Purposive Communication - Module 2 - WM
Purposive Communication - Module 2 - WM
Communication
LEARNING MODULE FOR STUDENTS IN GE 1
This module, which covers three chapters, exposes the learners to the idea and
value of reading the text and beyond the text for better communication. In so doing this
would serve to develop their critical thinking and eventually enable the learners to
effectively respond to challenges which beset the society today.
MY JOURNEY
This chapter will hopefully empower you to use reading and thinking strategies
across text types. You will be exposed to the value and importance of critical reading
by dissecting a reading material. It is highly essential to analyze both the content and
Chapter 1. Fundamentals of Communication
context in order to make its meaning more alive.
MY EXPECTATIONS
MY READINGS
Critical reading is a more active way of reading. It is a deeper and more complex
engagement with a text. Critical reading is a process of analyzing, interpreting and,
sometimes, evaluating. It goes beyond skimming. When we read critically, we use our
critical thinking skills to question both the text and our own reading of it. Different
disciplines may have distinctive modes of critical reading (scientific, philosophical, literary,
etc).
If this skill is well developed, nurtured and enhanced, the reader is obviously
challenged to reason out and justify for her thoughts, ideas and decisions. The act and
the art of reasoning brought about by critical thinking is a noteworthy accomplishment
that any reader can claim.
It is in this context that although reading the lines of a text is important, the heart
of reading goes beyond it. To students, it is highly essential to analyze both the content
and context in order to make its meaning more alive.
You need to be prepared to step into the academic debate and to make your own
evaluation of how much you are willing to accept what you read.
A practical starting point therefore, is to consider anything you read not as fact, but
as the argument of the writer. Taking this starting point you will be ready to engage in
critical reading.
The aim of critical reading is not to find fault, but to assess the strength of the
evidence and the argument. It is just as useful to conclude that a study, or an article,
presents very strong evidence and a well-reasoned argument, as it is to identify the
studies or articles that are weak.
Some authorities share their piece of knowledge about the significance of reading
and ways how to develop thinking and reasoning.
Baraceros (2005) expressed that critical reading is necessary for the students to
know how to examine critically what they see, feel and read to be able to make good
judgment or decisions for the welfare of their countrymen.
This was supported by Kurland (2010) when he said that to non-critical readers,
text provide facts. Readers gain knowledge by memorizing the statements within a text.
Critical readers thus recognize not only what a text says, but also how the text portrays
the subject matter. They recognize the various ways in which each and every text is the
unique creation of a unique author. According to him, there are three steps or modes of
analysis which are reflected in three types of reading and discussion:
What a text says restatement (talks about the same topic as the original text)
What a text does description (discusses aspects of discussion itself)
What a text means interpretation (analyzes the text and asserts a meaning for
the text as a whole)
2. Read to Understand:
a. Examine the text and context: Who is the author? Who is the publisher? Where
and when was it written? What kind of text is it?
b. Skim the text: What is the topic? What are the main ideas?
To read critically, you must think critically. This involves analysis, interpretation,
and evaluation. Each of these processes helps you to interact with the text in different
ways: highlighting important points and examples, taking notes, testing answers to your
questions, brainstorming, outlining, describing aspects of the text or argument, reflecting
on your own reading and thinking, raising objections to the ideas or evidence presented,
etc.
Analysis Asks: What are the patterns of the text? Analysis means looking at
the parts of something to detect patterns. In looking at these patterns, your critical thinking
skills will be engaged in analyzing the argument the author is making:
What are the supporting points that create the argument? How do they relate to
each other? How do they relate to the thesis?
What are the examples used as evidence for the supporting points? How do they
relate to the points they support? To each other? To the thesis?
What debates were the author and the text engaging with at that time?
How might my reading of the text be biased? Am I imposing 21st century ideas
or values on the text? If so, is this problematic?
How does it contribute to the discipline? Are its main conclusions original?
How would competing theories criticize this text? How could the author reply?
