Spring Break Homework
Spring Break Homework
2 Edward Hopper also painted public places, and he often visited movie theaters to get his
inspiration.
Hopper and the Sea
3 Hopper visited shipyards along the Hudson River as a boy. He dreamed of becoming a
naval architect. His lifelong fascination with sailing and the sea provided a subject for many of
Hopper's paintings. It was a subject he consistently returned to throughout his career.
New York School of Art
4 Edward Hopper transferred from the New York School of Illustrating to the New York
School of Art. There he studied first under William Merritt Chase, an admirer of the great
painter John Singer Sargent.
5 Hopper then studied under Robert Henri, one of the fathers of American Realism. Henri
was Hopper's most influential teacher. Hopper remained at the School of Art for seven years,
part of which was spent teaching.
Hopper's European Influences
6 Like most young American artists of his time, he longed to study in France. Hopper left for
Paris in October 1906. While overseas, he also visited London, Amsterdam, Berlin, and
Brussels.
7 In his early twenties, Hopper made another two visits to Europe. There he admired the
French Impressionist's experiments in color and outdoor light. Light became one of the main
points in his work. This is evident in the sunlight reflected off buildings in his paintings.
Returning to America
8 When he came back to America, he saw it as a crude and raw place. His work at this time
was heavily influenced by what he saw in Europe. It took him 10 years before he managed to
sell a painting. Failing to attract much attention, Hopper turned to American subjects such as
gas stations and skyscrapers. These subjects made his reputation as an artist.
9 In 1913, Hopper sold his first painting—a picture exhibited at the Armory Show in New
York. In 1920, he had his first solo exhibition, at the Whitney Studio Club, but none of his
paintings sold. He was beginning to doubt if he would ever achieve any success as an artist.
At this time, he was still forced to earn a living as a commercial illustrator.
Married Life
1 In 1923, Edward Hopper settled in Greenwich Village, his base for the rest of his life. In
0 1924, he married Josephine Nivison, a fellow artist and student under Chase and Henri, who
shared his love of France.
1 After his marriage, Hopper's fortunes changed. His second solo show, at the Rehn Gallery
1 in New York in 1924, was a sell-out. The following year, he painted The House by the
Railroad, his first work in the mature style that is typical of his later works.
Later Years and Exhibitions
1 Hopper was not hurt by the Great Depression because he had become extremely well-
2 known. In 1929, he was included in the second exhibition at the Museum of Modern Art,
"Paintings by Nineteen Living Americans." In 1930, The House by the Railroad was put in the
museum's permanent collection. In the same year, the Whitney Museum bought Hopper's
painting Early Sunday Morning. It was the museum's most expensive purchase up to that time.
1 In 1933, Hopper was given his own exhibition at the Museum of Modern Art. This was
3 followed, in 1950, by a more extensive show at the Whitney Museum.
1 As time passed, he found it difficult to find suitable subjects, and he often felt blocked,
4 unable to paint. The rise of the Abstract Expressionist movement left him feeling marooned
and lost.
1 He died in 1967, isolated if not forgotten. His wife, Jo, died 10 months later. His true
5 importance has only been fully realized in the years since his death.
Tate Modern Exhibition
1 In the summer of 2004 the Tate Modern gallery in London put on an Edward Hopper
6 exhibition. Visited by over 400,000 people, the Hopper show is one of the most successful
exhibitions ever staged at the Tate Modern.
adapted from http://www.popartuk.com/art/edward-hopper/bio.asp
5. Which sentence from the selection supports the idea that Hopper was a
successful painter?
A. Failing to attract much attention, Hopper turned to American subjects such as gas stations and
skyscrapers.
B. Hopper was not hurt by the Great Depression because he had become extremely well-known.
C. Hopper remained at the School of Art for seven years, part of which was spent teaching.
D. In 1920, he had his first solo exhibition, at the Whitney Studio Club, but none of his paintings sold.
A. unforgiving
B. unsophisticated
C. conceited
D. bad-tempered
A. confusing
B. lighthearted
C. informative
D. proud
Read the next two selections. Then answer the questions that follow them.
