, __ the why and where-foreI'm a - c D B7 feast, may turneachday in - to a —iheav- en or a hell. live, — the one I'l care for through the rough and read-y years,She may be the mir-ror of my dream, a smile re-flec-ted in a Me, —— I'll take her laugh-ter and her tears —and make them all_ my sov- ven- stream, She may not be what she may seem in-side her shell irs, __ For where she goes I’ve got to proud; no one’s al- lowed to see them when they cry. Gm7 cr F D = She __ may be the love that can-not hope to last, _ may come tome from sha-dows of the past that [_re - mem-her till the day die. a be; The mean-ing of my life is she, she mm she,81 SHOW ME THE WAY TO GO HOME Words and Music by Irving King and Kal Swain Moderato Am? DT — When I’m hap py, when I'm hap - py. the while, G7 c cm G D7 6cG 1 don’t need no - bo- dy then to show me how to smile D Aq D a a4 SS When I've been out on the spree, tod - dling down the street, AT D E7 AT D7 With this lit - tle me -lo - dy ev -ery- one J greet; Chorus Show me the wayto go home, ['m__ tired and T want to go to bed. 1 AT Am D7 had a lit-tle drink about an hour a - go, And it’s gone right tomy head, Where- ev-er I may roam, On land,or sea or foam, Youcan al -ways hear me sing-ing this song, Show me the way to go home. home,83 SIDE BY SIDE Words and Music by Harty Woods See that sun in the morn-ing Peek-ing 0 - ver the hill, = T'L We're all hunt-ing for some-thing, Some-thing we.don’t know what, "Cause Bb Eb D7 Gm bet you're sure. it al-ways has_ And sure it al - ways will, none of us are satis - fied_ With things we know we've got. That's how I feel a-bout some-one, How some-bo-dy feels about me, We're We all for-get a-bout — moon- light As soon as we've given our vow, But Pm7 EbmaT m7 FT B Bw? sure we love each oth - ex, That's the way we'll al - ways be, ___ we'd all be so hap - py If we'd start and sing right now, Chorus ee Oh, we ain't got a bar-rel of mon - ey, May -be we're rag-ged and Ab Eb AD Ebdim7 Eb C7 F7 Bb? OED fun - ny, But we'll tra-vel a-long— sing-ing a song Side by _ side.(Eb) Ab ED Don’t know what's com-ingto - mor Tow, May - be it’s trou-ble and ab BD ab Ebdim? Eb 7 _ F7 Bb? OED sor - row, But we'll tra-vel the sea _ shar-ing our toad Side by side. G+ - av @ a - ‘Thro’ all kinds of wea-ther, What if the oe should fall? Just as Fs . F7 Fm7 long as: we're to ~ a It does - n’t mat-ter at Bb? ED Ab Eb all, ‘When they've all had their quar-rels and part - ed Ab Ebdim? We'll be the same as we start - ed, Just trav-'ling a - long ED c7 F7 Bb7 Te» B7 2 BD sing -ing a song Side by side,_—_ Oh, we side,82 SING Words and Music by ‘Jo8 Raposo Sing! Sing a song! Sing out loud! Fm? B7 Ebma7 Bb Sing out strong! Sing of good things, not bad; Gm7 co m7 F7 BP Sing of hap-py, not sad, Sing! cm? FT Em Sing a song! Make it sim-ple to last your whole life long. Bey Ebma7 pb? cm7 _— Don't wor-ry that it’s not good e-nough for an-y-one else to co F7 B F7 hear. Sing! Sing a song! La ladolada, la da lado lada, la da da lado la da.