M I R R O R L E S S

R E I N V E N T E D
 THE NEW OPTICAL GATEWAY TO NEXT-LEVEL CREATIVITY
Z is year zero for the imaging world.
The Nikon Z mount system is about potential. It is about taking the lead in the mirrorless camera
world and redefining possibilities – both technological and creative. It is about building a new
platform for image makers that can grow in pace with their aspirations and let them work and
express themselves in fresh new ways.

The secret to great imaging is light. With a century of experience in optics, Nikon knows this well.
NIKKOR F lenses are the result of a long tradition of accumulated optical expertise, drawing in
light in the purest form possible, with minimal distortion. As a result, they deliver highly accurate
subject information to the sensor, enabling high-resolution images with real depth.

The Z mount’s 55-mm inner diameter and 16-mm flange focal distance clear the way for
a new generation of outstandingly high-performance lenses. This new system lifts optical
performance and image quality to new heights. It also enables development of a wider variety
of lenses, faster apertures, and unique focal lengths, opening up a wider range of photographic
expression. Retaining access via an adapter to the extensive NIKKOR F lens legacy, the Z mount’s
breakthrough engineering makes it the foundation for a new generation of lenses that excel in
speed, sharpness and accuracy, blazing a new trail in lens capability.

The Z series embodies Nikon’s long-standing expertise in every aspect of a balanced camera
system. From image-processing ingenuity to robustness and operability, Nikon is uncompromising
in providing photographers with the best possible experience in the widest range of shooting
scenes, all within a compact camera system.

The Z mount system expands Nikon’s commitment to the future into the mirrorless world. With
groundbreaking optics at its heart, it helps users unleash fresh creativity by investing in a path
of ever-greater image quality, innovation and dependability. Where our most talented image-
seekers go, we aim to be there waiting.

The future is yet to be built, but how we will capture every moment, moving or still, is clear.
Welcome to the new Nikon Z mount system.

2 3
 NIKKOR Z 24-70mm f/4 S
4 5
 NIKKOR Z 50mm f/1.8 S
6 7
 NIKKOR Z 35mm f/1.8 S
8 9
 NIKKOR Z 50mm f/1.8 S
10 11
 NIKKOR Z 35mm f/1.8 S
12 13
 NIKKOR Z 24-70mm f/4 S
14 15
 Nikon’s first 100 years, and the future of optics and imaging

For most living creatures that have evolved on Earth, the first and most important information that
reaches their senses is light. The same is true of cameras. How faithfully a lens passes what it receives
onto the camera significantly influences what the camera can do. In its 100 years as an optical
manufacturer, Nikon has accumulated a range of knowhow by constantly striving to offer truly excellent
lenses that can capture subjects as they really appear.
In the same way that a living creature’s eye projects what it sees onto the retina for recognition, lenses “Nikon was established in 1917 for the domestic production of optics.

transform three-dimensional objects into a two-dimensional plane. And that’s where light comes into We have a strong sense of mission and pride as a leader in optical technology.

play. Light is visible through reflections, but it isn’t tangible. If we could touch it, it would be easier to Each and every Nikon worker is passionate about the story of optics.”

bend and extend. That’s the difficult nature of light, but Nikon’s optical technology controls it with great
precision. Light brings abundant benefits to the living world, and optical technology uses that light to
make our lives better. By increasing the precision of such technology, we can give even more to society.

Prologue: Optics that create new possibilities for imaging

Let’s look at two examples that indicate just how precise Nikon’s optics are. As we all know,
semiconductors are used in an extensive range of modern technology, from personal computers and
smart devices to automobiles and communications. In order to produce them, Nikon’s semiconductor
lithography system reduces large, complex microscopic electronic circuitry patterns and projects them
onto silicon wafer, using a lens with the most precise resolving power in human history. If the entire
area of Japan’s Kanto and Koshin’etsu regions (about 63,000 km2) could be reduced and projected
onto the size of a regular postage stamp, this lens could resolve objects as small as the white lines of
a pedestrian crossing at a level where they would be recognizable. It could be said that the lens has
a resolution sharp enough to enable a satellite orbiting the Earth to recognize a pedestrian crossing
in Tokyo. Another example is the precise curve of the lens surface. Sharp images require extremely
precise control of light, and in order to achieve that precision, the curve of the lens surface needs to
be manufactured exactly as intended, without even the slightest variation. Imagine if a single element
from a camera lens were enlarged to the size of the roof of Tokyo Dome baseball stadium: the size of
variation that we are measuring would be less than the thickness of a single human hair. Nikon realizes
this level of precision as a matter of course, but still strives to attain even higher standards. A camera
lens is made of many optical parts like the just ones mentioned. Delivering superb optical performance
requires extremely high precision in processing and manufacturing — and Nikon consistently achieves
this.
In the future, imaging is going to evolve into something more realistic and immersive, and that’s before
we even consider burgeoning technologies such as VR (Virtual Reality) and AR (Augmented Reality).
Optics will play a pivotal role in this trend. No matter how much the resolution of image sensors and
the performance of image-processing engines improve, it won’t be possible to achieve immersive
reality without the contribution of lenses that convey the original source of the image — light. Nikon’s
optical innovations are born through our constant development and manufacturing of a wide range of
products, including cameras, binoculars, telescopes, microscopes, semiconductor lithography systems,
measurement equipment, ophthalmic lenses, and optical materials. Our innovations in all of these fields
are incorporated into NIKKOR lenses, enabling us to lead the way for the future of imaging with optical
technology.
Yasuhiro Ohmura, General Manager, Optical Engineering Division
16 17
 Nikon Z mount system puts the future of imaging
in focus

All around us, people are capturing images and sharing them as part of
their daily lives. How will images continue to evolve from now? When image
making becomes such an everyday thing, this inevitably creates a desire for
more individualistic images. Various other needs emerge, too: people want
images that are more beautiful, or that are more fun. What kind of camera
system can deliver all the kinds of images that users want? While all of this
is happening, display monitors are also becoming much sharper, as they rise
from 2K to 4K and 8K. And as the Internet of Things (IoT) and communication
infrastructure develop further, enormous volumes of data will be transmitted
around the world at incredible speed, changing the way we live. It will also
become possible to display images at a higher resolution than the human
eye, which will lead to new forms of expression. The Z mount system is a new
mirrorless interchangeable-lens camera system that’s made for the imaging
possibilities of the future.
The Z mount system makes new forms of imaging possible, by further
advancing the technologies in which Nikon excels: the lens faithfully conveys
information about what’s in front of the camera, and the camera faithfully
reproduces the information it receives. As a gateway for imaging, the lens will
come to play an even more important role in receiving light in as pure a form
as possible. Nikon has invested a century of accumulated optical knowhow
and its outstanding processing and manufacturing technologies into the new
Z mount system, in order to take images into a new era.
The development of the Z mount system started with a simple idea: to
capture space as it really is. More than capturing a moment, we aim to record
each scene with a powerful sense of immersive reality. With current imaging
technology, even something as supposedly immersive as VR (Virtual Reality)
can only offer flat-looking images that lack a sense of depth and reality.
However, as the volume of image information increases, for instance with
higher resolutions, images will become ever more immersive. The time will
inevitably come when the virtual worlds of today’s video games will feel like
real life. What seems possible now will become a reality. The Z mount system
is designed to be ready for what comes next. Whether in stills or movies, the
new system captures what’s in front of the camera with extraordinary realism,
offering the same kind of high resolution and tonal gradation that we enjoy
with our own eyes. That’s the Z mount system.

