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Doçura: Acoustic Guitar

The document contains musical notation for an acoustic guitar piece consisting of: 1) Various chord progressions played over several measures using common chords like Dm7, G7, Em7, and Am7. 2) Melodic lines and riffs played over the chord changes, made up of single notes and short phrases. 3) Indications for dynamics, tempo, and stylistic details to guide the musical performance. The notation provides the framework for a full acoustic guitar arrangement of the song in a Latin/Brazilian style.

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Rogerio Guarapiran
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30 views3 pages

Doçura: Acoustic Guitar

The document contains musical notation for an acoustic guitar piece consisting of: 1) Various chord progressions played over several measures using common chords like Dm7, G7, Em7, and Am7. 2) Melodic lines and riffs played over the chord changes, made up of single notes and short phrases. 3) Indications for dynamics, tempo, and stylistic details to guide the musical performance. The notation provides the framework for a full acoustic guitar arrangement of the song in a Latin/Brazilian style.

Uploaded by

Rogerio Guarapiran
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Acoustic Guitar

Doçura
Heraldo do Monte


         
             
    
D 6/F 


D6 G 7(13) G/F

 
5

        

 
D6 B m7 B m/A E 7(9) E 7(9)
9

       
                   


E m7 A 7(9) A/G D 6/F E m7 A 7(9)


13

 
              
E 7/G  F  m/A F m


D6 B m6
17

  
3

            
       
G  m7 (  5) C 7 F  m7


B 7(9) E m7 A 7(9)

  
21

 
                
   

D6 B m7 B m/A E 7(9) E7 E/D
25

       
             
A 7/C  D 7( 5)

E m7 A 7(9) D6
29

         
      
2 D 7M/F  

G 7M E m7 F dim F dim

   
33

  
3


             


E m7 E 7(9) A 7(9) D6 E m7 A 7(9)


37 1.

    
     
          
G  m7 (  5) C 7 F m F  m7

  
D6
41 2.

       
3

       
    
G /F  B m6/F  C  7/F C 7
45


3 3

           
F m G  m7 (  5) C 7 F  m7 D  m7 (  5)
49
 

    
           

C  6/F A  m7 D  m7 (  5) G 7
53

       
           
C 7 C 7 F  m7 F  m7


B m6/D
57


3 3

         
 
 
    
G /F  G /F  B m6/F  C  7/F C 7
61


3 3

              
F 7 B m/G 


E m6 Bm

 
65

     
3 3

   
         
3
F m F  m/E G  7/D  C 7 C  7(  9)


B m6/D
69

        
    

F m G  m7 (  5) C  7(  9) F  m7 B 7(  9)


E m7 A 7(9)


73 1. 2.

          
 
               
 E m7
  
E 7(9) A 7(9) D6

  
77


   
D.C. al Coda   

      
82


             
    

     
86

   

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