One Hundred Years of Solitude: What's Inside
One Hundred Years of Solitude: What's Inside
Years of Solitude
Study Guide by Course Hero
TENSE
What's Inside One Hundred Years of Solitude is told in the past tense.
h Characters .................................................................................................. 3
d In Context
k Plot Summary ........................................................................................... 10
60,000 to 130,000 people died, and La Violencia in 1946, Buendías. The siblings, who have lost their land and social
during which approximately 200,000 people died often cruel position and strive to save their memory and identity, represent
deaths between 1946 and 1964. once-thriving inhabitants, such as the South American Indians,
and, eventually, the Buendías.
In 1930 Liberal Enrique Olaya Herrera was elected president, in
part a backlash against the Conservative Party that had used Parallels between Macondo and Aracataca—the bloody history
military force, likely with the banana company's knowledge, of civil wars and Spanish colonialism, the banana company and
against labor unions in the banana industry. The book's banana United Fruit Company's impact on the town—appear, yet the
company is based on United Fruit, now known as Chiquita, fictional town represents a greater experience, featuring "the
which made money by partnering with corrupt governments private lives of the people of Latin America." By writing about
and exploiting workers in Latin America. The economy of the deeply personal—family and town over the course of a
Colombia had long depended on plantation agriculture, which century—García Márquez succeeded by "writ[ing] from the
included the cultivation and export of coffee, bananas, and inside"—working against colonialism, against erasure. The
plantains. By the late 1920s, coffee and bananas accounted for intuitive and universal novel gives voice to a continent ravished
nearly 75% of the country's agricultural exports. by outsiders and dictatorships. In order to preserve memory,
Industrialization did not begin in Colombia until the 1930s, García Márquez offered a truer historical account with his
following the Great Depression. In 1953 Conservative general literature. In his Nobel Prize for Literature acceptance speech,
Gustavo Rojas Pinilla was installed as a dictator, ending La the novelist insists, "The interpretation of our reality through
Violencia. Following Pinilla's exit in 1957, Conservatives and patterns not our own, serves only to make us ever more
Liberals agreed to share the presidency for the next 16 years. unknown, ever less free, ever more solitary."
but his friend resists. Occupied and persistent, he finds to leave. After Fernanda's death, he remains a hermit, until
solitude in old age making gold fishes. Amaranta Úrsula urges him to leave. He makes several friends,
but his love for her tethers him to the house. One night he
sexually assaults her, then the two begin a secret affair and
José Arcadio Buendía she becomes pregnant with the last Buendía. Wondering why a
deadly fate has inflicted them, he translates the epigraph of
Stubborn and ambitious, José Arcadio Buendía marries his Melquíades's manuscripts, realizing they're about the family.
cousin, Úrsula, and founds Macondo. Imaginative, the patriarch Wanting to know his identity, he reads and learns that
of the Buendía family settles the town. When the gypsies Amaranta Úrsula is his aunt. As he reads the end of the
introduce him to the outside world he becomes infatuated with narrative describing his family's fate, he and the town are
new ideas, despite his wife's discouragement, and begins a destroyed by hurricane winds.
slow descent into madness.
Amaranta Buendía
Úrsula
The youngest child and only daughter in the second
Úrsula Iguarán is the matriarch of the Buendía family. Strong, generation, Amaranta Buendía remains in the Buendía house
clairvoyant, and serious, she strives to ensure the family's her entire life. As an adolescent she falls in love with Pietro
happiness, welcoming and taking in her children's lovers and Crespi, who has promised himself to Rebeca. After Rebeca
offspring. Owner of a candy animal business, she supports the marries Amaranta's oldest brother, she makes Pietro fall in love
family and the expansion of the house, which is eventually shut with her only to break his heart. Her initial heartbreak, jealousy,
down by Fernanda. Within the family and town she remains and bitterness permanently stunts her emotional growth, and
active and helpful most of her life. When Arcadio and Colonel she never becomes close with anyone her age, in or outside
Aureliano Buendía are affected by war and power, she warns the house. When Colonel Gerineldo Márquez falls in love with
them of their actions. Out of all the characters, she lives the her, she strings him along only to reject him. She cares for the
longest. In her final years, she bemoans that none of her children in the house, initially out of guilt of feeling responsible
children inherited her durability. for Remedios's death, and becomes romantically involved with
Aureliano José and José Arcadio. Her jealousy and illicit affairs
complicate life in the Buendía house and cause many to leave
Melquíades the house and Macondo.
Aureliano (II)
After Fernanda hides his identity, she contemplates killing him
but can't. Instead, she hides him in Colonel Aureliano Buendía's
workshop. After Aureliano is discovered, Fernanda forbids him
Character Map
Spouses Father
Father
Colonel Aureliano
Úrsula
Buendía
Buendía family matriarch;
Second son; becomes
lives to be 150 Mother Siblings a rebel commander
Great-great-great-
Mentor
grandfather
Amaranta
Lonely and bitter; fears men
Great-great-great- Great-great-
grandmother Great-great- uncle
aunt
Main Character
Minor Character
Rich Mr. Jack Brown, the banana From the swamp, elderly Don
Don Melchor
company executive, arrives in a Melchor Escalona teaches at the
Mr. Brown Escalona
personal coach car with German school.
shepherds.
