Element % of Sales Value % of Manufacturing Cost
Element % of Sales Value % of Manufacturing Cost
% of manufacturing
Element % of sales value
cost
Materials and trims comprise 45% of the selling price and 60% of the manufacturing cost.
Sewing and other manufacturing labor (which means cutting, pressing, and inspection) comprises 30%
of the selling price and 40% of the manufacturing cost.
Administration, property, equipment and profit are only 25% of the selling price.
It is difficult to influence:
- the material cost, because fabric is sold in a global market, and volume discounts are the only way to
gain a benefit and these are relatively small;
- the fixed overheads, because by their nature they are fixed in the short term
Consequently, most management attention, since clothing became a “serious” industry, has been
concentrated on two things intended to decrease cost and squeeze up the profit. They are:
Table 2 shows how small changes in these costs can have big effects on profit.
then it turns its 5% profit into 8%, which is a massive 60% improvement in profit for the owners.
In the quest for these financial improvements, vast amounts of time and human ingenuity have been
devoted to automating apparel manufacturing in order to reduce labour costs. At its most extreme, the
Toyota project (yes the car company, which also is big in sewing machines) attempted to automate the
entire sewing line from the sewing of cut parts such as collars and cuffs to final assembly. It was a
failure. The complexity of dealing with soft materials (fabric) and curved sewing to create a three-
dimensional product defeated the technicians.
But although complete sewing automation has not been achieved, many advances have been made in the
partial automation of various apparel product types, a few of which are reviewed in the next two sections.
Perversely, the apparel product types in which sewing automation has been most successful are those
where there is lower sewing content and therefore fewer potential labour savings. To understand this, it is
necessary to appreciate the industrial engineering (work study) concept of a “standard minute”. A
standard minute is the amount of work done by an experienced motivated operator working at a 100
performance. “Motivated” means that part of the pay of the operator that is based upon his or her output
(piecework). To earn basic pay traditionally means in a piecework situation working at a 75 performance.
Therefore the sewing operator working at 100 is earning 33% of his/her earnings as a result of his/her
output and 67% on a time basis. Consequently, although improving performance both decreases the cost
per unit produced whilst increasing the operator’s earnings, it cannot be a major cost saver.
Because of this, manufacturing techniques have sought to improve overall efficiency, rather than just
sewing performance. Overall efficiency takes into account work done that is not controlled by the
operator’s performance such as:
- hosiery, through circular knitting technology, automated toe and gusset seaming, and packaging
machinery
- simple underwear and T-shirts, through similar techniques
- shaped garment knitting (fully fashioned) through knitting machines which automatically increase
and decrease the knitting rows to create a curve
- standard shirts and jeans through the use of computerized sewing of parts (collars, cuffs, pockets,
plackets) in engineering style jigs
The perverse part is that the product groups that have gained from automation are the product types that
do not have high standard minute sewing work content. Those products that should get the most benefit
from automation are those with high work content, namely:
Two examples of the use of these manufacturing techniques are worth remembering because they tell a
salutary lesson about apparel manufacturing technology. Both come from the author’s direct experience.
A well known branded jeans manufacturer set itself a goal of producing the ten standard minute classic
five pocket western jean. A huge amount of capital equipment was bought and considerable expense in
bought-in work-study expertise was spent.
The automation and the higher operator performances were unsustainable in a fashion environment of
short runs and regular style change.
A leading men’s shirt manufacturer used the availability of generous capital and labour grants in a region
of the UK to fund a project to engineer its shirt manufacturing factories. The specifically expressed aim
was to compete with low cost manufacturing countries. Standard minutes (again on long single style
runs) were reduced from 18 to 13 minutes. The company then took over another shirt manufacturer
whose production was mainly offshore. It saw the cost benefits that the acquired company was achieving
and gradually closed its expensive UK operations. The equipment eventually found its way to the same
low cost countries that the shirt manufacturer had bought it to compete against.
De-massification
Both of the examples of engineering illustrate two principles about apparel manufacturing technology:
2. It is very difficult to compete with a low cost country where the direct labour cost (purely because of
pay rates) is as little as 10% of that of US or Europe.
