Models of The Self in Jungian Psychology
Models of The Self in Jungian Psychology
Warren Colman
Introduction:
The self is the centre and the circumference of Jung’s psychology. Its realisation through
the process of individuation was, for Jung, the ultimate goal towards which we strive as
human beings; indications of its presence can be found in all aspects of human endeavour
but especially in religion and mythology. Unlike Freud, Jung did not regard religion and
beings for purpose and meaning and the recognition of something greater than themselves.
It was this ‘something’ that Jung termed the self, taking the term not from its customary
usage in Western psychology but from the Hindu notion of the Self or ‘Atman’, that
aspect of divine power which resides in every individual as the source of being.
This usage sets ‘the Jungian self’ apart from almost all other Western conceptions of the
self. These tend to equate the self with ‘the sense of self’ or the capacity to possess a
sense of self.1 This, after all, is the ordinary everyday usage of the word: it is what I mean
when I refer to ‘myself’ and what I mean when I stop to think about who this little word
‘I’ refers to. In this sense, having a self is equivalent to the development of a capacity to
understand the meaning of ‘I’ and is concerned with the experience of subjectivity as a
coherent and continuous sense of being a particular person. Jung regards this as the
personal self, which he refers to as the ego. It is the self of which we are conscious and,
as such, forms a content of consciousness as well as being its centre. By contrast, the
Jungian self is always that which transcends consciousness, that which is greater than
Jung’s thinking on the self is full of complexities, paradoxes and uncertainties, many of
which are inherent in any attempt to discuss something which, by definition, transcends
human comprehension. It is perhaps inevitable that he used ‘the self’ to refer to several
different but overlapping conceptions just as ‘the God-image’, which Jung regarded as
indistinguishable from the self, has a potentially infinite range of meanings. There are
various ways of categorising these different usages (e.g. Redfearn 1985; Gordon 1985).
In this chapter, I shall outline three aspects of the Jungian self: the self as the totality of
the psyche, the self as an archetype and the self as a personification of the unconscious. I
then consider how some of the conflicts in the subsequent development of Jungian
thinking can be understood in terms of the differing emphasis given to these different
aspects of the self. Finally, I propose a fourth way of thinking about the self as the
Jung was ahead of his time in recognising the shifting and multiple nature of ego
identity) as only one amongst many complexes or ‘sub-personalities’, any of which could
invade or disrupt the conscious mind or even act independently of it2. Jung’s psychology
the self. The difference is that Jung goes further, reaching towards some overarching
view of a self which encompasses and can potentially unite the multiplicity within it.
2
Jung would also have recognised the arguments of social constructionism and discourse
theory that the self is a socially constructed fiction maintained via a complex web of
interweaving social narratives. Only he would have said that this was what he meant by
the persona. The persona (from the mask worn by actors in Greek drama) is the face that
we put on for the world. It is how we appear to others and, sometimes, to ourselves. But
it is not who we truly are. (CW6: para 370). Thus Jungian psychology takes issue with
social constructionism when the latter maintains that there is no self beyond social
appearances.
particularly associated with Abraham Maslow . This is certainly close to Jung’s concept
experiences of psychic wholeness such as Jung describes, as well as those described in the
literature of spirituality and mysticism. These experiences, though, are best thought of as
intimations of a wholeness which ultimately transcends them. The Jungian self thus refers
not only to what is actualised but includes all that which is not actualised and never can be
actualised.