Directions: Read critically the article below. Then, answer the following questions
below.
Lasco, G. (August 17, 2020). On human-plant entanglements (1). Inquirer. Retrieved from
https://opinion.inquirer.net/132692/on-human-plant-entanglements-1
3. What do you think were the reasons why many us enjoy planting?
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Directions: Reflect on what you have learned after taking up this lesson by completing
the chart below.
I thought that…
What were your thoughts or ideas
prior to the discussion of this
lesson?
I learned that…
Directions: For further readings, you may visit the link given below on “CRITICAL
READING: WHAT IS CRITICAL READING, AND WHY DO I NEED TO DO
IT?”
Link: https://www.csuohio.edu/writing-center/critical-reading-what-critical-reading-and-why-do-i-need-do-it
REFERENCE LIST
Nada, E. R. (2015). Module in GED-ENG 101: Purposive Communication. First
Edition. Publication and Materials Development Office. Philippine Normal
University-Mindanao. Prosperidad, Agusan del Sur.
Uychoco, M.T.A., and Santos, M.L. (2018). Communication for Society: Purposive
Communication. First Edition. Rex Book Store. Sampaloc, Manila. ISBN
978-971-23-8668-8
Dayagbil, F., Abao, E., and Bacus, R. (2016). Critical Reading and Writing for the
Senior High School. Lorimar Publishing, Inc. ISBN 978-621-8035-07-2
Department of Education. (2016). Oral Communication in Context for Senior High
School. C & E Publishing, Inc. Quezon City. ISBN 978-971-98-0449-9
Juanillo, M. and Tan, E. (2018). E-Tech: Technology empowerment in a connected,
digital world. First Edition. TechFactors, Inc. Quezon City. ISBN 978-621-
8000-84-1
MY JOURNEY
You have learned in the previous chapter the importance of critical reading. The
aim of critical reading is not to find fault, but to assess the strength of the evidence and
the argument. It is just as useful to conclude that a study, or an article, presents very
Chapter 1. Fundamentals of Communication
strong evidence and a well-reasoned argument, as it is to identify the studies or articles
that are weak.
Being a critical reader also involves understanding that texts are always
developed with a certain context. A text is neither written nor read in a vacuum; its
meaning and interpretation are affected by a given set of circumstances. In this lesson
you will learn about intertextuality and hypertextuality in text.
Lesson 1. Intertextuality
Lesson 2. Hypertextuality
MY EXPECTATIONS
MY INITIAL TASKS
Being a critical reader also involves understanding that texts are always developed
with a certain context. A text is neither written nor read in a vacuum; its meaning and
interpretation are affected by a given set of circumstances.
Thus, CONTEXT is defined as the social, cultural, political, historical, and other
related circumstances that surround the text and from the terms from which it can be
better understood and evaluated.
Lesson 1. Intertextuality
Intertextuality is the modeling of a text's meaning by another text. It is defined as
the connections between language, images, characters, themes, or subjects depending
on their similarities in language, genre or discourse. This view recognizes that the text is
always influenced by previous texts.
1. He was lying so obviously, you could almost see his nose growing.
2. He’s asking her to the prom. It’s like a happy version of Romeo and Juliet.
3. It’s hard being an adult! Peter Pan had the right idea.
A majority of writers borrow ideas from previous works to give a layer of meaning
to their own works. Since readers take influence from other texts, and while reading new
texts they sift through archives, this device gives them relevance and clarifies their
understanding of the new texts. Intertextuality shows how much a culture can
influence its authors, even as the authors in turn influence the culture.
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Lesson 2. Hypertextuality
Hypertext, according to K. Amaral (2010), is a nonlinear way of showing
information. It connects topics on a screen to related information, graphics, videos, and
music -- information is not simply related to text.
This information appears as links and is usually accessed by clicking. The reader
can jump to more information about a topic, which in turn may have more links. This opens
up the reader to a wider horizon of information to a new direction.