When Úrsula begins losing touch with José Raquel Moncada's wife lives in
Petronila reality, she mourns Petronila Iguarán, José Raquel Liberal territory and refuses to let
Iguarán her great-grandmother, who died a Moncada's wife Colonel Aureliano Buendía in her
century ago. house.
Known for her tarot card readings, Disguised as an old woman, Colonel
Pilar Ternera is the chatty and Gregorio Stevenson delivers Colonel
Colonel
intuitive mother of Arcadio, Aureliano Aureliano Buendía's unfortunate
Gregorio
Pilar José, and seven additional children, news to Arcadio regarding the Liberal
Stevenson
and whose friendship with and Party's poor condition and his order
knowledge of the Buendías spans to surrender the town.
almost all seven generations.
The first of the Aurelianos to stay in
The widow of José Arcadio, Rebeca Macondo, driven and adventurous
Aureliano Triste
arrives from Manaure with a bag of Aureliano Triste works for Aureliano
Rebeca her parents' bones and locks herself Segundo, then begins an ice factory.
in her house with her servant after
her husband's mysterious death.
When the trumpeter greets Arcadio
The trumpeter with "fanfare," he orders his
The young and stoic rebel colonel is execution.
the revolution's treasurer who
Rebel colonel
delivers the gold that Colonel
Aureliano Buendía surrenders.
Úrsula's mother
Úrsula Iguarán's mother scares her
daughter by telling her that her
Second Generation
children will have pig tails.
Every March the gypsies arrive, toting new inventions.
Exposure to the outside world inspires ambitious José Arcadio
In command of the second assembly
General Teófilo of the principal rebel commanders, Buendía.
Vargas General Teófilo Vargas, wild and
deadly, is murdered in an ambush. When José Arcadio, the eldest son of José Arcadio Buendía
and Úrsula, runs away with the caravan, his mother forbids the
Son of a Macondo founder, Magnífico gypsies from returning. José Arcadio Buendía insists
Magnífico Visbal Visbal is Colonel Aureliano Buendía's Melquíades, the head of the gypsy caravan and his friend and
friend.
mentor, is always welcome, and Melquíades visits across the
generations.
A Guajiro Indian princess, helpful and
attentive Visitación flees the insomnia
Visitación When Rebeca, the Buendía's adopted daughter, and Amaranta,
plague with her brother and cares for
the Buendía children. the Buendía's biological daughter, reach adolescence, Úrsula
expands the house to fit the next generations. During
construction, the appointed magistrate arrives, introducing
government to the village. Following the marriage of Colonel
k Plot Summary Aureliano Buendía (son of Úrsula and José Arcadio Buendía)
and Remedios (daughter of Don Apolinar Moscote), Father
One Hundred Years of Solitude is the story of the rise and fall Nicanor decides to build a church in Macondo, introducing
of the Buendía family, which is mirrored by the development religion.
and destruction of their fictitious village, Macondo. Through a
series of flashbacks, scenes, and backstory, readers learn
about the seven generations of the cursed bloodline as they Third Generation
live, love, and die in their town.
Infamous for her tarot card readings, Pilar Ternera bears two
The narrative begins with one of the most iconic lines in children: Arcadio with José Arcadio and Aureliano José with
contemporary literature, which features Colonel Aureliano Colonel Aureliano Buendía. Even though their fathers are
Buendía, moments before his execution, remembering "that absent, both children are sent to live with the Buendías. Both
distant afternoon when his father took him to discover ice." sons are drawn to their mother with whom they have no
relationship.
First Generation While Colonel Aureliano Buendía leads the rebellion, he fathers
17 sons with 17 different women. Individually, each mother
The narrative returns to the beginning of the Buendía line with brings her son to be baptized in Macondo with the name
its patriarch, José Arcadio Buendía, and matriarch, Úrsula, who Aureliano. Each son keeps his mother's surname.
meet and marry in their hometown.
Aureliano and José Arcadio Segundo. When he returns, ants are carrying his dead son, the last of the
Buendías, away. He translates the manuscript's epigraph.
Realizing it's about his family, he reads to discover what went
Fifth Generation wrong. Amaranta Úrsula is his aunt, and his family's fate is
sealed as the storm winds destroy him and Macondo.
Following José Arcadio Segundo's introduction of the French
matrons to Macondo, they organize a carnival. Remedios the
Beauty is named queen, and Fernanda del Carpio is scheduled
to be crowned queen of Madagascar. When someone voices
Liberal sentiments, the occasion turns into a bloody massacre.
The twins save the two women. After the mourning period,
Aureliano Segundo finds Fernanda in her "gloomy" northern
city, proposes, and brings her to Macondo, where she bears
three of his children, Meme, José Arcadio, and Amaranta
Úrsula. The banana company arrives.
Sixth Generation
During the banana plague days, Meme is befriended by the
Americans. While touring the plantation, she meets Mauricio
Babilonia and begins seeing him in secret. When her mother
discovers their relationship, she forbids Meme to leave. Every
night the couple spends time showering together.
Unknowingly, she becomes pregnant with his child. After
Fernanda sends Meme to a distant convent, a nun delivers
Aureliano to the Buendía's house, and Fernanda keeps his
identity a secret.