As a totality, the self can only be partially represented in consciousness, either through
greater than oneself. This does not necessarily mean that experiences and feelings of
wholeness actually are ‘the whole person’. Since the self includes the unconscious as well
the greater part of the self must remain forever unknowable. Even though we may
3
considerable aspects of our potential, the unconscious (in Jung’s conception of it) is like
fundamental structuring factors of the psyche that underlie conscious experience but can
never themselves become conscious. We do not know the archetypes - we only know the
archetypes, we must remain true to their ultimately irrepresentable nature: that is, we must
always keep in mind that what we see are images. Perhaps it is like looking at a movie
screen: if we try to see where the images come from, we are blinded by the light of the
indistinguishable from the God-image. This is not to say that all such representations
appear in the form of ‘God’, nor that ‘God’ and ‘the self’ are the same thing - something
that psychology is not in a position to establish in any event (CW9ii: para 308). What
Jung does claim is that religious imagery is concerned with the symbolism of psychic
wholeness and that religious aspirations are identical with the goal of individuation. He
particularly cites the image of Christ who represents ‘the whole man’ that each of us
might become. ‘In the same way that Christ represents a personality greater than the
average man, Christ, as a symbol, represents something greater than the average ego - the
self.’ (Samuels 1985: 98; CW11: para 414). However, since the defining feature of the
self as a totality is that it is infinitely greater than the ego, any symbol which is greater
than the individual may be a symbol of the total self (CW11: para 232)
For example, a woman whose life had previously been severely restricted in various ways
told me of a dream in which she released a genie which grew to enormous size, filling the
4
entire horizon. I saw this as an image of her unrealised self: the genie has enormous
power, far beyond that of its master, the ego, and yet it is in the service of the ego and can
only do what the ego commands. This is a clear example of how a symbol of the self may
nevertheless represent a part self. A symbol of totality would actually have to encompass
not only the genie but also its master, and perhaps the lamp as well. We might even take
the entire story of Aladdin as a symbol of the self: the cave, the evil old man, the princess
and her father could all be seen as archetypal aspects of an individual personality so that
we might have to consider the story as a whole to get a sense of the total self.
Ultimately, symbols are always indications of a reality beyond themselves. So, for
example, when Jung spoke of his experiences with mandalas saying ‘in them I saw the
ultimate’ (Jung 1963: 222), he did not mean that the mandala itself expresses the ultimate
but that his contemplation of mandalas enabled him to see ‘the ultimate’ through them.
Someone else might see only a mandala. Symbols depend on a relationship between the
object and its perceiver. As in physics, the observer influences the observed and the
The same problem of how to represent the irrepresentable has been a consistent theme in
Western philosophy and theology since before the time of Christ3. The Jewish
philosopher, Philo, first distinguished between God’s ousia, his unknowable essence
which lies beyond our reach, and his energia, his activities in the world. Philo’s project
was to reconcile the abstract, eternal and immobile divinity of Aristotle - the Unmoved
Mover - with the God of the Jews who was very much an actor in human affairs. Later in
their formulation of the doctrine of the Trinity, the Cappodacian Christians also took up
Philo’s distinction, arguing that God has one ousia but three hypostastes - the exterior
expression of God’s internal - and unknowable - nature. Thus the Trinity is actually not
5
God Himself but merely the only way that God can manifest himself to our human
comprehension. Similarly, the Gnostics regarded the God of Creation as a lower God or
demiurge, behind whom stood a series of higher levels of being before the true God
himself could be reached. In the Kabbalah, this higher God is called En Sof ‘that which
is infinite’. This inner aspect of God is so hidden, so impersonal and inconceivable that
Many religious thinkers and mystics such as Dionysius the Aeropagite, Maimonides and
Meister Eckhardt have argued that since God is unknowable he can only be defined
negatively by that which he is not. Meister Eckhardt distinguished between the God of
the Trinity and the unknowable Godhead whom he called ‘Nothing’. This echoes Jung’s
suggestion that the self does not exist as such. All these distinctions refer to the
impossibility of achieving any representation of ‘the thing in itself’ which is, in any event,
not a ‘thing’ (therefore it is ‘no-thing’). If we regard God’s ousia, ‘En Sof’ and the
partial. Negative theology attempts to school the mind out of its habitual tendency to
form images and concepts which it then takes for reality by making it attempt to think the
experience in which ‘this’ and ‘that’ dissolve in ‘that which is and is not’. Zen koans
In mystical experience, the distinctions between partial and total, conscious and
unconscious, subject and object cease to have any meaning. There is no longer a state in
which I, the subject, am conscious of something (the object); rather there may be a state of
boundless infinitude which the subject/object dualism of language that structures our
6
capacity to unite the opposites which constitute its structure or, to put it the other way,
that the opposites which structure the psyche are united in the self.