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 33 staff sharing one mission: Nikon mount system

Table of contents
16-17 Prologue: Optics that create new possibilities for 22-23 Chapter 1: An innovative mount that connects 28-29 Chapter 2: NIKKOR Z lenses take imaging 52-53 Chapter 3: Precise, compact body that yields

imaging images to the future into the future overwhelmingly high quality images
Nikon’s first 100 years, and the future of optics and imaging
Reliable F mount and NIKKOR F lenses
24-25 For a new dimension of image making – NIKKOR Z lenses
30-31 54-55 Reducing size and weight while achieving the essence of a true camera
Nikon Z mount system puts the future of imaging in focus
18-19 Innovation and continuity: from F mount to Z mount
The NIKKOR F lens philosophy underpinning NIKKOR Z lenses Robustness that makes it possible to shoot under varied conditions

Possibilities of the Z mount
26-27 Optical performance for the next generation:
34-35 Image sensors that maximize next-level optical performance
56-57
Large lens mount with 55-mm inner diameter and short 16-mm
NIKKOR Z lens S-Line
High-performance engine processing a high pixel-count image sensor

flange focal distance NIKKOR Z 58mm f/0.95 S Noct: point-image reproduction and
36-37
Nikon Z series inherits a legacy of innovation to achieve natural-looking images
58-59
High-speed, large-volume communication that enables accurate
beautiful bokeh at f/0.95
Dramatically improved movie image quality

frame-by-frame processing Multi-focusing system for high image quality at close distances
38-39
Highly accurate hybrid AF, effective in both stills and movies
60-61
Four connecting clips that offer a strong and smooth attachment
Lens operability improved to ensure high-quality movie recording

High-magnification, high-resolution electronic viewfinder offering a

Exterior quality that’s a pleasure to own and use

natural-looking view
High-precision Mount Adapter FTZ allows use of NIKKOR F lenses
48-49
Operability explained
62-63
Consideration for reliability and durability
50-51
GUI that allows natural operation

Quality control to ensure consistent optical performance

A pleasure to own, a joy to use — Body design and styling of the Nikon Z series
64-65

Packaging design expresses the future of the Nikon Z mount system using light

Connectivity
66-67

System expandability

20 21
 Chapter 1:
An innovative mount that connects
images to the future

“A lens-mount inner diameter of

55 mm and a flange focal distance of
16 mm: these are the absolute
specifications.”

22 23
 Reliable F mount and NIKKOR F lenses

Since the introduction in 1959 of Nikon’s first interchangeable-lens lenses. If you have one of the latest digital camera bodies,
SLR camera, the Nikon F, the F mount has been in continuous you can capture a variety of images. But unless you have a
use for 59 years, and its history is still being made. We cannot number of different lenses, you cannot expand your range of
tell if the original designer intended for it to be used for so many expression. When people see a large collection of NIKKOR F
years, but it’s a testament to the strength of the mount design lenses, they may ask why so many lenses exist in the first place.
that it has endured for such a long time. Because we have not Unlike camera bodies, lenses don’t go out of date quickly.
changed the mount, users have been able to use their NIKKOR Whether old or new, each lens gives photographers a unique
lenses and camera bodies in any combination they like. This rare and different vision. The more lenses exist, the wider the range
value of the F mount makes it a precious treasure not only for of expressive possibilities. Nikon’s optical designers are also
our users, but for Nikon as well. photographers themselves. They have designed and released
When the F mount made its debut with the Nikon F, you still more than 500 different NIKKOR F lenses from the point of
had to control the camera’s exposure and focus manually. view of photographers, all in pursuit of better images and more
There have been many advances in camera technologies since attractive expression. And it is only because of our users’ support
then — auto exposure, autofocus, the switch from film to digital, for those efforts that the F mount has been able to continue for
the introduction of FX format — yet even as the technological such a long time.
hurdles became higher, Nikon continued to use the F mount. Nikon shares a passion for creative expression with its users.
The engineers from each era demonstrated their ingenuity by There may not be many other examples of a producer-
working with the constraints of the mount, enabling it to respond consumer relationship continuing for so long through a single
to the most advanced technologies of the day. The D5 boasts mount. It is never easy for companies to transmit manufacturing
extensive, highly accurate automated controls, but it shares the technologies and philosophies from one generation to the next.
same F mount as the original, fully manual Nikon F. But for Nikon, it is a simple fact of business.
The history of the F mount is also the history of NIKKOR F

“The 59-year history of the F mount incorporates the engineering

wisdom of each era. The new Z mount offers more freedom in
designing optics. We will fill it with Nikon’s wisdom and dreams.” Innovation and continuity: from F mount to Z mount

The continuity of our camera system has long been a top which creates a demand for ever-higher image quality and
priority for Nikon, as we pursue further innovations in imaging higher frame rates in video. There is an increasing need for a
technology. Even when people speculated that it would be new system that creates new possibilities for images, and keeps
impossible to incorporate a full-size image sensor in an F-mount expanding those possibilities into the future.
D-SLR, our engineers never abandoned the F mount, and Just as the F mount has kept pace with the latest imaging
were able to make FX format a reality. Since then, they have technologies, the new Z mount system will continuously respond
introduced numerous F-mount lenses that take full advantage of to the need for richer image making in years to come. The
the potential of FX format. incredible potential of the new mount will propel imaging to
The ways in which we interact with images have changed new heights. And with the dedicated mount adapter, users can
dramatically. It’s now a commonplace that a small handheld continue to use their existing NIKKOR F lenses with the new
device can produce reasonably good-quality images, while system. The Z mount is a gateway to the new forms of imaging
many users treat stills and movies as essentially interchangeable. that the future will bring.
Image display monitors are becoming larger and sharper too,
Hideki Sasao, Product Planning, DCIL, UX Planning Department, Marketing Sector, Imaging Business Unit
Naoki Kitaoka, Department Manager, UX Planning Department, Marketing Sector, Imaging Business Unit
Hiroyuki Ishigami, Section Manager, Product Planning, IL, UX Planning Department, Marketing Sector, Imaging Business Unit

24 25
 Large lens mount with 55-mm inner diameter and short 16-mm flange focal distance

We posed ourselves a question: how can we achieve for lens design that can exploit the benefits of FX format to
16 mm outstanding optical performance, compactness, and ease of achieve unprecedented imaging. Having a faster maximum
use as a camera system, all at the same time? The answer we aperture makes it possible to produce images with even more
arrived at for the Z mount was to combine a 55-mm inner mount beautiful bokeh and three-dimensional depth — which are
diameter with a 16-mm flange focal distance. This combination strengths of FX format — in both stills and movies. Because a
offers enormous flexibility in optical design, giving the Z mount greater volume of light is able to reach the corners of the frame
system the potential to exceed users’ demands not just now, but as well as the center, it becomes possible to design lenses with
also well into the future. uniformly sharp resolution from edge to edge. A 55-mm inner
The ability to gather more light through the lens is indispensable diameter also allows us to design every focal length and f-stop
for offering high-quality images that can meet the requirements combination in a lens, not only with the types of lenses that
of the era. The larger the inner mount diameter, the better it have been possible with the F mount, but also with lenses that
55 mm can fulfill this role. However, an excessively large mount makes have so far been difficult to develop, such as video lenses and
a camera system too big to use easily. We strictly calculated the super telephoto lenses.
trade-off between these two factors, first by determining the The flange focal distance has also been rigorously determined
image sensor size, and concluded that the optimal diameter size to convey incoming light from NIKKOR Z lenses to the sensor
was 55 mm. in the purest form possible. There are mechanical components
The FX-format sensor used by the Z 7, the first Z series model, on top of the image sensor that cannot be removed, such as
can continue to offer well-balanced improvements in three key filters, a mechanical shutter, and a glass cover to protect against
elements of image quality: resolution, dynamic range, and frame dust. Nikon worked hard to reduce the thickness of each of
rate. Using a larger sensor than FX format would offer wider these while testing for optical and physical precision, and even
dynamic range, but the lenses it required would become too big, production accuracy, in order to arrive at a flange distance of 16
4 Connecting and the depth of field would be too shallow to use easily. The mm. By doing so, we were able to achieve a new level of optical
clips FX-format sensor offers a good balance between high image performance that maximizes the advantages of FX format, all in
quality, compact size and ease of use. a compact and highly usable system.
A lens-mount inner diameter of 55 mm gives plenty of room

