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A Face Adorada (304 HC) : Tenor Saxophone

1) The document contains musical notation for a tenor saxophone piece titled "A Face Adorada". 2) It is an arrangement of the piece by Saimon Saldanha. 3) The notation includes rhythms, notes, dynamics, and other performance instructions over 17 lines of musical staff.

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michel paulo
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130 views

A Face Adorada (304 HC) : Tenor Saxophone

1) The document contains musical notation for a tenor saxophone piece titled "A Face Adorada". 2) It is an arrangement of the piece by Saimon Saldanha. 3) The notation includes rhythms, notes, dynamics, and other performance instructions over 17 lines of musical staff.

Uploaded by

michel paulo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Tenor Saxophone

A FACE ADORADA (304 HC)


Nani Azevedo
Arr.: Saimon Saldanha
(iq com swing feel)

         
                
 

                         


6

       
3 3
10
 
            

 
   

   
22
               
  
3
sf
27
                
 
        
  
3
34
       
              

41
                   
        
46
     3     

    

60
             
   
          

64
       
             
3
2 Tenor Saxophone
   
70
  
                 

75
         

      
         
3 3 3

   3   3     
80

            

 
92
   
   
    

97
         
                

101
           
       
3

    
108

                      

         
113
        
   
        

3 3 3

117
                      
 

122
        
             
3 3 3
132
    
 
             
       
Tenor Saxophone 3
                
138

         

   
143 3   3   
             

dim. ff
cresc.

148
                 
      

           sf
152

  
                   
3

156
    
 
                

162
                 
      

  
          

          
167
   
          

171 p
            
  

3 p

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