Although such experiences are rare, even for those who dedicate their lives to the spiritual
discipline of achieving them, partial experiences of wholeness and moments in which the
unity of all things is glimpsed are not unusual. These moments offer an intimation of
It is confusing that Jung refers to the self as both the totality and an archetype within the
totality, albeit the central one. Fordham, in a careful examination of the way Jung talks
about the self, points out the contradiction between these two usages (Fordham 1987: 1-
33). For if the self is the totality of the psyche including all the archetypes, how can it also
be one of them? Furthermore, as an archetype, the self cannot be the totality since it
excludes the ego which perceives it and is structured by it. Nevertheless, the symbolic
images which represent the self in consciousness are clearly archetypal and therefore
presumably structured by the archetype which they represent - i.e. the archetype of the
self. This is where the notion of archetypes as discrete entities ‘in’ the psyche begins to
experience the world and ourselves in particular ways. This enables us to recognise the
dual nature of archetypes: they generate particular symbolic images but these images also
refer to particular psychic functions. The image of the hero, for example, refers to the
be undertaken or developed, the psyche ‘throws up’ the relevant symbols that galvanise
7
the conscious mind towards action. These images may occur spontaneously - in dreams,
for example - but there may also be ‘ready made’ images in the culture which assume a
particular fascination and importance for the individual at specific points in their
development.
From this, we can see that archetypal symbols of wholeness (indicators of ‘the archetype
of the self’) may occur more strongly in fragmented individuals than in more integrated
one. They are generated by the compensatory function of the unconscious which acts to
balance the conscious situation. While it is paradoxical to think of ‘the archetype of the
self’ as somehow separate from or contained within the self, it is possible to think of
centring functions involve the organisation and integration of the psyche as a whole.
wholeness and, especially, towards becoming more centred. For the closer one is to the
centre, the more panoramic one’s view of the periphery and the less one is thrown around
by the oscillating turmoil of psychic life. Eventually, perhaps, one arrives at ‘the still
In his later work, Jung also came to think of the self as the archetype of the ego. He
seems to have recognised that the sharp distinction between ego and self could not always
be maintained since the more individuated one becomes, the closer the conscious ego
approximates to psychic wholeness (albeit this is an ever receding goal). The self is also
akin to consciousness in that both can be described as a circle whose centre is everywhere
and whose circumference is nowhere - a description originally applied to God. While the
ego is the totality of consciousness (‘I’ am in everything I experience), the self is the
totality of conscious and unconscious and, in the same way, is omnipresent. This suggests
8
that the archetype of the self can be thought of as the archetype of subjectivity - i.e. as a
basic principle which underlies the experience of a subjective self out of which the ego
gradually develops. This line of thinking has recently been developed by Polly Young-
Jung recognised that the archetypal figures that appear in dreams, mythology, fairy tales
and other symbolic systems such as alchemy or the tarot were personifications of psychic
especially those concerned with leadership in some way might be personifications of the
totality of psychic functions - i.e. the self. Just as the king represents the whole nation, so
the King or Lord or God might represent the whole psyche. But here we see the paradox
of part and whole creeping in again: the King not only represents the people, he is himself
one of them, albeit a particularly powerful one. Jung often sees the relationship between
King or God figures and one of their subjects as symbolic of the relationship between the
self and the ego. But then it becomes hard to sustain the notion that the King is a
personification of the whole self since what we see are two parts in relation to one another
that together make up the whole. There is a blurring here so that ego/conscious is seen in
opposition to self/unconscious and in this way the self takes on the guise, not of totality,
The clearest example of this is in Answer to Job (CW11: para 560-758) where Jung takes
Job’s conflict with Yahweh as a metaphor for the relationship between the ego and the
self. However, Yahweh is more like a personification of the elemental powerhouse of the
unconscious while the ego represents the puny but essential forces of consciousness.
Yahweh is presented like an omnipotent infant who cannot contemplate any check to his
9
own importance and becomes consumed with world-shattering rages when his own wishes
are thwarted. The self is thus seen as identical with the primitive, undifferentiated
unconscious, full of raw potential which needs to be refined by the ego, here represented
by Job’s challenge to his almighty God. Jung sees Job as forcing God to recognise - and
This has led to a model, developed by later Jungians such as Erich Neumann and Edward
from the self (equated with the unconscious). This makes it especially difficult to hold
onto the way that the ego is at the same time part of the self and, furthermore, in the
course of development becomes more like the self through greater assimilation and
which the ‘dialectic between ego and self [leads] paradoxically to both greater separation
and greater intimacy’ (Edinger 1960: 18). This apparent paradox can be unpicked if we
distinguish between self as totality and self as unconscious. Through the individuation
psychic contents precisely because there is also a greater separation from unconsciousness.