High-speed, large-volume
Four connecting clips that offer a
communication that enables accurate
strong and smooth attachment
frame-by-frame processing

Lens-mount systems are designed to communicate various We gave a lot of thought to the design of the connecting
information between the lens and camera body — such as focal clips that attach and fix the lens to the camera body. First, it’s
length, camera-to-subject distance and aperture — in order to about strength. Sometimes cameras get dropped or hit against
improve image quality and AF accuracy. As camera resolutions something hard. The mount and clips need to be strong enough
and frame rates become much higher in the future, achieving to withstand impact from various angles, and not be easily bent
ever more lifelike images, the key to delivering higher image out of shape. If the Z mount used three clips like the F mount
quality as a system is to communicate all of that information does, it would need them to be longer and thicker, because of
quickly and accurately. Thanks to its high-speed, large-volume its larger inner diameter. Using three clips with a larger mount
communication capability, the Z mount transfers a variety of would also mean that a lens needed to be rotated more when
extremely detailed information between the lens and camera it was attached or removed. We decided that four clips would
body in real time. This will allow the imaging power of the Z offer both strength and easy operation.
mount system to keep growing from now into the future. In addition, we also determined the optimum positions for clips
Nikon has been constantly improving image quality at a and screws, as well as the ideal thickness of the mount. The
very precise level, but this kind of high-speed, large-volume mount and four clips can sustain impact from various angles
communication promises to produce far more dramatic gains. while dispersing the shock, offering more strength than the F
Being able to apply the most effective AF adjustments and mount. The Z mount’s shorter clips reduce the rotation angle
Possibilities of the Z mount image processing to each frame will result in images with a when attaching and removing a lens from approx. 60 degrees
much greater sense of realism. And such accurate frame-by- for the F mount to approx. 40 degrees, allowing easier handling.
frame processing will become even more valuable from now on,
Nikon strongly believes that the power of light can shape the major improvements in AF accuracy and image quality. The as continuous shooting speeds for still images increase further.
future. The new Z mount possesses enormous potential for effect of this is particularly apparent in video shooting. You High-speed, large-volume communication is also effective in
responding to whatever the future brings, while also meeting can expect each frame of the video to have the same high video shooting. Even though video uses much higher frame
today’s demands. This potential makes it possible to develop image quality as a still image. Only a superb lens can achieve rates than in continuous still shooting, it will be possible to apply
a lens as fast as f/0.95. It enables a groundbreaking high images that burst with life. The Z mount and Z mount system will highly accurate image compensation to every frame. Imagine
level of optical performance to coexist with the compact form deliver exactly that — and at a level that has never been seen you are shooting video in a scene where you move the camera
factor that’s unique to mirrorless cameras. The things you can before. Naturally, all of this is accompanied by the reliability that from darkness to a bright place. With accurate frame-by-frame
capture and express will expand like never before. Moreover, professionals need when working in harsh environments. The Z adjustments in real time, you will be able to expect smooth and
data communication between lens and camera will increase mount extends the boundaries of imaging, and promises even natural exposure changes, even when the brightness level alters
significantly in both speed and volume. This permits information greater creativity in the future. so significantly. The communication capability of the Z mount
about the lens status, which is constantly changing, to be provides a solid foundation for the future evolution of image
accurately relayed to the camera body in realtime, which allows making.
26 27
 Chapter 2:
NIKKOR Z lenses take imaging
into the future

“A new era of innovative optical performance has begun,

based on the vast accumulated technologies of F lenses.”

28
 For a new dimension of image making – NIKKOR Z lenses

As image-processing technologies evolve, now even a simple an image. Compared to the 47-mm inner diameter of the F
device like a smartphone can give you a certain level of image mount, the Z mount has a large inner diameter of 55 mm,
quality. However, it cannot deliver a natural, three-dimensional which is ideally suited for receiving more light. By combining this
look: the images remain flat and two-dimensional. That makes advantage with Nikon’s accumulated design knowhow, NIKKOR
it difficult to achieve truly natural expression — which is an Z lenses are able to raise the bar for optical performance in
area that still hasn’t been fully explored yet. And it can only be multiple ways. More flexible optical design means future-proof
reached with superior optical performance. Stills and movies are optical performance, higher image quality at close distances,
reproduced on a two-dimensional plane, but using lenses with and the ability to attain all this within a compact body. All of
high optical performance lets you capture natural, impressive these factors expand the boundaries of shooting and image
images that feel alive and have a sense of three-dimensional creation.
space. This concept has been the basis for Nikon’s development Nothing changes the fact that optical technologies are
of NIKKOR F lenses, not just in terms of improving image essential for achieving superior images. Evolutions in image
resolution, but also accumulating the design knowhow to create sensors and image-processing engines are further enhanced
beautiful background bokeh. by improvements in the optical performance of lenses. NIKKOR
Large and natural bokeh effects that depict subjects with a Z lenses are attractive imaging tools that promise a new
sense of presence and depth cannot be realized using digital dimension of image quality — through an ever-expanding
image processing. They can only be produced through the lineup.
performance of a lens that controls light rays precisely to render

The NIKKOR F lens philosophy underpinning NIKKOR Z lenses

Our users all have individual tastes when it comes to images, for of professionals, allowing us to accumulate various knowhow
both stills and movies. To respond to their tastes and help them for achieving practical durability. Nikon also places emphasis on
cultivate new ones, Nikon has developed more than 500 types manufacturing quality, in order to produce lenses that follow the
of NIKKOR F lens, and produced a total of over 100 million units. design specifications faithfully and deliver reliably high optical
The design knowhow cultivated during this long history lives on performance. We strive to satisfy the individual tastes of every
in the Z lenses. One of the important factors is reliability. Ever customer, by supplying NIKKOR lenses that comply with Nikon’s
since famous battlefield photographers David Douglas Duncan strict quality standards.
and Robert Capa started using Nikon equipment, we have Based on the technologies that we’ve accumulated and refined
delivered superb reliability, by considering various environmental over many years of developing NIKKOR F lenses, NIKKOR Z
conditions such as temperature and humidity in our optical lenses will expand the boundaries of image expression even
design. We’ve aimed to create products that can be used in the further.
most severe situations, based on the diverse shooting conditions

“It’s very difficult to keep manufacturing products that surpass the NIKKOR
lenses our predecessors have made. It's a high-pressure job. But I’m determined
to create products worthy of the NIKKOR name.”