A. discouraged
B. established
C. paid
D. lifted
A. Uplifting
B. Angry
C. Suspenseful
D. Serious
A. grassroots organizations
B. Native Americans
C. school assemblies
D. television commercials
16. Use "The First Earth Day" and "Memories of Earth Day" to answer this question.
How is the author’s approach to writing “The First Earth Day” different from the
author’s approach in “Memories of Earth Day”?
A. “The First Earth Day” is a fictional story about Earth Day, while “Memories of Earth Day” is based on
actual events that happened.
B. “The First Earth Day” gives general information about the start of Earth Day, while “Memories of
Earth Day” is one person’s memories.
C. “The First Earth Day” tries to convince readers to protect the environment, while “Memories of Earth
Day” is meant to entertain the reader.
D. “The First Earth Day” gives a personal account of Earth Day, while “Memories of Earth Day” presents
a factual summary of the historic day.
What is the most likely reason the author has chosen to tell about something
that took place long ago?
As the litter landed at his feet, he looked like his own heart had landed in the dust along
the pavement.
A. impatient
B. responsible
C. lazy
D. overbearing
A. Definition 4
B. Definition 1
C. Definition 2
D. Definition 3
Read this selection. Then answer the questions that follow it.
Just Tinkering
by Teresa R. Herlinger
1 It was the summer of 1944, the third year of German occupation in the Baltic country of
Estonia. Twelve-year-old Ilona and her thirteen-year-old cousin, Hillar, were sitting together on
the back steps of their summer house. Inside, the grownups conversed in hushed voices
around the dining table. Every few minutes, Ilona would look in a window and see them lean
their faces close together.
2 "Do you think Russians soldiers are nearby?" Ilona asked her cousin.
3 "I don't know," Hillar answered, "but our parents sure seem to think something bad's about
to happen."
4 Ilona reached up to adjust the barrette that had slipped from her short-cropped blond hair.
"If the Russians occupy Estonia again, my father will have to leave us."
5 "Mine will, too," Hillar sighed dejectedly. "They'll have to disappear into the woods for a
while." Hillar strained to hear the grownups' voices, but he couldn't decipher their whispers.
6 Just then, Hillar's father—Ilona's Onu (Uncle) Sinu—appeared on the porch, whistling. Ilona
and Hillar jumped up to follow him.
7 More than anything, Onu Sinu loved to work on the family automobile. He called it
"tinkering." The German army had confiscated many people's cars in the city, so Onu Sinu
stored his car at the family's summer house in the country.
8 The children followed Onu Sinu to the garage, but to their surprise, he did not begin
tinkering under the hood of the car. Instead, he quickly shut the garage doors, gathered some
tools, and began removing the front wheel. When he'd pried it loose, it knocked him right over.
The children giggled while Onu Sinu sat on the ground, breathing hard. He was no longer
whistling.
9 "Children," he said, "this is serious. And I really need your help. I need you to take turns
keeping watch on our property. We hope to have advance warning if the Russians invade, but
it's important that you report to me immediately if you see any strangers nearby. Most
important, you mustn't divulge our secret. If anyone asks you what I'm doing, say I'm just
tinkering."
1
"Well, you are tinkering, aren't you?" asked Hillar.
0
1 "Exactly right," said Onu Sinu, his blue eyes twinkling mischievously. "Now, who will take
1 the first watch?"
1
Hillar volunteered, eager to be the first to spot the Russians.
2
1 In the garage, Ilona's uncle had removed all four wheels, and he stood at his worktable
3 scribbling notes on a large, white sheet of paper. Then, he selected a couple of tools and
proceeded to work the front passenger door off its hinges. A few moments later, he snapped
his fingers.
1 "Ilona," he cried, "I know how you can help! You know that place in the garden where you
4 always dig?" Ilona nodded. It was back by the lingonberry bushes. She and Hillar had spent
many afternoons there, digging for treasure. Onu Sinu scrawled a giant "X" on the map and
said, "I want you to dig a good-sized hole there now."
1
"How can I be certain when it's big enough?" she asked.
5
1
"Just see how much you can accomplish by dinnertime," he said.
6
1
Reluctantly, Ilona left the garage and went to the tool shed to retrieve the shovel.
7
1
At dinnertime, the children burst into the house with dirty clothes and sweaty faces.