Kindly
reflect on Why use hypertext?
this:
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MY DISCOVERY TASKS
Directions: In the Venn diagram, cite the similarities and differences between
Intertextuality and Hypertextuality.
Directions: Reflect on what you have learned after taking up this lesson by completing
the chart below.
I thought that…
What were your thoughts or ideas
prior to the discussion of this
lesson?
I learned that…
It has been exactly six months since I wrote about face masks in this column,
and the world has drastically changed since. Back then, people hoarded masks amid
fears of ash fall, and what inspired me to write the piece was, in part, the sight of some
of my UP Diliman students wearing them in Palma Hall—as well as travelers wearing
them in Bangkok’s Suvarnabhumi Airport—as the first cases outside Wuhan of what
was then called 2019-nCoV were being reported.
Today, neither physical classes nor plane rides are possible, and the Taal
Volcano eruption is but a distant memory. Meanwhile, masks are ubiquitous, not just
as a personal preference but a legal requirement and social expectation in public
spaces. Then as now, “masks serve as a physical and symbolic barrier between the
body-self and the outside world, giving people a sense of autonomy and security
against threats imagined and real” — except that the threat today is far more real than
imagined.
What has the past half-year taught us about masks, and what have the masks
taught us about ourselves?
First, we see the changing nature of scientific consensus, especially when
confronted with an uncharted illness. For a long time, public health agencies — from
the WHO to the DOH — have insisted that mask-wearing is not recommended for
public use. But today, the only debate is which kinds of masks are suitable for particular
occasions (e.g. going to the hospital vs. going to a mall), and which instances merit an
exemption. (Thankfully, the WHO recognizes that physical exercise — as long as
physical distancing is practiced — is one of them.)
Second, we see how masks have taken on new meanings—from conformity
and responsibility to individuality and resistance. Here in the Philippines, what we see
— as Prof. Michael Tan and I write in a forthcoming journal article — is that people
“titrate” their use of masks depending on their sense of familiarity with the people
around them (note people’s lowered masks while hanging out with neighbors). Masks,
then, serve as markers of intimacy, instantiating boundaries between what the
anthropologist Prospero Covar calls “loob” and “labas,” or between the circles of Mary
Douglas’ social universe.
The materiality of masks in social media is also illustrative: As people’s masked
selfies show, they have been incorporated into our aesthetics; as the “policing” of
unmasked photos reveal, they have also similarly been etched in our ethics.
Third, and related to the second, masks have taken on much greater political
significance, with world leaders’ use (and non-use) of face masks being closely
followed in their public appearances, and masks themselves becoming objects of a
REFERENCE LIST
Nada, E. R. (2015). Module in GED-ENG 101: Purposive Communication. First
Edition. Publication and Materials Development Office. Philippine Normal
University-Mindanao. Prosperidad, Agusan del Sur.
Uychoco, M.T.A., and Santos, M.L. (2018). Communication for Society: Purposive
Communication. First Edition. Rex Book Store. Sampaloc, Manila. ISBN
978-971-23-8668-8
Dayagbil, F., Abao, E., and Bacus, R. (2016). Critical Reading and Writing for the
Senior High School. Lorimar Publishing, Inc. ISBN 978-621-8035-07-2
Department of Education. (2016). Oral Communication in Context for Senior High
School. C & E Publishing, Inc. Quezon City. ISBN 978-971-98-0449-9
Juanillo, M. and Tan, E. (2018). E-Tech: Technology empowerment in a connected,
digital world. First Edition. TechFactors, Inc. Quezon City. ISBN 978-621-
8000-84-1
MY JOURNEY
In the process of evaluating statements, the reader tends to assert his/her point
of emphasis or simply put, his/her claims. Assertion about the content is helpful in
order to get to the central thought of the text and be consistent with the claim. These
Chapter 1. Fundamentals of Communication
assertions are usually based on one’s knowledge, experiences as well as values.