Hiroki Harada, 1st Optical Designing Section, 3rd Designing Department, Optical Engineering Division
Keisuke Tsubonoya, 1st Optical Designing Section, 3rd Designing Department, Optical Engineering Division

30 31
32 33
 Optical performance for the next generation: NIKKOR Z lens S-Line

“Technological advances will further increase pixel counts and push image- At the top of the NIKKOR Z mount lens lineup are glasses that photographers demand from a high-quality lens. In addition
processing technologies forward. That will demand even more sophisticated that were developed in pursuit of a higher level of optical to meeting the increasingly strict MTF standards, they also
performance: the S-Line. Specifically, the highest-quality Noct achieve uniform image quality from the center to the periphery
optical performance. Based on this assumption, we developed these lenses with enables forms of image creation that nobody has experienced of the frame. And by decreasing chromatic aberration, they
an extremely high level of performance – That’s the S-Line.” before. offer huge improvements in resolution and conveying a sense of
Nikon’s optical designers for NIKKOR Z mount lenses are depth, meaning photographers can create images that match
investigating how much it’s possible to enhance optical their intentions. S-Line lenses are designed to deliver outstanding
performance with a large-diameter mount. Taking advantage optical performance, so photographers can choose them with
of the greater flexibility in optical design that the new system confidence, knowing they will keep responding to their image
offers, S-Line lenses deliver a level of optical performance that creation needs well into the future.
meets not only current requirements, but also those of the next
generation. S-Line lenses incorporate features and specifications

Mami Muratani, 1st Optical Designing Section, 3rd Designing Department, Optical Engineering Division
Yoko Komatsubara, 1st Optical Designing Section, 3rd Designing Department, Optical Engineering Division

34 35
 NIKKOR Z 58mm f/0.95 S Noct:
Point-image reproduction and
beautiful bokeh at f/0.95

The first Noct had an f/1.2 maximum aperture, making it the brightest
lens in the NIKKOR F lineup. But that’s not all. Its designers gave it
another advantage: superb point-image reproduction capability at
the maximum aperture of f/1.2. This may sound easy, but it’s actually
very difficult to reproduce stars as point images. Sagittal coma flare
is likely to occur with large-aperture lenses, meaning that images
of stars in the peripheral areas are reproduced as if they have trails
behind them, like a comet. While many lenses available at the time
could manage to reproduce point light sources as point images when
stopped down by several steps, the first Noct corrected the aberration
superbly and rendered images closer to their original shape even at
the maximum aperture. Named after the word “Nocturne,” the Noct
was a powerful tool for night photography.
The new Noct inherited the design concept of the original lens, and
was developed as a large-diameter Z mount version — but with a
maximum aperture of f/0.95. Although there are some f/0.95 lenses
on the market, the new Noct delivers point images and a level of
resolution that nobody has ever experienced. Despite its extremely
large diameter, it can achieve both superior point-image reproduction
capability and high resolving power at maximum aperture, thanks to
rigorous suppression of lens aberrations.
One of the advantages of a fast lens is its ability to express a sense of
space using bokeh effects. The optical design of the new Noct makes
the most of its f/0.95 aperture to further expand the possibilities of
bokeh, allowing flawless transitions between in-focus and out-of-
focus areas in portrait shooting. It’s possible to depict a subject’s
pupil in minute detail, with their skin softly blurred, rendered against
a background of beautiful large bokeh. Utilizing the Noct’s extremely
shallow depth of field and the pleasing bokeh effects it creates, new
forms of expression can be achieved, by emphasizing specific details
within a scene.
Newly developed ground aspherical lens elements have made an
important contribution in designing large-aperture lenses. The use
of glass material with an ultrahigh refractive index makes it possible
to manufacture ultra-large diameter ground aspherical lenses with a
high degree of accuracy, allowing efficient enhancements in optical
performance. The newly introduced anti-reflection coating, ARNEO
Coat, is also used to effectively suppress the ghost and flare effects
that often occur with large-aperture lenses, enhancing the Noct’s high
resolution.
The new Noct is the answer to the question of how far it’s possible
to take optical performance using thorough investigation. It lets users
experience the forefront of optical design. The Noct is a perfectly
crafted masterpiece — it’s like a well-tempered Japanese sword
that, in the right hands, can slice through iron. Someone who uses
it intensively will be able to appreciate quite how incredible it is. This
lens is the combined achievement of all the staff involved in optical
design, mechanical design, manufacturing technologies and testing
technologies. It is the ultimate expression of their accumulated
techniques, and sets a new gold standard for performance in large-
aperture lenses.

36 37
 Multi-focusing system for high image quality at close distances

With the evolution of imaging devices with higher pixel counts, Nikon’s multi-focusing system moves multiple groups of focus
such as 4K and 8K monitors and 36- and 45-megapixel image lenses at once. If these groups don’t move in synch or stop
sensors, extremely high-definition images are becoming more accurately at their designated position, it isn’t possible to
and more common. But when you’re shooting subjects with achieve accurate focus. Nikon uses a stepping motor (STM) to
high contrast or finely detailed textures, the occurrence of lens ensure highly precise control. The movement of lens groups
aberrations such as color fringing will cause the resolution to is synchronized in millisecond units, and their positions are
deteriorate, destroying the impression of high image quality. One controlled in micron units.
of the goals of the Z mount system is to achieve high image As seen with the beloved F mount, system compatibility has
quality in a world of increasingly high pixel counts. That’s why it been a consistent policy for Nikon, and it was also carefully
allows high-speed, large-capacity data communication between considered when developing the multi-focusing system. To keep
the camera body and lens, resulting in superior AF precision. pace with the development of imaging devices with higher
Aberration is conventionally thought to be an issue that’s pixel counts, the algorithms for NIKKOR Z lenses have been
particularly common when shooting subjects at close distances. tailored so that the multi-focusing system will be usable even
Some NIKKOR Z lenses employ a multi-focusing system, taking with various types of mirrorless bodies that are introduced in the
advantage of the space saved during the design of the focusing future.
lenses to provide an optical system that’s superior at close
range. As a result, it’s possible to capture high-resolution images
with minimal aberration even in close-up shots.

Lens operability improved to ensure high-quality movie recording

In 2008, Nikon introduced the world’s first camera with a movie When aperture is assigned, it can be adjusted by rotating the
recording function in the single-lens-reflex/single-lens camera ring, in addition to using the command dial on the body. The
category. Since then, it has become easier to record movies with control ring rotates very smoothly, without the click response
high-quality, cinematic background bokeh, and D-SLR cameras of the command dial, allowing adjustment without a loss of
have become popular tools for a wide range of filmmaking continuity. When focus control is assigned to the control ring,
applications. focusing speed can be adjusted according to the rotation speed
The Z mount system was developed with consideration for the of the ring. Rotating the ring slowly allows precise focusing, while
increasing importance of movies, and is designed to ensure rotating it quickly enables larger changes in focus with only a
lens operability in movie recording. Whereas a still image is slight movement. Operation of the ring is extremely quiet, to
completed the moment the shutter-release button is pressed, prevent unwanted sound from being picked up in the recording,
continuity is important in movie recording. Sometimes it may be and it has an appropriate torque to ensure smooth rotation.
necessary to adjust aperture and exposure settings, shift the Lenses designed for still shooting sometimes exhibit phenomena
focus plane, and zoom in and out. And it’s important to be able such as focus breathing (shifting of the angle of view when
to make the relevant adjustments to camera settings and control adjusting focus) that are undesirable in movie recording, but
changes smoothly, while maintaining continuity. they have been remarkably improved with NIKKOR Z lenses.
Every NIKKOR Z lens incorporates a new control ring, to which
certain focus- and exposure-related functions can be assigned.

