Republic of the Philippines
PALAWAN STATE UNIVERSITY
Puerto Princesa City
College of Arts and Humanities
Department of Humanities
‘COURSE SYLLABUS
PSU Vision
PSU Mission
Course Title
‘A premier State University in Southeast Asia that provides excellent and relevant higher
‘education for sustainable development.
The Palawan State University is committed to upgrade the quality of ife of the people by
providing higher education opportunities through excellent instruction, research,
‘extension, production services and transnational collaborations and innovations. |
‘ART APPRECIATION
‘Course Number
‘Semester and School Year
Name of Faculty
Department & College
First Semester, SY 2018-2079
Baltazar A. Bantillo
Department of Humanities, College of Arts and Humanities
Course Prerequisites
None
‘Course Description
The course is an interdisciplinary study of the arte, their analysis, evaluation and critique |
towards appreciation. It covers the visual, performing, literary and emergent arts from |
various civilizations of the world as they relate particularly with the development of art in |
the Philippine context. The course includes the philosophical, scientific and technological,
‘mathematical, psychological, anthropological, sociological and historical understanding |
of the arts as products of aesthetic sensibilities and creative imaginations of people, their
dynamic interaction with the individuals and society, and their relation to the concepts of |
beauty or its deconstruction as an underlying cultural foundation for artistic processes,
Course Outcomes
General Objectives
Atthe end of the course, the students should be able to:
1. Develop heightened perceptions and aesthetic sensibilities for the arts.
2. Show appreciation of the arts within interdisciplinary perspectives.
3. Understand Philippine art and its situatedness in the global context.
4. Acquire cultural values for the arts of various societies
| Specific Objectives
nowledge :
Relate the study of art to other disciplines.
Identify the various elements, techniques and forms of art
Compare and contrast the different theories of beauty towards the appreciation of art
4. Analyze art works based on aesthetic concepts and principles
| 5. Distinguished the various styles of art as they developed in history.
6. Apply formal criteria and standards in the evaluation of art
enor
‘Values
1. Reflect on the significance of art in dally life and interactions with people in the society.
2. Advocate art as a medium for personal expression and communication.
3. Conserve the artistic creations and cultural heritage of the communities.
4. Be critical about art issues and perspectives.
| 5. Evaluate the ethical dimensions of some art works from cultural or religious points of
view.
6. Respect the artistic forms and standards of other societies and cultures.
| skill
1. Participate actively and productively in group activities and projects.
2. Make drawings, paintings and sculptures or miniatures to which theories and principles
of art are applied
3. Perform music, dance or drama according to art erteria and personal talents and skills.
‘Course Format
+ Lecture and Discussion
+ Video LecturesPresentations (oral, dance and other performance art)
Individual and Group Activities
Online Interaction through FB Group
‘Art Appreciation by Galicia, Yango, Bermudo et.al. 2018
Art Appreciation by Caslib, Garing and Casaul
Coloring Pens, Drawing Pencils, Sketch Pad or Oslo Papers, Portfolio(Clearbook),
Ruler, Construction Paper, Poster Paints, Acrylic Peints, Crayons
Course Requirements | Performance Output: 50%
‘+ Group or individual activities: ar creation, composition or performance
‘+ Reaction and opinion papers: art criticism or value judement
‘+ Reflection papers: the self, art and society
‘+ _ Individual Midterm/Final Project: Your own work of art
Class Participation: 25%
+ Quizzes
+ Recitation
+ Attendance
* _ Oral Presentations
Major Examinations: 25%
+ Midterms and Finals
*Rubries for grading activities/outputs will be given along with the assigned task.
Course References |
‘Additional Materials
—— 7
Hours | objectives | Topic Outline Readings & Videos | ane | Evaluation
4. Distinguish the | A. Artand Panofsky, Erwin (1955)."The | Lecture/Dis | Class
humanities and | Humanities: Western | History of Art as @ Humanistic | cussion | Recitation
the sciences as and Filipino Discipline" in Meaning in the |
fields of Concepts | Visual Arts. Australia: Penguin | Pot. | Documen-
learning Books, 1955. pp. 1-26. Presentatio | tary Essay
2. Survey the place | 1. Atesa |n
of the Humanistic Covar, Prospero (1992). Individual
humanities in Discipline Kaalamang Bayang Dalumat ng | Individual | Presentatio
the history of Pagkataong Pilipino”, in activity: | nDiscussion |
Western http://www journals. upd. Alongthe | /
civilization. | 2. The Humanities in| edu.ph/index.php/djwf/article/v | sidewalks or | Sharing
3. Relate the Western | lew File/ 4950/4459. | local shops
Western Civilization of Metro
concept of De Leon, Felipe (2011). Manila, find |
humanities with | 3. The Humanities | ‘Defining the Filipino Through | anative |
Weeks the Filipino andthe Filipino | the Arts: From Specialistic Philippine |
142 notion of Pagkatao Innocence to Participatory product
(Hours) | —_pagkatao. Consciousness,” in (work of art)
4, Examine the journals.updeduph/indexphp/ | suchas |
history of artas | 4. The Filipino phr/article/download/4737/427 | basket,
a humanistic Concept of Art 3 bracelet, |
discipline. | hut, rags, |
5. Compareand | ANC-NCCA (2018). "Dayaw: textile, |
contrast the Inukit, Hinulma, Nilikha (Iconic | sandals, ete.