Seventh Generation
After Amaranta Úrsula returns to Macondo with her husband,
Aureliano falls in love with her. While Gaston busies himself
with projects, biding his time, the two begin an affair. After
Gaston leaves for business, she becomes pregnant. Amaranta
Úrsula suffers and dies from birth complications. Aureliano, in
shock, roams the town, leaving his pig-tailed infant, Aureliano,
at home.
Plot Diagram
Climax
11
10
12
9
Falling Action
Rising Action 8
13
7
6 14
5
15
4
Resolution
3
2
1
Introduction
Climax
Resolution
Timeline of Events
First–third generations
Amaranta's adolescence
March
December
May
First–fifth generations
Friday
Fifth–sixth generations
A day later
elements:
c Chapter Summaries
José Arcadio Buendía experiences a "hereditary memory," a
relative passing on information to blood family
instantaneously.
Chapter 1 Aureliano, who was born with open eyes and "wept in his
mother's womb," has psychic abilities.
Summary
Chapter 2
Every month of March the gypsies, a derogatory term that
refers to traveling ethnic groups, visit the city of Macondo and
introduce modern inventions to its inhabitants, such as
magnets, the magnifying glass, and the telescope. Each visit,
Summary
José Arcadio Buendía, the patriarch and founder of Macondo,
Despite their families' disapproval, cousins José Arcadio
becomes infatuated with another idea. While he's distracted
Buendía and Úrsula marry. Because of the "sinister predictions"
with his new obsession, his wife, Úrsula, resists or foils it.
of Úrsula's mother, Úrsula avoids consummating their marriage,
fearing their children will have pig tails.
With navigational tools, José Arcadio Buendía discovers the
earth is round. The gypsy prophet Melquíades gives him
A year later, José Arcadio Buendía wins a cockfight. His
alchemy materials, and the two become close friends. When
opponent, Prudencio Aguilar, mocks him and his wife, so José
Úrsula turns the town against the gypsies, José Arcadio
Arcadio kills him. After the murder, the couple see the ghost of
Buendía expresses his frustration with human limitations.
Prudencia; José Arcadio is tortured by this apparition. They
decide to leave.
Wanting to discover other "civilizations," José Arcadio Buendía
leaves. After he and his group stumble across a Spanish ship,
After sacrificing roosters and burying the murder weapon, they
they discover the sea and realize Macondo is a peninsula.
cross the mountains, searching for the sea. Because of a
When he suggests moving Macondo to a better location,
dream, José Arcadio Buendía convinces his family and friends
Úrsula refuses. When the gypsies return, José Arcadio Buendía
who have accompanied him to remain at the river. There they
tries to find Melquíades but learns he's dead. Saddened, the
found Macondo.
three children drag José Arcadio Buendía to the "novelty" tent,
where they discover ice. Shortly after their daughter Amaranta is born, José Arcadio
discovers he's going to be a father with Pilar, sleeps with a
young gypsy, and leaves with the gypsy caravan. Úrsula tries to
Analysis track them. José Arcadio Buendía follows her but returns to
care for Amaranta. After several months, Úrsula returns to
The novel begins in the middle, "Many years later," with Colonel Macondo with a group of people who live across the swamp.
Aureliano Buendía remembering the discovery of ice with José
Arcadio Buendía. In the memory, he faces a firing squad, which
creates suspense. Quickly the narrator introduces the theme Analysis
of past and present by immersing the reader in the history of
the gypsies in Macondo. The juxtaposition of rebellion and fate creates tension. The
legend of their pig-tailed uncle doesn't detour José Arcadio
The first chapter grounds the reader by introducing the first
Buendía and Úrsula from getting married. This choice seems
and most of the second generation of the Buendía family. Their
like youthful rebellion, even though the narrator states "their
"truly happy" town is also introduced. At the time, Macondo
marriage was predicted from the time they had come into the
consists of 20 riverside houses. Through fantastical language
world." This presence of fate supports the magic realism
and images, the reader learns that Macondo contains magical
theme. When the patriarch hears a "supernatural echo" in his
dream, naming the town they're sleeping in, he entices Macondo (a symbol of Colombia, Gabriel García Márquez's
everyone to stay. It becomes clear this family's future is native country) is developed in the first and second chapters.
dictated by dreams, strengthening the presence of magic. With the introduction of government, the reader sees the town
begin to change, alluding to Colombia's conflicted history. After
With such fantastical elements, the story is balanced with Don Apolinar Moscote arrives and begins making demands,
concrete and specific details. Amaranta is born on a "January José Arcadio Buendía tells him he doesn't want to kill him and
Thursday at two o'clock in the morning." This information suffer the burden of being haunted by it. This shows how
grounds the reader and contributes to the story's believability. Prudencio Aguilar's murder continues to cause him
psychological anguish. Learning from his mistake, he
The ability to navigate between past and present creates a
peacefully escorts Moscote out of the area by the shirt.
circularity. José Arcadio, named after his father, rebels by
sleeping with "provocative" Pilar. After his father strikes him for
saying his "recovered gold" resembles dog feces, he leaves
with the gypsies, rebelling against his rebel parents. Chapter 4
Chapter 3 Summary
Following the renovation of the Buendía house, Úrsula
furnishes it with "costly necessities" and organizes a dance.