The more separation from unconsciousness there is, the greater the awareness of self.
This can result in a failure to distinguish between personified symbols of the self and the
unknowable reality to which they refer. Edinger gives a clear example of this when he
argues that since the self includes everything that we are, the self also accepts everything
that we are (Edinger 1960: 10). This is rather like saying that the periodic table accepts
10
all the elements because it includes them. It begs the question as to whether the self can
have this kind of personal, emotional subjectivity or whether this view is a sort of
anthropomorphic ‘category mistake’ on the part of the ego. This issue is also strongly
echoed in theological controversies about the nature of God. Is God remote, impersonal
and ineffable like Brahman and the Unmoved Mover or is He a personal God, like the
Judeo-Christian God who has a personal, emotional relationship with his creation (cf. the
ego)? If God is too remote, we become unable to relate to him at all. Yet if he is too
personal, there is a danger that we (the ego) attribute to God (the self) our own human
attributes and thereby reduce the awesome infinitude of the All. Even for Jews and
Muslims, the Christian idea of a God-man was a step too far: the attribution of human
The three aspects of the self I have considered are held together in Jung’s thinking by the
overall sense of the self as ‘the greater personality’. For example, he describes it as ‘a
more compendious personality’ that takes the ego into its service (CW11: para 390). Jung
regards the development of this kind of relativity and humility as crucial to the process of
individuation: the ego must renounce its arrogant omnipotence and recognise its
dependence on forces greater than itself. This view is certainly in accord with the self as
a greater totality of which the ego is only a small part. It also recognises that the greater
part of that totality resides in the unconscious and it is the task of the ego to acknowledge
unconscious archetypal forces and to bring into consciousness the potential inherent
within them. Perhaps most important of all in this view of the self are those occasions in
which the self seems to speak to us, when we hear ‘the inner voice’ or feel ‘the will of
God’, a greater power possessed of far greater knowledge and intelligence to which our
own small conscious purposes must bow. It is easy to see how such experiences promote
11
a view of the self as possessing personal subjectivity. However, they may more accurately
larger overall organisation and purpose that encompasses the ego: the archetype of the
self.
aspects has produced several conflicting models. Much of the controversy has been played
out in a series of furious debates about the role and nature of the self in infancy. Jung
himself had little interest in infancy and childhood, perhaps because he regarded that
phase of life as belonging to the Freudian territory from which he had become an exile.
As later Jungian analysts have turned their attention to the first half of life, they have
taken differing views on whether, and in what way, the self is present from the beginning
of life and/or only emerges in the course of development. The three developments I shall
self as unconscious;
2) the biological approach developed by Michael Fordham, whose concept of ‘the primary
who, in slightly different ways, concentrate on the archetype of the self as the
Neumann, who most closely follows Jung, believed that the infant exists in a state of
primary undifferentiated union with the mother who ‘carries’ the infant’s self in
12
projection. In this model there is a symbolic equation between unconscious, self and
mother. The mother represents the self to the infant who is like a dependent ego carried in
the maternal matrix of the unconscious self. As ego consciousness grows, so the child
gradually separates from the mother (and later, the father) through a series of archetypal
conflicts. Neumann sees the world’s great myths, particularly hero myths and creation
This theory represents the self as being similar to what Kleinian analysts refer to as ‘the
good internal object’. The mother initially acts as a container, which later becomes
internalised. This aspect of the mother is particularly well suited to represent the self
since container symbols are amongst its most characteristic symbols, such as the castle,
the city and especially the alchemical vessel or vas, in which symbolic transformations
take place. The mother’s womb contains the infant as the self contains the ego,
surrounding it on all sides, while the mother’s breast, like the self (and the unconscious) is
the source of all its nourishment and is itself a circle symbol par excellence. Symbolic
linkages between mother, self and unconscious are therefore particularly strong and it is
hardly surprising that the mother features as a particularly powerful symbol of the greater
totality and our dependence upon it. This is a good illustration of the way that archetypal
representations are often fused so that one image can represent many archetypes just as
one archetype can be represented by many images. (Freud called this ‘over-
determination’). Only in the course of later development do the archetypes of self, mother
and child differentiate out from each other in the way they are perceived by the conscious
mind.
