Understanding Gilad Hekselman

=122
Intro AbMaj7 A-7
    
Upright Bass              
OPEN Even 8ths

5
A

            
 
A¨Œ„Š7 A‹ A¨Œ„Š7
                    

11
    
       


A‹ A¨Œ„Š7 F©‹7 E‹
    2nd: B/A 
               

   
17 1.

    

CŒ„Š7(#11)
  
B¨Œ„Š7(#11)

            

21

  
B¨Œ„Š7(#11)
      
B
23
           

3
B¨Œ„Š7(#11)

           
27
    
 


           
2 31
         
 

3
A‹7 B(“4) B7 E‹

          

35
     
 

 
E‹7 E¨º D‹7 G7 G‹7 C7

          

C
39
         
  
(For ending, eventually turns into backbeat gospel)
F C F C
                        

47
      
    
F A¨Œ„Š7(#5) A‹7 G7(“4) F©‹7(b5)
                  

53
           
  
3
F C F C
                        

 
61
               

  
F A¨Œ„Š7(#5) A‹7 G7(“4) F©‹7(b5) G&7 G7(b9) C(#11)
               

         
Last Solo: Loop C1 on head-out - build slowly
On Cue play C1,C2 to Coda