Studio/OB/EFP Camera Family fyelt) F —— oe = ~ Hf ls . ire 4 act 4 c s Interactive i ISR Status y ey 4 — Feng* ‘The BVP-5001550 is a totally new STUDIO/OB/EFP camera family —specifically designed to address the majority of needs within the broadcast television station, sports and entertainment trucks, corporate and independent production facilities, This camera family is a central underpinning within a larger, more comprehensive STUDIOIOBIEFP camera strategy — namely, total camera hierarchy addressing all strata of a growing international television marketplace. This hierarchy encompasses a variety of forms of advanced television. The very latest developments fiom Sony’ unceasing pursuit of excellence in CCD imaging, contemporary DSP video processing, wideband component triaxial communication to the CCU, and a new high-speed degital command and contral system — all converge in the BVP-500 Studio/OB systems, and their companion portable BVP-55O systems, to bring new meaning to the word “value-added.”‘A Unified Gamera Family: ‘The broadeaster/preduction studio and outside-broadeast camera imarkerplace has, over the past two decades, separated into distinct tiers which are distinguished from each other according to Performance/Features/ Facilities and, of course — Costs, Within a broadcast television station there can exist a distinet separation in needs: a high performance and fully- featured camera system to support program production — and pethaps a ‘more modest and cost-effective camera system for news origination, There are many variations on this, ‘Yet, within that broadeast station or OB production truck a high degree of system compatibility beeween these different tiers of camera can bring, overall efficiencies and streamlining to both technical supervision and creative ‘operations. A unified multi-tiered ‘camera family has much to offer in meeting different needs within the same ‘overall complex. Sony gave'a high priority to the development of such a coordinated and carefully tered camera family that would allow all aspects of television programming to be optimally addressed. A Three-Tier Studio/OB Hierarchy: Three Levels were identified from careful studies of program origination in television broadcast stations, outside broadcast mobile facilities, and independent studio production facilities. These are: “The Very Best” performance — coupled with maximum flexibility in ‘operational creative controls, The very best that technology can allow — with no compromises. “Very Good” in performance — supported by modest flexibility in operational control. A general “work-horse” system providing consistency. “Good Enough” in performance — combined ‘with simplicity in operational control. Costffectiveness — and a doste for “value-added” — fora trully economical investment, A Universal System Architecture: ‘Taking all Seudio/OB syscem ‘considerations into account our studies yielded an appronch thac promised high Alexibiicy in structuring a tiered hierarchy — a coordinated camera family that would squarely addeess all television program orgination needs well into the next decade. ‘The heart of the family lay in the development ofa system architecture structured about a highly contemporary high-speed digital data command system. This isa very Aexible and Figure 1. A Family Hlerarchy Tailored to an Evolving Marketplace ASP Fagship topctthesine (Faure ADSP) ves700 ‘Stuil08 System BVPHT50 } | ‘The “Workhorse” I ‘Upper Tler pti System DSP BVBIB50 VOn . powerflsrial digital contol system ‘eomnmon to all cameras within the ‘overall family. A range of creative video operational panels operate over this digital nevwork control and provide picture consistency regardless of the specific camera being utilized, This is of particular advantage in the larger ‘broadcast or production complex {mobile truck system) utilizing different tiers of the camera family. TThe eore system that defined the overall system architecture is centered about the high-end system BVP-700 and its companion production portable BVP-750. An upper and lower satellite camera system are added to this core system: one, a High Definition Broadeast studio camera