13
Michael Fordham approached the study of the self in infancy from a completely different
point of view and, as a result, was sharply critical of Neumann’s approach. His
background and interest was in the Cambridge empirical school of biology - worlds apart
from the German mythological Idealism of Neumann. Fordham was interested in the
analysis of actual children and took an empirical approach to what could actually be
implication that the infant has no autonomy and is merely a function of the psychology of
the parents. In his view, the child is an active and separate individual from the start. In
recent years, child development studies have amply confirmed Fordham’s view that the
romantic and sentimental to believe that infants exist in a state of primary union and have
entity, rather than a symbolic or social being. These elements are not denied but are
unfolding processes of biological development from the simple fertilised egg to the
Fordham uses ‘self’ in terms of an organism’s capacity to initiate psychic and somatic
activity. Fordham’s interest is therefore primarily with the total self and, in particular with
its earliest form which he termed the primary self. He proposes the existence of a primary
psychosomatic integrate which contains everything that the self will become in potential.
The primary self is ‘a blueprint for psychic maturation from which the behaviour of
infants may be derived’ (Fordham 1976: 11). The primary self ‘deintegrates’ when it
meets environmental triggers that produce a ‘readiness for experience’. Such readiness is
14
typified by the new born infant’s rooting for the breast. When a deintegrate is ‘met’ by
the environment, an experience takes place and the self ‘reintegrates’ with the new
experience included in it. This rhythmic alternation between deintegration (going to meet
the world) and reintegration (returning to the self) continues throughout life.
Fordham’s model allows for the unending development of a self of increasing complexity
and sophistication out of the most rudimentary elements. It also enables us to understand
experiences develops in parallel with increasing levels of integration. The integrated adult
self is therefore (ideally) like a symphony orchestra: many different parts operating in a
co-ordinated way to produce a richly layered, complex texture of meaningful sound. The
model also allows us to understand a) dis-integration, where the parts do not cohere and
some instruments are either silenced or busy ‘blowing their own trumpet’ in disregard of
the whole, and b) failures of development where the self does not deintegrate sufficiently
and the personality remains stunted, unable to form the internal experiences out of which
a meaningful relation to the world can develop. Fordham suggested that infantile autism
Where Fordham starts from the innate activity of the infant, constructivists start from the
intersubjective interaction between mother and infant. Thus, Louis Zinkin, Fordham’s
primary self that was pre-given. He pointed out that there never is a point prior to
interaction with the environment when some undifferentiated entity could be said to exist:
‘one would have to go back to the earliest beginnings of the universe to find ... the
15
Therefore, he argued ‘there never is an objective entity which corresponds to [the primary
self]’ (Fordham & Zinkin 1987: 142). In fact, Fordham agreed that the primary self ‘has
no date’ and confirmed that he was talking about ‘cosmic experiences extending to the
limits of space and time’ (Fordham & Zinkin 1987: 143). An apparently hard-nosed
scientific concept has suddenly become, at the same time, a highly mystical one. The
dialogue between Fordham and Zinkin echoes the Zen Buddhist question ‘What is the face
of the Buddha before you were born?’ The primary self is the original Buddha face.
Once again we find that we are brought up against the limits of what is thinkable.