Summary Pietro Crespi arrives to set up the pianola. He teaches them
how to use it.
Shortly after Arcadio's birth, Pilar brings him to his
grandparents' home. When the gypsies arrive, Úrsula forbids Aureliano sleeps with Pilar, who promises to help him win
them from staying, blaming them for José Arcadio's Remedios. When Aureliano confronts his parents about his
disappearance. When José Arcadio Buendía invites intention to marry her, his father, upon his wife's agreement
Melquíades's tribe to return, he's informed of their extinction. that Rebeca marry Pietro, seeks Remedios's hand. After a
Aureliano predicts Rebeca's arrival. discussion, Aureliano promises to wait until she reaches "the
age of conception."
After adopting Rebeca as their own, the Buendías discover
she's infected with the insomnia plague. The disease erases Melquíades passes away. José Arcadio Buendía gives him an
memories, and the entire town contracts it. Melquíades arrives, honorable and well-attended funeral.
as if back from the dead. When José Arcadio Buendía doesn't
recognize him, he cures Macondo. A magistrate named Don After asking Pilar to read her cards, Rebeca discovers that she
Apolinar Moscote comes to Macondo and orders all houses to must bury her parents' bones to find happiness. José Arcadio
be painted blue. José Arcadio Buendía carries him to the Buendía finds the bones in the wall and buries them next to
border. When Don Moscote returns with his family and Melquíades. Prudencio Aguilar begins visiting José Arcadio
soldiers, José Arcadio Buendía lets them stay but names him Buendía again and begins to drive him mad. Aureliano, unable
an enemy. Aureliano develops feelings for the mayor's to stop his father's madness, seeks help. José Arcadio Buendía
daughter, Remedios. is tied to the chestnut tree.
Analysis Analysis
Úrsula expands the Buendía house. The theme of love—in this A representation of Colombia, Macondo, previously without
case, familial—is shown in the matriarch's action, who ensures death, is complicated when it buries Melquíades, then later,
there's enough room for the next generation in their home. This Rebeca's parents. Both are outsiders, yet the deaths have
shows her expectations for her family to remain close, also different effects on the Buendía family. Melquíades's death
displayed when she follows her runaway son. seems to trigger José Arcadio Buendía's descent into
madness, and burying the bones of her parents enables Nicanor reveals they aren't siblings.
Rebeca to move on from familial love to romantic love, a theme
that drives the plot. As the Moscotes gain popularity from their association with the
Buendías, Don Apolinar implements more government. After
Romantic love disrupts the harmony in the house. Rebeca is in Aureliano discovers that his father-in-law fixes the election and
love with Pietro, who returns to fix the pianola that the supports the town being under martial law, he joins forces with
patriarch takes apart and assembles incorrectly. Lovesick, she the Liberal Party and declares war on the Conservative Party
returns to her bad habit of eating earth. When Amparo delivers with an army of 21 men. He is henceforth known as Colonel
a letter to Rebeca from Pietro, the girls become friends, which Aureliano Buendía.
stirs Aureliano's desire for Remedios. When the mail is late,
Rebeca acts out.
Analysis
After Rebeca's love is revealed, Amaranta's romantic feelings
for Pietro arise. During Melquíades's wake, Amaranta The introduction of religion to Macondo complicates the town
confesses her love to Pietro, who doesn't take her seriously, dynamics even further. At an impromptu mass, Father Nicanor
and confides in Rebeca. Love and jealousy become intertwined levitates "six inches" above ground, then repeats the act door
in this love triangle. Rebeca has buried her parents' bones to to door to gain donations for the church. The use of magic
find happiness but returns to her miserable habits of eating dirt realism in this monetary situation displays the church's
on account of Pietro. Pietro cares for Rebeca but Amaranta manipulation. José Arcadio Buendía, the only person who
may be a more suitable mate for Pietro. However, Amaranta's doubts Father Nicanor, demands proof of God. Because José
behavior shows that she, much like Rebeca, is overcome with Arcadio Buendía is ostracized, Father Nicanor tries to help him
desire for Pietro, and this affects her relationship with Rebeca out of a desire to save his soul, then simply because he feels
in a negative way. Even though one love is reciprocated and sorry for him when he realizes José Arcadio Buendía has no
another isn't, both amorous feelings are discovered by Úrsula interest in converting. The church is unable to manipulate José
when she finds exchanged and unsent letters in the girls' Arcadio Buendía into donating money. Father Nicanor
rooms. The letters are packaged the same: perfumed, tied with abandons the project, fearing for the security of his own faith
a pink bow. After Amaranta threatens Rebeca's life, Úrsula as he cannot prove the existence of God. In this scenario, the
arranges Amaranta's trip. two represent polarities: religion and science, old and new,
conservative and liberal.
Obsessed with Pilar, Arcadio visits her, seeking a sexual revolver. After realizing executing the colonel may have severe
relationship. She tells him to return at night and pays Santa consequences, soldiers postpone his punishment and draw
Sofía de la Piedad to be with him. After Colonel Aureliano names to decide who will shoot him.
