ES

USER’S GUIDE
GUÍA DEL USUARIO

PS3000-ES-1

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 NOTICE
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15
of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user
is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED SERVICE
PERSONNEL.

Important!
Please note the following important information before using this product.
• Before using the optional AD-12 Adaptor to power the unit, be sure to check the AC Adaptor for
any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious
damage. Never let children use an AC adaptor that is seriously damaged.
• The product is not intended for children under 3 years.
• Use only CASIO AD-12 adaptor.
• The AC adaptor is not a toy.
• Be sure to disconnect the AC adaptor before cleaning the product.

CASIO ELECTRONICS CO., LTD.

Unit 6, 1000
North Circular Road
London NW2 7JD, U.K.

This mark is valid in the EU countries only.

Please keep all information for future reference.

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 Safety Precautions
Congratulations on your selection of the CASIO Digital Symbol Examples
Piano. This digital piano is a sophisticated musical
instrument that blends the very best of traditional This triangle symbol ( ) means that the
piano feel and sound quality with the latest that user should be careful. (The example at
modern electronics technology has to offer. left indicates electrical shock caution.)
• Before using the product, be sure to carefully read
through the instructions contained in this manual. This circle with a line through it ( )
• Please keep all information for future reference. means that the indicated action must not
be performed. Indications within or
nearby this symbol are specifically
Symbols prohibited. (The example at left indicates
that disassembly is prohibited.)
Various symbols are used in this user’s guide and on
the product itself to ensure that the product is used The black dot ( ) means that the
safely and correctly, and to prevent injury to the user indicated action must be performed.
and other persons as well as damage to property. Indications within this symbol are actions
Those symbols along with their meanings are shown that are specifically instructed to be
below. performed. (The example at left indicates
that the power plug must be unplugged
WARNING from the electrical socket.)

This indication stipulates matters that have the risk

of causing death or serious injury if the product is
operated incorrectly while ignoring this indication.

CAUTION
This indication stipulates matters that have the risk
of causing injury as well as matters for which there
is the likelihood of occurrence of physical damage
only if the product is operated incorrectly while
ignoring this indication.

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 Safety Precautions

Never climb onto the piano or stand.

WARNING Never climb onto the piano or hang
from its edges. Doing so can cause
Smoke, Strange Odor, Overheating the piano to fall over, creating the
Continued use of the product while it is risk of personal injury. Special care
emitting smoke, a strange odor, or heat concerning this point is required in
creates the risk of fire and electric shock. households where there are small
Take the following steps immediately. children.
1. Turn off power.
2. If you are using the AC adaptor for
power, unplug it from the wall outlet.
3. Contact your original retailer or an
authorized CASIO Service Provider. Never dispose of the piano by burning it.
Never dispose of the piano by
AC Adaptor burning it. Doing so creates the risk
Misuse of the AC adaptor creates the risk of fire and personal injury due to
of fire and electric shock. Always make sure explosion.
you observe the following precautions.
• Be sure to use only the AC adaptor that Do not place containers containing water or other
is specified for this product. liquids on the product.
• Use only a power source whose voltage Do not place the following objects on the
is the within the rating marked on the instrument. Placing such objects on the
AC adaptor. product may cause fire or electrical shock
• Do not overload electrical outlets and if they spill and get inside the product.
extension cords. • Containers filled with water or other
liquids (including vases, potted plants,
AC Adaptor cups, cosmetics and medicines)
Misuse of the AC adaptor’s electric cord • Small metal objects (including hairpins,
can damage or break it, creating the risk of sewing needles and coins)
fire and electric shock. Always make sure • Flammable objects
you observe the following precautions. • Naked flame sources, such as lighted
• Never place heavy objects on the cord or candles
subject it to heat.
• Never try to modify the cord or subject it In the event a foreign object should happen
to excessive bending. to get inside the product, please take the
• Never twist or stretch the cord. following actions:
• Should the electric cord or plug become 1. Turn off power.
damaged, contact your original retailer 2. If you are using the AC adaptor for
or authorized CASIO Service Provider. power, unplug it from the wall outlet.
3. Contact your original retailer or an
AC Adaptor authorized CASIO Service Provider.
Never touch the AC adapter while your
hands are wet. Do not expose this piano to rain or moisture.
Doing so creates the risk of electric shock. To reduce the risk of fire or electric shock,
do not expose this piano to rain or moisture.
Do not locate the piano on an unstable surface.
Never locate the piano on a surface that is Never try to take the piano apart or modify it.
wobbly, tilted, or otherwise unstable*. An Never try to take the piano apart or modify
unstable surface can cause the piano to fall it in any way. Doing so creates the risk of
over, creating the risk of personal injury. electric shock, burn injury, or other personal
* Avoid areas where there are multiple injury. Leave all internal inspection,
layers of carpeting, and where cables are adjustment, and repair up to your original
running under the piano. retailer or an authorized CASIO service
provider.
Always make sure you secure the
piano to the stand with the screws
that are provided. An unsecured
piano can fall from the stand,
creating the risk of personal injury.

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 Safety Precautions

Avoid dropping the piano and other strong impact.

Continued use of the piano after it has been CAUTION
damaged by dropping or by other external
impact creates the risk of fire and electric AC Adaptor
shock. Immediately perform the following Misuse of the AC adaptor creates the risk
steps whenever the piano is damaged by of fire and electric shock. Always make sure
impact. you observe the following precautions.
1. Turn off power. • Do not locate the electric cord near a
2. If you are using the AC adaptor for stove or other sources of heat.
power, unplug it from the wall outlet. • Never pull on the cord when unplugging
3. Contact your original retailer or an from the electrical outlet. Always grasp
authorized CASIO Service Provider. the AC adaptor when unplugging.