For these reasons, Zinkin believed that ‘the self only comes into existence through
interaction with others’ (Zinkin 1991: 6) and that it was meaningless to speak of a self that
exists prior to the infant having any conception of ‘myself’. In other words, the self is
constructed, not by the individual in isolation but through an interactive field out of which
‘the individual’ emerges. At the risk of oversimplification we might say that Neumann
puts the self ‘in’ the mother, Fordham puts it ‘in’ the infant and Zinkin puts it in between
Jungian thought with post-modern trends in philosophy and psychology, is also a firm
attribute subjectivity to the self as if it is a person, and to reify the self as if it were a
substantive entity. She identifies these tendencies as stemming from the epistemological
errors of ‘realism’ and ‘essentialism’ as a result of which ‘we may sound as though we
can know the unknowable in saying the Self has intentions, views and desires’ (Young-
16
philosopher, Rom Harré (also an influence on Zinkin) she has identified what she calls
‘the invariants of subjectivity’. These are coherence, continuity, a sense of agency and
affective relational patterns. Since these are universal features of subjectivity, within a
wide range of different ways of thinking about and experiencing a personal self, she
concludes that they must be archetypal. Therefore, she suggests that, especially in his
later work,
is not personal and may be called God, Tao, Buddha Nature, a central
Since the form that individual subjectivity takes is that which Jung calls the ego, Young-
Eisendrath is arguing that the self is the archetype of the ego. As such, it is not the
context that includes culture, language, and other persons’(Young-Eisendrath & Hall
1991: xii). Young-Eisendrath and Zinkin emphasise different aspects of the same overall
project: both stress that the archetypal self cannot be divorced from the personal self and
that the personal self is acquired through mutual interaction, not a given that arises in and
of itself. However, where Zinkin is interested in the detailed dialogue that takes place
approach and has been able to re-align constructivist thinking with Jung’s view of the self
17
Self as Process
In this concluding section, I want to begin to sketch out a view of the self which is both
totality and archetype, both organising principle and that which is organised. In this view,
the self is best understood as the overall process of the psyche. That is, it is not simply an
organising principle within the psyche but is better thought of as the organising principle
of the psyche.5 There is no principle or archetypal structure which is in any way separate
from that which it is organising. The structure is inherent in itself - the self is both a
tendency towards organisation (the process of individuation) and the structure of that
organisation (the self as archetype). In other words, the psyche is self-structuring and the
name for that process is the self. What misleads us is our tendency to isolate elements of
thought into ‘contents’: then the self-as-archetype becomes a ‘content’ ‘within’ the
process of the psyche, this paradox disappears. This also avoids the tendency that has
dogged religious thought and has cropped up again in Jungian psychology: the tendency to
descendent of Philo, the Cappodacians and all negative theologians. In fact, she does
indeed draw on another kind of negative theology: the Buddhist doctrine of ‘no-self’
which was itself originally a corrective against the Hindu tendency to concretise Atman as
a substantive self.6
However, Brahman (and Atman as its individual aspect) is also, properly conceived, not a
discrete entity but something that pervades everything. In a Hindu parable, Brahman is
compared to salt dissolved in water. It cannot be seen nor can it be distinguished from the
18
water in which it is. It is thus everywhere and nowhere. This may seem to be an
essentialist view, as if there is a definable essence of being which is Brahman. But here
the essence is inseparable from the element in which it is found - lived existence. It is as
if the self is not an experience and certainly not a content of experience but rather the
taste of experience, its quality.7 Brahman is that which ‘cannot be spoken in words, but
that by which words are spoken ... What cannot be thought with the mind, but that
whereby the mind can think.’ (from theUpanishads: quoted in Armstrong 1997: 40). If we
apply this to the self, we might say that the self is not subjectivity but the condition by
which subjectivity is possible. It is not myself, nor the experience of myself but the very
possibility of my having self-experience. This, I think, is what Jung means by the larger
personality that is the self. It is a recognition that our self-organisation is not bounded by
our self-awareness but is the overall purpose and organisation of our existence as human
This way of thinking is also, surprisingly close to developments in Darwinian biology and
since two of the key proponents in this field, Richard Dawkins and Daniel Dennett, are
vigorously atheistic and reductionist, apparently the very antithesis of the Jungian
zeitgeist.
consciousness based on what he calls ‘the Multiple Drafts Model’. This model is
strikingly post-modern in that it eschews the existence of any single point at which
consciousness and the self. He argues that we must rid ourselves of the homuncular
fantasy in which neuro-physiological processes are somehow all directed towards and
19
served up to a ‘Central Meaner’ who receives ‘inputs’ from sensory data and the body in
‘the Cartesian Theatre’ of consciousness. Rather he suggests the brain is like a serial
processor in which multiple versions of events, meanings, emotional and sensory states
and language co-exist in such a way that it is not possible to distinguish any boundary
between those that become conscious (‘mental’) and those which do not. Consciousness
is therefore a field which is in continual flux, rather like Jung’s view of the psyche as a
multiplicity of complexes.