Exterior of NIKKOR Z that’s a pleasure to own and use

For over 70 years, Nikon has continued to produce high- lines and a metallic texture to emphasize their precision feel and
performance cameras that are beloved by professionals, sense of quality. Also, all S-Line lenses feature a silver line on the
together with NIKKOR F lenses. We think that our cameras lens barrel, which glimmers when viewed from a certain angle.
shouldn’t just provide comfortable operability to professionals, The knurling on the operation rings is minutely grooved to give
but also offer high-quality exterior design that advanced a sharp impression. To ensure a higher level of operational
amateurs and entry users can admire. smoothness and precision, details such as pitch width, depth
So what should the exterior of NIKKOR Z lenses be like? Nikon’s and groove shape were intensively tested and verified. Lenses
unified design concept places the large-diameter mount at the were designed so that when the user moves their finger from
symbolic center of the Z mount system, while establishing a the base of the lens to the front, the control ring is easy to hold,
sympathetic relationship between the camera body and lens and the finger is then naturally guided to the rounded zoom
that embodies the pinnacle of image quality. There are three ring.
key points here. First: choosing the color and material for the Eliminating unnecessary parts as much as possible, the exterior
base of the lenses, and the finishing process for the lens exterior. of the Z mount system was designed in pursuit of the ultimate
Second: creating a sense of a unified lineup that gives a feeling sophistication, as befits a camera system that embodies the
of reliability and innovation. Third: considering the operational pinnacle of image quality. We aimed to create an exterior
needs of next-generation users shooting both stills and movies. design that draws attention towards the lens mount, in the same
The same color, material, surface and gloss finishes are used way that light reaches the mount through the lens.
for the large-diameter mount of the body and the base of the
lenses. In addition, the same finishing process is applied to the
base of every NIKKOR Z lens. All lenses employ clean, straight

38 39
 Mount Adapter FTZ + AF-S Micro NIKKOR 60mm f/2.8G ED
40 41
 Mount Adapter FTZ + AF-S NIKKOR 14-24mm f/2.8G ED
42 43
 Mount Adapter FTZ + AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR
44 45
46 47
 High-precision Mount Adapter FTZ allows use of NIKKOR F lenses

The Mount Adapter FTZ shows how much Nikon values existing and Z-mount communication systems. D-type AF lenses must be
NIKKOR F lens users. F lenses that we have manufactured and used in manual focus, but focus confirmation with the electronic
sold over the decades come in many different varieties, so they rangefinder is possible. Moreover, P/S/A exposure modes can
can be valuable tools in helping users express themselves. We be used with CPU lenses. This extensive compatibility is attained
developed the new mount to raise imaging to a higher level, but thanks to high-speed, large-capacity data communication
we also considered it important that F lens users could utilize between the camera and lens, meaning that a wide range of
their existing lenses seamlessly with the new system. We don’t distinctive NIKKOR F lenses can be seamlessly integrated with
intend to ignore the beloved lenses that users already own. the new system.
This Mount Adapter FTZ was designed and developed to offer Factors that lead to a deterioration in optical performance, such
the fullest possible compatibility with the F mount, so users can as the occurrence of ghost effects within the adapter, were
enjoy the same superb operability, AF speed and accuracy, and carefully eliminated. And the rugged metallic material used for
AE performance with the new system. the adapter barrel is designed to match the exterior texture of
When attaching an F mount G-type or E-type AF lens, the G-type lenses.
mount adapter provides AF performance equivalent to that of
the F mount via high-speed switching between the F-mount

48 49
 Careful consideration of reliability and durability

Every customer hopes their equipment won’t break. Thanks to encourages users to shoot more video, this means they will
its experience of providing equipment to professionals, Nikon also be operating the aperture and AF more frequently. So
has learned to put an emphasis on ruggedness. We consider in addition to offering improved optical performance via the
durability to be particularly important for photojournalists and large-diameter mount, Nikon has enhanced the reliability of
sports shooters. Professionals have to work under the most the camera’s operational parts, by employing its stricter testing
severe conditions: their equipment may knock against other conditions to evaluate whether durability is guaranteed in
people’s gear, and sometimes they have to keep shooting in practical use.
strong rain and wind. The reason professional users trust Nikon’s Nikon enforces quality standards at the following three stages.
accumulated knowhow, acquired through the F-mount system, First: when the product is shipped from the factory. Second:
is that we can provide shooting devices with the performance until the product reaches the user after shipment. Third: after
necessary to succeed in actual shooting situations. By carefully the product has been used for a long time. For example, it is
considering how to prevent water droplets from entering the necessary to employ various measures to ensure that optical
electric system while shooting in the rain, and how to make performance and operational accuracy aren’t affected even if
equipment usable after if it’s dropped, Nikon has developed the product sustains an impact during transportation. Nikon
products that are rugged enough to get to the end of a tough maintains a high level of quality with the cooperation of all
assignment. And these basic concepts and knowhow have been departments, from design to manufacturing — including parts
inherited by NIKKOR Z lenses. procurement and management, assembly and measurement —
As the improved movie performance of the Z mount system in order to conduct comprehensive assessments.

Quality control to ensure consistent optical performance

In an ideal cycle, Nikon offers a steady supply of high- apply force and hold components during assembly. Rather than
performance products that satisfy our customers, leading us to just aiming for an acceptable level of manufacturing tolerance,
keep making better products that can meet their expectations. we want to create products that conform precisely to our design
In order to maintain this cycle, we are constantly raising the specifications. From the initial design stage, technicians in the
bar, taking advantage of our advanced design technologies production department work together with design staff to
and refined manufacturing techniques. To ensure a steady discuss the shape and structure of parts, considering processing
supply of high-quality products, Nikon designs products while flexibility and operational efficiency. Based on feedback
considering issues from many different aspects, such as how to from the actual manufacturing site, further investigations and
reduce excess parts, how to establish a simple structure, and improvements are made until mass production is possible. We
how to create products that accurately conform to the design consistently strive to ensure that production accurately reflects
concept. When using plastic parts that need to be produced the design specifications at multiple stages, from design to
at a very precise size, we will conduct repeated simulation tests manufacturing, in order to realize a reliable system for delivering
during the development stage. We will also conduct production a stable supply of high-quality products to our customers.
simulation tests based on the design specifications, giving
consideration to individual differences in the way that workers

50 51
 Chapter 3:
Precise, compact body that yields
overwhelmingly high quality images

“Perfection as a tool was crucially

important in the development process.”

52 53
 Reducing size and weight while achieving the essence of a true camera

“Our intention is not about surprising the market. Rather, this new One of the advantages of mirrorless cameras is their compact A good tool must not make the user wait. Mirrorless cameras
system represents Nikon’s responsibility and determination. We’d size and lighter weight. Even people who find a D-SLR too are sometimes criticized for having sluggish electronic
cumbersome won’t hesitate to take a mirrorless camera with viewfinder (EVF) displays, or forcing users to wait while images
like to convey that users will be able to enjoy image-making much them when they go out. However, the large-diameter Z mount are processed before they can change settings for their next
more going into the future.” and shutter both require a large opening, while the in-camera shot. With the Z series, the display speed of the EVF and
vibration reduction (VR) system also takes up quite a lot of memory management during continuous shooting have been
space. Our engineers cut as much excess space as possible to meticulously engineered to allow photographers to shoot
achieve a smaller size, while ensuring the reliability of the system. comfortably at their own pace.
On the other hand, focusing too much on making the system Nikon strongly believes the sensation that a tool imparts to the
smaller may result in it losing the essence of a true camera. user is also important. A camera needs to make the user feel
What kind of camera should the Z series be? When we good, even when they are just holding it in their hands, but this
discussed this question during the planning phase, we decided it isn’t the kind of value that can be quantified. Our engineers
was important for it to be a comprehensive photographic tool. A used the camera extensively in order to finesse the body, and
camera’s role is to bring the photographer and subject together. make it a camera that appeals to the senses. They checked
As a photographic tool, it needs to become an extension of the every detail — including how the grip feels to hold, and the
photographer’s body, and let them immerse themselves in image sensation of pressing each button and operating the lever —
making. Only then can it be called a true camera. The controls in order to perfect the design. People use cameras as practical
of the Z series are designed with careful consideration for how tools, but also for pleasure. Our aim is for the Z series to deliver
they will be used in practice, to prevent any possible confusion on both counts.
for photographers. As ever, we placed the utmost priority on
delivering the kind of intuitive operability that professional users
demand.