family — and second, a quite separate, integrated family — the new BVP-500/550 Studio/Portable systems ‘The High Definition FutureTHE CAMERA -HEAD——— INNOVATION IN TECHNOLOGY — DSP Video Processing, The goal of camera manufacturers is to simplify the very complex electronics ‘of the modern studio camera chain by, first, implementing the RGB video processing entirely in the digital domain, and secondly, milizing the posers of ‘contemporary digital semiconductor technology to reduce this digital procesing to «4 relatively few Large Scale Integrated (LSD chips. Aud, indeed, such Digital Signal Processing (DSP) technology has already made its first appearance in professional video cameras. DSP processing made ts debut in Sony’s self contained one-piece camcorders jin 1994 with the BYW-D600 Betacam-SP and its companion DVW-700 Digital Betacam system — the Digital 1000 camcorder series. The technology employed is very contemporary — being largely of 0.5 nm lithography and high- speed lower-power CMOS semiconductor. A quantifiable improvement in mobile picture acquisition is widely acknowledged by the many users of the Digital 1000 camcorders. Now this same DSP technology is applied to the BVP-500/5S0 SiudiolOB camera family. DSP TECHNOLOGY High Rellability and ‘Stability 10 bit/36MMz Full Digital ‘The digital camera cieuits also Signal Processing The BVP-500/550 incorporates full digital Sgnal processing for the camera provide high reliability and stabiley in picture reproduction, since the setup parameters can not be changed by physical factors such as temperatute, seo tem which prvi ny ee superb picture quality, but also significant advantages for setup of the Faith Reproduction ‘camera ata level unattainable with Handling a wide variery of setup conventional analog signal processing, parameters with digital numerical Superlative Picture quality _Y#!istallows these numbers be ‘The BVP-500/550 uses 10-bit A/D converters for RGB output signals of the CCDs to obtain a wide dynamic range and superior picture quality. To memorized in an IC Memory Card This unique setup card facility also stores other information such as a ‘complicated system configuration assigned from the MSU-700 Master Setup Unit via the novel serial digital command network. maintain this picture quality, the subsequent signal processing is done at more than 10-bits with a maximum of 14-bits and ata 36MHiz sampling Outstanding Flexibility frequency, which is ewice the In order to maximize the flexibilcy horizontal clock frequency of the of the digital processing, the camera Hyper HAD 1000 imager. This also processor LSIs are specifically designed allows very precise and flexible settings 10 provide a variey of setup for various setup parameters, meeting parameters and flexible parameter the severe demands of non-linear settings required for high quality signal processing required for gimma operation, and variable knee compensations. Compactness Easy Setup With the adoption of digital signal Potentiometers are virtually processing and high density LSIs, climinated by the adoption of digital traditional video processing PC boards processing, which simplifies the secup having high densities of discrete of the camera, components are replaced by boards of. ‘greater simplicity and eelisbilty Eee By focusing only on the studio camera head with present-day contemporary DSP processing —a camera chain has been developed that offers: + High performance — and stable, consistant performance + Dramatic simplification of PC board circuitry + Elimination of dozens of potentiometer controls (craditionaly associated with camera video processing) + Relibiliy and stability over extended time periods + Reduction in maintenance and alignment * Cost reduction of total electronics BVP.500/550 — A Step by Step Approach to DSP in the Studio Camera What sets the studio/OB camera disney apart from the self contained portable camera is the requirement to deliver very wide bandwidth component video signals — at the remote Camera Control Unie (CCU) outputs, ‘The bandwidths expected today are in the neighborhood of 6 - 10 MH to suppor high quality Uhkimate Compositing and Chroma