— Bb Boma7 Ebma7 Ladola da, la da la la da, lo da da lado lo da, La ladolada, la da ladolada, 1a da da ladola da,84 SOLITAIRE Words and Music by Nett Seciaka and Philip Cooy Moderato c Therewas a man, A lone - ly man A lit - tle hope goes up in smoke, Who lost his. love thro’ his in - dif - fer-ence. Just how it goes, goes with out say - ing. A heart that cared, that went un- shared There was a man, a lone- ly man Un -til it died with-in his si = lence. Who could com- mand the hand he's play - ing. And Sol - - taize’s the on-ly game in town, And_ev-"ry ‘road that takes him,takes him, And by _him-self it's ea-sy to pre - tend ___ He'll nev- er love a= gain, _______ And keep-ing to him-self he plays the Am — game, With - out her love it al - ways ends the same; ______ While life goes on a- round him ev-"ry - where, He's play-ing Sol - i- taire And taire’s the on-ly game in town, ____ And a ev-’ry road that takes him takes him down; While life goes on a-round him ev-"ry- a where. He's play-ing Sol = i= taire. —_85 SOPHISTICATED LADY Words by tving Mis and Mitcholl Parish lusic by Duke Elington They Gm Bb7 D7 Db? CZ, F FT ET Eb7 pz say in-to your ear-ly life ro-mance came, _ And in this heart of yours burned a cz GT F FT Gm7 SS SS flame, A flame that flick-ered one day and died a - way. You __ weresweet and Eo7 D7 _pb7_ GZ F F7_E7_Eb7 D7 gt ger ——s == S| a love-ly, sim-ple and shy, But then as_ time went hur-ry-ing by ____ The yearshave E Am7 37 E cin changed you some-how; 1 see you now Laugh-ing, dar-ing, 7 5 om Fam7 ET Fim? Fédim7 E q nev-ercar - ing That you hurt me like youdo. Bright eyes shi-ning, Fim7 B E coz Ddim? Am Fildim7, ® nev-er pin - ing For a love that is fond and true; Tho’ such love was meant for you Gm? Eb? D7 pb7 G2 F F7_E7_BP7 D7 Poor __ so-phis-ti- ca-ted la - dy, 1 _ You miss the love you lost long a - cr Te paim Bim am6abné Pp pb F cr go, — And when no-bo-dy is nigh you cry. __ They cry.87 SPINNING WHEEL Words and Music by David Gayton Thomas Easy strong beat E7 AT D7 c E? AT 7 G What goes-up must come_down, Spin-ning Wheel got to go’round. ‘Talk-in’ "bout your trou-bles, its 2 cry-in’ sin. Ride a_paint-ed po-ny, let your spin-ning wheel spin. You got no mon-ey, you got no home, _ Spin-ning Wheel all a - lone. Talk-in! "bout your trou-Hes and you, You ne-ver learn.— Ride a paint-ed po -ny, let the _spin-ning wheel _tum.Give your fine di - rect-ing sign_ on the straight and nar - row high- : way. Would you mind__ a re - fleet-ing sign? Just let it shine with - in your mind, _ And = show you — the col-ours that are real, Some - one is wait - ing Just for you, Spin-ning Wkeel D7 G E7 ay D7 G spin-ning true. — Drop all your trou-bles on the riv-er - side,_ 79 5b) be Catch a paint-ed po-ny, let the spin-ning wheel_fly.86 SUGAR SUGAR Words and Music Jeff Bary and Andy Kim Moderato Ss Sug-ar, ah_hon-ey, hon-ey, You are my — can- dy girl Foor ¢ F c And you've got me want-ing you. _ Hon-ey, ah — Sug-ar,Sug-ar, E ¢ F G o S You are my can- dy girl_ And you've got me want-ing you F c tr I just can’t be - lieve the love - li - ness of lov-ing you. WhenI kissed you, girl, I knew how sweet a kiss could be. (I E c (1 justcan't be - lieve it’s true.) 1 just cant be - lieve the one_ know how sweet a kiss can_be.)