SLM 8 Eapp PDF
SLM 8 Eapp PDF
SUPPLEMENTARY LEARNING
MATERIALS (SLM)
Rosalia J. Gaddi
Glenn C. Maratas
Writers
Glendle L. Lunar
Validator
AWARDEE
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EAPP
Determining Concept by
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Definition, Explication and
WEEK 8 Clarification
This module was designed and written with you in mind. It is here to
help you determine the ways a writer can elucidate on a concept by
definition, explication and clarification. The scope of this module permits it
to be used in many different learning situations. The language used
recognizes the diverse vocabulary level of students.
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PRETEST:
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LEARNING ACTIVITIES
A. Definition
It is the method of identifying a given term and making its meaning clearer.
This mode of explanation contains the term to be defined and the detailed
exposition of the term through the use of illustrations, examples, and description
Techniques
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b. By origin or semantic history – Ex. Yoga comes from the Sanskrit
―to join‖ .
c. By Illustration – Ex: Known for their shedding their leaves in the
fall, deciduous trees include oaks, maples, and beeches.
d. By function – Ex: A thermometer measures temperature change.
e. By analysis (Breaking down wholes into parts, aspects into
levels, and a process into steps) Ex: The republican form of
government has three branches: the executive, the legislative,
and the judiciary.
f. By likeness or similarity – Ex: Brighter than 100million suns,
quasars stand like beacons on the shore of the universe…
g. By analogy or metaphor –Ex: The germs and bacteria or antigens
are like a gang of villains invading our body, attacking our
unseen defenders, the layers of macrophages, cytokines, and
lymphocytes,
h. By contrast- use of opposites. Ex: Unlike those of gas, the
particles of plasma are electrically charged.
i. By negation – stating what a term is not. Ex: Wild rice, an
American delicacy, is not rice at all but the seed of a tall aquatic
grass
B. Explication
A method of explanation in which sentences, verses, quotes, or passages are
taken from a literary or academic work and then interpreted and explained in a
detailed way. Present your thesis clearly in the introduction & follow it up with a
detailed analysis of a passage or text. Begin the body by analyzing & explaining
how the text was constructed. This should end with a concise conclusion by
restarting your thesis and major arguments
Example:
The poem titled ―The Road Not Taken‖ by Robert Frost is about a
man reflecting on a choice he once made. While the outcome of this choice us
not implied to be positive or negative the speaker notes that the choice in
itself and the consequences of that choice have made a huge difference in the
way his life has unfolded. The poem is about the importance of choices. The
poem begins with the speaker regretting that he could not have been two
people so he could have at some point in his life taken two roads instead of being
confined to one…
C. Clarification
It is a method in which the points are organized from a general abstract idea
to specific and concrete examples. It entails the analysis of the concept by looking
at the examples and specifying some of its characteristics to arrive at one working
definition which can be used throughout the paper.
Example:
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a person dissatisfied with the system doles out punishment to wrong-doers.
Activity #1
Motivation:
1. Think about this question: Who do you think is more masculine, your
class nerd or your basketball star? Explain your answer.
Activity #2
Being a Man
Paul Theroux
(2) I have always disliked being a man. The whole idea of manhood in America
is pitiful, in my opinion. This version of masculinity is a little like having to
wear an ill-fitting coat for one's entire life (by contrast, I imagine femininity
to be an oppressive sense of nakedness). Even the expression "Be a man!"
strikes me as insulting and abusive. It means: Be stupid, be unfeeling,
obedient, soldierly and stop thinking. Man means "manly"—how can one
think about men without considering the terrible ambition of manliness?
And yet it is part of every man's life. It is a hideous and crippling lie; it not
only insists on difference and connives at superiority, it is also by its very
nature destructive—emotionally damaging and socially harmful.
(3) The youth who is subverted, as most are, into believing in the masculine
ideal is effectively separated from women and he spends the rest of his life
finding women a riddle and a nuisance. Of course, there is a female version
of this male affliction. It begins with mothers encouraging little girls to say
(to other adults) "Do you like my new dress?" In a sense, little girls are
traditionally urged to please adults with a kind of coquettishness, while boys
are enjoined to behave like monkeys towards each other. The nine-year-old
coquette proceeds to become womanish in a subtle power game in which she
learns to be sexually indispensable, socially decorative and always alert to a
man's sense of inadequacy.
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inadequacy—because it denies men the natural friendship of women.
