CHAPTER-IV

ORDER OF THE COMPOSITIONS AND COMPOSERS OF PUNJAB GHARANA.

In Punjab Gharana, those tabla players who have given their contribution for development in
form of creation and tabla plying of this baj ( Style). These artists have made their own
compositions and presented in front of the audience and proved that'the compositions are
belonging to same Gharana. Researcher has tried his level best to note down this compositions
from the interview of such legend Tabla artists ofthis Gharana.

4:1 Bandish and Creativity

Creativity is an inseparable part of our life. Our life will be inactive without it. Creation is not

done only by humans but entire universe is incidental to it. Creativity doesn't only have the same

quality but also its foundation. Rote learning can't create melodious music. Rote learning will

make music materialistic. However if it is presented with creativity then it sounds melodious and

our conscience immediately appreciates it.

If we look at the aspects of history of music then we found that there in the journey of music are

number of stages and every stage the music has changes its form. This is the result of creativity

and novel vision. Every moment human keeps changing and in nature too is engaged in novelty

and creativity. It is changing a human life too. The change observed in music is also a result of

continual creativity.

4:2: Necessity and Contribution

If we observe’the aspects of the above facts we conclude that human continually expects

creativity and will contribute the same in music too. The compositions of'Veda' are also the result

of creativity. Various sages have added their contribution to this. The succession never slows

down. An artist always tries to include his own creative compositions. This necessity itself is the

motherofall inventions.

143
The originator of Punjab Gharana Lala Bhavani Das presented Tabla playing style. With the help

of his disciples Kadir Bakhsh-I, Faqir Bakhsh and Kadir Bakhsh-Il promoted it further. Kadir

Bakhsh-II had made the most important contributions to it. The foundation of traditional Tabla

playing of Punjab Gharana is intact due to his contributions. Various Ustad and scholars of this

Gharana have contributed equally in its progress. Due to the contributions made by them the

traditional compositions became effectively.popular in Tabla playing of Punjab Gharana.

Ustad Alla Rakha Sahab is the most prominent name in the world ofTabla. All the Tabla players

of all the Gharana respect him. Along with preserving all the traditional compositions of Punjab

Gharana he introduced various innovative Bandish such as 'Farshbandi', 'Kayada', 'Gat', 'Tukada',

'Rela1 etc. He himself performed them and through his disciples promoted these compositions. He

offered entirely a unique dimension to Tabla playing and Tabla performers. Ustad Zakir Hussain

who is a elder son ofUstad Alla Rakha has given new dimension oftabla playing and creativity.

Pandit Yogesh Samsi who is the disciple of Ustad Alla Rakha has acquired complete training of

Tabla playing style of Punjab Gharana. He has put in lot of efforts to take the Tabla playing style

of Punjab Gharana to higher standard. He has also composed many new Bandish. The artist is

considered creative when h is compositions are popu iarly acknowledged. However the artists and

people of that particular Gharana follow these creations. These compositions become the scale of

authenticity of an art.

144
 4:3 COMPOSITIONS COMPOSED BY UT. ALLARAKHA KHAN SAHEB

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 FOOTNOTES

I. Excerpts from interview of Shri Nikhil Muley. (Dt. 13-10-2012)

2.. Excerpts from interview of Shri Nikhil Muley. (Dt. 13-10-2012)

3. Excerpts from interview of Shri Nikhil Muley. (Dt. 14-10-2012)

4. Excerpts from i nterview of Shri Nikhi 1 Muley. (Dt. 14-10-2012)

5. Excerpts from interview of Shri Nikhil Muley. (Dt. 14-10-2012)

6. Excerpts from interview of Shri Nikhil Muley. (Dt. 14-10-2012)

7. Excerpts from Audio CD.

8. Excerpts from interview of Shri Gaurang Bhavsar. (Dt. 12-11 -2012)

9: Excerpts from interview of Shri Gaurang Bhavsar. (Dt. 12-11-2012)

10. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 16-7-2012)

II. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 16-7-2012)

12. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 16-7-2012)

13. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 16-7-2012)

14. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 17-7-2012)

15. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 17-7-2012)

16. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 17-7-2012)

17. Excerpts from interview of Pandit Yogesh Samsi. (Dt. 17-7-2012)

18. Exceipts from telephonic interview of Shri Hitendra Dixit. (Dt. 20-8-2012)

19. “Tabla” Author Pandit Arvind Mulgaonkar.

20. “Tabla” Author PanditArvindMulgaonkar.

186