Thus, in process of reading, readers may vary in their assertions.
In this lesson, you will learn the basics of assertion, claim, and counterclaim in
order for you to master the competency of determining textual evidences.
Lesson 1. Assertion
Lesson 2. Claim
Lesson 3. Counterclaim
MY EXPECTATIONS
MY INITIAL TASKS
1. What is assertion?
Ask yourself 2. What is claim?
these 3. What is counterclaim?
4. Why do we need to validate
questions: assertion?
Lesson 1. Assertion
Assertion is a stylistic approach or technique involving a strong declaration, a
forceful or confident and positive statement regarding a belief or a fact. Often, it is without
proof or any support. Its purpose is to express ideas or feelings directly.
Types of Assertion
2. Emphatic Assertion. It conveys sympathy to someone and usually has two parts:
first, encompasses the recognition of feelings or situations of the other person,
and second, follows a statement that shows support for other person’s rights such
as:
“I understand you are busy, and me too, but it is difficult for me to finish this
project on my own. So, I want you to help me complete this project.”
“I know this is making you angry and frustrated because you could not get
response yet. But, I can help you by giving you an estimate of how long it
might take.”
4. Language Assertion. It involves “I” language and is useful for expressing negative
feelings. Nevertheless, it constructively lays emphasis on a person’s feelings of
anger such as:
“When you speak harshly, I cannot work with you because I feel annoyed.
Therefore, I want you to speak gently and then assign me task.”
“When I cannot take proper sleep, it affects my nerves and I feel irritated.
Therefore, I like to go to bed earlier.”
Look at this example from the novel Animal Farm. Take a look on the language
where he gives them information that is obvious, which they have realized already, and
no one can make arguments against it. Thus no one argued against his assertion.
In Animal Farm, pigs make use of assertion as a tool for making propaganda in
the entire novel in order to weaken the position of other animals from having
contradiction with their rules and leadership. In chapter seven, Squealer informs other
animals that they need not sing original anthem of the Old Major, Beasts of England—
a song they used to inspire the revolution in chapter one. Squealer asserts, saying:
For better understanding, take this second example from Jane Austen.
Elizabeth conceals her surprise at the news of Darcy’s plan to marry her. When
Lady Catherine objects to this marriage, as Bennets have low connections and their
marriage would ruin Darcy’s position before his friends and society, Elizabeth attempts
to defend her family background by asserting: “I am a gentleman’s daughter.”
In fact, she sets herself free from the exasperating control of snobs like Miss
Bingley, Mr. Collins, and Lady Catherine, and declares: “I am … resolved.”
Then further says with assertion: “… to act in that manner, which will, in my own
opinion, constitute my happiness, without reference to you, or to any person so wholly
unconnected with me.”
In a scene, Trofimov and Lopakhin exchange barbed words, and Lopakhin calls
Trofimov an “eternal student.” When Lopakhin asks Trofimov’s views about him,
Trofimov replies that he considers Lopakhin as “a soon-to-be-millionaire,” and “a beast
of prey.” Then, Gayev points towards the conversation about pride the two men had
earlier. Trofimov asserts with reasoning about the folly of their pride, as man is a “pretty
By and large, the function of assertion is to let readers feel that they should not
disagree or dispute what they read or hear; rather, they should accept the idea or notion
as an indisputable fact. It has proved to be one of the best approaches for writers to
express their personal feelings, beliefs, and ideas in a direct way. By using this
technique, writers can defend others’ feelings and rights if violated. This
rhetorical style also expresses self-affirmation and rational thinking of personal respect
or worth. It is very common in various fields of life, like literature, politics, advertisements,
and legal affairs.