Robustness that enables shooting in under varied conditions

The Z series aims to offer the same reliability as conventional affect the image-making components at the core. The in-camera
D-SLRs — or higher — in order to give users the confidence vibration reduction (VR) system incorporated in the first two Z
to take advantage of the system’s lighter weight, and produce series models — the Z 7 and Z 6 — compensates vibration by
high-quality images in a wide range of scenarios. It scores moving the sensor, so it doesn’t contribute to body strength. But
at the same level or higher than the D850 in terms of body the bodies are designed to protect the image sensor from shock,
strength, resistance to various environmental conditions including using an image-sensor lock system that mechanically locks the
extremely high and low temperatures, and anti-weather sensor when the power or in-camera VR is turned off.
and dust performance. Using it in light rain won’t cause any Simulations can achieve a certain level of reliability, but they
problems. The Nikon name is synonymous with reliability, and it’s aren’t a total guarantee. To ensure higher reliability, we also
a quality that is evident in the stylish exterior of the Z series. have to conduct numerous tests using actual camera bodies.
There are many points that reveal our attention to detail. Through years of communication with our customers, Nikon has
Repeated shock resistance simulations were conducted to create developed a deep understanding of how photographers handle
a camera that can keep shooting even after it is dropped. The cameras in the field. We are thinking of professionals and users
tripod connection has been strengthened, for times when the who venture into harsh conditions when we establish our strict
camera is handled roughly while affixed to a tripod and with a reliability standards, and we strive to meet those standards
heavy lens attached. The main part of the body that encases through rigorous simulations and tests.
Kazuharu Imafuji, Department Manager, 2nd Development Department, Development Sector, Imaging Business Unit the image sensor is particularly important, so it is protected
Kensuke Uchida, Department Manager, 1st Development Department, Development Sector, Imaging Business Unit from various forces. If the camera sustains a strong impact, the
Shinsuke Sanbongi, Department Manager, 3rd Development Department, Development Sector, Imaging Business Unit
exterior covers are designed to absorb the shock so it doesn’t

54 55
 Image sensors that maximize next-level optical performance

Nikon has employed customized image sensors in order to copper wiring as in the D850 enables even faster readout, by
maximize the next-level optical performance of NIKKOR Z, and cutting electrical resistance.
bring out the full potential of the lenses. The beautiful bokeh Unlike a D-SLR, the Z series achieves AF using the image sensor.
of the “Noct,” with its open aperture of f/0.95, is only possible It has to meet numerous requirements in order to deliver both
with an image sensor that can catch incoming light at various great image quality and great AF performance. Fortunately,
different angles. Thanks to the large Z mount with 55-mm inner Nikon was able to develop a high-performance sensor by
diameter and the 16-mm short flange focal distance, it’s now drawing on the huge volume of knowhow it has accumulated
possible to capture subjects with a greater sense of presence over the years, in response to countless feedback from
and three-dimensionality, and our goal is to render all of that professional photographers. The sensor represents another of
richer subject information in full. Our engineers have achieved Nikon’s strengths, based on its long experience of working with
this by customizing pixel performance, optical performance pros. We conduct repeated manufacturing trials and evaluations
and phase-detection AF pixel distribution. The image sensors during development to meet our stringent standards, which were
of the Z 7 and Z 6 are optimized to maximize both the optical established in response to demands from professionals. We have
performance of the lens and the processing capacity — the solved every problem encountered along the way to achieve the
first and second steps in the image-making process. They are high Nikon quality standard.
designed to work well with every NIKKOR Z lens released in Nikon’s efforts to expand the range of shooting scenarios are
the future and to bring out its pure performance, functioning also evident in its image sensor innovations. For example, the
together with the image processor in a total imaging system. Z 7’s image sensor achieves base ISO 64, the same as the D810
Even F mount lenses can enjoy the benefits. The image sensors and D850. ISO 64 is only a 2/3 step down from ISO 100, which
are designed to use light efficiently, and yield high-quality is a more common base ISO, but it requires 1.6 times more signal
images even in combination with legacy lenses. That’s one of to achieve. And ensuring a sufficient signal without altering the
the strengths of Nikon, which has spent many years developing pixel size poses a variety of problems. However, we know there
a comprehensive interchangeable lens system. are photographers who want to use a lower ISO setting, whether
The image sensors use back-illumination CMOS sensor it’s for experimenting with slow shutter speeds in panning shots
technology, which directs incoming light to photodiodes of sports or using fast lenses in daylight. They may not be in the
efficiently. The architecture allows fast readout speeds by majority, but Nikon tries to meet the needs of each individual
permitting flexible wiring throughout the back of the sensor, user, by drawing on all of its expertise.
as well as being able to house more circuitry. Using the same

High-performance engine optimal for a high-pixel-count image sensor

One of our goals was to make the experience of using the The Z series doesn’t just provide pictures that look beautiful
Z series close to the feel that professional D-SLR users get. at first glance, but also image quality that’s high enough to
The EXPEED 6 image-processing engine employed by the satisfy professionals even after enlarging, cropping or parameter
first Z series models, the Z 7 and Z 6, has been developed to changes. That’s what Nikon image-making means. Our
achieve this. It processes a range of information — including accumulated image-processing knowhow for stills is also carried
for generating the electronic viewfinder (EVF) display image, over to movie processing, resulting in high-quality movies. Face
as well as high-pixel-count stills and movies — in a fast and recognition performance has also been markedly improved, and
faithful manner that feels more natural to users. The engine AE, AF and image processing are now more tightly integrated.
boasts a variety of strengths. For instance, the EVF is designed With AF in particular, the camera is able to optimally process
to have minimal display lag, letting it provide a similar feel to an various information while carefully monitoring the position of the
optical viewfinder (OVF) during shooting. Images are processed main subject, for improved tracking performance.
according to the same principles as D-SLRs, while resolution and
noise reduction performance have been significantly improved.

56 57
 The Nikon Z mount system inherits a legacy of innovation
to achieve natural-looking images

Nikon thinks a natural look is important in photography. While We then repeatedly fine-tuned the image-making process and
working to address the various demands from our users for conducted careful evaluations until we had attained them.
things like high resolution and reduced noise at high sensitivity Providing high image quality is also very important. We expect
ranges, we have also explored how natural it is possible to make some users to crop aggressively and enlarge their images
“Nikon cultivated the basics of photographic expression during the film camera era. pictures look. to 100%. So we have tried to improve image quality even at
The Z mount system adopts image-making principles that a minute level that many users may not notice, as well as
Digital cameras have unique advantages in being able to use high pixel counts and high Nikon has cultivated during its development of D-SLRs. These carefully fine-tuning noise performance, resolution and skin
ISO. Producing natural-looking images while maintaining a good balance between the in turn are based on Nikon DNA inherited from the era of film color reproduction at a level where the difference is clear just by
cameras. Many of Nikon’s staff have a deep understanding of reviewing the image on the camera monitor.
photographic basics and digital cameras’ advantages is extremely difficult. But we have
photography, and hold firm beliefs about what a picture should While high resolution is important to give pictures a natural look,
continued to achieve this by repeating simulations and rigorous evaluations.” look like, based on that knowledge. This passion and obsession it’s also important to reduce jaggy edges and moire, which are
for photography is shared across generations, and has taken problems that are unique to digital photography. Nikon achieves
root throughout the company. It is another of Nikon’s strengths. this by optimizing the fine-tuning process according to the
We have gathered feedback and evaluations from customers pixel count and image sensor characteristics of each particular
over the years, and worked hard to reflect these in the actual camera model. We don’t compromise in our pursuit of high
image-making process. During development, we envisaged image quality.
several ideal images that we wanted the new system to achieve.