(5) It is very hard to imagine any concept of manliness that does not belittle
women, and it begins very early. At an age when I wanted to meet girls—let's
say the treacherous years of thirteen to sixteen—I was told to take up a
sport, get more fresh air, join the Boy Scouts, and I was urged not to read so
much. It was the 1950s and if you asked too many questions about sex you
were sent to camp—boy's camp, of course: the nightmare. Nothing is more
unnatural or prison-like than a boy's camp, but if it were not for them we
would have no Elks' Lodges, no pool rooms, no boxing matches, no Marines.
(6) And perhaps no sports as we know them. Everyone is aware of how few in
number are the athletes who behave like gentlemen. Just as high school
basketball teaches you how to be a poor loser, the manly attitude towards
sports seems to be little more than a recipe for creating bad marriages, social
misfits, moral degenerates, sadists, latent rapists and just plain louts. I
regard high school sports as a drug far worse than marijuana, and it is the
reason that the average tennis champion, say, is a pathetic oaf.
(7) Any objective study would find the quest for manliness essentially right-
wing, puritanical, cowardly, neurotic and fueled largely by a fear of women.
It is also certainly philistine. There is no book-hater like a Little League
coach. But indeed all the creative arts are obnoxious to the manly ideal,
because at their best the arts are pursued by uncompetitive and essentially
solitary people. It makes it very hard for a creative youngster, for any boy
who expresses the desire to be alone seems to be saying that there is
something wrong with him.
(8) It ought to be clear by now that I have something of an objection to the way
we turn boys into men. It does not surprise me that when the President of
the United States has his customary weekend off he dresses like a cowboy—
it is both a measure of his insecurity and his willingness to please. In many
ways, American culture does little more for a man than prepare him for
modeling clothes in the L. L. Bean catalogue. I take this as a personal insult
because for many years I found it impossible to admit to myself that I
wanted to be a writer. It was my guilty secret, because being a writer was
incompatible with being a man.
(9) There are people who might deny this, but that is because the American
writer, typically, has been so at pains to prove his manliness that we have
come to see literariness and manliness as mingled qualities. But first there
was a fear that writing was not a manly profession— indeed, not a profession
at all. (The paradox in American letters is that it has always been easier for a
woman to write and for a man to be published.)
(10) Growing up, I had thought of sports as wasteful and humiliating, and the
idea of manliness was a bore. My wanting to become a writer was not a flight
from that oppressive role-playing, but I quickly saw that it was at odds with it.
Everything in stereotyped manliness goes against the life of the mind. The
Hemingway personality is too tedious to go into here, and in any case his
exertions are well-known, but certainly it was not until this aberrant behavior
was examined by feminists in the 1960s that any male writer dared question
the pugnacity in Hemingway's fiction. All the bullfighting and arm wrestling
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and elephant shooting diminished Hemingway as a writer, but it is consistent
with a prevailing attitude in American writing: one cannot be a male writer
without first proving that one is a man.
(12) When the novelist John Irving was revealed as a wrestler, people took him to
be a very serious writer; and even a bubble reputation like Eric (Love Story)
Segal's was enhanced by the news that he ran the marathon in a respectable
time. How surprised we would be if Joyce Carol Oates were revealed as a
sumo wrestler or Joan Didion active in pumping iron. "Lives in New York City
with her three children" is the typical woman writer's biographical note, for
just as the male writer must prove he has achieved a sort of muscular
manhood, the woman writer—or rather her publicists—must prove her
motherhood.
(13) There would be no point in saying any of this if it were not generally
accepted that to be a man is somehow—even now in feminist-influenced
America—a privilege. It is on the contrary an unmerciful and punishing
burden. Being a man is bad enough; being manly is appalling (in this sense,
women's lib has done much more for men than for women). It is the sinister
silliness of men's fashions, and a clubby attitude in the arts. It is the
subversion of good students. It is the so-called "Dress Code" of the Ritz-
Carlton Hotel in Boston, and it is the institutionalized cheating in college
sports. It is the most primitive insecurity.
(14) And this is also why men often object to feminism but are afraid to explain
why: of course women have a justified grievance, but most men believe—and
with reason—that their lives are just as bad.
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Directions: Answer the following questions on a separate sheet of paper.
Activity #3
Self-evaluation
Directions: Write at least one paragraph for each method of explaining a
concept/ ideas about your track or strand (STEM, ABM, GAS, etc.)
Concept by Definition
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
Concept by Explication
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
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Concept by Clarification
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
Criteria
Content: 3
Organization: 3
Langauge: 2
Mechnics: 2
TOTAL: 10
POSTTEST
True or False
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