concepts of art Symbols of the Indigenous)" |
accordingto | Episodes 3. In Make a
Western thought, hrtps://www.youtube. documentat
and Filipino ‘com/watch?v=8Ki0 6_Jpd-4. | ion of the
thought. | arifact: |
6 Discoverthe | “Isthere a difference between | Where did |
Filipino identity artand craft?" in you buy it?
through the arts. | https://www.youtube. | How much?
7. Apply the | ‘com/watch?v=tVdw60eCnul What is its
Filipino sense of local name?
artin the "Xiao Time: Damian Domingo, | Whatis it
~ppreciation of ‘Ama ng PHL Painting at unang | made of? Its
art. pormal na gurong Filipino ng | color, size?
| sining sa Pinas" (2014) in | other
| https://www youtube.com/ information
| watch?v=3igmuLeDvss. 7
| | Write @ one-
| paragraph
| essay
answering
| the= 7
question:
| | How does
the product
or artifact
| express the
| | Filipino
| concept of
| an?
| Present the
artifact and
| | | discuss/sha
| | | re your
| insights to
| the class
4. Define art B.Art Appreciation | Gombrich, Emest (1960) | Lecture/Dis | Quiz
appreciation. | and the Human “Pygmalion’s Power," excerpt | cussion
2. Relate the study | Faculties from Art and Illusion: A Study on Class
of artto the the Psychology of Pictorial Pot. Recitation
fields of ‘LArtand the Human | Representation, pp. 80-83. | Presentatio
| Philosophy and | Faculties n Group
| Psychology. Orate, Allan (2000). “Art and | Artwork
3. Examine the Perception of the World,” in UE | Group
human faculties |2.The Process of Art | Today, Vol. 12,No.2.,pp.7-8& | activity Group
asbasisforthe | Appreciation 14, Make an | Sharing and |
| appreciation of artwork. Report |
| art. “What is art for? Alain de |
| 4. Analyze works Botton’s Animated Guide” = |
of art according (2015). In ittps:// | Analyze the |
tofourlevels: | 3.Art Analysis: www youtube.com/watch?v=2V | visual
perceptual Perceptual IQoyt FRI. elements,
| Weeks elements, Elements, the
| eae representations, | Emotional “What is the Treachery of representati
| (eriewe) | emotional Suggestion, images,” (2041) in on, the |
| | sugges-tions Incellectual https://www.youtube.com/ | emotional |
| | andinteliectual. | Meaning watch? veatH QpANMHCE, suggestions | |
| | meaning. andthe
| 5. Make en | intellectual
| artwork that 4.Artand the meanings of |
| | showsthefour Perception of the artwork
| levels of Reality | |
| analysis. | Discuss/sha |
| 6 Apply the | re your
| | concept of art analysis to |
| | asreality to the your group. |
| | anworks based
| on Renaissance Makes | |
| | style, cubism, de | class report | |
| | stil, and ready- | about the |
| made art. analysis and |
| the group |
| | sharing/dise |
| ussion | |
| 1. Relate the study | C. Aesthetics: The | Miller, Ellen (2004), | Lecture/Dis | Quiz |
| of Art ‘Study of Art and “Introduction to Aesthetics" in | cussion | |
| | Appreciation to | Beauty http://users.rowan. | Class |
| the fields of ‘edu/~millere/Introduction Pot. Recitation |
| Philosophy, 1. The Field of %2010%20Aesthetics. htm Presentatio
‘Anthropology Aesthetics n Individual
| Weeks: and Sociology | 2. Aesthetics Terms | Jocano, Landa F (2001). | Artwork
| 5&6 2. Define “aesthetic Dimension,” in Individual
| (6 Hours) aesthetics as @ Filipino Worldview, Quezon City: | Activity: | Group
| branch of 3. Hierarchy of PUNLAD Research House, Make an | Discussion
| philosophy Beauty 2001. pp.135-144, artwork that
concerned with shows the | Class
| | an. Uoren, Gregg $ (2011). "Horror | Filipino Debate
3. Enumerate the | 4. The Filipino Vacul and the Pinoy Inclination | concept of
| | various terms: Aesthetic for Filling Up Every Inch of space and
| usedin Worldview Space’ in beauty |Aesthetics. https//www.academiaedu. | (horror
| 4. Classify the arts vacui) by
| | basedon the “Pop Art Jeepney inthe Lovely | painting the |
| perception by Philippines,” in white osio
| the senses. httpsi//www.youtube. Paper with
| 5. Discover the com/watch?v=PxtBYzilyeQ. | many
| | Filipino | ditterent
| aesthetic “Japan Minimalists: AWay of | colorful
| | worldview. Life.” tepresentati
| | 6 Demonstrate https://www.youtube.com/wate | onal or
| | the Filipino h? v=ACUE_Y67qIk. formal
| | sense of beauty designs
| in some until the
| | indigenous, papers
| ethnic, folk and completely
| | popars. covered
| 7. Comparethe | | with colors. |
| Filipino sense of |
| | artandbeauty | Watch the
| to thet of film clip:
| | Western and "Maganda |
| | Japanese ka ba?”