8
1 "Been digging in the garden again?" Hillar's mother asked. "I hope not anywhere near my
9 rose bushes." She dabbed butter on a steaming plate of potatoes while she spoke. "Well,
dinner's ready, so just wash your hands and faces, and you can take your baths after dinner."
2 "But Tädi (Aunt) Olly," Ilona pleaded with her aunt, "we can't take a bath! Onu Sinu
0 specifically requested our help!"
2 "Is that right?" Tädi Olly didn't seem to take this seriously. "Well, you'll just have to help him
1 tomorrow."
2 The next morning, Hillar and Ilona ran out to the garage and threw open the doors. The car
2 was gone.
2 They dashed back to the house to alert Onu Sinu. But when they arrived at his bedroom
3 and shook him, they discovered he was still dressed in his work overalls. His eyes were bleary,
and he looked as if he'd hardly slept.
2 "We have terrible news," Hillar told him, bracing himself for his father's reaction. "The car—
4 it's vanished!"
2 "I'm well aware," his father said, to Hillar's amazement. "Here, I've got a surprise for you."
5 He reached behind the landscape painting that hung above the bed and retrieved the map he
had scribbled the previous afternoon.
2 "I was awake all night," Onu Sinu explained, "and I have buried or hidden every piece of the
6 car. I've marked where to find them on this map." The children stared wide-eyed. "You must
think your uncle is a lunatic," he said to Ilona, who blushed because these were her exact
thoughts. "Well, let me give you my justification, and then you decide."
2
Hillar and Ilona situated themselves on the bed, with Onu Sinu between them.
7
2 "I know it's depressing to think about," he began, "but it's likely that Russia will occupy
8 Estonia again." Hillar and Ilona exchanged a worried glance. "Some say they haven't got the
strength left to defeat the Germans, but sooner or later they will invade our country again.
When they do, I don't want them to get anything of value to us. When they try to confiscate our
car, I want us to be able to say, 'Too late, the Germans beat you to it!' And when they call us
liars and go out to the garage, what will meet their eyes? A tire, a pipe, maybe a seat cushion.
These will appear to be spare parts. The soldiers will curse us, but they will believe us and
leave, and we will have the laugh on them."
2
Ilona hugged her uncle, thinking he wasn't so crazy after all.
9
3 Three weeks later, while Onu Sinu and his brother hid in the woods, the children watched
0 from behind a tree as two Russian soldiers stood in their garage, staring angrily up at the
"spare" tire and cursing their German enemy for having gotten there first.
21. Onu Sinu is portrayed as being —
A. clever
B. crazy
C. stern
D. paranoid
A. embarrassment
B. hassle
C. defiance
D. pain
Hillar and Ilona are cousins who are spending the summer at their family's house in the
country.
A. Hillar’s father, Onu Sinu, knows a lot about cars. He takes apart the family car just for fun, and
hides the pieces in the garden. The children have no idea why he is doing this. They think he must
be crazy.
B. The Germans are occupying Estonia, and the Russians are threatening to invade. Hillar’s father, Onu
Sinu, does not want the armies to take the family car, so he takes it apart and hides the pieces.
C. The Russians are about the invade Estonia. If that happens, the men in the family will have to hide
out in the woods. Ilona and Hillar are afraid that will happen, and they don’t want their fathers to
go.
D. Hillar’s father, Onu Sinu, loves to tinker with automobiles. He lets the children watch while he works
on the family car. Hillar and Ilona take turns keeping watch for Russian soldiers. Then, they go in
and wash up for dinner.
27. Look at this chart of information from the story.
Cause Effects
Onu Sinu wants to hide the car from the • Hillar keeps watch for Russian
Russians. soldiers.
• ____________________
29. Which sentence supports the idea that Onu Sinu had a good reason to
disassemble and bury the car?
A. He reached behind the landscape painting that hung above the bed and retrieved the map he had
scribbled the previous afternoon.
B. In the garage, Ilona’s uncle had removed all four wheels, and he stood at his worktable scribbling
notes on a large, white sheet of paper.
C. The German army had confiscated many people’s cars in the city, so Onu Sinu stored his car at the
family's summer house in the country.
D. We hope to have advance warning if the Russians invade, but it’s important that you report to me
immediately if you see any strangers nearby.
30. Which idea from the story shows that Onu Sinu trusts the children?