Do not put plastic bags over your head or in your AC Adaptor

mouth. Misuse of the AC adaptor creates the risk
Never allow the plastic bags that the piano of fire and electric shock. Always make sure
and its accessories come in to be placed you observe the following precautions.
over the head or swallowed. Doing so • Insert the AC adaptor into the wall outlet
creates the risk of suffocation. Special care as far as it will go.
concerning this point is required in • Unplug the AC adaptor from the wall
households where there are small children. outlet during lightening storms or before
leaving on a trip or other long-term
Opening and closing the keyboard cover absence.
Make sure that the keyboard cover is • At least once a year, unplug the AC
completely opened as far as it will go. When Adaptor from the wall outlet and wipe
closing the keyboard cover, hold the front away any dust that is built up in the area
of the cover and close it slowly. Pinching around the prongs of the plug.
your fingers between the piano and
keyboard cover creates the risk of personal Relocating the Product
injury. Before relocating the product, always
unplug the AC adaptor from the wall outlet
and disconnect all other cables and
connecting cords. Leaving cords connected
creates the risk of damage to the cords, fire,
and electric shock.

Cleaning
Before cleaning the product, always unplug
the AC adaptor from the wall outlet first.
Leaving the AC adaptor plugged in creates
the risk of damage to the AC adaptor, fire,
and electric shock.

Never climb onto the piano or stand.

Doing so can cause the piano to fall over,
creating the risk of personal injury. Special
care concerning this item is required in
households where there are small children.

Connector
Connect only the specified devices to the
piano's connectors. Connecting non-
specified items creates the risk of fire and
electric shock.

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 Safety Precautions

Location • Do not drag the stand or tilt it

Avoid locating the piano in the following forward or back when placing the
types of areas. Subjecting the piano to the piano onto the stand or moving
conditions described below creates the risk it. Doing so can cause the piano
of fire and electric shock. to fall over, creating the risk of
• Areas expose to high humidity or large personal injury.
amounts of dust • Periodically check the screws that
• Near food preparation areas and other secure the piano to the stand for
areas where it is exposed to oil smoke looseness. If a screw is loose,
• Near a heater, on a heated carpet, in retighten it. Loose screws can
direct sunlight, inside a closed cause the stand to tip over and
automobile parked in the sun, and any the piano to fall, creating the risk
other area subjected to very high of personal injury.
temperature
Never place the piano directly onto
furniture or other item that has a finished
surface. The rubber feet on the bottom of
the piano can react with the paint or other
coatings, resulting in soiling of or damage
to the finished surface. Be sure to lay felt or
some other material on the finished surface
before placing the piano on it.

Do not place heavy objects on the piano.

Never place heavy objects on top of the
piano. Doing so can cause the stand to tip
over and the object to fall, creating the risk
of personal injury.

Volume setting
Do not play at very loud volumes for a
long time. This precaution is especially
important when using the headphones.
Long-term exposure to very loud sound
can damage your hearing.

Assemble the stand properly.

Failure to do so can cause the stand to fall
over and the piano to fall from the stand,
creating the risk of personal injury.
Make sure your assemble the stand in
accordance with the instructions that come
with it, and ensure that all connections are
secure. Also make sure that you choose an
appropriate location for the stand.
• When placing the piano onto the stand,
take care that you do not pinch your
fingers between the piano and the stand.
• At least two people should lift
the piano when placing it onto
the stand or moving it. Trying to
move the piano alone can cause
the stand to fall over, creating
the risk of personal injury.

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 Main Features
❐ 8 versatile tones
• Eight instrument tones including piano and pipe organ provide plenty of performance versatility.
• Other features include digital effects that control the acoustical characteristic of tones, as well as three pedal effects for all the
nuances of an acoustic piano.

❐ Metronome
• A simple operation lets you set the tempo and the beat of the metronome to suit the tune you want to play. It’s the perfect
practice tool for players of all levels.

❐ 8 demo tunes
• Eight demo tunes demonstrate how to use each of the built-in tones.

❐ Memory
• Built-in memory lets you store a performance for later playback.
You can play along with playback on the keyboard, and even create an ensemble effect by using a keyboard tone that is different
from the recorded tone.

❐ Powerful keyboard setting functions

• A selection of powerful keyboard setting functions help you get create exactly the musical mood you want.
Transpose adjusts the key of the keyboard in semitone steps.
Tuning provides a means to tune with another musical instrument.
Touch Select adjusts the intensity of the output sound in accordance with the amount of pressure you apply to the keyboard.

❐ MIDI terminal
• Connecting to another MIDI musical instrument lets you play two instruments from the keyboard of this digital piano. You can
also connect to a commercially available MIDI sequencer to increase the number of parts you can play.

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 Contents
Safety Precautions .................... E-1 MIDI ........................................... E-21
What is MIDI? ........................................ E-21
Main Features ............................ E-5 What you can do with MIDI .................... E-21
MIDI Connections .................................. E-21
Contents ..................................... E-6 MIDI Channels ....................................... E-21
Simultaneous Receive Over Multiple
General Guide ............................ E-8 Channels (Multi-Timbre) ......................... E-21
Setting the Keyboard Channel ............... E-22
Power Supply .......................... E-10 Sending Memory Playback Data ............ E-22
Using the AC Adaptor ............................. E-10 Program Change Number Settings ........ E-23
Turning Local Control On and Off .......... E-24
Connections ............................ E-11 MIDI Data Notes .................................... E-25
Connecting Headphones ....................... E-11
Connecting to a PEDAL Jack ................. E-11 Troubleshooting ...................... E-26
Accessories and Options ....................... E-11
Assembly Instructions ............ E-27
Basic Operations ..................... E-12 Assembling the Stand ............................ E-27
Using Tones ........................................... E-12 Attaching the AC Adaptor and
Pedal to the Piano .................................. E-29
Using the Pedals .................................... E-14
Using the Metronome ............................. E-14
Specifications .......................... E-30
Using the Memory ................... E-16
Operational Precautions ......... E-31
About the Memory .................................. E-16
Recording ............................................... E-16
Appendix .................................... A-1
Playback ................................................ E-17
Initial Power On Settings .......................... A-1
Deleting Memory Contents .................... E-17

MIDI Data Format ....................... A-2

Using Demo Tunes .................. E-18
Channel Messages .................................. A-2
System Messages .................................... A-7
Keyboard Settings .................. E-19
Using Touch Select ................................ E-19
MIDI Implementation Chart
Using Transpose .................................... E-19
Adjusting the Tuning of the Piano .......... E-20

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 General Guide
• See page E-27 for details on the stand.