Key In che case of the stio/OB camera, Sony's overall approach isto harness che best DSP technology and carefully apply itt achieve the ‘maximum cost/benefit allowed by that technology. While incapable of doing justice to che requirements of the entire studio camera chain, Sony nevertheless saw that present DSP could sil offer a sigaificane conti co structuring an ‘extended studiofOB camera family of unusually high performance and cost- effectiveness —see Figure 1INNOVATION IN TECHNOLOGY — Integrated Imaging Capsule The sophistication of today’s program production needs is such that studio and hand-held portable cameras need to be effectively “transparent” to the production control room — both in terms of an ‘ As outlined below, no less than seven separate camera configurations ae possible — by customer choice of the appropriate Integrated Imaging Capsule. Thac is, the imaging “hear” absolute match in pictures, and video operational control. In 1994 Sony of tye camea head — the self introduced a totally new top-of-the-line studio camera family — the contained assembly that forms the BVP-700 studio/OB system and its portable campanion BVP-750. Both core picture creation subsystem — is cameras were designed in concert to achieve the industry’ first fully the defining component chat compatible studiolportable pair. determines the Performance/Cost of a A breakthrough design concept — the Integrated Imaging Capsule — particular camera system. forms a virtual plug-in ‘mini-camera” which nests within the studio Sony has standardized on the 520K camera head or the portable camera head, thus ensuring absolute equality CCD asray for all members of the 3- in imagery from each. Now this novel concept has been extended in anovber direction. By combining a new range of integrated Imaging Capsules within the new BVP-500 studio camera head and BVP-550 portable camera — a totally new family has been created which admirably addresses the two marker tier camera hierarchy. For today’s 4:3, 525-Line television system this high pixel array ensures very high resolution —and an equivalency in picture sharpness among all camera levels. TThe Incegrated Imaging Capsule for tiers below the very high-end production sudio which is served by the ya sighvend BVP-7001730 family was flagship BVP-700/750 family. developed on the basis of two criteria: one, she very highest imaging Figure 2. Wide choice of integrated imaging Capsule to meet diferenct applications I : é | _ one-s00Ws : on-550S r 1638:3 suenable 2 18! etenanle | 5206 FT : soon FIT b 3 : oHe-550 : 43520K FIT on8-450 23 820K ‘is ont 320K one-451 42 s20K vets a) STUDIO/OB COMPANION PORTABLEperformance possible with INNOVATION IN TECHNOLOGY — Hyper HAD 1000 Imager contemporary optical, CCD imager, pono ep 2 Total picture quality is multi-dimensional, tt is defined at two levels — and video pre-processing technologies, seat wwo, single imaging system vo be ™Atnizing those key atributes that coneribte to superlative pice tiled in both the BVP.700 studio ‘Performance: sensitivity, resolution, color reproduction, dynamic range, and BVP-750 portable head while simultaneously minimizing those imaging artifacts that detract from “The design concept for the that performance: aliasing, noise, dark current, highlight artifacts and lag Incegrated Imaging Capsules wichin I: is for this reason that Sony physicists continually refine the CCD imager BVP-500/550 family is based on itself — closely supported by our camera design engineers who pursue somewhat diferent design criteria. Here innovation in CCD support cireuits and video processing systems. i was fle important ro make the Today, the new Sony 520K FIT Hyper HAD 1000 imager is a leader in Portable BVP-550 camera head as small contemporary solid stare imaging. Unceasing attention to the multiple facets as posible (smaller chan the BVP-750) of high quality imagery bas produced a CCD of extraordinary picture- but to utilize the same camera head shell forthe BVP-500 studio ast BVP-700. In addition the Integrated Imaging Capsule is a more cost effective — ‘making capability design in cotal than that of the BVP. 700/750 — this being cencral