Another important concept that you need to remember in analyzing assertion are
claims and counterclaims. In a debate, there are two sides to every argument: (1) the
“claim,” and (2) the “counterclaim.” The first is a statement of the party’s point, or
Claims
If you've ever said this or something like it, you've made a claim. Making a claim is just
a fancy way of saying that you're stating your main point. In a formal paper, you might
say something like, 'It is necessary for me to obtain a new cell phone.' Claims are not
just opinions. A claim tells what you think is true about a topic based on your knowledge
and your research. If you're ever going to convince your mom to get that new cell phone
that's just perfect for you, you're going to have to move beyond mere opinions. You're
going to need to support your claim to get rid of that crummy, old, obsolete phone that's
holding you back.
Counterclaims
But there are two sides to every argument. In your argument for a new cell phone, your
mom stands on the other side. She has something to say against your claim that you
need a new cell phone, and it goes something like,
That's your mom's counterclaim. A counterclaim is just the opposite of a claim. In a more
formal way, she might say, 'Your current situation does not require a new cell phone.'
Counterclaims are also provable and supportable by reasons and evidence. Not just,
'Because I said so.' When you're planning an argument, you need to know what the
counterclaim might be so that you can make sure that you disprove it with your reasons
and evidence.
Directions: Read the text below. Write a 200- word critique of the text vis-à-vis your
understanding on assertion. Identify also the claims and counterclaims.
ABS-CBN: A Requiem
by F. Sionil Jose
Way back when the Manila Chronicle was a major daily, its Sunday column,
Inside Malacanang, lampooned former Senator Helena Benitez. I confronted Celso
Cabrera, the columnist. He was a frequent Solidaridad customer, an avid student of
the Renaissance. Helena, I told him, as everybody knew was such a decent politician,
well loved and respected. Celso said, the old man (meaning Eugenio Lopez), the
publisher, ordered it. Before I could chide him, he said, I am nobody from Camiling
To conclude, the Lopezes played the double game; they were vociferously anti-
American but were the beneficiaries of American largesse in the sugar quota gift from
America. Their writers included liberals, fellow travelers and communists but Eugenio
Lopez himself personified the lowest form of capitalism. The Filipinos do not really
need ABS-CBN. It does not produce goods or food. It has certainly entertained millions
but it did not diminish poverty. Again, freedom worked for the rich—but not for the
Filipinos. (https://www.facebook.com/fsionil.jose/posts/1429326043906688)
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Directions: Reflect on what you have learned after taking up this lesson by completing
the chart below.
I thought that…
What were your thoughts or ideas
prior to the discussion of this
lesson?
I learned that…
LOG ENTRY #3
Directions: Watch and reflect on the viral video from VINCENTiments titled “KPL:
Online Class.” Evaluate how the message was conveyed by the speaker
applying your understanding in the lesson about Text and Context
Connections.
Link: https://www.facebook.com/SAWAKASBRIEFS/videos/1199259903774165/
Guide Questions:
1. What is the message?
2. What is the purpose of the message?
3. How is the message conveyed by the text and/or video?
4. Who is the target audience of the message?
5. What do you think are the other ways of presenting the message?
Offline Learners will be given a copy of the video or the transcription/text of the video.
Online learners will simply visit the link provided. The reflection will be posted in their blog.
REFERENCE LIST
Nada, E. R. (2015). Module in GED-ENG 101: Purposive Communication. First
Edition. Publication and Materials Development Office. Philippine Normal
University-Mindanao. Prosperidad, Agusan del Sur.
Uychoco, M.T.A., and Santos, M.L. (2018). Communication for Society: Purposive
Communication. First Edition. Rex Book Store. Sampaloc, Manila. ISBN
978-971-23-8668-8
Dayagbil, F., Abao, E., and Bacus, R. (2016). Critical Reading and Writing for the
Senior High School. Lorimar Publishing, Inc. ISBN 978-621-8035-07-2
https://www.basicknowledge101.com/pdf/literacy/Intertextuality.pdf
https://literarydevices.net/assertion
https://study.com/academy/lesson/parts-of-an-argument-claims-counterclaims-
reasons-and-evidence.html