Visual Arts: Human's Creative Activity That Can Be Seen and Delight The Eyes
Visual arts are creative activities that can be seen and delight the eyes. They involve elements like lines, shapes, colors, space, perspective, texture and value. The historical development of visual arts includes prehistoric cave paintings, classical Greek and Roman art, medieval illuminated manuscripts, Renaissance emphasis on genius and design, the establishment of art academies in the 17th-18th centuries, and 20th century modern and new media art forms. Key techniques include painting, mosaic, tapestry and printmaking.
Visual Arts: Human's Creative Activity That Can Be Seen and Delight The Eyes
Visual arts are creative activities that can be seen and delight the eyes. They involve elements like lines, shapes, colors, space, perspective, texture and value. The historical development of visual arts includes prehistoric cave paintings, classical Greek and Roman art, medieval illuminated manuscripts, Renaissance emphasis on genius and design, the establishment of art academies in the 17th-18th centuries, and 20th century modern and new media art forms. Key techniques include painting, mosaic, tapestry and printmaking.
Human’s creative activity that can be seen and delight
the eyes. Elements of Visual Arts • Straight Lines: Forms- a combination of different lines into closed or open geometrical shapes. 1. Vertical 2. Horizontal 3. Diagonal • Curved Lines 1. Circle 2. Lunette 3. Oblong 4. Ellipse Space & Perspectiv
Space is the area in which art is
organized. Perspective is representative of volume of space or a 3-D object on a flat surface (above, Escher, right, Da Vinci) Perspective • To adjust and express the distance and depth of the object of the artwork • Distant appearance of the object COLORS • Property of light • It express emotions • Hue- refers to the color itself o Primary- blue, red, yellow o Secondary- orange, green, violet • Related Color harmonies o Orange Family- orange, tan, brown etc. • Contrast color harmonies o Disagreement of hues o Opposition of hues • Value o Relative lightness or darkness of a color o Provides an impact on lightning and shadowing • Intensity ANISH KAPOOR MORRIS LOUIS WARM COLOR COOL COLOR PAINTINGS COOL AND WARM COLOR ARE MIXED TOGETHER TEXTURE • Visual appearance of things • Characteristics of the surface of the art work • Sense perception • Significant in artworks like sculpture and painting • Commercially important in skin, clothes, jewelry and other objects Texture The tactile (touchable) qualities of an object, actual or implied (right, Bernini and left, Rauschenberg) Value Value refers to the relative level or darkness or lightness of a color in terms of contrast (left, Raphael) Nicholas Nixon Kenneth Josephson Brett Weston Chiaroscuro or light and shadow • Using light and shade • Without the use of color HISTORICAL DEVELOPMENT of VISUAL ART • Historical Development of Visual Arts 1. Stone Age a. Cave paintings b. Colored ore c. Magical purpose 2. Antiquity: Skill or Technique a. Greeks and Romans- referred to as classical arts b. Greeks techne (work or technical skills, fashioning of object, mimesis-imitation of reality and mythological) c. Romans (ars-technique or method of working) Prehistoric Art 3. Middle Ages: Craftsmanship • Christianity dominated the Western World rivaled by Islam in the East • Visual art became an educational tool to teach people about God; • Dominance of illuminated manuscript • Religious Mosaic • Houses were ornamented with huge tapestry depicting mythology • Stained glass window 4. Renaissance: Genius and Design • Artist Guilds • Visual arts became associated with other trades like painters, doctors, sculptors and metal workers of armors • Painters and sculptors became associated with poetry as higher art • Painters became man of letters and philosophy and regarded not just mere workers but geniuses; • Disegno-16th century a group of Italian artist regarded sculpture, painting and architecture as the arts of “design” • Istoria- narrative paintings valued as the highest form of painting o It can teach morals to people o It conveys story o It conveys idea 5. 17 -19 th th Century: Fine Arts • Creative freedom of the artist • Art Academies- allowed an individual to practice Art as a profession: Academy of Fine Arts in France French Academy of Fine Arts • Artist worked for monarchs and nobilities • Artist could sell their creation to individual collectors • Lost of aesthetic and artistic quality • Commercialization of Art Works • Government sponsored art exhibition 19th Century: Self Expression • It fought the very institution that established the academies; • Subject of art works are those that criticize the government; • Romanticism Movement • Individuality of the techniques of the Artist; • Impressionism school • Modern Commercial Gallery system • Realism 20thand 21 Century: New Media st
and New Art Forms
• Some of the new movement destroy or challenge the generic definition of arts; • Dada movement • Combine media Paintings • Creative activity that employs or maximized colors from organic substance like oil or synthetic substances • Different techniques in paintings: 1. Fresco- the application of paint to wet or fresh plaster 2. Tempera- use of powdered pigment mixed with egg yolks 3. Oil- application of oil based colors 4. Enamel- use of vitreous substance fused by heat-softened wax and resin 5. Water color- employs colored pigment dissolved in water 6. Grisaille- exclusively employs gray scale colors 7. Encaustic- use of dry colors combined with heat-softened wax and resin 8. Acrylic- the use of acrylic paint MOSAIC • Technically mosaics are: 1. Surface decorations 2. Tesserae 3. Mostly found in floors, walls and ceilings 4. Combined with sculptures and paintings Other Visual Arts work • Tapestry • Illumination • Stained Glass • Printmaking • Photography