Dramatically improved movie image quality

While the movie image quality of Nikon D-SLRs has been highly selectable AF speeds and focus tracking sensitivities, which can
rated, the Z mount system tries to do even better. A movie is be chosen based on the user’s creative intentions. When manual
comprised of a continuous sequence of still images. But if a focusing is employed, assigning the focus function to the lens
conventional system tries to apply the same kind of instant control ring allows users to achieve focus smoothly, as it controls
image compensation used for stills to each frame of a movie, the focus sensitivity and ring rotation speed electronically.
there are limits to what it can do. Aperture control can also be assigned to the control ring, letting
The Z mount system is able to offer improved image quality in users make aperture adjustments by hand on the lens itself.
both stills and movies thanks to a number of factors: lenses that Moreover, the functions that can be assigned to the control ring
provide high resolution throughout the frame, a highly accurate may increase in the future.
mechanism that maximizes lens performance, and precise AF NIKKOR Z lenses also effectively reduce phenomena such as
performance. What’s more, fast, high-volume data exchange focus breathing (shifting of the angle of view when adjusting
between the body and lens allows detailed lens information to focus). And for the first time in a Nikon camera, the Z 7 and Z 6
be used in image processing, consolidating the image quality are capable of 10-bit HDMI output in N-Log.
improvements that innovative optical performance brings.
But it isn’t just about image quality: the Z mount system also
enhances overall movie quality. While focusing speed and
achieving correct exposure are important in still photography,
movies put more emphasis on smoothness and fluid transitions.
With this in mind, the Z series system comes equipped with

Yuko Hattori, 4th Development Section, 2nd Development Department,

Development Sector, Imaging Business Unit
Machiko Azuma, 4th Development Section, 2nd Development Department,
Development Sector, Imaging Business Unit

58 59
 Highly accurate hybrid AF, effective for both stills and movies

The Z series employs a hybrid AF system, which uses a A faster aperture calls for greater accuracy in focusing, as the
combination of focal-plane phase-detection AF and contrast- depth of field becomes smaller, making it crucial for the Z
detect AF, in both still photography and movie recording. The series body to offer razor-sharp focusing. AF is achieved based
phase-detection AF pixels are effectively distributed throughout on various information, including the focal length, shooting
the image sensor to deliver accurate AF performance while distance and aperture, which is transmitted from the lens to the
improving image quality. One of the major benefits of this body in real-time for improved focus accuracy. Nikon engineers
system is the wide coverage provided by focus points in the responsible for optical design, mechanics and AF have worked
image area. With the D5, which previously offered the widest side by side to ensure accurate AF performance. While our
coverage among FX-format models, the focus points cover optical design engineers focused on obtaining high resolution in
approx. 55% of the image area horizontally. In the Z 7 and Z 6, the image periphery, our mechanical engineers made repeated
the first Z series models, this is significantly increased to approx. micro-level adjustments to the 16-mm flange focal distance in
90% when single-point AF is used. The NIKKOR Z lenses already order to get the most out of the lenses’ optical performance. The
offer superb imaging performance even in the periphery, and camera acquires position information from focus points around
accurate AF allows them to render subjects in those areas in the subject to provide accurate focus in the image periphery,
sharp focus. while the lens drive system and algorithm are also significantly
The lens mount’s larger inner diameter makes it possible to improved. The Z mount system is designed to attain highly
develop incredibly fast lenses with wide maximum apertures. accurate AF as a complete system.

High-magnification, high-resolution electronic viewfinder offering

a natural-looking view

How a scene looks through the camera viewfinder is crucial for kind of lighting, the EVF automatically adjusts the brightness
letting a user concentrate on shooting. Nikon harnessed its rich depending on the subject’s brightness. Furthermore, Nikon
optical technologies and various display technologies to create has put emphasis on making the view look natural, displaying
an electronic viewfinder (EVF) that is extremely comfortable to natural colors and brightness while minimizing false colors, in
use. With approx. 0.8x magnification, the EVF provides a wide order to reduce eyestrain even after extended periods of use.
view, letting users immerse themselves in the scene. As the viewfinder image is rendered with rich tonal gradation,
The viewfinder in a mirrorless camera works by magnifying subjects look natural even in back-lit situations. During manual
an image on a tiny display panel. When a high magnification focusing, meanwhile, users can enlarge the view within the
is used, aberration compensation becomes an issue, causing viewfinder to achieve more accurate focus.
image distortion and deformation in the peripheries. The Z series The EVF comes with two display modes. One reflects various
employs Nikon’s unique high-performance optical technologies, camera settings, allowing the user to confirm the resulting image
including an aspherical glass lens, high-refractive-index resin before shutter release. The other is tuned to provide a view that’s
and anti-reflective coating. These enable it to provide a clear similar to using an optical viewfinder. Nikon has developed this
view throughout the frame, with crisp details. mode out of consideration for photographers who prefer a view
The eyepiece protection window uses a special coating, similar that’s close to what they see with their own eyes. We hope many
to fluorine coating, which repels dirt while reducing ghost and people will get a chance to experience this high-performance
flare effects. Easy diopter adjustment allows users to achieve an EVF for themselves.
even clearer view. In order to ensure comfortable viewing in any

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 Operability explained

A compact and lightweight mirrorless camera has the edge over the optimal arrangement of components requires a deep
a D-SLR camera in terms of agility, but sometimes this comes understanding of the camera’s operation, which only people
at the expense of operability. The Z series has been created to who have used it extensively will have. Nikon has its own test
reconcile these two conflicting demands — for portable size shooting team, and also elicits feedback from professional users
and effortless handling. in order to accumulate the knowledge required to ensure superb
The mirrorless camera’s form factor may be smaller, but the size operability. Each product development member approaches the
of the hand holding it remains the same. Nikon has achieved task based on a shared understanding of that knowledge. When
exceptional usability during its long history of developing SLR using buttons and dials, the tactile response, such as pressing
and D-SLR cameras. By seeking to deliver that same level of and rotating, is also important. By employing an original
usability within a small body, we started to see the form that the customized rubber switch for the buttons, we made them
Z series would take. Although there are fewer operation buttons comfortable to handle, while also enabling quieter operation
on the body due to its smaller surface area, we rigorously during movie recording. This exceptional tactile quality isn’t
conceived it so that anyone familiar with Nikon’s D-SLR cameras mentioned in the specifications, but it is a distillation of Nikon’s
could start using it right away, without even reading the DNA, accumulated over a long period.
instruction manual.
In order to ensure a streamlined workflow, we needed to
incorporate operational components such as buttons and dials
and arrange them within a limited space. It was extremely
difficult to position all these components so as to avoid
accidental operation by users. The slight rearrangement of a
single button could ruin the entire layout.
Each button has been intricately adjusted in size, height
and angle, according to the movement of fingers, to allow
comfortable operation within a limited space. Deciding

GUI that facilitates natural operation

We’ve refined the camera GUI to take full advantage of the eye fatigue and resulting in a smooth workflow.
characteristics of the Z series, while making an effort to ensure With the Z series, it is easier to shoot videos than ever before.
an easy transition for users coming from D-SLRs. One of the Since it is necessary during video shooting to confirm if there
major changes is the P menu display, which allows quick setting are any unwanted objects in the frame, we took extra care not
changes during shooting. With D-SLR cameras, it has only been to display unnecessary information that would distract from the
possible to set pre-assigned items to the P menu, but with the Z image. Users can save separate P menu display and custom
series you can now customize it according to your applications. button settings for stills and videos, for seamless transition
Although the compactness and streamlined body design of the between the two.
Z series mean there are relatively fewer buttons, you can access Another aspect of GUI design that we paid particular attention
all the functions you need instantly and flexibly. And whether to is easy viewing across a broad range of lighting situations.
you’re operating the P menu while shooting with the EVF or Users can operate the display even under harsh light or in a
looking at the info display on the monitor, the menu is structured dimly lit scene such as a theater. In particular, we improved the
in the same way to minimize the chance of mistakes. contrast of each element in the menu display and simplified
We believe that the most important thing for the EVF is to ensure the information structure. We also made a variety of subtle
that both the image and information display are easy to view. improvements to enable users to control the camera just as they
To let the user concentrate on shooting, we have to be careful intend, such as adding a display to confirm exposure-related
that the displayed information doesn’t distract from the image. information during playback.
The EVF makes it possible to display information and change
settings more flexibly than when using an optical viewfinder.
However, the user needs to move their line of sight significantly
in order to look around the entire viewing area of the EVF. That’s
why we positioned the setting display in the lower central part
of the frame, where the user can look at it naturally — reducing

62 63
 “The Z mount system is the ‘genuine article.’ It is a distillation
of Nikon’s DNA, accumulated over a long period of time.
The Z mount system is the essence of the future, condensed.”