In a story that explores solitude, humor relieves the reader. subject matter. When José Arcadio Buendía passes, it rains
Arcadio, whose character spirals when he receives power, is yellow flowers, creating a sense that even nature mourns the
shown as an awkward child in ill-fitting, hand-me-down clothes dead patriarch. In the beginning of the chapter, Úrsula, knowing
with "female buttocks," which he inherits from his biological her son is a prisoner of war, hears his voice, his signal to her
mother. Because of the omniscient narrator, the reader knows that he's alive. Both Úrsula and Colonel Aureliano Buendía have
his only friend was a ghost and he cried "in secret." With this premonitions. Both of their intuitions are inconsistent. Pilar is
intimate knowledge of characters, the story examines the only person who can tap into their psychic faculties at will.
long sentence and distance to discover her son's body in his antagonist by consistently disrupting the harmony of the
bedroom. The combination of a fantastical image of a son's family. As an adult she has a responsibility, as guardian, not to
blood seeking its mother with the long sentences shows the cross the line of familial love with Aureliano José. When he
depth of familial love. confronts her, she reasons that she fears their children will be
born with a pig tail, mirroring Úrsula's fear. He responds,
mirroring José Arcadio Buendía's sentiment, "I don't care if
Chapter 8 they're born as armadillos." This mirroring between generations
illustrates the theme of past and present. After the possibility
of romantic love with Amaranta disappears, Aureliano José
reinvigorates the family. When Aureliano Segundo begins sleeping with a woman his
brother also sees, he keeps it a secret. After they both fall sick
and heal, Aureliano Segundo remains with Petra and becomes
Analysis rich.
After organizing the second assembly of the principal rebel José Arcadio Segundo introduces French women to the town,
commanders, the author uses magic realism to display the who promote a carnival, and Remedios the Beauty is named
change that occurs in Colonel Aureliano Buendía who loses the queen. The carnival is attended by Fernanda del Carpio,
himself in the "solitude of his power." His soldiers take matters the royal guard, and Macondo. Someone yells, "Long live the
into their own hands, killing those who they believe are making Liberal party!" Afterward, the royal guard shoots up the
him unhappy, giving the impression that his power is out of his carnival. The twins carry the queens to safety.
control.
Summary task because the tedium distracts him from thinking about war,
but his hobby gives his character a ghostlike quality: stuck in a
lifeless loop.
When José Arcadio Segundo asks to see an execution and his
brother Aureliano Segundo asks to access Melquíades's room,
The political unrest of Macondo, which symbolizes the turmoil
Úrsula wonders if the twins, who trick others by switching
of Colombia, is shown in the "bloody carnival." Thirty-nine are
places, have swapped places accidentally. After reading
injured or dead. Yet the chapter ends with romantic love. After
Melquíades's stories, Aureliano Segundo asks Úrsula if they
a six-month mourning and healing period, Aureliano Segundo
are true, which she confirms. While studying the manuscripts,
finds Fernanda and marries her. In the same sentence, the
the ghost of Melquíades visits Aureliano Segundo, and only he
flowers on the mass grave containing those who died in the
can see him. When José Arcadio Segundo takes an interest in
massacre finally wither, and Aureliano Segundo and
church, Colonel Gerineldo Márquez is upset by his
Fernanda's wedding celebration lasts 20 days, complicating
Conservative values, while Úrsula hopes religion enters the
the plot by contrasting the political madness with a personal
house.
milestone.
Buendía house and the family dynamics change. After Úrsula weekly. When Hotel Jacob is full, Aureliano Segundo invites
becomes blind and weak due to age, Fernanda takes control of visitors to stay at the Buendías'. When Mr. Herbert appears in
the house. She gives birth to a son and daughter by her their dining room, he eats every banana while examining the
husband, José Arcadio and Meme. fruit. Shortly after, his colleagues arrive to study the land.
Before a year passes, the original inhabitants hardly recognize
When Colonel Aureliano Buendía is honored with a jubilee, his Macondo.
17 sons stay with the family. When each leaves with a
permanent Ash Wednesday cross on their head and a gold fish A year after Mr. Herbert's initial visit, the town learns of the
from their father, Aureliano Triste stays and begins an ice plans to plant banana trees in the "enchanted region." Two
factory. When the Aurelianos return, Aureliano Centeno stays more of the Aurelianos arrive. Remedios the Beauty continues
and improves production at the ice factory. To expand the bewitching men. While helping fold sheets one day, she floats
train.
After Colonel Aureliano Buendía, angry at the development,
claims to plan another war, all of his sons are executed, except
Aureliano Amador. He disappears in the mountains. Colonel
Analysis Aureliano Buendía mourns for three months, then seeks
Colonel Gerineldo Márquez's support in ending the war they
This chapter explores the backgrounds of Fernanda and Petra.
began. Márquez refuses.
Guided by a "spiritual adviser," Fernanda carries a calendar
with little gold keys. It lists 42 days when the couple can have
physical contact. Gold, a symbol of the Spanish Golden Age
and its influences, estranges the spouses. Aureliano Segundo
Analysis
seeks out Petra to continue their lustful relationship.