Front

POWER button

VOLUME knob

CONTROL button
POWER Indicator

RECORD button

START/STOP button

METRONOME button

GRAND PIANO button

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 General Guide

CAUTION
• The keyboard cover is designed so it closes slowly. This is to avoid injury caused by pinching your fingers with the cover.
• When using the piano, make sure that you fully open the keyboard cover so it does not close accidentally as you play.

Bottom MIDI OUT terminal,

MIDI IN terminal Speaker connector

DC 12V jack PHONES jack

DAMPER PEDAL jack,

SOFT/SOSTENUTO PEDAL jack

Music Stand
You can use the music stand when the keyboard cover is open, as shown in the illustration below.

Note Names A value next to a note name indicates the relative position of the note
on the keyboard as shown below.

C D E F G A B C ▲ ▲ ▲ ▲ ▲ ▲ ▲ ▲
(H) C1 C2 C3 C4 C5 C6 C7 C8

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 Power Supply
You can power this digital piano by plugging it into a CAUTION
standard household power outlet.
Misuse of the AC adaptor creates the risk of fire and electric
Be sure you turn off power and unplug the power cord from
shock. Always make sure you observe the following precautions.
the electrical outlet whenever the digital piano is not in use.
• Do not locate the electric cord near a stove or other
sources of heat.
Using the AC Adaptor • Never pull on the cord when unplugging from the
electrical outlet. Always grasp the AC adaptor when
Make sure that you use only the AC adaptor specified for unplugging.
this digital piano. • Insert the AC adaptor into the wall outlet as far as it
will go.
Specified AC Adaptor: AD-12 • Unplug the AC adaptor from the wall outlet during
lightening storms or before leaving on a trip or other
[Bottom]
long-term absence.
• At least once a year, unplug the AC adaptor from the
DC 12V jack
wall outlet and wipe away any dust that is built up in
AC adaptor AD-12 the area around the prongs of the plug.

IMPORTANT!
• Make sure that the product is turned off before
connecting or disconnecting the AC adaptor.
AC outlet
• Using the AC adaptor for a long time can cause it to
become warm to the touch. This is normal and does not
indicate malfunction.
Also note the following important warnings and precautions
when using the AC adaptor.
Using the Cable Clip
After connecting the AC adaptor and pedal (page E-14) to
WARNING the piano, use the cable clip to bundle their cables together.
Misuse of the AC adaptor creates the risk of fire and electric
• To fasten the clip
shock. Always make sure you observe the following
precautions. As shown in Figure 1, press down on (a) to force the tip of
• Be sure to use only the AC adaptor that is specified the clip into the slot. Press down until you hear the clip
for this product. click securely into place.
• Use only a power source whose voltage is within the
rating marked on the AC adaptor. Figure 1
• Do not overload electrical outlets and extension cords.

• Never place heavy objects on the cord or subject it to

heat.
• Never try to modify the cord or subject it to excessive
bending. (a)
• Never twist or stretch the cord.
• Should the electric cord or plug become damaged,
contact your original retailer or authorized CASIO
Service Provider. • To release the clip
• Never touch the AC adaptor while your hands are wet.
As shown in Figure 2, press (b) in the direction indicated
Doing so creates the risk of electric shock.
by the arrow.
(b)
Figure 2

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 Connections

Bottom
Headphones

SP-20

IMPORTANT! Accessories and Options

• Whenever connecting external equipment, first set the
Use only the accessories and options specified for this digital
VOLUME knob of the digital piano and the volume
piano. Use of non-authorized items creates the danger of fire,
controller of the external equipment to relatively low
electric shock, and personal injury.
volume settings. You can later adjust volume to the level
you want after connections are complete.
• Be sure also to refer to the documentation that comes
with the external equipment for its proper connection
procedures.

Connecting Headphones 1
Connect commercially available headphones to the digital
piano’s headphones jack. This cuts off the built-in speakers,
which means you can practice even late at night without
disturbing others. To protect your hearing, make sure that
you do not set the volume level too high when using
headphones.

Connecting to a PEDAL Jack 2

Depending on the type of operation you want the pedal (SP-
20) to perform, connect the pedal’s cable to the digital piano’s
DAMPER jack or SOFT/SOSTENUTO jack. If you want to
use both jacks at the same time, you need to purchase another
optionally available SP-20 pedal.
See “Using the Pedals” on page E-14 for information about
using a pedal.

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 Basic Operations
Using Tones Using Digital Effects
The following procedures describe everything you need to This digital piano provides you with a selection of digital
know about selecting and using tones. effects that you can apply to tones. The following provides
general descriptions of each effect, but the best way to find
out how they affect tones is to experiment for yourself.
Selecting a Tone Digital Effect Types
This digital piano has a selection of 8 built-in tones. • REVERB
The REVERB effect gives you a choice of the four variations
• The names of the tones are marked above the keyboard listed below. Each one simulates the acoustics of different
keys to which they are assigned. environments.
Tone Keys ROOM ...... Small, intimate live house
STAGE ..... Small stage
GRAND PIANO
HALL 1 .... Stage area of a large hall
HALL 2 .... Audience area of a large hall

B
0 C1 E
1 • CHORUS

The CHORUS effect is most effective for the E.PIANO tone.