__ Like the sum-mer sun - shine, pour_ ft a F c E G7 qr to love this feel-ing to. (1 just can’t be-lieve it’s true.) Ah — your sweetness o-ver me. (Pour your sweetness o - ver me.) _ Su F c F ‘Su_- gar, Pour a lit-tle sug-ar_ on it, hon - ey, Pour a lit-tle sug-ar_ on it, ba = c Dm7 T I'm gon-na make your life_ so sweet, yeh, yeh, yeah. Pour a lit-tle___ sug - ar on it, I2c Dm C6 yeah, yeah, yeah. Pour a lit-tle sug-ar on it, hon - ey. — Abl3838 SUPERCALIFRAGILISTICEXPIALIDOCIOUS Words and Music by. Richard M. Sherman and Robert B. Sherman Brightl ar G7 c Um did-dle did-dle did-dle, um did-dle ay! Um did-dle did-dle did-dle, GT ce Cédim7 Be - causeI was a - fraid to speak When I was just a um did-dleay! I trav-eledall a - roundthe world And — ev~’ ry- where I So when the cat has got your tongue Therésno need for dis - lad, Me fa - ther gave me nose a tweak And told me I was went Td use this word and all would say, "There goes a_clev- er may. Just sum-mon up this word and then You've got a lot to bad. But then one day I leameda word That saved me ach - in’ gent!’ When dukes andma-ha- ra- jas Pass the time of day with say. But bet -ter use it care-ful - ly Or it’ — can change your nose, The big-gest word you ev-er heard,And this is how it goes: OW me, I say me spe-cial word And then they ask me out to tea, Oh! life, One night I said it to me girl, And now megirl’s me wife. She's1-2. Su- per-cal-i - frag-il - is - tic - ex-pi-al- i - do - cious! 3. Su-per-cal-i - frag-il - is- tic - ex-pi-al-i - do - cious! E - ven though the soundof it is something quite a - tro - cious, Su- per-cal-i - frag-il - is-tic- ex- pi-al - i - do - cious! I you say it loud e - nough,you'll al -ways sound pre - co - cious. Su -per-cal-i - frag-il- is - tic - ex-pi-al - i - do - cious! 1,2 c F6 Fédim? c Ctaimt G7 Su-per-cal- i - frag-il - is- tic - ex-pi-al-i - do - cious!89 SUPERSTAR Words and Music by Leon Fussell and Bonnie Bramiet! Long a-go,___ andoh_- 50, fara way, — I fell in Lone-li-ness__ is. such asad affair, —___ and I can D7 F E7 Am — * love with you be-fore the sec-ond show Your gui-tar hard-ly wait —___ to be with you a- gain. What to say c F c D7 —I— —— it sounds so sweet and clear, —___ but you’re not real-ly here, —— to make you come a - gain, come back to me a- gain F ET Em Dm — it's just the ra-di -o, —___ and play your sad gui-tar c F Don't you remem-ber you told me you loved me Em es C ba - by; You said you'd be com-ing back this way a-gain ba - by. F Em Dm, c Bb — Ba-by, ba-by, ba-by, ba-by oh ba - by 1 love you,— fi [2 D.8. [3 fine FE c7 c C7 al fine EF Am - 1 really do, 1 real-ly do,54 THE LAST THING ON MY MIND Words and Music by Tom Paxton It’s a les-son toolate for the learning, Madeof sand, — made of rea-son a-plen- ty for go- ing, This 1 know, this I lie in my bed in the morn-ing With-out you, with - out Bb Eb BD BD sand, In the wink of an eye my soul is turn-ing__ Jn your know, For the weeds havebeen stead-- i ly grow-ing.__—-Pleasedon’t you. Each song in my breast dies a- bor-ing With -out Bb F7 Bb Fi hand, in your hand. 20, pleasedon't go. Are yougo = ing a-way_ with no you, with-out you. Bb ED E7 word of fare-well, Willthere be not a trace__ left be-hind?