achieving the cost differential berween $ the rwo camera families that meets marketplace needs, sé ‘The BVP-500 camera configured at three levels — from a ad canbe sy choice of thee incegrated Imaging Capsules (differen only in the CCD Imager type employed). Simla the BVP. 550 —a smaller more compact Integrated Imaging Capsule is also available with a choice of three CCD Imagers (same imagers as BVP-500)Pienaar High Sensitivity ‘The high-technology Hyper HAD 1000 Imager increases the sensor aperture ratio, and the micro-lens system effectively converges the incident Fight onco each photo sensor. This «endows the BYP-500/550 with a very high operational sensitivity ~~ f8.0 at 2000 lux. With an F1.4 Lens at wi ‘open aperture and +18dB master gain, fall amplieude lurminance video is achieved with only 7.5 lux scene illumination, Extremely High Horizontal Resolution “The 520,000 element array CCD, combined with Sony's advanced sub- micron manufacturing techniques (hich achieve a highly precise pixel spatial offct between the G and RUB imagers), and an optimized optical pre- filter — provides an outstanding horizontal 74% MTF at 400 TVLiph, and a limiting resolution of more than 900 TVLiph. Enhanced Vertical Definition System (EVS) ‘The Sony CCD incorporates a novel variation on the traditional EVS system which utilizes electronic shuttering techniques to exercise unprecedented control over the built-in FIR cut filter within the imager’s readout mechanism. This in curn allows a smooth, variable elevation of vertical resolution. A specially designed optical low-pass filter ‘minimizes any attendant interline flicker. Superior Color Reproduction ‘The carefully designed prism optics, improvements incorporated into shaping, ‘the CCD imagers spectral response, and an optimized digital linear matrix — allow life-like color reproduction over a wide color gamut. Wide Dynamic Range The Hyper HAD 1000 Imager has a high wel capaciy which elevates imaging capability atthe upper extremity of ight level — while the photosensors HAD technology dramatically lowers the dark current at the lower extemity. The combination of extending both boundaries endows this CCD with an unprecedene 600% effective dynamic range. Figure 3. Total Performance of CCDs (Why did Sony choose 820K pel?) Suny 204 CCD sus parsed tes bene lige perma es ad Insure Acrtcal ae eee he ony eno alecing rans Joho ‘san an he rial sarc parmesan al eer mga pertemance manic ange Figure 4. Total Pertormance of §20K CCD and 1-14 ich plokup tude COs avedanatcaly moved eager feromance amos a respec. The any 208 C0 can pros 1 capo esison we = get an al lag. hed 1 en urtcon ear ged at ca Dept ot Moston Electronic Shutter ‘The BVP-500'550 features a variable speed electronic shutter (built into the CCD Images) which allows superbly sharp image capture of fast moving objects. The shutter speed ranges 1/100, 1/125, 1/250, 1/500/ 1/1000, 1/2000 (see) Clear Scan and Extended Clear Scan ‘This is another electronic shutter mechanism which allows the BVP-500/550 to image displays that are running at different scanning rates (such as displayed film images and computer displays) in a manner chat eliminates the interference bands + Clear Sean Selection 60.1 to 7000He + Extended Clear Scan Selection 304 t0 58.3H2 | |LOW PICTURE ARTIFACTS Minimum Aliasing and Enhanced MTF ‘The use of che Hyper HAD 1000 Imager in the BVP-500/550 requires an extremely high sampling frequency of 18MHz. This high sampling Frequency, in combination with an exclusive design of wideband optical lowpass filter, reduces aliasing 2a a level never achieved in conventional CCD cameras. The frequency response of the Red, Green , and Blue haseband signals is also significanely improved by these factors. The overall result is a very high depth of modulation with extremely low aliasing at Frequencies up to LOMHz — the entire useful video band for video production, Excetient Signal to Noise Ratio The Hyper HAD 1000 Imager structure lowers dark current by a factor of 10, providing almost invisible fixed pattern noise under high gain ‘operation. Numerous refinements to the CCD sensor, and advanced electronic processing of the