GRAND PIANO • The names of the settings are marked above the keyboard
A0 B0 C1 D1
button keys to which they are assigned.

MELLOW PIANO STRINGS Digital Effect Keys

GRAND PIANO 2 PIPE ORGAN
ELEC PIANO 1 HARPSICHORD
ELEC PIANO 2

• The GRAND PIANO tone was recorded with stereo F1 A
1 B
1
sampling.

To select a tone E1 F1 G1 A1

1 Press the POWER button to turn on the digital piano

REVERB OFF CHORUS ON
power.
ROOM CHORUS OFF

2 Select the tone you want. STAGE HALL 2

• To select GRAND PIANO HALL 1
Press the GRAND PIANO button. Note that GRAND
PIANO is the initial default tone setting whenever
you turn on power.
• To select one of the other tones
While holding down the CONTROL button, press the
keyboard key that corresponds to the tone you want
to select.
* A note does not sound when you press a keyboard
key while holding down the CONTROL button.

3 Use the VOLUME knob to adjust the volume.

• It is a good idea to set the volume to a relatively low
level at first.
• Moving the knob towards MIN decreases volume,
while moving it towards MAX increases volume.

4 Play something on the keyboard.

• Adjust volume to the level you want as you play.

5 After you are finished playing, press the POWER

button to turn off power.

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 Basic Operations

To select a digital effect More about tones

1 While holding down the CONTROL button, press
Polyphony
the keyboard key that corresponds to the digital
This piano can play up to 64 notes at the same time.
effect you want to select. Also note that some of the tones offer only 32-note polyphony
• A note does not sound when you press a keyboard (GRAND PIANO, MELLOW PIANO, ELEC PIANO 1,
key while holding down the CONTROL button. HARPSICHORD, STRINGS).

Power on effect settings Touch Response

The table below shows the effect settings that are assigned to The touch response feature of this piano causes the volume
each tone whenever you turn on the digital piano power. of the tones and the sound of the tones themselves to change
slightly in accordance with how much pressure you apply to
Digital Effect Setting the keyboard, just like with an acoustic piano. Touch response
Tone Name
REVERB CHORUS affects the HARPSICHORD tone only slightly, because the
GRAND PIANO HALL 1 OFF original musical instrument normally produces the same
sound, no matter how much pressure is applied.
MELLOW PIANO HALL 1 OFF
GRAND PIANO 2 HALL 1 OFF
Digitally Sampled Tones
ELEC PIANO 1 HALL 1 ON The tones of this piano are produced using digitally recorded
ELEC PIANO 2 HALL 1 ON samples of actual musical instruments. Not all of the
HARPSICHORD HALL 1 OFF instruments, however, can produce tones across the entire
PIPE ORGAN HALL 1 OFF range played by this piano (A0 through C8). In such a case,
STRINGS HALL 1 OFF
digital recordings are used for the range that actually can be
produced by the original instrument, and synthesized tones
are used for notes that cannot be produced naturally. Because
• The above digital effect settings can be changed after you of this, you may notice very slight differences between natural
turn on power. notes and synthesized notes in sound quality and in results
produced when using effects. These differences are normal
and do not indicate malfunction.
NOTE
• Selecting a tone automatically selects the digital effects
currently assigned to it.
• Changes you make to digital effect settings are assigned
to the currently selected tone only.
• Digital effect settings remain in effect until you turn off
the digital piano power.
• Demo tunes have their own digital effect settings, which
are automatically selected whenever you select a demo
tune.

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 Basic Operations

Using the Pedals Using the Metronome

The digital piano is equipped with two pedal jacks, one for a The metronome provides a reference beat that you can use
damper pedal and one for a soft/sostenuto pedal. Whether during your performances or practice sessions. You can
the pedal connected to the SOFT/SOSTENUTO jack operates change the beat and the tempo of the metronome.
as a soft pedal or sostenuto pedal depends on what you do
when you turn on the digital piano power. • The names of the settings are marked above the keyboard
keys to which they are assigned.

Metronome Volume Keys

Beat Keys Tempo Keys

C2 E
2 F2 A
2 B
2 C3 E
3 F3 A
3

B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3
SP-20

Pedal functions
• Damper pedal Number Input Keys
Pressing this pedal causes notes to reverberate and to
sustain longer.
• Soft pedal Using the Metronome
Pressing this pedal dampens notes and slightly reduces
their volume. Only notes played after the pedal is depressed
are affected, and any notes played before the pedal is
PREPARATION
pressed sound at their normal volume. • Check to make sure that the indicator above the
RECORD button is off. If the indicator is on, press the
• Sostenuto pedal RECORD button to turn it off.
Like the damper pedal, this pedal causes notes to • See the section of this User’s Guide covering the
reverberate and to sustain longer. The difference between memory for details on using the metronome in
the two pedals is the timing when they are pressed. With combination with the function.
the sostenuto pedal, you press the pedal after depressing
the notes you want to sustain. Only the notes whose
To use the metronome
keyboard keys are depressed when the sostenuto pedal is
pressed are affected.
1 Press the METRONOME button to start the
To use the SOFT/SOSTENUTO pedal as a soft pedal metronome.
Press the POWER button to turn on the digital piano power. • This starts the metronome sound.
Soft pedal is the normal effect of the pedal connected to the
SOFT/SOSTENUTO jack. 2 Set the beat of the metronome.
While holding down the CONTROL button, press the
To use the SOFT/SOSTENUTO pedal as a sostenuto pedal keyboard key that corresponds to the beat setting you
While holding down the pedal connected to the SOFT/ want to select.
• A note does not sound when you press a keyboard
SOSTENUTO jack, turn on the digital piano power.
key while holding down the CONTROL button.
• The first value of the beat can be set to a value of 2
NOTE through 6, or 0 (unaccented beat).
• The following shows how pedal effects are applied during
different types of operations.
Memory playback, demo tune play
................... Pedal effects applied to notes played on the
keyboard only.