The polarities alluded to in the previous chapter's last sentence
Magical elements appear throughout the chapter, which are explored further in this chapter. Macondo's changes and
support the theme of magic realism. Before the Aurelianos period of adjustment are outlined as the town is flooded with
leave, Amaranta takes them to Ash Wednesday mass. Later, "foreigners," then electricity, and finally, the banana company.
after scrubbing with numerous objects and products, they The effects on Macondo's original inhabitants consist of "a
discover the crosses on their foreheads are permanent, an permanent alternation between excitement and
This chapter introduces the railroad, symbolic of Macondo's The changes affect the family, both past and present. The train
transition into a thriving hub, to the village. When Aureliano takes the place of the gypsy caravan of yore. Colonel
Triste draws a diagram of how to connect with the outside Aureliano Buendía withdraws from the visitors and into his
world, Úrsula, again, suffers déjà vu, overlapping the past and workshop. José Arcadio Buendía's ghost begins pacing the
present. When a villager, hand-washing laundry in the river, house again, invoking the theme of magic realism. An
After he heals, fond feelings return for his wife, and he spends While Amaranta sews her shroud and Úrsula succumbs to
more time with her. Colonel Aureliano Buendía stops selling his blindness, Fernanda maintains power in the house. Hoping
gold fishes and withdraws from the family. José Arcadio Rebeca dies before her, Amaranta sews her shroud first. When
Segundo returns home, and Úrsula is certain the twins have Rebeca doesn't die, Amaranta tries to prolong her own life by
switched identities. During the carnival parade, Colonel delaying the completion of her shroud. After Amaranta's death,
Aureliano Buendía dies while urinating in the courtyard. Úrsula doesn't get up again, and Santa Sofía de la Piedad
cares for her.
the movies, she forbids her to leave the house. After statements of officials, and authorizes the soldiers to shoot the
suspecting Meme is meeting Babilonia in the shower, Fernanda crowd. They kill over 3,000 people. José Arcadio Segundo
asks the mayor to place a guard next to their chicken coop. He wakens on a train among the dead and jumps to safety. After
shoots and paralyzes Meme's lover. walking back to Macondo, he discovers no one will speak of
the tragedy. Santa Sofía de la Piedad hides him in Melquíades's
old room. A proclamation is released granting the workers their
Analysis wishes, to be implemented after the rain. When soldiers search
the house, they're unable to find José Arcadio Segundo, who
Due to Fernanda's "strictness," Meme prefers the values and knows the war is over and dedicates himself to deciphering
company of her father's concubine over her mother. While Melquíades's manuscripts.
drunk on cane liquor and empowered by time spent with a
female friend, Meme experiences a "rare feeling of bravery."
She wants to run away from school and abandon the Analysis
clavichord. When Fernanda questions her, she tells Fernanda
and Amaranta, who don't speak to one another, "I was only Fernanda's character is a contrast to Úrsula's. Úrsula wants
now discovering how much I loved you both." She is, of course, her daughters to stay at home, so she allows them
being sarcastic, and this shows how much the two active relationships and keeps watch. Severe Fernanda not only
women of the house have negatively affected the family. denies Meme romantic love but also orders her daughter to
accompany her. Meme, who hasn't spoken since Mauricio
Rebellious Meme, modern in her thinking and actions, still Babilonia is shot, obeys. Fernanda takes her daughter to the
suffers at the hand of Fernanda. When her mother notices the convent where Fernanda was raised. The lovers die of old age,
yellow butterflies at night, which represent "bad luck" to her, mute. While returning from her hometown, Fernanda notices
she spies on Meme. Connecting her showers, the mustard the rising "tension."
plasters for preventing pregnancy, and the man, without
consulting anyone Fernanda kills her daughter's spirit by The rising political discomfort coincides with the fate she
meddling in her romantic love. By manipulating the authorities, delivers the Buendías: Fernanda, an antagonist, tells José
Fernanda has Meme's lover maimed while her daughter waits Arcadio that Meme is dead. She considers killing Aureliano but
"naked and trembling with love among the scorpions and instead hides him from others. It takes Aureliano Segundo
butterflies." In this case, the yellow butterflies are a symbol of three years to learn of the child's existence.
imperialism and do bring bad luck to the family.
Fernanda's suffocating motherly love, steeped in tradition, is
also contrasted with Santa Sofía de la Piedad. She hides her
Chapter 15 son in Melquíades's room for his safety, not out of shame. She
feeds him and tries to conceal him, even when faced with
potential death. At José Arcadio Segundo's urging, she
promises to verify that he's dead before he is buried. He fears
Summary being buried alive by the Conservative Party, a lingering trauma
from surviving and escaping the invisible train of dead bodies.
When Meme's baby is delivered to the Buendía house,
Fernanda convinces Santa Sofía de la Piedad she found him.
After quitting his supervisor position, José Arcadio Segundo
encourages the employees to strike. Someone tries to kill him
Chapter 16
because he's identified as contributing to the "international
conspiracy against public order." The union leaders are jailed
and released. Summary
Under martial law the workers rebel, and "authorities" ask the The rain continues for several years. To busy himself, Aureliano
workers to gather in the square to mediate the conflict. An Segundo fixes the Buendía house. After discovering "little
army lieutenant asks the crowd for silence, reads the Aureliano" (Aureliano [II]), he cares for him and his sister,
Amaranta Úrsula, and entertains them with stories. Anxious she mistakes him for his brother José Arcadio Segundo
about her inability to physically reconcile with her husband, because he's lost so much weight.