_ Well FB? bb Bb Eb Bb could have loved_ you bet-ter, did-n’t mean to be un- kind, You know F7 Bb that was the last_ thing on my mind. 2. Youve got 3. As T as Bb F7 Bb mind, ‘That was the last_ thing on my mind.59 THE LONG AND WINDING ROAD ‘Words and Music by John Lennon and Paul McCartney The long and win-ding roads that___— leads. to._-your door wild and win-dy night that the rain washeda = - way c Am Dm? c7 Gm7 C7 - will nev-er dis-ap - pear, I've seen that road be - fore. has left a poolof tears cry-ing for the — day. F c Am Dm? or ic It al-ways —_leads me here, leadmeto your. door. ‘The Why leave me standing here, let_ me know the — F c way. Man-y times I've been a- lone, and man-y times I've cried, c F c Dm7 Am Em An-y- way, you'll never know the — man-y ways I've tried, But still they lead me F c cr F c back tothe long win-ding road. You left me stand-ing Am Dm7 G7 Gm? cl OF c here a long,long time a - go, Don’t leave me Am Dm? cu c F c wait-ing here, lead meto —-your_ door.67 THE MUSIC GOES ROUND AND AROUND Words by Red’ Hodeson Music by Edward Fatiey and Michael Filoy Moderato One night, whileplay-ing in the band, A girlcame up; she _ said,"You're grand." So c Gt c Ay D7 oe 1 re = plied in words low down,. "Now this is how the music goes’round: . ‘Chorus Caim7 1 blow throughhere; ‘The mu-sic goes’round and a - round. Whoa-ho - Dm7_G7 c Dm7 G7 c Dm7 Cdim? e_ ho-ho - ho - ho, and it comes out here, 1 push the first valve c Caimi? __Dm7 G7 [aaa ep oe 7 + 7 a) down; The _mu-sic goes down and a ~ round. Whoa-ho-ho-ho - ho ~ ho, And it comes up c ET Am 57 Am Ey Am I push the mid-dle valve down;_ The mu-sic goes down a-round_ 57 Am E7 Am br Ge 3 — be-low,_ be-low,__ be-low, _ Dee-dle-dee ho-ho-ho, —_Lis-tentothe notes. come G7 cote Dm7_Cdim7_¢ Caim? 2 out. I push the oth-er valve down; The mu-sic goes’round and a - round.Whoa-ho- Dm? 7 Ic Dm? G7 2c Gr c ho-ho - ho - ho, and it comes out here? I here."90 THERE GOES MY EVERYTHING Words and Music by Datas Frazer moderato 1 hear foot steps slow = ly walk-ing —___ As they mem? ry turns back the —pag- es, —____ 1 can FT Bb Fy gent - ly walka - cross a lone-ly floor, —____ And a see the hap-py —-years___ we _had be - fore, —___ Now the Bb Eb Bo voice — is soft - ly say-ing, — "Dar-ling, love that kept this old heart beat-ing —_____ Has been this will be good - bye for ev-er - —_—_ shat - tered by the clos - ing of the door, Chorus Bb E7 Bb F7 Bb Bw? ‘There goes my rea - son for liv - ing, Eb B7 Bb, F7 There goes the. ~— one of my dreams, ‘There goes. my ev -"ry - thing. As my — thing, —___91 TRY ALITTLE TENDERNESS Words and Music by, Harry Woods, Jimmy Campbel and Reg Connelly Moderately slow She may be wea-ry, Wo-men do get wea-ry Wear-ing the same shab-by Gms AT D7 Dm? G7 © AmT Dm7 G7 dress, And when shes wea- ry, Try a lit-te ten- der - ness. c Am Dm7 G7 c Em Gmé_A7 You know she's waiting, Just an-ti - ci-pa-ting ‘Things she may nev-er pos- sess; D7 Dm? a7 Cc Dm? ¢ While she’s with-out them, Try a little ten- der - ness. ___ It's F E7 am a7 not just sen-ti - men-tal,____ She has her grief and care, And a Dm Ay Dm Dm? G7 word that'ssoft and gen- tle Makes it ea -si - er to bear. c Am Dm7 G7 c Em Gm6 Az ‘You won't re-gret it, Wo-men don'tfor-get it, Love is their wholehap-pi - ness. D7 Din G Me pm_or '2¢ = IWsall so ea-sy, Try a lit-tle ten-der - ness. ness, —_92 TULIPS FROM AMSTERDAM Words by Neumann and Bader Music by Ral Amie, English lies by Gene Martyn Bright waltz tempo Tu -lips from Am - ster - dam, With a_—heart_ thats true I'll give to you Tu- lips