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 Basic Operations

3 Change the tempo setting as described below.

• A note does not sound when you press a keyboard
key while holding down the CONTROL button.
• While holding down the CONTROL button, press
keyboard key A
2 (–) to decrease tempo or B
2 (+) to
increase it. Holding down either keyboard key
changes the setting at high speed. Pressing keyboard
key A2 (120) changes the tempo setting to 120.
• You can also change the tempo setting(beats per
minute) by holding down the CONTROL button and
using keyboard keys B2 through A
3 to input values
from 0 to 9. You can input a two-digit or three-digit
tempo value. Note that the tempo value you input is
applied when you release the CONTROL button. The
tempo setting does not change if you input a one-digit
value or a value that is outside of the allowable setting
range.
• The tempo can be set within the range of 30 to 255
(beats per minute).

4 When you want to stop the metronome, press the

METRONOME button again.
• Pressing the METRONOME button again restarts the
metronome sound using the current beat and tempo
setting.
• If you want to change both the tempo and the beat
before restarting the metronome, perform the above
procedure here.

NOTE
• You can change metronome beat and tempo settings at
any time, even while the metronome is sounding.
• You can also use the metronome in combination with
memory play. See the section of this User’s Guide
covering the function for details.

Adjusting the Metronome Volume

Use the following procedure to increase and decrease the
volume of the metronome beat.

To adjust the metronome volume

1 While holding down the CONTROL button, press

the keyboard key that corresponds to the
metronome volume setting you want to select.
• A note does not sound when you press a keyboard
key while holding down the CONTROL button.
• You can set a value from 1 to 3.

NOTE
• The metronome volume is automatically set to 2
whenever you turn on piano power.

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 Using the Memory
This section describes how to record keyboard play to Recording
memory and playback data from memory.
To record notes from the keyboard

PREPARATION
About the Memory • Select the tone and effects you want to start with.
• If you want to use the metronome during recording, start
the metronome. Use the procedure under “Using the
Memory Capacity Metronome” on page E-14 to set the beat and the tempo.
Memory can hold up to 2,500 notes (one song).
• Recording stops automatically and the indicator above the 1 Press the RECORD button to put the piano into
RECORD button goes out whenever memory becomes full.
record standby.
• The indicator above the RECORD button flashes.
• You can also change the metronome’s beat setting at
Recorded Data this time.
• If you want the metronome to sound while you are
The following is a list of the data that can be recorded in recording, press the METRONOME button here to
memory once recording starts. start the metronome.
• Anything you played on the keyboard (Received MIDI data
is not recorded.) 2 Play something on the keyboard to start recording.
• Tone settings and any tone setting changes • When you start recording, the indicator above the
• Beat setting used during recording RECORD button stops flashing and remains lit.
• Pedal operations • What you play sounds from the speakers and is
recorded into memory.
• You can also start recording by pressing the START/
STOP button. In this case, blank space is inserted in
Recorded Data Storage memory from the point that you press the START/
This piano has a lithium battery to supply power to retain STOP button up to the point you start to play on the
memory contents even while power is off.* The life of the keyboard.
lithium battery is five years after the date of manufacture of
the piano. Be sure to contact your CASIO dealer about having 3 After you are finished recording, press the START/
the lithium battery replaced every five years. STOP button to stop the record operation.
• At this time the indicator above the RECORD button
* Never turn off the digital piano power while a record goes out.
operation is in progress. • To stop the metronome, press the METRONOME
button.
IMPORTANT! • Here you can press the START/STOP button and
• Recording new data to a song memory area playback the data you just recorded.
automatically deletes any data previously stored in that
song memory area.
• Turning off power while a record operation is in progress
deletes anything recorded up to that point.
• CASIO shall not be held responsible for any losses by
you or any third party due to loss of data caused by
malfunction or repair of this piano, or by battery
replacement.

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 Using the Memory

Playback Deleting Memory Contents

Use the following procedure to play back from memory.
IMPORTANT!
To playback from memory • The delete operation cannot be undone. Make sure you
play back memory contents and confirm that you no
1 If you want the metronome to sound during longer need it before performing the following procedure.
playback of your recording, hold down the
CONTROL button and press keyboard key B3 to
turn on the metronome. To delete memory contents

Setting Range 1 Press the RECORD button to put the piano into
record standby.

2 Press the START/STOP button twice to delete the

contents of the selected song area.
C4
B3: Metronome ON
B
3 (black key): Metronome OFF

• Using the metronome comes in handy, for example,

when you want to record the left-hand part and then
practice the right hand-part while playing back.

2 Press the START/STOP button to start playback.

• If you turned on the metronome in step 1, the
metronome sounds during playback.
• You can toggle the playback metronome sound on and
off by pressing the METRONOME button.
• Playback stop automatically when the end of the tune
is reached.
• To stop part way through, press the START/STOP
button.
• To stop the metronome, press the METRONOME
button.

NOTE
• You can change the playback tempo while playing back
from memory.
• You cannot change the tone when playing back from
memory.

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 Using Demo Tunes
This digital piano comes with eight built-in demo tunes, each To stop demo tune play
of which features one of the eight built-in tones.
1 Press the START/STOP button to stop demo tune
To play the demo tunes in sequence play.

1 While holding down the CONTROL button, press

NOTE
the START/STOP button. • You cannot change the tempo or tone, or turn on the
• All the demo tunes play in sequence, starting from metronome while a demo tune is playing.
the Tune 1. • Playing on the keyboard during demo tune play plays
notes using the demo tune’s tone.
To play a specific demo tune • You can adjust volume while demo playback is in
• To play the first of the demo tunes, start sequential demo progress.
tune play and then press the GRAND PIANO button. • Tone, digital effect, transpose, and tuning settings are
• To play another of the demo tunes, start sequential demo changed automatically when a demo tune is played.
tune play and then hold down the CONTROL button and These changes are temporary, and remain in effect only
press the keyboard key that corresponds to the tune you while the demo tune is playing.
want to play. • Pedal operations performed during demo tune play are
• The tune you select continues to repeat until you stop it. applied to notes played on the keyboard only. They are
not applied to demo tune playback.
Tone Keys • Demo tune notes cannot be sent as MIDI data.