Rather than the self as an ‘inner person’ (homunculus), Dennett suggests, like Young-
form, is attributable to all life forms: even the lowliest amoeba must make a distinction
This minimal proclivity to distinguish self from other in order to protect oneself is
the biological self, and even such a simple self is not a concrete thing but just an
This seems to me to recognise that all organisms are driven by an overall sense of
purposive intelligence that is beyond the conscious mind. It is simply that in human
beings, the self is inevitably of a far more complex kind and, appropriately, its
contemplation inspires awe. So, while the self may not possess subjectivity, it becomes
and ‘needs’ that transcend consciousness. How else could we function at all? We have
only to consider the complex functioning of our internal organs (and our brains most of
all) to see this. Why should we expect the psychic aspect of ourselves to be constructed
any differently? This is the basis for Jung’s teleological view of the psyche as a holistic
20
system of purposive self-regulating functions. Conscious realisation of the processes at
work in ourselves may well make us feel humble and small and offer a rebuke to the
hubris of the ego, but must also provide that deep-rooted, inalienable reassurance of what
Winnicott calls ‘going on being’. We do not need to know how we do it, we just discover
Dennett applies the same kind of thinking to the construction of a personal self. As he
puts it, we find ourselves ‘spinning a self’ just as the spider finds itself spinning a web.
We do not know what we are doing or why we are doing it; it is as if it is doing us.
Dennett proposes the construction of the self as an example of what the biologist Richard
Dawkins has called the ‘extended phenotype’ - extended effects of genetic activity
beavers’ lakes and the stone shells created by caddis flies (Dawkins 1982). There is a
very close parallel here to Fordham’s argument for the primary activity of the self.
Fordham, too, argues that the infant is able to ‘create’ aspects of its environment by its
own activity. Extended into the intersubjective view, we might say that all of us act on
each other to promote the development of our individualised personal lives which are
therefore part of the extended phenotype of the human organism. I suggest that ‘the self’,
like God, is an image of this process. The God-image appears to be the source of our
existence but it is also the result of the processes it represents. The God-image is the
image, not of the self that is spun (myself), but of the process by which it is spun - that
through we live and breathe and have our being. As individual subjects, we are subject to
the self.
If the self is the process of being human, it follows that the self is in everything we are.
This view also offers a reconciliation of the part/whole paradox. The thrust of Dennett’s
21
philosophical critique is against the conception of a conscious agent who somehow exists
from the processes of awareness through which It exists9. Similarly, we need to get away
from the idea of a self ‘in’ the unconscious or anywhere else for that matter. So, for
example, when Fordham says the self deintegrates and reintegrates, we might see the self
with and continuous with the self’. This means that parts of the self are endowed with the
qualities of the self since, as I indicated earlier, the self is the quality of experience.
Louis Zinkin uses the analogy of the hologram to refer to the way that parts of the self are
not distinct from the whole self but rather are merely different forms that the self takes.
In the hologram, the whole image is present in every part of it since the image is a
function of wave patterns that form the holomovement. Zinkin concludes that
Movement is primary and the appearance of forms as they emerge from the
structures such as the archetypes , the ego and the self or the unconscious,
which are only comparatively stable and autonomous forms (Zinkin 1987a:
124)
I want to take this just a little bit further and suggest that the self is the holomovement.
Therefore the whole self is present in every part of it. It is omnipresent from the very start.
Furthermore, since it is never a discrete entity, there is no need to postulate starting from a
self-contained system, as Fordham does in the hypothesis of the primary self (Fordham &
Zinkin 1987: 138). The nascent individual may be a system but it is perpetually in
22
interaction with other systems, and itself made up of myriad part-systems down to the
level of the genes and further down to their atomic constituents, until the search for
origins disappears once more into the nothingness of the unthinkable and becomes
infinite. The self emerges out of this primary wholeness and develops towards a
involves us becoming distinct and discrete individuals to the point at which we can
confront the universe from which we have sprung as discriminated but intrinsically
connected parts of it. Then, if we can grasp it, we might once again know the experience
Notes:
23
1
This is true of the concept of the self in psychoanalysis, for example, where the concept has been mainly used in
America, by followers of Heinz Hartmann’s ego-psychology. Some Jungians feel that Kohut’s view of the self as ‘the
centre of the psychological universe’ is similar to Jung’s, albeit he does not refer to its potential connection with the
image of the divine. For a detailed elaboration of this view see Jacoby 1985.
