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Escalas Arpegios Grado y Extenciones

The document provides information about scales and chord qualities in different keys. It includes: 1) Tables showing the notes in major, minor, dominant 7th, minor 7th, half-diminished 7th, and diminished 7th chords for various key signatures. 2) Explanations of chord symbol notation for major, minor, dominant, half-diminished, and diminished qualities. 3) Notes on chord extensions including 9ths, 11ths, 13ths that can enrich music, with different extensions used for major 7th, minor 7th, and dominant 7th chords.

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Jose Peña
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187 views4 pages

Escalas Arpegios Grado y Extenciones

The document provides information about scales and chord qualities in different keys. It includes: 1) Tables showing the notes in major, minor, dominant 7th, minor 7th, half-diminished 7th, and diminished 7th chords for various key signatures. 2) Explanations of chord symbol notation for major, minor, dominant, half-diminished, and diminished qualities. 3) Notes on chord extensions including 9ths, 11ths, 13ths that can enrich music, with different extensions used for major 7th, minor 7th, and dominant 7th chords.

Uploaded by

Jose Peña
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Escalas

Grados
Extensiones
Nomenclatura
Para principiantes he intermedios
Distribución libre
Tonalidad Imaj7 II m7 IIIm7 IV maj7 V7 VI m7 (R) VII m7b5 Escala
C Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5 Escala de C
C-E-G-B D-F-A-C E-G-B-D F-A-C-E G-B-D-F A-C-E-G B-D-F-A C-D-E-F-G-A-B-C
G Gmaj7 Am7 Bm7 Cmaj7 D7 Em7 F#m7b5 Escala de G
G-B-D-F# A-C-E-G B-D-F#-A C-E-G-B D-F#-A-C E-G-B-D F#-A-C-E G-A-B-C-D-E-F#-G

D Dmaj7 Em7 F#m7 Gmaj7 A7 Bm7 C#m7b5 Escala de D


D-F#-A-C# E-G-B-D F#-A-C#-E G-B-D-F# A-C#-E-G B-D-F#-A C#-E-G-B D-E-F#-G-A-B-C#-D

A Amaj7 Bm7 C#m7 Dmaj7 E7 F#m7 G#m7b5 Escala de A


A-C#-E-G# B-D-F#-A C#-E-G#-B D-F#-A-C# E-G#-B-D F#-A-C#-E G#-B-D-F# A-B-C#-D-E-F#-G#-A

E Emaj7 F#m7 G#m7 Amaj7 B7 C#m7 D#m7b5 Escala de E


E-G#-B-D# F#-A-C#-E G#-B-D#-F# A-C#-E-G# B-D#-F#-A C#-E-G#-B D#-F#-A-C# E-F#-G#-A-B-C#-D#-E

B Bmaj7 C#m7 D#m7 Emaj7 F#7 G#m7 A#m7b5 Escala de B


B-D#-F#-A# C#-E-G#-B D#-F#-A#-C# E-G#-B-D# F#-A#-C#-E G#-B-D#-F# A#-C#-E-G# B-C#-D#-E-F#-G#-A#-B

F Fmaj7 Gm7 Am7 Bbmaj7 C7 Dm7 Em7b5 Escala de F


F-A-C-E G-Bb-D-F A-C-E-G Bb-D-F-A C-E-G-Bb D-F-A-C E-G-Bb-D F-G-A-Bb-C-D-E-F

Bb Bbmaj7 Cm7 Dm7 Ebmaj7 F7 Gm7 Am7b5 Escala de Bb


Bb-D-F-A C-Eb-G-Bb D-F-A-C Eb-G-Bb-D F-A-C-Eb G-Bb-D-F A-C-Eb-G Bb-C-D-Eb-F-G-A-Bb

Eb Ebmaj7 Fm7 Gm7 Abmaj7 Bb7 Cm7 Dm7b5 Escala de Eb


Eb-G-Bb-D F-Ab-C-Eb G-Bb-D-F Ab-C-Eb-G Bb-D-F-Ab C-Eb-G-Bb D-F-Ab-C Eb-F-G-AB-Bb-C-D-Eb

Ab Abmaj7 Bbm7 Cm7 Dbmaj7 Eb7 Fm7 Gm7b5 Escala de Ab


Ab-C-Eb-G Bb-Db-F-Ab C-Eb-G-Bb Db-F-Ab-C Eb-G-Bb-Db F-Ab-C-Eb G-Bb-Db-F Ab-Bb-C-Db-Eb-F-G-Ab

Db Dbmaj7 Ebm7 Fm7 Gbmaj7 Ab7 Bbm7 Cm7b5 Escala de Db


Db-F-Ab-C Eb-Gb-Bb-Db F-Ab-C-Eb Gb-Bb-Db-F Ab-C-Eb-Gb Bb-Db-F-Ab C-Eb-Gb-Bb Db-Eb-F-Gb-Ab-Bb-C-Db

Gb Gbmaj7 Abm7 Bbm7 Cbmaj7 Db7 Ebm7 Fm7b5 Escala de Gb


Gb-Bb-Db-F Ab-Cb-Eb-Gb Bb-Db-F-Ab Cb-Eb-Gb-Bb Db-F-Ab-Cb Eb-Gb-Bb-Db F-Ab-Cb-Eb Gb-Ab-Bb-Cb-Db-Eb-F-Gb
F# F#maj7 G#m7 A#m7 Bmaj7 C#7 D#m7 E#m7b5 Escala de F#
F#-A#-C#-E# G#-B-D#-F# A#-C#-E#-G# B-D#-F#-A# C#-E#-G#-B D#-F#-A#-C# E#-G#-B-D# F#-G#-A#-B-C#-D#-E#-F#
Simbología

El cuadro que está en rojo significa que es una tonalidad enarmónica

(R) significa relativa menor de la tonalidad

Cualidades básicas de los acordes

Existen 5 tipos de cualidades

Cualidades mayores Menores Dominantes Semidisminuidos o Disminuidos


sensibles
Simbología M , maj m X ,V 7 Ø O
Nomenclatura R-3-5-7 R-b3-5-b7 R-3-5-b7 R-b3-b5-b7 R-b3-b5-bb7
Ejemplo de acorde C C-E-G-B C-Eb-G-Bb C-E-G-Bb C-Eb-Gb-Bb C-Eb-Gb-A

Notas extensionales

Tónica 2 (9) 3 4 (11) 5 6 (13) 7 8va


C D E F G A B C
G A B C D E F# G
D E F# G A B C# D
A B C# D E F# G# A
E F# G# A B C# D# E
B C# D# E F# G# A# B
F G A Bb C D E F
Bb C D Eb F G A Bb
Eb F G Ab Bb C D Eb
Ab Bb C DB EB F G AB
Db EB F Gb AB Bb C AB
Gb Ab Bb Cb Db Eb F Gb
F# G# A# B C# D# E# F#

Las extensiones sirven para enriquecer la música y extenderla; la 7ma y 6tas no se consideran extensiones, se consideran extensiones de la 9na en adelante

En los maj7 y m7 a la 6ta se le llamara 6ta y a los dominantes(V7) a la 6ta se le llamara 13, sus extensiones son:

maj7: 9na y #11 dominantes (V7): 9, b9, #9, 11, 13, b13 nota: # significa subir un semitono

m7: 9na y 11 Semidisminuidos (m7b5): 9, 11, 13, b13 b significa bajar un semitono bb significa bajar un tono

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