B
0 C1 E
1

A0 B0 C1 D1

MELLOW PIANO STRINGS

GRAND PIANO 2 PIPE ORGAN
ELEC PIANO 1 HARPSICHORD
ELEC PIANO 2

Demo Tune List

Tone (Keyboard Key) Title Composer Time
GRAND PIANO Valse brillante Op.34-1 F.F.Chopin 2’01”
MELLOW PIANO Träumerei R.Schumann 2’04”
GRAND PIANO 2 Variatio 30 [Goldberg-Variationen] J.S.Bach 1’05”
ELEC PIANO 1 Original — 1’59”
ELEC PIANO 2 Original — 1’01”
HARPSICHORD Praeludium [Partita 1] J.S.Bach 1’51”
PIPE ORGAN Jesus Bleibet Meine Freude J.S.Bach 1’18”
STRINGS Original — 1’35”

NOTE
• Note that demo tunes are arranged in order to highlight the features of this digital piano, and so they may sound different
from their original versions.

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 Keyboard Settings
Using Touch Select Using Transpose
This setting lets you adjust the touch of the keyboard to suit Transpose lets you adjust the pitch of this digital piano in
your own playing style. This means you can select a stronger semitone steps. This means you can change the key of the
touch for those with powerful hands, and a lighter touch for piano to suit the voice of a vocalist or the key of another
beginners and anyone else with less strength. musical instrument, without having to learn to play a piece
Use the keys shown below to change the Touch Select setting. in another key.
Use the keys shown below to change the transpose setting.
Setting Range
Setting Range

C4 E
4 (black key)

(black key) C4 D4 C 5 F5
C4
F4 (black key)
Touch Select Settings
C4 .................... <OFF> To change the transpose setting

C 4 ................... <LIGHT>
This setting produces strong output, even when
1 While holding down the CONTROL button, select
a key by pressing one of the keyboard illustrated
light pressure is applied to the keyboard.
below.
D4 .................... <MIDDLE>
This is the standard setting. C5: Standard key

E
4 ................... <HEAVY> Lower Higher

This setting requires relatively strong keyboard
pressure to produce normal output.

To change the Touch Select setting

(black key) F4 F5
1 While still holding down the CONTROL button,
select the key touch by pressing one of the keyboard • A note does not sound when you press a keyboard
key while holding down the CONTROL button.
keys illustrated below.

C4 (black key): LIGHT NOTE

• The transpose value is automatically set to 0 (C)
whenever you turn on the digital piano power.

C4 : OFF E
4 (black key): HEAVY

D4 : MIDDLE

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

NOTE
• Touch select is automatically set to MIDDLE whenever
you turn on the digital piano power.

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 Keyboard Settings

Adjusting the Tuning of the Piano

You can adjust the overall tuning of the piano for play along
with another instrument. You can adjust tuning within a
range of ±50 cents from A4 = 440.0Hz.

Use the keyboard keys noted below to adjust the tuning of

the piano.

Setting Range

C4 F4: + (raises the pitch)

E4: – (lowers the pitch)

To adjust the tuning of the piano

Adjust the tuning as described below.

1 While holding down the CONTROL button, press

keyboard key E4 (–) to lower the tuning or F4 (+) to
raise it. Each press of a key changes the tuning by
about 0.8 cents (1/128 semitone).
• A note does not sound when you press a keyboard
key while holding down the CONTROL button.

NOTE
• Holding down the CONTROL button and pressing
keyboard keys E4 (–) and F4 (+) at the same time returns
tuning to the standard A4 = 440.0Hz.
* 100 cents is equivalent to one semitone.

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 MIDI
What is MIDI? *1 Keyboard play and memory playback data can be sent as
MIDI data. Demo tunes cannot be sent as MIDI data.
The letters MIDI stand for Musical Instrument Digital *2 A device that contains memory storage for MIDI data.
Interface, which is the name of a worldwide standard for Some MIDI sequencers feature external storage
digital signals and connectors that makes it possible to capabilities, which let you record a virtually unlimited
exchange musical data between musical instruments and number of tunes.
computers (machines) produced by different manufacturers.
MIDI compatible equipment can exchange keyboard key
press, key release, tone change, and other data as messages.
Though you do not need any special knowledge about MIDI MIDI Connections
to use this digital piano as a stand-alone unit, MIDI operations
Two MIDI cables, one for sending and one for receiving, are
require a bit of specialized knowledge. This section provides
required for two-way recording and playback capabilities
you with an overview of MIDI that will help to get you going.
with a connected MIDI sequencer or other device.

What you can do with MIDI

MIDI Channels
Send MIDI allows you to send the data for multiple parts at the
same time, with each part being sent over a separate MIDI
channel. There are 16 MIDI channels, numbered 1 through
MIDI cable: MK-5
16, and MIDI channel data is always included whenever you
exchange data (key press, pedal operation, etc.).
Both the sending machine and the receiving machine must
Sender OUT IN Receiver be set to the same channel for the receiving unit to correctly
MIDI musical instrument receive and play data. If the receiving machine is set to
MIDI sound module Channel 2, for example, it receives only MIDI Channel 2 data,
MIDI sequencer
Other MIDI device and all other channels are ignored.
This digital piano is equipped with multi-timbre capabilities,
• What you play on the digital piano can be sent to the which means it can receive messages over all 16 MIDI
connected device as MIDI messages* 1. The connected channels and play up to 16 parts at the same time.
device sounds notes in accordance with the messages it Keyboard and pedal operations performed on this digital
receives. piano are sent out by selecting a MIDI channel (1 to 16) and
• MIDI messages*1 can be sent from the digital piano to a then sending the appropriate message.
commercially available MIDI sequencer*2 for recording.