CCD. output signal together achieve an excellenr signal to noise ratio — 6248 pica Nowiy designe ROTARY TYPE TRAX ciferent angle shectng | | = Superb Highlight Handling Sony’s excellent techniques in CCD overload drain design provides superb anti-blooming characteristics — even fon the most severe of highlights. Total absence of blooming, comet-ailing, and image retention a unprecedenied new creative freedom in imaging — particularly in outdoor OB applications. fe ible Smear Level The novel structure of the Hyper HAD 1000 Im: reduces vertical smear on highlights. significantly Combined with the FIT transfer mechanism such smear is now more than 140dB down on the highlight level — rendering it vieeually invisibleA completely new digital command system has been designed to serve as ‘the common remote control system for the entire studio OBIEFP camera hierarchy — encompassing the new BVP-500I550 family, the top-of the- line BVP-7001750 family, and a new broadcast HDVS camera family. The control system design is based upon high-speed, asynchronous, variable length serial digital data transmission. Within this system a new Command Network Unit (CNU-700/500) operates as a central “nerve center” for centralization of all commands and subsequent distribution 10 all elements of a multi-camera system. The CNU-700/500 allows convenient interface with camera robotic systeins, external PC contro, file exchange between camera systems, and the Sony ISR(Interactive Status Reporting) system. It also facilitates electronic assignment of remote video control panels to designated camera chains, Figure 6. Star Shape Network System ‘oupmetsecoring Up lo si caers stm and CPs canbe connect o {reo a tance (Up 12 camara sytem an ten) comMaND VP-550 + CA-550 eve-700 cu-7008, ave-750 ccu-7008 High Speed Digital Command System The System Architecture There are various levels co the total system architecture chat anticipate a wide variety of system configurations while also providing a pathway for Jong term studio planning and convenient upgradabilcy. The first level was designed to support the hicrarchical concept of our overall seudio/OB camera master plan: that a single compatible digital command system would serve both the high-end BVP-700/750 camera family and the new workhorse family the BVP-500/550 combinations Further, the fature needs of a simuleast 525-line/ HDTV system were anticipated by ensuring that a new HDVS camera fan ly would also share this same digital contol system — see Figure 6. Je Memory CarsINNOVATION IN TECHNOLOGY — Wideband Triax Transmission System Triax communication between the camera head and the remote CCU has become the norm in modern television production studio systems. Such systems employ modest lengths of triax cable and seek to deliver at the CCU ‘outputs the full performance capability of the camera bead. On the other hand, major sporting and entertainment events regularly call for extended runs of the triaxial cables — and seek as high a performance as possible at the CCUs mounted in the mobile trucks. To meet all of these needs Sony has developed a totally new wideband component triax system. The system ‘maintains ous philosophy of transmitting a wideband luminance signal and ‘two separate color difference components video signals from head to CCU. Wideband Component Triax Transmission ‘The crix cransmission system has # 1OMEz bandwidth for the luminance Long Range Triax ‘The wideband component sriax transmission operates up to: + 2000 meters (6600 feet or almost 1.2 miles) of o14.5mm cable (Fujikura) *+ 1500 meters ( 4950 feet oF almost which ensures a limiting resulution at the CCU output of 850 TVLiph, The ‘ovo color difference signals (R-Y/B-Y) 0.9 mile) of o13.2mm cable (Mohawk or Belden) + 1000 meters (3300 feet or almost 0.6 mile) of o8.5mm cable (Mohawk or Belden) have a transmission bandwideh of 6MH2. This component system transmission syscem fully proteets the integrity of the matrixed luminance signal (no differencial RGB delays to affect luminance resolution or the alias reduction by the CCD precision spatial offées). This method also transmits the full Luminance MTF of the wider band 