Of even more importance is the fact that, since around 1990, the developed world has undergone a
process that the sociologist Toffler called (using a truly horrible word) “de-massification”.
When this is accompanied (as has been pointed out in previous just-style research reports) with ferocious
retail competition and negative cost inflation, manufacturing technology in sewing in the developed world
does not stand a chance of outweighing low costs.
The situation, however, is somewhat different in the cutting room of the developed world’s sophisticated
apparel factory, to what it is in the sewing room.
The author witnessed a competition at the IMB (apparel manufacturing equipment trade fair) nearly 20
years ago. The competition was between an experienced and skilled marker maker, and a computerized
system. The competition was to ascertain:
At that time, marker making technology was developing but was still extremely expensive, so the contest
ignored the cost of each method. The conclusion at the time was that:
- a skilled man, if given enough time to experiment a few times, could beat the computer on
materials utilization
- the computer would always beat the man for speed
Since then, the real cost of computerized pattern design, marker making and cutting has come down in
much the same way as the cost/power of PCs and pocket calculators. But the real USP for the use of
technology in the cutting room has been based, not on cost, but on speed and flexibility.
Lectra is a world leader in cutting room technology providing systems for:
The marketing materials for Lectra’s systems concentrates upon the soft benefits, rather than on cost, as
these quotes illustrate:
Modaris: “As a professional of the apparel market, your everyday challenges are reducing your product
development cycle, ensuring of the perfect fitting and grading of your garments, improving your overall
communication and enjoying the use of a simple and user-friendly pattern design application”
Diamino: “Significantly reduces marker-making time, so that more piece marker combinations can be
tested to find out the best solution. Modaris, the pattern-making software and Diamino are fully
integrated. Any modification to a piece in Modaris is immediately reflected in Diamino”
Vector Fashion: “The renewal of collections is virtually constant these days. New trends, new styles and
new materials demand accelerated production while maintaining irreproachable quality and ever lower
costs”
The argument for the use of computerised technology in the cutting room is about:
- speed
- consistency
And the flexibility to work with any material/ on volumes from 7cm high lays right down to a single ply.
Apart from very small (less than 15 workers) factories, or when it is more convenient to use hand cutting
for individual sample making, there is hardly an apparel factory in the developed world that does not have
some modern technology in the cutting room.
The situation is somewhat different in the developing world. Most manufacturers in low cost countries
start out as purely sewers of previously cut parts. As time goes on and their skills develop, they have the
opportunity to move up what the author calls the added value curve. As a simple example, if a sewer can
make a garment for £5, then more skilled factories, brands and designers can command progressively
higher value per unit of output. The added value curve is shown diagrammatically as Figure 1.
As Pierre-Michel Richer of Lectra points out: “In Lectra’s experience the use of automation in the cutting
rooms of the developing world’s subcontractors startswith CAD systems. The first application is often
marker making, using the customer’s pattern. This is followed by the customer allowing the supplier to
adapt markers to different fabric widths. Finally the customer asks the manufacturer to grade the pattern
from the sample size. This progression traces the natural development of trust between the developed
world customer and their lower-cost manufacturing partner.”
It is only when these CAD activities have been computerised, and only for relatively large operations, that
computerised cutting has become cost effective. Pierre-Michel Richer explains the benefits as being,
“when the final move is made to computerised cutting, the main benefit over the last ten years has been
to allow manufacturers to produce in small runs without adding to the overhead cost of their
organisation.”
The combination of scale and time delivers the following manufacturing approach:
To this concept some cost numbers are applied in Table 5, in which the four different manufacturing
methods are compared.
As previously stated, when the batch volumes are large the economies of engineering bring benefits. The
comparison in Table 5 applies to one or a group of sewing machinists making the same garment over a
considerable period of time (large batches). The garment chosen is a man’s shirt (which is a mid-
standard minute work content garment, without excessive style changes
The total sewing cost in £.p. per unit falls as the level of engineering increases. This is because the
batches are big enough to avoid much downtime. Engineered operators also earn more because they are
doing one job repetitively, build up speed and are paid on a piecework incentive system. The problem that
the developed world has today is that as mass production shifts to lower cost countries, there are not
many batches of 600 of a style left in high cost countries.