Simultaneous Receive Over

Receive Multiple Channels (Multi-Timbre)
The Multi-Timbre mode makes it possible to assign the
MIDI cable: MK-5 piano’s built-in tones to MIDI channels 1 through 16. Then
you can simultaneously sound multiple channels to play from
a commercially available multi-track sequencer.
Receiver IN OUT Sender

MIDI musical instrument NOTE

MIDI sequencer • See “Assigning Tones to Individual Channels” on page
Other MIDI device
E-22 for details on assigning tones to each channel.
• Up to 16 channels can be received simultaneously
• The digital piano can be used to sound notes sent as MIDI (Channel 1 through channel 16).
messages from a connected device. • The number of channels to be received simultaneously
• Commercially available MIDI piano data can be sent from must be predetermined. If it becomes necessary to
a MIDI sequencer*2 or MIDI-capable personal computer cancel a channel, the cancel operation must be
for playback on the digital piano. Up to 16 parts can be performed on the sending side.
played simultaneously by the digital piano.

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 MIDI

Setting the Keyboard Channel Sending Memory Playback Data

This parameter sets the channel for MIDI messages to an You can send memory playback as MIDI data. The send
external device. You can set any MIDI channel in the range channel used depends on the Keyboard Channel setting, as
of 1 to 16 as the keyboard channel. shown in the table below.

To set the Keyboard Channel Keyboard Play Keyboard Channel

Memory Keyboard Channel + 1*
1 While still holding down the CONTROL button,
select the Keyboard channel by pressing one of the * When you have Channel 16 set as the keyboard channel,
keyboard keys illustrated below. memory playback is send over Channel 1.

Example: Channel 8 • Pedal effect data recorded to the memory is applied to

playback from the memory, and does not affect your
performance on the keyboard. Likewise, pedal operations
on the digital piano are applied to the keyboard only, and
not to playback from the memory.

C4 
C 7 (black key)


B 5 (black key)

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

NOTE
• The Keyboard Channel is automatically set to 1
whenever you turn on the digital piano power.

Assigning Tones to Individual

Channels
You can assign tones to channels using a Program Change
message sent from a connected MIDI device. You cannot
change the tone assigned to each channel from the the digital
piano.

NOTE
• The tone GRAND PIANO is automatically assigned to
all channels whenever you turn on the digital piano
power.

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 MIDI

Program Change Number Settings

The tones of this digital piano have two different sets of program numbers: Type 1 sequential numbers and Type 2 numbers that
correspond to the General MIDI System (see “General MIDI” on page E-24). The tables below show the program numbers that are
assigned, depending on whether you select Type 1 or Type 2 using the procedure under “To change the program change number
type” on page E-24.

Type 1
Send Receive
Tone Name
Bank Select Program Bank Select Program
MSB LSB numbers MSB LSB numbers
GRAND PIANO 0 0 0 0 0 0
MELLOW PIANO 0 0 1 0 0 1
GRAND PIANO 2 0 0 2 0 0 2
ELEC PIANO 1 0 0 3 0 0 3
ELEC PIANO 2 0 0 4 0 0 4
HARPSICHORD 0 0 5 0 0 5
PIPE ORGAN 0 0 6 0 0 6
STRINGS 0 0 7 0 0 7

Type 2
Send Receive Corresponding
Tone Name
Bank Select Program Bank Select Program General MIDI Sound
MSB LSB numbers MSB LSB numbers
GRAND PIANO 2 0 0 2 0 0 —
MELLOW PIANO 3 0 0 3 0 0 —
GRAND PIANO 2 0 0 0 0 0 0 Acoustic Grand Piano
ELEC PIANO 1 16 0 4 16 0 4 —
ELEC PIANO 2 0 0 4 0 0 4 Electric Piano 1
HARPSICHORD 0 0 6 0 0 6 Harpsichord
PIPE ORGAN 24 0 19 24 0 19 —
STRINGS 0 0 48 0 0 48 Strings Ensemble 1

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 MIDI

To change the program change number type Turning Local Control On and Off
1 While still holding down the CONTROL button, This setting effectively determines whether or not the
keyboard and pedals of the digital piano are connected to
select the Program Change Mode by pressing one
the digital piano’s sound source, as illustrated below.
of the keyboard keys illustrated below.

A
5 (black key): TYPE 1

C4 Keyboard
A5: TYPE 2
Sound
• A note does not sound when you press a keyboard key ON source
while holding down the CONTROL button. Pedals
• See the table on page E-23 for detailed information about
Type 1 and Type 2.
OFF
Local Control

General MIDI When Local Control is on (the normal setting), anything

played on the keyboard is sounded by the internal sound
The General MIDI System is a set of specifications for sound
generating devices agreed upon by world MIDI source and simultaneously output from the MIDI OUT
manufacturers. These specifications were developed to allow terminal. When off, anything played on the keyboard is
output from the MIDI OUT terminal only, without being
the creation of music data that is not limited to specific
equipment makers and models. Among other things, General sounded by the sound source.
MIDI defines the tone number sequence and the number of Local Control can be turned off when you are using the digital
piano as the sound source of a connected sequencer or other
MIDI channels that can be used. Any device equipped with a
sound source that supports General MIDI is able to produce device, and you want to guard against sound being produced
sounds of similar nuances, regardless of the manufacturer or should the digital piano keyboard be pressed accidentally.
model.
To turn Local Control on and off
The Type 2 program change numbers of this digital piano
assign program numbers to tones so they comply with the While still holding down the CONTROL button, switch
General MIDI System. Local Control on and off by pressing one of the keyboard
Type 2 program change numbers make it possible to receive keys illustrated below.
General MIDI System data from a connected sequencer or
other device, and play it using the digital piano’s tones. Tone 
F 5 (black key): OFF
switching is performed only when a program number that
corresponds to any of the digital piano’s non-bass tones is
received. No tone switching is performed when any other
program number is received.
The table on page E-23 shows the program number C4
assignments for Type 1 and Type 2. G5: ON

• A note does not sound when you press a keyboard key

while holding down CONTROL.

