Young Geniuses Listening and Vocabulary Exercises
Young Geniuses Listening and Vocabulary Exercises
BEFORE LISTENING
1. TRUE / FALSE: Look at the article’s headline and guess whether these
sentences are true (T) or false (F):
a. An American mathematical whiz-kid passed his university exams. T / F
b. The little boy will not be the youngest student at his university. T / F
c. The boy will study for both a Bachelor’s and Master’s degree. T / F
d. The little boy was extremely shy in front of a crowd of journalists. T / F
e. Education experts fear he will lose out on valuable social skills. T / F
f. The nine-year-old has little experience of being with older students. T / F
g. The boy is worried about communicating with college students. T / F
h. The college has tailored a plan to help his personality and learning. T / F
3. PHRASE MATCH: Match the following phrases from the article (sometimes
more than one combination is possible):
1. accepted to a. and hard
2 create a specially b. from educationalists
3. Authorities thought long c. after a two-month discussion
4. The decision was made d. passed advanced maths exams
5. the non-stop flash e. study mathematics
6. There has been concern f. roadmap
7. miss out g. designed five-year course
8. he sat and h. of mind
9. tailor a learning i. light from photographers
10. give his parents peace j. on social skills
WHILE LISTENING
Listen and fill in the spaces.
AFTER-LISTENING DISCUSSION
Vocabulary Exercises
1. Read the text below and think of only one word which best fits each space.
2. Read the text below and decide which answer A, B, C or D best fits each space.
In the early 1990s, the psychologist K. Anders Ericsson and two colleagues (1) …
themselves at Berlin’s elite Academy of Music. With the help of academy’s professors,
they (2) … the school’s violinists into three groups. First were the students with the (3)
…
to become world-class soloists. Second were those (4) … to be merely ‘good’. Third were
the students (5) … ever to play professionally and who intended to be music teachers
in schools. All were then asked how many hours they had practised since they first picked
up a violin.
Everyone, from all three groups, had started playing at roughly the age of five and
practised for two or three hours a week. But around the age of eight, differences started
to (6) … . The students who would (7) … as the best in their class began to practise
more than everyone else, until by the age of 20 they were practising (8) … over 30 hours
a week. By then, the elite performers had all totalled 10000 hours of practice over the (9)
…
of their lives, the merely good students 8000 hours and the future music teachers just
over 4000 hours.