from Am - ster - dam, I_ can’t. wait un - til the day you fill, These empty arms of = mine. Bdim? F 7 = Like the wind - mill keeps on turn - ing, ‘That's how my — heart F B Bbm FE keeps on yearn ~ ing For the day I know we can t 2g. ! Di Gm? C7 F6 F6 — —— Share these tu- lips from Am - ster - dam. When it's dam.93 TUXEDO JUNCTION Words by Bucy Feyne ‘Music by Exokne Havin, iam Joson and Julan Desh Medium swing Feel-in’ low! — Rock-in’ slow! Want to go right back _ Chorus Bbm F? Bb F? XB Bb F? mf — where I — be-long! — Way down South, in Bir - ming-ham,I mean drive or walk for miles.to get F7 BD Eb =Edim Bb Bb South, in Al - a-bam'’s.an old place Wherepeo - plego— to dance. jive that South - ern style,s -low jive That makes you want to dance. Bbm F? ph = F7 2 pb Bo Eb the night _ a-way, —_ ‘They all — "til break _ of day._ — It’s june - tion where the town folks meet, At each — fune - tion intheir tux they___— greet you. Comeon — down, ~—for-get _ Eb Bo — your care.Come on down, you'll find ____me there. So long, town! _I'm head- Edim bm ___p7 BCoda® yy, pha Code @ C004 ED = v - in’ for Tux-e = do June - tion now! _ Way down95 WHEN I'M SIXTY-FOUR Words and Music by Joon Lennon and Paul McCartney Medium tempo c WhenI get old - er, los-ing my hair, man-y_—years_ from now,— I could be han - dy mend-inga fuse when your lights have gone: Send me a post - card, drop me a line — stat-ing point of view; Will you still be send-ing me a © Val-en - tine,— ~ You can knit a sweat-er by the fire side, — In- di- cate pre-cise-ly what you meanto say, _ G — Cdim Chaim G7 c birth - day greet - ings, bottle of wine?_ If I'd been out till Sun- day morn- ings go for a ride. — Do-ing the gar - den, ‘Yours sin - cere - ly, was-ting a~ way. Give me youran - swer, cr F quar-ter to three, _ would you lock the door? _ dig - ging the weeds. Who could ask = for more? __ fill in a form; — Mine for ev - er- more, —_ [3rd time] Fm c AT pe G13 o Will you still need __ me, will you still feed me WhenI'm — six-ty -four? [top notes] ooh oe [2nd time ] Ev-'ry sum-mer we can rent a cot-tage in the Isle of Wight. You'll be old - er We shall scrimp and E7 Am E7 Am £7 Am E7 At m 2“ — too, ah And if you save, ahs Grand - chil - dren say the — word I could stay with on your knee, —___ ve - ra, Chuck and you, as > Dave. four’ Ho!94 WHEN THE SAINTS GO MARCHING IN Now Words and Music Arrangement by Paul Campbell Quick march 1 am just a lone -ly trav" ler Thro this big wide folks have gone be - fore me, All_ my_—_ friends and join me in my jour-ney,_____ ‘Cause it’s time that world of Want to join. that = grand pro -ces-sion ___ al my But I'l meet with them up —_yon-der we be - And we'll be there for that _—_judge-ment Chorus Baim? F a Fp F oc F —— | When the saints go marching Oh, when the saints__ — go march-ing in, _______ Oh, when the saints go —- march-ing in, —_ Cc? F F7 Bb Bdim7 oe == = SSS SS 3 —— Lord,I want to be in that num-ber — 1 will meet them all up in heav-en —____ When the We will be in line for that judge-ment (1,2 3 F G7 c7 F ‘Bb F C7 F saints go march - ing in, 2. All: my 3. Come and _ in,98 WHY Words by Bob Marcucci Music by Peter De Angelis, Moderately G Gma7 G6 Gmail Am? D7 Am7 D7

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