| | 8. Formulate an from the
| | aesthetic Movie
| | approach to Art Petrang
| |_ Appreciation. Kabayo,
| |. Make an (2010) in
| | artwork that hetps://ww
| | w.
| Filipino concept youtube.co
| | ofart and m/watch?v=
| | beauty GYarérGbuk
| | | M.
| | jHavea |
‘group |
| discussion,
| | and then
| class
| debate
| aboutthe | |
| notion of |
| | beauty as
shownin |
| the film
| according to
| the Filipino
| concepts of
| fabas and
Joob in the
| articles by
| Covar and
| | | Jocano.
| | | |
j }
| 1. Relate the study | Orate, Allan C. (2010)."Lecture | Lecture/ Class
| of art to the field f Notes on Aesthetics: Theories | Discussion | Recitation
| of philosophy. | Imitationismand of Art and Beauty,” from
2 Examinethe Representatlonism | Blended Learning Modules. Pot. Group
imitation theory | Presentatio | Artwork
Week7 | byPlatoasa | 1. Imitation Theory | Shimamura, A. P (2012). f
(Stowe) | Philosophy of of Artand Beauty | “Towards a Science of Group
art and beauty Aesthetics.” In A.P. Shimamura | Assign Discussion
3. Compare and &S.E, Palmer, Aesthetic members of
contrast | 2. Philosophical Science: Connecting Minds, the groupto | Group
Imitationism | Theory of Music | Brains and Experiences, Oxford | makea | Report
and 3. Representation | Univ. Press, 2012. pp. 3-28. representati |
representationis | Theoryof Art onal work of |
| om Plato, “Allegory of the Gave"In | art. One
4. Identify Republic, Vil 5142, 210 517 2,7. | member is| Transtation by Thomas
artworks, styles, | 4. Romantic the artist,
artists and Realism in | Sheehan (1992). and another
philosophers Philippine Art and | one is the
‘that abide with Literature | ‘What is Ant? maARTe ako."In | model. The
imitation or https://www-youtube.com/resul | artist must
representation | ts2search_.query=ma artet ako. | copy the
theory appearance |
5, Evaluate the | "Xiao Time “Fernando ofthe |
merit or demerit ‘Amorsolo: Ang Grand old Man | model
or artworks 1g Philippine Art” https://www. | exactly es
based on the youtube.com/ he or she
principles of watch?v=nC3hVHBGCSA looks ike.
imitationism. |
6. Examine the Assign
style of other |
romantic members of
realism in the group to
Philippine art make |
| based on | landscape |
| representation painting
theory basedon |
7. Interpret the style of |
| imitationism as | Romantic |
| the | Realism in
| philosophical | Philippine
| basis of ancient | ar.
| Greek art and of (|
| some classical | Discuss
| compositions in| your insight
| | music aboutthe |
| | a. Formulate
| | philosophical
| approach to Art theories to
| | Appreciation. the
| | 8. Make works of artworks.
| | artwhere the |
| theory of | Hevea
| Tepresentationis ‘group report
| mand the style aboutthe |
| of romantic artworks
| realism are andthe |
| applied. application
ofthe
theories.