Makoto Imamizu, Product Design, Industrial Design Department, Imaging Business Unit
Kenji Baba, Section Manager, Product Design, Industrial Design Department, Imaging Business Unit
Kanoko Terashima, Graphic Design, Industrial Design Department, Imaging Business Unit

A pleasure to own, a joy to use — The packaging design expresses the future of
Body design and styling of the Nikon Z series the Nikon Z mount system using light

The large-diameter mount is the core of the new system, to hold — and even has space for the little finger — while We have used a gold color scheme for the packaging of Nikon packaging is to protect the product, we’d also like it to give
providing a new level of optical performance. In order to make maintaining a compact overall size. The mount uses a metallic film SLR and D-SLR cameras for over 50 years. To mark the users a sense of the reliability, integrity and sophistication that
the greater potential of the new system as tangible as possible, ring with the same texture as the lens root, symbolizing the release of the new Z mount system, we have overhauled the have long been Nikon hallmarks, as well as the state-of-the-
we symbolically treated the mount as the heart of the design. large-diameter mount at the core of the system, while expressing packaging for both D-SLR and Z series bodies, to express our art technology that the Z mount system offers, and the future
We then constructed other components, such as the EVF and the spectacular performance achieved through the synergy of resolve to keep advancing into the future. The design motif is advances promised by the new design.
grip, at an optimal size and shape to create the overall body lens and body. “light” — our core competence — depicted in yellow. The light
design. The EVF unit protrudes from the rear of the camera to emanates from the bottom of the packaging, which is now
prevent the user’s nose from interfering with the display while colored black, and envelops the product — projecting the
looking through the viewfinder, letting them concentrate on impression that users can expect a new and richer imaging
shooting. And the form factor of the Z series has been created experience. This yellow gradation also shows that Nikon will
by pursuing the “essence” of mirrorless. By making the top of the continue evolving in the future, while the new simplified design
grip higher than the rest of the body, the camera is comfortable makes the Z logo stand out. Although the main role of the

64 65
 Connectivity System expandability

The Z series incorporates a communication function for Because the still image shooting capabilities that Nikon has manufacturers, instead of covering the entire range by ourselves.
transferring images to a smart device or computer via prided itself on require a relatively limited range of accessories, With regard to peripheral equipment and accessories, we will
Wi-Fi and Bluetooth. Although it is currently possible to shoot, Nikon’s original accessories were able to cover a wide range of select partners to devise a reliable system that gives users
transfer and share images, the communication environment is shooting applications. Many users want accessories that can the power to do much more creatively. And when it comes
changing rapidly, and new features will be added in the future push their creative boundaries. To respond to their needs, we to features that directly affect the final image, we will strive
that further expand the imaging experience. For example, in think system expandability, including equipment and accessories, to ensure their quality through our own products, in order to
addition to the existing automatic image transfer feature, the is essential. guarantee users’ satisfaction.
camera may be able to automatically select the images that As with conventional D-SLR cameras, it is possible to use
users need according to their preferences and send them to a accessories such as Speedlights and stereo microphones
smart device or computer, or change the destination depending with the Z series. However, movie shooting involves more
on the shooting situation. Furthermore, as technology continues processes than still shooting and requires a wider range of
to develop, what was previously one-way communication may combinations of equipment and accessories according to users’
become more interactive in the future. workflow. Because movie equipment employs highly specialized
technology, it is important for us to collaborate with specialist

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 Yasuhiro Ohmura Takeshi Suzuki Motohisa Mouri Hiroki Harada Keisuke Tsubonoya Shinsuke Sanbongi Yoshiki Ichikawa Naoki Kitaoka Tomohiro Shoji Hideki Sasao
General Manager, Department Manager, Section Manager, 1st Optical Designing Section, 1st Optical Designing Section, Department Manager, Section Manager, Department Manager, Product Strategy Group, Product Planning, DCIL,
Optical Engineering Division 3rd Designing Department, 1st Optical Designing Section, 3rd Designing Department, 3rd Designing Department, 3rd Development Department, 4th Designing Section, UX Planning Department, UX Planning Department, UX Planning Department,
Optical Engineering Division 3rd Designing Department, Optical Engineering Division Optical Engineering Division Development Sector, 1st Designing Department, Marketing Sector, Marketing Sector, Marketing Sector,
Optical Engineering Division Imaging Business Unit Development Sector, Imaging Business Unit Imaging Business Unit Imaging Business Unit
Imaging Business Unit

Yoko Komatsubara Mami Muratani Akihiko Obama Satoshi Yamazaki Takashi Kishimoto Hiroyuki Ishigami Hiromi Kuwata Kenji Baba Makoto Imamizu Kanoko Terashima
1st Optical Designing Section, 1st Optical Designing Section, Section Manager, Department Manager, Section Manager, Section Manager, Product Planning, IL, Section Manager, Product Design, Graphic Design,
3rd Designing Department, 3rd Designing Department, 2nd Optical Designing Section, 2nd Development Department, 1st Designing Section, Product Planning, IL, UX Planning Department, Product Design, Industrial Design Department, Industrial Design Department,
Optical Engineering Division Optical Engineering Division 3rd Designing Department, Optical Engineering Division 2nd Development Department, UX Planning Department, Marketing Sector, Industrial Design Department, Imaging Business Unit Imaging Business Unit
Optical Engineering Division Optical Engineering Division Marketing Sector, Imaging Business Unit Imaging Business Unit
Imaging Business Unit

Makoto Fujiwara Kosuke Hagiwara Hidefumi Ohta Satoshi Kazahaya Koji Nagaoka Shuhei Yoshikawa Miho Hara Fumiko Kawabata
2nd Designing Section, 3rd Designing Section, 3rd Designing Section, 2nd Designing Section, 2nd Designing Section, Graphic Design, Graphic Design, Product Communications,
2nd Development Department, 2nd Development Department, 2nd Development Department, 2nd Development Department, 2nd Development Department, Industrial Design Department, Industrial Design Department, Marketing Strategy Department,
Optical Engineering Division Optical Engineering Division Optical Engineering Division Optical Engineering Division Optical Engineering Division Imaging Business Unit Imaging Business Unit Marketing Sector,
Imaging Business Unit

Kensuke Uchida Kazue Obunai Kazuharu Imafuji Yuko Hattori Machiko Azuma
Department Manager, 2nd Development Section, Department Manager, 4th Development Section, 4th Development Section,
1st Development Department, 1st Development Department, 2nd Development Department, 2nd Development Department, 2nd Development Department,
Development Sector, Development Sector, Development Sector, Development Sector, Development Sector,
Imaging Business Unit Imaging Business Unit Imaging Business Unit Imaging Business Unit Imaging Business Unit

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