2
The term ‘sub-personality’ has been used by Joseph Redfearn in his book My Self, My Many Selves (Redfearn, 1985).
Redfearn’s work is a comprehensive elaboration of the multiplicity of the self in terms of the shifting identifications of
3
I am indebted to Karen Armstrong’s A History of God (1997) for most of the information in this and the following
paragraph
4
These views may also be combined. For example, Hester Solomon (1997; 1998), while adhering closely to Fordham’s
view of the primary self, has sought to demonstrate that Jung’s notion of the self in transformation is both primary and
relational.
5
Similarly, Rosemary Gordon refers to the self as a structure within the psyche whereas I think it would be more accurate
6
Following a hint from one of Jung’s letters, she refers to the self as an ‘empty center’ around which the personality is
organised (Young-Eisendrath and Hall 1991: 61). I have developed this view elsewhere in relation to the ‘heart of the
7
Robert Pirsig has made ‘Quality’ the centre of a philosophical system, supraordinate to the subjective reality of mind
and the objective reality of matter. He equates Quality with Tao which, in turn, Jung equates with the self. (Pirsig 1974)
8
While I was working on this paragraph, I received a letter from an ex-patient telling me how she had been hi-jacked at
gunpoint and fully expected to be raped and killed. She attributed the fact that neither had happened mainly to an
inexplicable feeling of wholeness, calm, and inner confidence that she experienced as she faced death head on. As a
child, she had been devastated when she realised that no-one, not even her mother, could prevent her from dying and she
had suffered from fears of dying ever since. The strange thing, was, she told me, that as she was driven for several hours
at gunpoint into the middle of nowhere, she felt, for the first time, a certainty that she would go on breathing and that her
body was capable of sustaining her. It must have taken the presence of death as an external reality to shock her into an
9
It seems to me to beg the question to refer to such a Cartesian agent as either ‘he’ or ‘she’. How does it know that it is
References
Colman, W. (1998) That within which passes show: Hamlet and the unknowable self. Harvest Vol
44:1, 7-23.
Edinger, E. (1960) The ego-self paradox. Journal of Analytical Psychology, Vol 5:1, 3-18.
Fordham, M. & Zinkin, L (1987) Correspondence between Louis Zinkin and Michael Fordham. In
Zinkin, H., Gordon, R & Haynes, J. (eds.), The Place of Dialogue in the Analytic Setting: The
Selected Papers of Louis Zinkin. (1998) 133-148. London & Philadelphia: Jessica Kingsley.
Gordon, R. (1985) Big self and little self. Journal of Analytical Psychology. Vol 30:3, 261-271
Jacoby, M (1985) Individuation and Narcissism. The Psychology of the Self in Jung and Kohut.
London: Routledge.
Jung, C.G. (1963) Memories, Dreams, Reflections. Reprinted: Glasgow: Fountain Books, 1977.
Neumann, E. (1954) The Origins and History of Consciousness. Reprinted, London: Karnac Books,
1989.
Pirsig, R (1974) Zen and the Art of Motorcycle Maintenance. London: The Bodley Head.
Scholem, G.G. (1941) Major Trends in Jewish Mysticism. New York: Schocken Books.
Solomon, H. (1997) The not-so-silent couple in the individual. Journal of Analytical Psychology, Vol
42:3, 383-402.
——(1998) The self in transformation: the passage from a two to a three-dimensional world. Journal
of Analytical Psychology, Vol 43:2, 225-238.
Young-Eisendrath, P. (1997a) The self in analysis. Journal. of Analytical Psychology, Vol 42:1, 157-
166.
——(1997b) Gender and Desire: Uncursing Pandora. Texas: A & M University Press.
Zinkin, L. (1987a) The hologram as a model for analytical psychology. In Zinkin, H., Gordon, R &
Haynes, J. (eds.), The Place of Dialogue in the Analytic Setting: The Selected Papers of Louis
Zinkin. (1998) 116-134. London & Philadelphia: Jessica Kingsley.