Table 6 shows how that if the batch size is reduced from 600 to 100 the costs of the engineered and
small line system increases.
- the making time in the engineered factory increases because the batches are smaller and there is
more style change,
- downtime for the engineered factory increases significantly,
- therefore the number of garments produced per week decreases.
- the small line becomes more expensive than the work group
- the engineered factory becomes more expensive than single machinist make through
The factors producing this result are the same as they were in the Table 7 example, but are more extreme.
The two fundamental conclusions that affect the future of sewing room technology are that:
1. small batches and quick throughput times favour old fashioned make through or small work
groups
2. these methods gain competitive advantage in a high style-change fast-fashion environment
This is the environment that a large part of the world is now experiencing, as mass production has moved
to low labour cost countries.
Sewing equipment costs are quite cheap. “Real” costs (capital equipment versus labour and other
overhead costs) have been getting cheaper as the amount of second hand machinery on the market has
increased. The cost of an engineered factory is quite high. The demand, as shown above, for an
engineered factory is reducing. The case for high technology sewing in the developed world is getting
weaker and weaker.
If I were an entrepreneur with a work group and a small line factory, and I were given an order for a series
of styles totalling 2,000 garments but in batches of 50 or 100 garments, I would:
CAD/CAM technology
In the section on lessons from the past, comments were made about the demise of the engineered
sewing factory, but of the development of CAD/CAM. just-style asked Lectra where it thought CAD/CAM
was going in the next few years. Our questions were based around:
Lectra’s views on how this will be received and dealt with by suppliers anywhere are as follows:
“Lectra accepts that the era of mass production in high cost countries has passed. However, the use of
cutting technology will still be important as labour costs rise and time becomes more important.
“Automated cutting is now at the stage where it can be used on any material and for any style change.
Lectra’s vision of the future is that its systems have to remain simple for managers and operators to use.
An easy user interface requires a lot of technology hidden behind the system. This includes making
Lectra systems linkable to other CAD software.
“It is unlikely that there will be revolutionary changes in CAD/CAM because all areas of planning,
spreading and cutting have been automated. What we will see is further continuous improvements to
existing technology. One example is the recently launched Vector Fashion MP9. It is a system capable of
cutting up to 300 plies of jersey by compressing the lay from 15cm high to only 9cm high.
“The most fertile ground for improvement, as costs increase even in the developing world, is not in the
techniques themselves but in improving organisation. A good example is Lectra’s Optiplan. It is a decision
tool, which looks at the past performance and proposes the best solution for future marker making,
spreading and cutting. For manufacturers who already have CAM the preparation utilisation times can be
improved radically”.
Cecile Harari-Alle
Pierre-Michel Richer
The author would like to add his views to those of Lectra about planning systems. The company is correct
in principle but the market may not accept its reasoning:
- in the high cost world, and in small businesses, there is often only one person involved in the
production planning activities. An offer may be made by a technology supplier to improve their
productivity in the planning process, in exchange for a capital cost. If there is nothing else they
can do with the saved time, then there is no benefit to the company
- in the developed world, there will be significant benefits because the:
- volumes are greater
- the need to utilise planning time is greater
- the benefits are greater
The market just-style believes that the era of supply driven developments is well and truly over. For the
time being (which means at least the next ten years) the demands of the market will determine what
technology is asked to provide.
- de-massification may go as far as returning to the bespoke suit. Already there is an entrepreneur
in Hong Kong offering made to measure suits in the EU and US where the measurements are
taken off the customer and the product is produced on the other side of the world
- unusual, ironic, iconic brands will require the textile materials to be unique to them, placing new
demands for small scale manufacturing upon the fabric and finishing sectors
- Technology companies, which were born on the theology of thinking big, need to think small.
Technology
But just-style believes that, in spite of the hype that surrounds what is exciting to journalists
(individualism, eclecticism), there will always be a volume market somewhere in the world. So what will it
need?
- CAD/CAM cutting technology will be a permanent part of the apparel industry, regardless of
consolidation of suppliers in this world market
- The need for sewing efficiency in today’s low cost countries will come back, as their unit costs
rise