16:9 signal — when a widescreen camera is utilized, Adjustabe contr of balance A Common Wideband Triax System All ofthe new 525-line studio and portable camera heads utilize the same wideband trax ystem — and a common type of Camera Control Unit the CCU-700 isa very powerful system concept which see Figure 6. This allows camera heads of deffeent levels to be substituted whenever rapid reconfiguration for a special program production is requited — or in the event of an emergency. It also fuciltares an easy upgrade path ifa camera system of higher performance is sought at a later date (only the camera head need be 001750 —or an Integrated Imaging Capsule in changed if upgrading to a BVP. the case of change between the two levels of BVP-500/550),OPERATIONAL FLEXIBILITY— Creative Pictrure-Making Camera Operator A totally new ergonomic design recognizes the major contribution of the ‘camera operator to creative piture making, Fasy mobility and comfort in camera handling were a high design priority. The new streamlined design dramatically lowers the viewfinder loser to the optical axis of the camera while also allowing easy operator viewing of the scene itself The viewfinder is a high-resolution 7-inch that can be easily manipulated in position (elevation, tile and swivel) with minimum disturbance to the camera itself. Picture-in picture Facility allows the operator to view any one of 4 return videos within the main camera viewfinder picture (with selection of 4 spatial positions for this picture). Video Operator ‘A powerful microcomputer controlled automatic setup system rapidly aligns che camera chain co a specified reference norm. The reference can be that programmed by the factory (an alignment condition that ensures the camera meets its published performance specifications) — or it ean bere programmed to an alternative alignment that suits the caste ofthe video operator and/or the technical suppor staff. This customized reference can then be stored as the primary reference file vo which the auto setup system aligns the camera everytime that function is activated. That reference file can also be stored in a plugin memory card and used at anytime to program the alignment of other cameras wichin the system. The BVP-500/550 system exploits the flexibility and stability of the DSP video processing, in combination with the new high-speed digital remore control systems, to facilitate unprecedented creative control over the camera’s imagery: Recognizing the diversity in operational philosophies surrounding video operator control within @ wide range of production studios and OB mobile trucks — a range of three different Remote Conteol Panels (RCPS) is available, from a relatively simple panel providing the most basic of emote control functions to fall featured pane! chat includes RGB Color Balance Differential control over RGB white balance, black balance and ‘gamma tracking. Color Temperature Remote contol of the fou: position oprical filter wheel that restores white color balance under scene lighting conditions that range from 3200K to 6300K.Black Gamma A control allowing enhanced image reproduction in deeply shadowed areas. Advanced Image Enhancement ‘A range of controls that allow true opsimization of picture sharpness of any specific scene. Remote control of horizontal and vertical detail, detail mix, control of horizontal and vertical deal, detail mix ratio (detail added before and afeer gamma), level dependence, and knee aperture are all available ‘on the remote video panel. In addition, a digital variable filter allows the center frequency of the horizontal derail signal to be adjusted from the MSU. Skin Tone Detait ‘A remove control that allows separation of facial color from all other colors in a given scene, and its detail ‘enhancement to be uniquely ‘enhanced or suppressed independent of the separate sharpness enhancement of the remainder of the scene. CONVENIENT MENU SELECTION > by using a rotary menu encoder an the rot panel TECHNICAL SUPERVISION — Camera System Management Automated Setup Easy system configuration ‘The BVP-500/550 system + Electronic delegation of RCPs to incoxporates a sophisticated Auco