1. Relate the study | E Artand Kandinsky, Wassily (1911). Lecture/Dis | Quiz
of artto the field | Philosophy. “Theory” excerpt from cussion
of philosophy. | Formalism, Concerning the Spiritual in the Class
2. Compareand | Expressionism, | Arts, pp. 46-52. In Pot Recitation
contrast | Hedonism | http'//www.semantikon.com/ar | Presentatio
| formalism, | | wkandinskyspirtual inertpdf | n Group
| expressionism, 4. Formalist ‘Artwork
hedonism and Theory of Art | Tolstoy, Leo (1897). Excerpt | Assign
other theories of | 2. Expression | from What is Art. In members of | _ Group
ant Theory of Art | https://www google. the group to | Discussion |
3. Identify 3, Aesthetic com.ph/webhp?sourceid=chro | makea | and Report
ical anworks, styles Hedonism | meinstant&riz=1C1RLNS_enPH | formal work
nae and artists that | 670PH6708ion=Sespv=28ie=UT | of art. The
(stows) | @>4lewiththe | F seq art should
formalist, func- =whattistarttleottolstoytpdf. | contain only
tionalist and colors,
hedonistic “Kandinsky and Schonberg’ in| shape, lines |
theories. eps: and other |
4. Apply the Jiweww.youtube.com/watch?ve! | visual
theories to art ‘DX YTNOOAM elements, |
analysis. without any
5. Interpret | "ArtSleuth VAN GOGH, The recognizabl
formalism as Starry Night (final version)."In | e
foundation of htips// representatl
| modern non- www youtube.com/results?sear | ons of
| objective art. ch_queryzArtsleuth+Van+Gogh | things. || 6 Formulate a +Sterry#Night+MOMA.
| philosophical | Assign
| approach to the other
| study of art members of
| ‘Appreciation. the group to
| 7. Evaluate the | make an
| mertt or demert expression
| of artworks | st work of
| using formalist, art. The art
| expres-sionist should
| and hedonistic contain
| | principies. human
| | 8. Make works of ‘emotions
| artthat show expressed
| ‘the application in either
| of the theories. representati |
| onal or
| | symbolic |
| | way. |
| |
| | Discuss/she
| re your
| insight with
| the group,
| ‘then have a
| | group report
ebout the
artwork and
| the
| application
ofthe
| theory.
1, Relate the study | F. Artand Danto, Arthur (1964). “The | Lectures Class
of artto the field | Philosophy: ‘Artworld” in Journal of Discussion | Recitation
of philosophy. | Functionalism, Action | Philosophy, Vol. 61, Issue 19.
2 Compareand | Theory and ‘American Philosophical Pot Group
contrast Institutional Theory | Association Eastern Division | Presentatio | Artwork
| aesthetic 61st Annual Meeting, pp. | n
functionalism, | 1. Aesthetic 571-584, Group
| action theory Functionalism | Group Discussion
and institutional Rosenberg, Harold (1952). The | Activity and Report
theory. ‘American Action Painters,"in | Make a
3. Identify 2. Action Theory http://www. work of art | Individual
artworks, styles, csus.edu/indiv/o/obriene/ based on Essay
artists and 3. Institutional art112/readings/rosenberg%20_| action
philosophers Theory american%20action%20painters | theory.
that abide with pdf |
functionalism, Group
action theory “Pollock.” In | activity:
Weekio and institutional https://www-youtube. | Watch and.
(avioure) |, thee. com/watch?v=JZ3glUYHa3Q__| listen to the
4. Apply the performanc
theories to art | "3 Minute Wonder, Marcel eof the
analysis. | Duchamp, Fountain” in composition
5. Formulate https://wwwr youtube.co 433" by
philosophical mVresuts?search_query=3+min | John Cage
approach to Art utetwonder+marcel+duchamp+ | by the BBC
Appreciation. | | fountain ‘Symphony
| 6. Evaluatethe | Orches-tra." |
| merit or demerit. | in |
of works of art hipsi//ww |
basedonthe | | weyoutube.c
theories. | om/
| watehv=81 |
| EQ16UghZg
| 7. Interpret )
institutional |
theory as the
foundation of | Then have a
| postmodern ar. groupMake works of ||
artthet show
‘the application
of action theory
and institutional
theory
discussion
justifying
that th
according to
insttutional
theory,
Individual
activity:
Write an
essay
justifying
that Cage's
433"is
music
according to
stitutional
]
| theory
Relate the study | G.Artand Sclence: | Benjemin, Walter (1935)."The | Lecture/Dis Quiz
of artto the field Elements, Medium, | Work of Artin the Age of cussion
of sciences Design and Mechanical Reproduction,” in Class
such as Biology, Technology hitp://web.mitedu/ Pot Recitation
Archaeology, allanmc/www/benjaminpdf | Presentatio
Physics, 4. The Darwinian | Shanken, Edward (2009). "Artin | n Group
Chemistry and | Theory of Beauty | the Information Age: ‘Artwork
Computer and art Technology and Conceptual | Group
Science and Art," In https:/artexetra. activity: Group
information files.wordpress.com/2009/02/s | Each Sharing
Technology | 2. Elements and hanken artinfoage.pdf. member of
Identify Media of Visual the group
anworks, styles | Art | ‘Selt-porraits and social media: | takes @
and artists that The rise of the ‘selfie,” in selfie
used principles http://www.bbe. picture.
of science. 3. Design and | com/news/magazine- The whole
Explain the Principles of 22511650. group takes |
biological theory | Composition agroupie |
of art and | “The Darwinian Theory of picture, |
beauty, | Beauty by Dennis Dutton” in |
Analyze the | 4. Application of https://www.
