Guide Pro 2020
Guide Pro 2020
Buyers Guide
2020
Intro
So you need to buy headphones for audio work. You compare
the spec sheets of a few popular models and you're not sure
what each of the parameters means and if they even matter.
We hear you!
The truth is very little of the information Impedance should give you an impression as Then there's closed-back, open-back, and
found in headphone technical specifications to if mobile devices such as laptops and semi-open-back designs and different driver
reliably translates to their performance in the tablets will be able to drive a particular pair sizes and technologies: dynamic, planar
real world. Frequency response range? of headphones, or if you'll need a headphone magnetic, and electrostatic. The worst bit?
Doesn't tell you anything. All modern studio amp. Impedance doesn't show you the full Paying more doesn't necessarily yield a
headphones cover the range of human picture without taking sensitivity into account. higher quality product that will perform better
hearing and beyond. Harmonic distortion? In most cases, low impedance headphones at the task at hand. Long story
Most spec sheets will state something along are easier to drive than higher impedance short—choosing what headphones to buy
the lines of "< 0.1% THD at 1kHz," which ones, but there are plenty of 250ohm can be daunting, especially if you're new to
means nothing, as no modern pro headphones that can easily be driven from a this.
headphones will exhibit significant distortion smartphone.
at 1 kHz—it's the sub-bass range that’s
problematic in some models.
We're here to help
We at Sonarworks have measured more than 800 different
headphone models and have compiled our favourites
in this guide.
Customers have asked us for years:
This allows us to prioritize properties like
I have X euros, my use case is Y, what are comfort, harmonic distortion, build quality,
the best headphones to use with Reference? and replacement parts availability. That said,
This guide will try to answer that question we have highlighted a few models that, out of
and help you find the best tool for your task the box, have close to neutral frequency
and budget, in a simple, straightforward response. All of these headphones will play
manner. with ample volume by virtually any modern
audio interface unless stated otherwise
While all these models sound great when
used with Reference, that doesn’t necessarily
mean that they are good on their own. In
fact, some of them have such heavy sound
coloration that they’d be a nightmare for any
serious audio work right out of the box.
However, since Reference takes care of the
frequency response by making it neutral, it is
no longer a key factor when considering
different models.
Production / Mixing
/ Mastering in studio
When working long hours in the studio on your productions, mixes, and masters, two
requirements absolutely must be met by your headphones: clean, neutral sound, and comfort.
Some argue that neutral-sounding headphones are not needed in the production phase—that
you don't need to pay attention to the tonal balance of your track before you start mixing.
We believe there are strong benefits to starting your work with flat sound right from the get-go.
If you can hear every instrument and effect properly, without any coloration from your
headphones, it's highly likely that the decisions you make will lead to better sounding
productions. You’ll spend less time in the mixing phase fixing mistakes you wouldn't have
made if you just had flat sound all along. And if instead of mixing your tracks yourself you send
them to a mixer, there will be fewer surprises when you receive your mixed tracks back.
All headphones in this list are trustworthy For best available sound, go for the open -
monitoring tools when used in tandem with or semi-open back models, as these designs
Reference 4, however, the lower-priced inherently lead to flatter frequency response
models typically will be less comfortable and and more natural sound. Keep in mind
offer fewer replaceable parts. If you can though that they do leak sound quite a bit
afford it, we highly recommend stretching and offer little sound isolation from the
your budget to one of the models found in outside world. If these are potential issues
the Goldilocks zone, there you'll find for you, choose one of the closed-back
headphones that are close to perfect, yet are alternatives.
still relatively affordable. With one of these It’s assumed that these headphones will be
models and Reference 4, nothing can stop used with an audio interface and most of the
you from making Grammy-worthy tunes! modern interfaces will be able to drive almost
Above the Goldilocks zone, there's the all of these models beyond safe listening
threshold of diminishing returns. Models levels. We have added notes to the few
priced beyond it are surely great but are Beyerdynamic models that may have issues
more of a luxury than a necessity. with volume.
TOP
headphones list
Production / Mixing / Mastering in studio
€25
€20
$50
$75
€111
ATH-M50x
Closed
Weight: 283 g
Cable: 1.2 m straight, 3 m straight, 3 m coiled
Pros Cons
Low THD Channel imbalance in low
3 different length cables
included
mid range
Goldilocks
The following models we recommend for mastering
€229
€169
$220
€310
Sennheiser HD 650
Open Read full review →
Weight: 260 g
Cable: 3 m straight
Pros Cons
Superb comfort Not the cleanest sub-bass
Exceptionally flat frequency
due to THD
response
€396
€439
€799
€1 000
€1 700
Audeze LCD-4z
Open
Weight: 600 g
Cable: 1.9 m straight
Pros Cons
Super low THD Heavy
Exceptional build Costs a fortune
Fantastic sound
Production, Mixing
and Mastering on the go
In order to make your work on-the-go worthwhile,
neutral-sounding headphones are paramount. They enable you
to continue the work you began in the studio on speakers,
without things sounding too different and vice versa—take your
remotely started work seamlessly to the studio.
The models in this category can be When carrying your headphones around, you Hopefully, you can stretch your budget to one
considered universal. They can be used for want them to be able to withstand some of the models found in the Goldilocks zone.
production, mixing, and mastering on-the-go beating in the backpack. In case they break, There you'll find sturdy headphones that'll
or in the studio and even for tracking it's great if the manufacturer offers a range of deliver close to perfect sound when used in
sessions. They won’t deliver as much sound easily replaceable spare parts. To save tandem with Reference 4, yet are still
isolation as dedicated tracking headphones, space in your luggage or backpack relatively affordable. Though, in most cases
yet there’s plenty of scenarios where that’ll headphones should be foldable and not too there's still a tradeoff between comfort and
be good enough to not cause any issues with bulky. Bonus points if headphones can also mobility, so you may have to prioritize one
your recordings. be driven from a laptop’s built-in audio over the other.
output.
All headphones in this list will be reliable
monitoring tools, however, for the less
expensive models, you won't find replaceable
parts, limiting their longevity.
€25
€45
$118
Fantastic value
$229
€433
Whatever you’re recording, having a neutral All headphone models in this list are up to
frequency response helps to hear your actual the task. Some provide better isolation while
performance the way it is, without the sound others offer more comfort.
coloration of headphones. Furthermore, if
both you and your recording engineer use
headphones with flat frequency response,
nothing gets lost in translation—you both
hear the same sound. Using the Reference
plugin in zero latency mode will help you
achieve this.
€25
€45
€69
€118
$140
Direct Sound
ATH-M50x Extreme Isolation EX-29
Closed Closed
Weight: 283 g Weight: 326 g
Cable: 1.2 m straight, 3 m straight, 3 m coiled Cable: 2.7 m straight
Direct Sound
2 Extreme Isolation EX-29 6 Monoprice
Beyerdynamic
Audio-Technica
3 DT 770 M 7 ATH-M50x
Audio-Technica
Sennheiser
4 ATH-M20x 8 HD 280
If you're serious about
studio headphones,
confidence.