Fernanda corresponds with invisible doctors for her uterine
pain, which Úrsula mistakes for intestinal trouble. When
Colonel Gerineldo Márquez passes, Úrsula, at the door, yells Chapter 17
"my son" to him and alludes to her death.
At the end of the year Rebeca dies, and the gypsies return.
Analysis While Fernanda sleeps, the invisible doctors operate but they
can't find anything wrong. José Arcadio Segundo discovers
The master of magic realism balances magical elements with
that the manuscripts are written in Sanskrit. When Aureliano
realism. In the previous chapter, to avoid giving the banana
Segundo realizes he's dying, he earns enough money to send
workers what they deserve and what the company has
his daughter to school in Brussels. Shortly after Amaranta
promised, Mr. Brown "unleash[es]" a storm. To accentuate the
Úrsula leaves, the twins die simultaneously.
unlikeliness of rain, it's mentioned the area had been suffering
a drought. The opening sentence of the chapter begins, "It
rained for four years, eleven months, and two days." The
Analysis
preciseness of this statement encourages doubtful readers to
believe.
In this chapter, the house is renovated three times:
When Aureliano Segundo hears what had happened to appreciation. After Aureliano Segundo's death, Petra continues
Macondo—the banana company took advantage of the thriving sending Fernanda food—first out of spite, then out of ego, then
village and corrupted it—he recalls his twin's story. Even out of platonic, human love.
though everyone thinks José Arcadio Segundo is crazy, he's
described as the "most lucid inhabitant of the house." The act In the story the power of names is explored, their repetition
of renovating the house becomes a form of denial and working like logic. In this chapter, a similar effect is created
circularity. When the gypsies return, they introduce the same with rooms. When José Arcadio moves into Meme's old room,
inventions they brought at the beginning of the narrative. he takes on qualities she exhibited while living there: the
restless lovesickness in his pacing and breathing. Also
adopting qualities of Remedios the Beauty in his bathing ritual
"waiting for" him, he pursues her. Pregnant, Amaranta Úrsula remembers Aureliano's mysterious
identity. Fearing they're siblings, he unsuccessfully searches
the town's baptism records. In denial, they accept Fernanda's
Analysis lie. Their son Aureliano (III) is born with a pig tail. Distracted by
Amaranta Úrsula's excessive bleeding, they shrug it off, and
After attending school in Brussels, Amaranta Úrsula's return Amaranta Úrsula dies the next day. Heartbroken, Aureliano
creates tension. The modern girl judges Macondo, which often leaves to drink.
rejects modernity and is negatively affected by development. In
turn, the newlyweds, outsiders, are also judged and When he returns, ants carry his dead baby away, recalling
misunderstood. There are constant references to Gaston with Melquíades's epigraph about the end of their line. He realizes
a "silk rope tied around his neck," a beautiful metaphor for a tie. the manuscript is about his family written a century prior. As
Yet Amaranta Úrsula is still a Buendía. Her intuition is directed winds blow the house away, he learns about his conception,
toward fashion. In the renovations, she rids the house of the that Amaranta Úrsula is not his sister but his aunt. While
clutter of the past—"superstition." Out of respect for Úrsula, reading his fate, the winds wipe the Buendías and Macondo
she keeps Remedios's daguerreotype, the same reason from existence and memory.
Colonel Buendía kept it, but not without mocking it, "A
fourteen-year-old grandmother!"
Analysis
Both of Amaranta Úrsula's relationships are problematic.
Because of her devotion to Macondo, Gaston agrees to The theme of love, combined with the theme of past and
accompany her on the condition that she marry him. He thinks present, help complete the circle, which the entire family has
her love of the place will fade, and when it does, he hopes to avoided up to this point. The Buendía line begins with Úrsula
return to Europe. Amaranta Úrsula, a strong woman, is also and José Arcadio Buendía, who marry despite being cousins.
pursued by her brother Aureliano (II) despite her calling him a Their knowledge of a similar relationship in their family bearing
"fool," despite saying she's moving back to Europe, and despite a son with a pig tail haunts them and prevents them from
her fighting off his sexual advances. Because she lets her consummating their marriage, mostly because of Úrsula's fear.
guard down for a moment—"frightened by what she herself The matriarch spends her entire life trying to ensure the
had made possible, it was too late"—and because of a vague harmonious survival of their line, but shortly after she passes,
suggestion from Pilar, Aureliano rapes her, sealing the tragic the line ends with a pig-tailed son.
fate of the Buendías.
As Aureliano (II) and Amaranta Úrsula withdraw from the world
into the bedroom, the house begins to rot. While Macondo, a
Gaston writes to say his return might take two years. Amaranta
Úrsula ignores the likeliness of it. When Gaston announces his
return, Amaranta Úrsula, wanting "death before separation,"
admits her attachment to Aureliano. Gaston sends an
unexpected, calm response.
He asks her why she's visiting. She sullenly tells him he'd "be
g Quotes good in war," which he welcomingly accepts before telling her
that their child will take his name.
"Where you put your eye, you put "It's as if the world were repeating
your bullet." itself."