chemical | Technology to the | youtube.com/watch?v-PktUzdn
compositions of | Production of An’ | Bq
Weeks somemedia | “Michelangelo and the Science | selfies and |
ar usedinthe | ‘of Fresco Painting: Chemistry | the groupie |
(SHours) | _visualerts. «| 5. The Artof Selfie. | Meets Art” in toalaptop, |
Apply some and Groupie https://www.youtube.com/ | andarrange |
concepts in IddM_Y_snQ. them using
physics to the either |
elements of art, “Software for Creating Digital | Adobe
design and an | Photoshop,
composition, httpsi//www.youtube.com/wate | Paint, Power
Formulate a hv= IqgSJf58_k79, | Point or any
scientific and other
technological applications
approach to Art of your
‘Appreciation. choice.
Examine the
emergent art | Havea
forms in the age | group
of computer and } sharing
information answering
technology. “Who am I?"
{as shown in
the selfie
| picture.
| | Then post
| the picture
[inthe socialmedia, |
Facebook. |
MIDTERM EXAMINATION,
1, Relate the study | H. Artand Panotsky, Erwin(1958). "The | LecturerDie | _ class
of art to the field | Mathematics: History of the Theory of Human | cussion Recitation
of Mathematics. | Aesthetic Proportion as @ Reflection of
| 2. Identity Formalism the History of Styles,” in Pot Individual
artworks, styles, | Meaning in the Visual Arts. Presentatio | Artwork
artists and 1. Aesthetic ‘Australia: Penguin Books, 1955. | 1
philosophers Formalism pp. 117-134. Classroom
| that abide with Individual | Art Exhibit
the formalist *Vitruvian Man,” in activity:
theory. 2. Harmony of hitps://en.wiki Watch the
| 3. Interpret Proportion pedia.org/wiki/VitruvianMan, | *How to
| aesthetic Draw the
formalism asa "Donald Duck and the Golden | Human
mathematical | 3. The Golden | Mean Ratio," in Face’ in
| theory of artand | Measure | https://www.youtube.com/ hetps://ww
| beauty | resuits?search_query=golden+r_ | w.youtube.c
4. Show thet atiordonald+duck omn/ watch?
musichasa | 4. Mathematical v=pE2-
Week 13 | mathematical Structure of Music | “Music and Math: The Genius of | CGTIQze.
Hours | structure. Beethoven-Natalya St. Claire,” in
5. Formulate a | netpsivr Draewa
mathematical | yew youtube com/watch? human face
approach to Art v=zAxTOmRGUOY based on
Appreciation. the canons
6. Evaluate the of
merit or demerit Proportion
of works of art | shown in
based on the the video.
formalist theory.
7. Make works of | Exhibit your
art that shows artwork in |
the application the class
of mathematics.
8 Apply formalist |
theory in |
analyzing some | |
classicaland | |
modem arts. | | |
1. Relate the study | |. Artand Glazer, Mark “Cultural Lecture/Dis | Quiz|
of artto the field | Anthropology: Relativism,” in cussion |
of Anthropology. | Cultural http://www ciampini.info/file/ Class
2. Interpret cultural | Relativism ‘CULTURAL%20 Pot. | Recitation
relativism as an RELATIVISM pdf. Presentatio |
anthropological | 1. Cultural Relativism 0 | Reaction
theory of artand | in Aesthetics BBC. “Lip Plate of Suri Women- | Essay
beauty Tribe,” in | individual
3. Identify https://www youtube. com/ activity: Class |
artworks, styles | 2, Culture, Beauty | watch?v=2MzivaTeUSY. Write a Discussion |
and artists that and the Female reaction (Debate |
| Weeks abide with Body National Geographic. “Why do | paper on the |
14a cultural these [Padaung] women stretch | documentar |
| Grou) |, fatvism, their necks?" In y films:
4. Formulatean | 3. The Artof | https://www youtube. about
| | anthropological Pleasure in Hindu | com/watch?v=0FMETAt3vmi. | beauty and
| approachtoArt | Culture and | women's
| | Appreciation. Religion | “History Day Documentary bodies in
| 5. Discover the | Chinese Foot Binding in Suri
cultural norms ) https://www you Padaung
| | ofartand 4. Aesthetic ‘tube.com/watch?v=BPkniF24Aq | and Chinese
| beauty of Relativismin | g cultures.
different Popular Culture Mention
| societies in the Witness. “Ang Huling something
world, Mambabatok,” in about the |
6 Evaluatethe | §. Batok Ar ofthe | hntpsi/www.you tube.com/wat | following Imerit ordemerit | Tattoo | ch?vexB3IUBrxp4a, three |
of works of art issues: (2) |
based on | beauty and
cultural pain, (b) |
relativism. patriarchy
| | 7. Be sensitive to | and
| Ue aesthetic | women’s
| standards of | subordinatio |
| various | n,and (c) |
societies and individual |
cera eae
| | versus
social
convention.
| | Havea
| | class
| | | discussion/
| | debate on
| | ‘the morality
| | ofthese
| | cultural
| practices:
| Arethey — |
good or
| bad?
