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Nocturne in C Sharp Minor PDF

1) The document is a musical score for Frédéric Chopin's Nocturne in C sharp Minor. 2) It consists of musical notation across 31 measures with tempo, dynamics, and expression markings. 3) The nocturne has a melancholy tone set in a slow tempo throughout, featuring melodic lines in the right hand accompanied by arpeggiated chords in the left hand.

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Wei Lung TIN
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101 views

Nocturne in C Sharp Minor PDF

1) The document is a musical score for Frédéric Chopin's Nocturne in C sharp Minor. 2) It consists of musical notation across 31 measures with tempo, dynamics, and expression markings. 3) The nocturne has a melancholy tone set in a slow tempo throughout, featuring melodic lines in the right hand accompanied by arpeggiated chords in the left hand.

Uploaded by

Wei Lung TIN
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Nocturne

in C sharp Minor

     
          
 
Chopin

         
  
      
 = 65

    

        
          
 
 

 

      
    
 

6

         
             
       
3



           
 
 
10

           
    
         

  
             

       


14

      
   
       
3 3 3 3 3
 
             
   
 
17

      
           
     

     

 
                  
         
   
21

         

              
        
3 3

       
                
 
25 3 3

             


 
          


 
          
      

  
 
    
28

           
        
    

 
             
 
            
31
3

  
                          
    
3  allargando

2
      
      

35

  
            
    
           
         
3 3 3

 3 3  3

  
          
  
41 3

                     
          
rit........................................
3 3 3

 3  3  3


  
    
   


 = 65

 
A Tempo
46

         
         


          


         
  
49

     
3 3 3

      
3 3

 


    

3
        
         
          

52

             
 
 
3 3 3 3

  
3

    

        
    

55

          
      
       

          
 

         
 
58

   
     
9
 9

       
      

   
59

   

      
35

        
           
60

       

       
  
11 13

4


 
  

   

62

     
        
        
rall.  

 


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