Engl803c, 1703400004
Engl803c, 1703400004
Debabrata Debnath
ABSTRACT
Indian English literature or Indian writing in English is the literature written or produced by
the by the writers in India who writes in English and whose native or conative language could
be one of the several languages of India. It is also referred as 'Indo-Anglian literature' which
was coined by J.H. Cousins in 1883 and later it was given currency by Srinivasa Iyengar.
English, as a language, was introduced in India with arrival of the East India Company in
India and Indianized with the introduction of the English language as a medium of instruction
in India and the introduction of English literature as a subject in the Universities. In 1780,
India's first newspaper, 'Hicky's Bengal Gazette', was published in English by James
Augustus Hicky. In 1817. Macaulay’s Minute Upon Indian Education introduced in 1833
provided for the introduction of English as a medium of instruction with the claim that “the
English tongue would be the most useful for our native subjects.” while presenting his
famous minute, making such a pronouncement: “…A single shelf of a good European library
is worth the whole native literature of India and Arabia”. The Wood Dispatch of 1854
proclaimed the establishment of the Universities at Bombay, Madras and Calcutta and
thereafter made the English language accessible to students, professors and also the officials
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of Government offices. This was the time of the emergence of the Middle Class. Hence, the
first writings in English language in India was the official documents and collections of data.
The first book written by an Indian in English was "The Travels of Dean Mahomet", a
travel narrative by Sake Dean Mahomed, published in England in 1794, The first Indian
novel in English was Bankim Chandra Chatterjee’s “Rajmohan’s Wife” appeared in 1864.
The period from 1850 to 1900 is a phase when Indian poets were mostly romantic or in
mini-skirt". The chief sources of inspiration were the British romantic poets. But in the post-
colonial era the "new" romantics of the decadent period for expressing the consciousness of
the Indian renaissance between nationalism and political changes which ultimately led to the
The first phase of Indian poetry was the period of literary renaissance in India.
Derozio's poems, Kasiprasad Ghose's The Shair or Ministrel and other poems, Michael
Madhusudan Dutt's "The Captive Lady", Toru Dutt’s poems are a testimony to the creative
upsurge occasioned by the romantic spirit kindled by the literary renaissance. The poets of
the second phase were still romantic in spirit like Sarojini Naidu, Tagore, and Aurobindo
Ghose. Romanticism of these Indian poets was fraught with Nationalism, spirituality and
mysticism. .While Aurbindo was the search for the Divine in Man and Tagore's was the quest
The beginning of the twentieth century is the time of growth of the novel form and
Realism in English in India. Romesh Chandra Dutt, T. Ramakrishna who wrote "Dive for
Death" and Swarna Ghoshal who wrote "The Fatal Garland". Krupabai Satthianandan wrote
"Kamala, A Story of Hindu Life" (1894), "Bal Krishna, The Love of Kusama" (1910), Sir
Joginder Singh, Rajam Iyer, A. Madhavan. Without that in the first half of the twentieth
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century, in the colonial India or in the Pre- Independence era, there were great literary figures
like: A.F. Khabardar, N.V.Thadani, Nizamat Jung, and, Dilip Kumar Roy.
However, one name that stands apart from this body of writers is that of Rabindranath
Tagore, who had equal felicity and grace both in Bengali and English writings. "Gitanjali"
made Tagore a world literary figure fetching for him the highest honour, the Nobel Prize in
Literature for the year 1913. In the following years Mulk Raj Anand, R.K. Narayan and Raja
Rao became the trinity of Indian writing in English. the three being early representatives of
the use of English language in describing an Indian experience a struggle characterized their
attempts. Some other prominent writers who fascinated the world in the post- colonial India
were: Kamala Das, V.D. Trivedi, A.K. Ramanujan and Nissim Ezekiel, Jayanta Mahapatra,
Arun Kolatkar, Sarojini Naidu and others which revealed significant developments on
Nissim Ezekiel being one of the foundational figure in the post - colonial period
familial events,the mundane and the skeptical societal introspection, like in his poem
"Ganga", he creates a statement naming the mythical river, and maid named 'Ganga', both
being the cleanser, using words which are very relevant maintaining the mundane.
In the other hand, there were few poets who were more focused on the regional sensibility
than the Indian sensibility. This literary regionalism was taking place in the mid 70s. Arun
Kolatkar being one of them, specifically focused on the 'essential Oriya sensibility', like in his
Theatres in India had also been one of the remarkable reasons causing the evaluation
of the Indian writing in English in the Post-colonial India. It Emerged in the 15th century
BCE, Vedic text such as Rigveda provides evidences of drama plays being enacted during
Yagya ceremonies. The roots of Indian Dramas is in the Natyasatra by the Sage Bharata,
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dealing with issues like acting, dance, costume, music, dramaturgy, make-up, props, the
reciprocal relationship between performers and spectators so and so forth. Indian puppet
theatres and Street theatres were also so popular. And it took a huge shift after the arrival of
the British in 17th century, as they started organising plays of the English playwrights in the
places like Bombay, Calcutta, Madras. But the real journey of Indian English drama began
with Michael Madhusudhan Dutt's "Is This Civilization?" that appeared in 1871.
Rabindranath Tagore was also a prominent playwright, whose plays were performed
internationally. It took a untouchable height with the figures like Dinabandhu Mitra,
Dwijendra Lal Roy, Girish Ghosh, Notibinodini, Girish Karnad, Utpal Dutt, Sisir Kumar
Bhaduri, Rabi Ghosh, Utpal Dutt being the most popular of all. On the other hand, there are
figures like Gautam Halder who made a solo performance of the play "Meghnad Badh
Kabyo" by Michael Madhusudan Dutt and Saoli Mitra who are still making us amazed with
their performances.
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WORKS CITED
Mehrotra, Arvinda Krishna. A Concise History of Indian Literature in English. The Orient
Blackswan, 2017.
Mukherjee, Tutun et al. “Module 9 Treatment of Nature in Indian English Poetry (Pre-
https://epgp.inflibnet.ac.in/Home/ViewSubject?catid=13
Mukherjee, Tutun et al. “Module - 15 Indian Theatre in English - Genesis and Evolution”. e-
PG Pathshala. https://epgp.inflibnet.ac.in/Home/ViewSubject?catid=13