} -
| 1, Relate the study | J. Art and | Gestalt Principles" Applied in Lecture/Dis Class
| of artto the field | Psychology: | the Visual Arts, in | cussion Recitation
| ‘of Psychology. | Perception http://facweb.cs.de paul |
2. Interpret Gestalt | and Symbolism edusgrais/gestaltprincples.htm. | Ppt. | Individual
| Psychology and Presentatio | Artwork
| Psychoanalysis | 1, Gestalt Principles | Freud, Sigmund (1916). n |
as theories of Appliedto Visual Leonardo da Vinci: A | Classroom
| art and beauty. ans Psychosexual Study of infantile | Individual | Art Exhibit
13. Identify Reminiscence. Project Activity
artworks, styles Gutenberg EBook, in www.guten | Drawabox | Reflection |
| and artists that | 2. Perception of berg.org. accordingto | Essay |
| abide with the Space: the rules of |
| psychological Perspective Gale, Harlow (1988). “Schopen- linear
theories. hauer's Metaphysics of Music” | perspective.
4. Formulate a inhetp:// Refer tothe
|” psychological | 3. Symbolic users.skynet.be/johnde Ppt |
| approach to Art Meaning: ‘ere/wipdf/wlar0001 pdf. Presentatio |
Appreciation. Psychoanalyzing n forthe
5. Evaluate the theArtandthe “Dancing Walk Like an Egyptian” | instructions.
| merit ordemerit | Artist | by The Bangles," in |
cof works of art httpsi//wwrw.youtu Write an |
Week 16 | based on 7_WSpWaiQ essay about |
(4Hours) | psychological | 4. Subliminal music and |
principles, Suggestions and human life
| 6. Explain the Escapism in Music | "Popular Backmasking,” in reflecting on |
| psychological hetps://www | the musical | |
concepts of w.youtube.com/watch?vsqmh | composition
subliminal Ws QiMymw. “Gloomy | |
| suggestion and Sunday”
| escapist “Gloomy Sunday: The |
| behavior in the Hungarian Suicide Song’
| appreciation of | (2013), in https:// |
| art and music www. youtube.com/watch? |
| 7. Apply | FPALFKkVQ. | |
| Psychoanalysis |
in
| | understanding
| the personaly | |
| | ofthe artists |
| | andthe | | |
| symbolic | |
| meanings of
their artworks
| 8. Make a drawingwhich applies
the
| psychological
| theory of |
| perception.
9. Besensitive to
the individual |
personalities of
the artists.
1. Relate the study | K. Artand History: | Guillermo, Alice C. “Philippine | Lecture/Dis Quiz
of artto the field | The Evolution Visual Arts,” (1998) in cussion
of History of Artistic Styles | htip://npdl.nip gow. Class
2. Survey the ph:81/CCO1/NLPOOVMO52med | Ppt. Recitation
historical 1. Styles of Classical | /\v3/v1.pdf. Presentatio
| development of | Ar n Group
| styles or Danto, Arthur (1999). "Hegel's Project:
| movements in End of Art Thesis,” in Group Timeline
Wester Art. | 2. Styles of Modern http://wwwrrae.com. Activity:
3. Identify An | puDanto%20hegel%20end%20a | Create a
artworks and | rt timeline of |
artists who were | Philippine
major 8. Styles of | "History of Ideas: Ar," in Art History.
proponents of Postmodern Art | https://ww | Use as your
art styles. w.youtube.com/watch?v=z7ECz | sources the
| 4. Compare and duuWx0. anicleby |
| contrast the | 4. Philippine Art Alice
various styles of | Styles and "Xiao Time: Mga Interpretasyon | Guillermo
art. Movements sa Parisian Life ni Juan Luna,” Philippine
5. Show the history (2015). Part, in Visual Arts
| of Western art htips://wwwyoutube.com/ | and your
bymeansofa | 5. Theory ofthe End | watch?v=RUDbg_QEy2M, Part 2, | own general
| timeline of Art in knowledge
16 Crestee htips://www.youtube.com/wate | of Philippine
timeline for htv=7_@M4q¥mPQU. history.