— Pilar, Chapter 5
— Úrsula, Chapter 16
company to unite with the rebelling workers, Úrsula, afflicted Colombia's controversial history of civil wars, colonialism,
with cataracts, senses the political tension, another example of plantation economy, and industrialization. Because of its
the circularity motif showing that members of one Buendía symbolism and intricate entanglement in the plot, the setting of
generation are affected by another. Macondo, in a way, acts as a major character. In Chapter 1 the
town begins as "twenty adobe houses" along a riverbank—"so
recent that many things lacked names, and ... to indicate
"The spirit of her invincible heart [things] it was necessary to point." As government, religion,
military, and the banana company are introduced, most
guided her through the shadows." inhabitants accept the changes. Others, such as José Arcadio
Buendía, Colonel Aureliano Buendía, and José Arcadio
— Narrator, Chapter 17 Segundo, become ostracized.
Railroad
At the height of his success and youth, Aureliano Segundo
says this during a party. For his funeral, his friends emblazon
the saying on a wreath for his coffin.
In Chapter 11 of One Hundred Years of Solitude, Aureliano
Triste introduces the railroad as a way to not only expand the
ice factory's business but to connect with the outside world.
"Everything is known." When he proposes it, the inhabitants are bewildered: "That was
the first time the word [railroad] had ever been heard in
— Colonel Aureliano Buendía, Chapter 19 Macondo."
l Symbols
had never before seen. The changes cause both infatuation
and disgust, creating tension in the area. In Chapter 15, the
railroad station is the site where the army tragically massacres
over 3,000 innocent, unarmed banana workers and their
Macondo families, Macondo's "fatal blow."
In One Hundred Years of Solitude, the colors yellow and gold Because characters are haunted by their pasts—decisions,
are symbols of the Spanish Golden Age and imperialism. As history, ghosts, knowledge gained retrospectively—nostalgia
colonialism infiltrates Macondo, it is marked by yellow and gold, complicates their futures. Fernanda del Carpio's upbringing
one of the colors of the flag of present-day Colombia. In affects her expectations, which estranges everyone in the
Chapter 11, the train Aureliano Triste leads into town is yellow. Buendía house. Amaranta Úrsula's memory of home leads her
In Chapter 12, the fruit that is grown and harvested in Macondo back, where her life takes unexpected turns.
is a yellow banana. This banana company unfairly employs
Macondo's people while ravishing the area. With the past and present theme, Gabriel García Márquez
develops a dizzying feeling of circularity by manipulating a
The defeat of characters who rebel against the pressures of linear, forward-moving timeline with flashbacks, backstory, and
power are also connected with the colors. When José Arcadio background information provided by the narrator to catch the
Buendía, who challenges and polices Don Moscote's authority, reader up to the present plot. By including the ghosts of
dies in Chapter 7, it rains yellow flowers. Whenever Colonel characters, Prudencio Aguilar's journey to find and haunt José
Aureliano Buendía withdraws from the Liberal Party and Arcadio Buendía, and recycling characters' names throughout
others, he makes ornate gold fishes to distract his mind from seven generations, the author creates the sense that
the wars. In Chapter 14, Meme's lover—who works for the everything is happening at once, giving another feeling of
banana company and is critically and unjustly shot by one of circularity to the novel. The characters—especially Úrsula and
the mayor's guards—is surrounded by yellow butterflies. Pilar (because they live the longest)—acknowledge events are
repeating, so readers understand that time, the Buendías, and
Macondo are digressing.
m Themes
Magic Realism
Love
Coined by Cuban novelist Alejo Carpentier in the 1940s, the
term magic realism refers first to a literary genre where
In One Hundred Years of Solitude, love's various forms—lustful authors factually weave the "supernatural" and the "real." The
(Amaranta and Pietro), familial (Fernanda del Carpio and genre exists across cultures and time, but it was popularized
Meme), platonic (José Arcadio Buendía and Melquíades), and by writers from Latin America, including Jorge Luis Borges,
incestuous (Aureliano (II) and Amaranta Úrsula)—drive the Isabel Allende, and of course, Gabriel García Márquez. The
narrative. Lust makes José Arcadio run away. Familial love genre enables writers to pit realities of the postcolonial era
urges José Arcadio Buendía to discover a town to begin anew. (time period following the end of colonization or rule by
It draws characters back to their crumbling village. Sometimes another country as citizens struggle to redefine their cultural
familial love lifts its relatives up to queenly and papal heights. identity) against one another: the colonizers versus the
Sometimes familial love veers into devastating incestuous colonized. Scholars consider magic realism a "natural outcome
relationships. Love's many forms motivate the characters. of postcolonial writing," but the genre can be problematic
because it often leads to polarities that appear to benefit
systemic power. The difficulty for readers lies in being able to
tell the difference between real versus fake and truth versus
lies in matters affecting those in power and those under
oppression.
One Hundred Years of Solitude and other works of the genre locals)
allow authors to experiment in different ways. Junot Díaz, a
native of the Dominican Republic and author of the Pulitzer These irritants create conflict and contribute to the fall of the
Prize–winning book The Brief Wondrous Life of Oscar Wao, Buendías and Macondo.
Babilonia: Babylon
Fernanda: adventurous
e Suggested Reading
Elie, Paul. "The Secret History of One Hundred Years of
Solitude." Vanity Fair. Condé Nast, 9 Dec. 2015. Web. 31 July
2016.
García Márquez, Gabriel. "The Art of Fiction No. 69." The Paris
Review. Winter 1981. Web. 28 July 2016.