dilferene camera systems Setup system that aucomaticaly + Flexible deployment of multiple adjusts the following MSU + Auto White Balance + Auto Black balance Easy interface with + Auto Level Setup +P + Auto Black Shading + Robotics + Auto White Shading *ISR * Skin Deaail Auto Hue (for specified color range) Easy Maintenance + Plug-in high density PC boards Engineering Supervision «DSP — long term reliability 8 + New high-speed digital serial stability control protocol + Sel-dingnosties facilitates + New control system architecture * Considerably augmented Master New Filing System Setup Unit Commercially available IC memory + Inteoduction of 2 Command card Network Unit — an electronic #5 scene files “nerve center” for a multi-camera +1 reference file system, #15 lens filesBVP-550 with current CAs/CCUs BvP-st BvP-st ; a : 2 em odo iS = iInput Connectors Mice XERSP [Femae) <2, POM SOV oF MIC RAP (Fein), nore j Retin NC (whan eptorl ane ka) estou GNCWpe. 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TY 112000 eae 208, 038, 308,608, 86, aa Oa 368,68, 00820, 08, 988, v6, 08, ‘M208, vied 42408, 30081208, rtd, «2408, s000e” “1248, +700 «2408, 99058 (iar sean selection aor 7000 He ~ a eo moo Extend eat sean — “204 583He Meaulation depth at SHH) 70% — — Power consumption a _ 1s 7Vde “105 = 7 Wee 2010 45 °C (a +115°F) “Bo 5-6 (40 119) oie v8 °C (aw 3113) 201 130°C (410 11227) 2010 150°C at BEF). $200 150°C (tt +122 *F)(CCy-7008 Camera Control Unit ¥eS-700 video Selector Input signals etum video 12.779.) (BNC, eep-reUghT Input sna IK BNO) ee Feterene in (BNC; loop rough) WF (BNC) Promptorn (BNC, loop trough) Carsten (ENC, oop-eough) ‘uta sigale Encoded video cut (GNC) » 3 ‘Sapa sana IK TNC. lop-hvough) ‘Component SD (BNC) 2 (option) WE 1 (BNC. lpn) FUG’ ou (ENC) Pix 2 (BNC) ‘ine out (NC) Wr 2 (BNC) Wavetorm menitor ou BNC) «2 _ Seow Pleure monte out (@NC) «2 ‘connectors Remote (5) (Chaat video out ENC) wens ‘ye out GNC) pot (sub 3-9 _ Mout 0H XR pe) Power requemenis AC 100 0 120V, ysOR— Input signals Camera: Trax (ngs '9p2) Power consumption 028A : Coax (BNC) Woigh (Approx) 5.249 (TTB Faz) anmuriéaiens arco (RTS) (KLA 3p, fop-hoUgh) Dimensions Appr@t) 428(W) < 44%) < 0000) am eream( a3 TanyPOM pe) reine ne IniereorvPGM (ont panel Sn) ee Remats coniol REMOTE (8p) —— peep RCP.700701/720721/740781 Remote Contra! Panel ‘ote ‘WF moe 55) ITONTROTELITAOT€1 Recwote Conte Pan ic gan emote contol (0S 15-0) Irom remote contol (sub 25-pn) wor rouieriente AC 120V =10., SUSOH Powe’ eorsumetion TBD. Approx.) taxa Sansone rex) toa = 1090) e000) ww (ign 5 ie *Tavalabe wat open cies) ‘CNU-700 Camera Command Network Unit *Cennedtrs| emote: CNUICCU (in), AUX (in) Proview (i) 1 por (9:9) Power reaatomeris OC 90V Wight (Approx) RCP-700'7 Og @ baz) RCP-70r 099 21). ROP-720: 1 8g (1B 1507) ROP-72 1749 (SI 12 a2) RCP. 740 2 99 (5 102) ROP a1: 2.49 (8 1402) Input signals. Relerence in iBNC.top-vough) x2 ~Outout sn (Caracorvidoo out (ONC) x2 “Connectors CCU Tein) «8 RCP (spn) = 6 MSU >in) Vos (in) = 1 AUX aim 2 S-2526 [Os pn) 3 Power requivemenis AC 100 wo T20V, SOBOH? Power consumpion «A ~Wiegh Approx) Tag (2818 1 oz). Dimensions (appro) «2a < 13505) x 0010) ma (io 5 soe 19 nes) "ROP:700-B5(W) < 2305) « 1270) men (uxe xx 5.nchos) |RCP-701 Ba)» 221(H) B30) mm uira kc X hehes) -ROP-720 0240) » 640M) « 1270) mm (20s ta ches) ROP-721 02(W) » 354(H) « 830) mm (ei tase3 kinches) ROP-740:136(0) = SBAIM) x 12710) rm (Sts ta 5 rchos) |RP-741 96(H) » 36440» £910) mm (ous tas nehes) Dimensions (Approx) BVF-77 Pinch Monehrome Viewtinder ci ‘Seren a Ted) 13104) ite (e435 «menos ~ Suu sonal ‘Chafater vido ovf NC] = ‘Ting ang 507-20 ‘Connors Bighiness ihe Fan SBT 7 sluren ‘00TV Power requierienis “weg tppeox) Teg iS Bn) ox) 5.01 — “Sarees pepe ‘BES 17814) x SBD} (ox 7 4 12 inches) VF.55 Sine Monoctvome Viewtindor crac ei) i SO ef on once tee - ee cae — anne ayer sana — a tay Pano Segway ee cy bytes __ woe regres ee mamma Sean. Seat mere SecSame Sst Eee ‘Dimensons (prox) 482(0) = 8703) x 2200) mm (192 8 no Dein nasser it 9 care wie Distributed by 'BC-00469-A ‘uKBc01710HB9601P2.008 SONY ELECTRONICS INC. 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