Weeks Philippine art Name the
17418 history. prevailing
(SHours) 7. Explain the | art styles,
theory of the | schools or
death of an. | movements
8. Formulatea | during the
historical | | period. List
approach to Art| | the noted
Appreciation. | artists and
ertworks of
period.
| | Identify the
significant
| historical |
| eventsin |
| the
| Philippines
| that
| | happened
during the
| period.
| | Final
| | | individual
| | artproject: |
| visual,
| performanc |
ca
FINAL EXAMINATIONWeeks ia | Hors
Week 1&2 ‘Art and Humanities: Western and Filipino Concepts 6
[Weeks a4 ‘Art Appreciation and the Human Faculties, - 6
[Week 5&6 ‘Aesthetics: The Study of Art and Beauty 6
| Week7 | Artand Philosophy: Imitationism and Representationism 4
Week 8&9 | Art and Philosophy: Formalism, Expressionism, Hedonism 5
Week 10 |'Artand Philosophy: Functionalism, Action Theory and institutional Theory | 4
Week 17 &12 [Art and Science: Elements, Medium, Design and Technology 5
Week 13 ‘Art and Mathematics: Aesthetic Formalism 4
Week 14815 ‘Art and Anthropology: Cultural Relativism [os
Week 16. Art and Psychology: Perception and Symbolism [4
Week 17 & 18 Art and History: The Evolution of Artistic Styles 5
Total Number ofHours | 54
J. REFERENCES
Printed and On-Line Texts
Benjamin, Walter (1935). “The Work of Artin the Age of Mechanical Reproduction,” in http://web.mit.edu/
allanme/www/benjamin.pdf
Covar, Prospero (1992). Kaalamang Bayang Dalumat ng Pagkataong Pil
the Philippines Press, 1995
Danto, Arthur (1964), "The Artworld” in Journal of Philosophy, Vol. 61, Issue 19. American Philosophical
‘Association Eastern Division 61st Annual Meeting, pp. 571-584.
Danto, Arthur (1999). "Hegel's End of Art Thesis,” in_http//wwnw.rae.com.
pt/Danto%20hegel%20end%20art.
De Leon, Felipe (2011). “Defining the Filipino Through the Arts: From Specialistic Innocence to
Participatory Consciousness,” in journals.upd. _eduph/index.php/phr/article/download/
4737/4273,
Freud, Sigmund (1916). Leonardo da Vinci: A Psychosexual Study of infantile Reminiscence. Project
Gutenberg EBook, in www.gutenberg.org.
Gale, Harlow (1988). “Schopenhauer's Metaphysics of Music” in httpy/users.skynet.be/johnde
‘ere/wipaf/wiar0001 pdf.
Gestalt Principles” (2016). Applied in the Visual Arts, in http//facweb.cs.de paul
‘edusgrais/gestaltprincples.htm.
Glazer, Mark “Cultural Relativism,” in http://www.ciampini.info/file/ CULTURAL%20 RELATIVISM pdf.
Gombrich, Ernest (1960). “Pygmalion’s Power,” excerpt from Art and lilusion: A Study on the Psychology of
Pictorial Representation, pp. 80-83
Guillermo, Alice. C. “Philippine Visual Arts;"(1998) in _http://nlpdl.nip.gov.ph:81/
CCO1/NLPOOVMOS2med/v3/1 paf.
Jocano, Landa F (2001). “Aesthetic Dimension,
House, 2007. pp.135-144.
Kandinsky, Wassily (1911). “Theory” excerpt from Conceming the Spiritual in the Arts, pp. 46-52. In
http://www.semantikon.com/art/kandinskyspiritual inart pdf
Lioren, Gregg $ (2011). “Horror Vacui and the Pinoy Inclination for Filling Up Every Inch of Space” in
hitps://www.academia.edu
Miller, Ellen (2004), “Introduction to Aesthetics” in http://users.rowan.edu/~millere/Introduction
%20t0%20Aesthetics.htm
rate, Allan (2000). “Art and Perception of the World,” in UE Today, Vol. 12, No. 2., pp. 7-8 & 14.
rate, Allan C. (2010). “Lecture Notes on Aesthetics: Theories of Art and Beauty,” from Blended Learning
Modules,
Panofsky, Erwin (1956). "The History of Art as a Humanistic Discipline “ in Meaning in the Visual Arts.
‘Australia: Penguin Books, 1955. pp. 1-25.
Panofsky, Erwin (1955). "The History of the Theory of Human Proportion as a Reflection of the History of
Styles,” in Meaning in the Visual Arts. Australia: Penguin Books, 1955. pp. 117-134.
Plato, “Allegory of the Cave” in Republic, Vil 514 a, 2 to 517 a, 7. Translation by Thomas Sheehan (1992).
ino", in Larangan, University of
Filipino Worldview, Quezon City: PUNLAD Research
Rosenberg, Harold (1952). -—=“The_~—=sAmerican Action -—==Paimters"— in
http://www.csus.edu/indiv/o/obriene/art112/readings/rosenberg%20american%20
action%20painters.pdf.
‘Shimamura, A. P (2072). "Towards a Science of Aesthetics.” In A. P. Shimamura & S. E, Palmer, Aesthetic
‘Science: Connecting Minds, Brains and Experiences, Oxford Univ. Press, 2012. pp. 3-28.
“Self-portraits and social media: The rise of the ‘seifie’,” (2014) in http://www bbe. com/news/magazine-
22511650.
Shanken, Edward (2009). “Art in the Information Age: Technology and Conceptual Ar,” in
https://artexetra.files.wordpress.com/2009/02/shanken artinfoage.paf.Tolstoy, Leo (1897). Excerpt from What 's Art. in
hetps://wonw- google.com ph/webhp?sourceid=chromeinstant8rlz=1C1RLNS_enPH670PH670&i0
n= Bespy=28ie-UTF8#q =whattistart+leo+tolstoy+pef.
“Vitruvian Man,” (2076) in https://en. wiki pedia.org/wiki/Vitruvian Man,
Documentary Videos and Movies
"3 Minute Wonder, Marcel Duchamp, Fountain” in https://www youtube.co
m/results?search_query=3+minute+wonder+marcel+duchamp+fountain
ANC-NCCA (2018). “Dayaw: Inukit, Hinulma, Nilikha (Iconic Symbols of the Indigenous)" Episodes 3. In
https://wwnw youtube. com/watch?v=8KI0 6_Jpd-4. "Is there a difference between art and craft?”
in https://www youtube. com/watch?v=tVdw60eCnJ}
“anSieuth VAN GOGH, ~—sThe_-~— Starry —Night—_(final’~=—version)."_— In
https:// www youtube.com/results?search_query=Artsleuth+Van+Gogh+Starry+Night+ MOMA,
Japan Minimalists: A Way of Life,” in https://www..youtube.com/watch? v=ACUE_Y67qIk
BBC. "Lip Plate of Suri Women-Tribe,” in https://www. youtube. com/ watch?v=2MzIvaTeUSY.
“The Darwinian Theory of Beauty by Dennis Dutton’ in https://www. youtube.com/watch?v=-PktUzdnBqWI.
Donald Duck andthe Golden Mean Ratio,” in._—_—ihittps//www.youtube.com/
results?search_query-golden-ratiotdonaldtduck.
"Gloomy Sunday: The Hungarian Suicide Song” (2013), in https://
‘www youtube.com/watch?v=S5FP1LfkkVQ.
“History Day Documentary: Chinese Foot Binding,” in https://www.you tube.com/watch?v=BPknF24Aqg
"History of ideas: Ar,” in https://ww w-youtube.com/watch?v=z7ECzdu UWx0.
‘Witness. “Ang Huling Mambabatok” in https://www.you tube,com/wat ch?v=x83IUBTxp4A,
Kandinsky and Schonberg” in https://www.youtube.com/watch?v=!0DX YTNOOAM
"Michelangelo and the Science of Fresco Painting: Chemistry Meets Art” in https://www.youtube.com/
watch?v=lUddM_Y_snQ.
"Music and Math: The Genius of Beethoven-Natalya St. Claire,” in https:// www.youtube.com/watch?
vezaxTOmRGuoY
National Geographic. "Why do these [Padaung] women stretch their necks?” In https://www youtube.
‘com/watch?v=OFMETAt3vml
Pollock." In httpsi//www. youtube, com/watch?v=JZ3gIUYHa3Q
“Popular Backmasking” in https://ww w.youtube.com/watch?v=QmhWWS QiMymw.
“Software for Creating Digital Art” https://www.youtube.com/watch?v=IqSJf58_k79
“What is art for? Alain de Botton’s Animated Guide,” (2018). In https://
‘www youtube com/watch?v=ZVIQOyt FCRI
“What is the Treachery of Images,” in https://www.youtube.com/ watch? v=atH QpANMHCE.
“What is Art? maARTe ako.” In https://www youtube.com/results?search. query=ma arte+ ako,
“Xiao Time: Damian Domingo, Ama ng PHL Painting at unang pormal na gurong Filipino ng sining sa
Pinas” (2014) in https://www youtube com/ watch?v=3i muLe9vss.
"Xiao Time “Fernando Amorsolo: Ang Grand old Man ng Philippine Art” https://www. youtube.com/
watch2v-nC9hVHbGCSA
“Xiao Time: Mga Interpretasyon sa Parisian Life ni Juan Lune,” (2015). Part 1, in
https://www youtube.com/ watch?v=RUDbg_QEy2M, Part 2, in https://www. you
‘tube.com/watch?v=7_8M4qYmPQU.
Power Point Lecture-Presentation
Power Point Lecture-Presentation on Art Appreciation
Prepared by:
Baltazar A. Bantillo
Name & Signature of Faculty Member