NOTE
• Note that no sound will be produced from the digital
piano’s speakers if you press the keyboard while Local
Control is turned off.
• Local Control is turned on automatically whenever you
turn on the digital piano power or play a demo tune.

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 MIDI

MIDI Data Notes

This section provides details about the MIDI data this digital
piano sends and receives. You can also find further technical
information in the “MIDI Data Format” and “MIDI
Implementation Chart”* at the end of this User’s Guide.
* The MIDI Implementation Chart is a standard format
summary of how data is transferred between this digital
piano and a connected MIDI device.

Keyboard Data (Note On, Note Off,

Note Number, Velocity)
The following four types of keyboard data can be sent and
received.

Data Meaning
Note On Keyboard key is pressed.
Note Off Keyboard key is released.
Note Number Which key is pressed.
Velocity Pressure applied

Tone Change Data (Program Change)

Whenever you change the tone on the digital piano, tone
change data (Program Change) is also sent out as MIDI data.
Conversely, receipt of a Program Change from a connected
MIDI device causes the digital piano to change to the
applicable tone. See “Program Change Number Settings” on
page E-23 for details.

Pedal and Effect Operation Data

(Control Change and Universal System
Exclusive Message)
Control Change is used to send and receive data about
damper, soft, and sostenuto pedal* depress and release
operations, as well as data about digital effects.
* You can connect up to two pedals to this digital piano. You
can also specify either soft or sostenuto as the effect of the
pedal connected to the SOFT/SOSTENUTO jack. Pressing
a pedal connected to the SOFT/SOSTENUTO jack sends
data that corresponds to the effect (soft or sostenuto)
currently selected for the pedal.

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 Troubleshooting

Symptom Possible Cause Action Reference

No sound produced when 1. VOLUME knob set to MIN. 1. Move VOLUME knob more Page E-12
keyboard keys are pressed. towards the MAX side.
2. Headphones connected to the 2. Disconnect the headphones from Page E-11
piano. the piano.
3. Local Control turned off. 3. Turn on Local control. Page E-24
Keyboard out of tune. 1. Transpose is set to a value other 1. Change the transpose setting to Page E-19
than 0. 0, or turn the digital piano power
off and then back on again.
2. Incorrect tuning setting 2. Correct the tuning setting, or turn Page E-20
the digital piano power off and
then back on again.
Pedal effect continues to be Problem with the connection Turn off the digital piano power and Page E-11
applied even though pedals are between the pedals and piano. then check to make sure that the
not pressed. pedal plug is securely connected to
the piano’s PEDAL jack.
No sound produced by demo 1. VOLUME knob set to MIN. 1. Move VOLUME knob more Page E-12
tune play. towards the MAX side.
2. Headphones connected to the 2. Disconnect the headphones from Page E-11
piano. the piano.

Memory contents deleted. Lithium battery is dead. Contact your CASIO Service Page E-31
Provider for replacement of the
lithium battery.

No sound produced by 1. The digital piano Keyboard 1. Change the Keyboard Channel Page E-22
connected external MIDI sound Channel does not match the settings so they are identical.
source when the digital piano Keyboard Channel of the MIDI
keys are pressed. sound source.
2. Volume or expression setting of 2. Change the volume or expression See the
the external sound source is set setting of the external sound documen-
to 0. source to an appropriate value. tation that
comes with
the external
sound
source.

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 Assembly Instructions
Caution • Before starting assembly of the stand, divide the polystyrene
foam packing material into four parts (Figure 2).
• This stand should be assembled by two people working
together.
• When assembling the stand, you should have the piano Figure 2
standing up with its back facing downwards, as shown in
Figure 3.
• Do not remove the tape securing the keyboard cover in
place until assembly is complete. Removing the tape can
cause the keyboard cover to open and close during
assembly, creating the risk of personal injury to your hands
and fingers.
• During assembly, be sure to exercise sufficient caution to
avoid personal injury.

IMPORTANT!
• Be sure to assemble the stand on a flat surface.
• This stand does not include any of the tools required to
assemble it. You should have a large Phillips head (+)
screwdriver on hand for assembly.

• Check the items that come with the unit to make sure that
everything shown in Figure 1 (A through F) is included. Assembling the Stand
All screws are in a plastic bag inside of the packing card-
When assembling the stand, you should have the piano
board.
standing up with its back facing downwards.

Figure 1 B Side panel PREPARATION

• Use the four pieces of polystyrene foam to secure side
c Speaker box panels A and B in place. There should be some space
between the edges of the side panels and the floor as
shown in Figure 3.
• If you do not have any packing material available, use a
magazine or some other thick item.

쎹8 ····· D Screws Figure 3

҂8
쎹8 ····· E Screw caps Polystyrene foam
҂8
A Side panel
쎹1 ····· F Cable clip
҂1

C
A B

Polystyrene foam

417A-E-029B E-27

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 Assembly Instructions

Perform the following steps. 8. After ensuring that all of the screws are fully tightened,
remove the packing material and stand up the piano (Figure
5).
Figure 4 • Two people, one at either end, should hold the front and
back of the piano when standing it up.
D D • Connect the cable to the speaker connector (★ in Figure
5).
• Install the screw caps E on each of the eight screws
(Figure 4, 5) .

Figure 5
C
E A B E

1. Attach side panel A to the piano. Secure the side panel in

place using two screws D (Figure 4). ★
• Be sure to tighten the screws securely.
2. Attach side panel B to the other side of the piano. Secure
the side panel in place using two screws D (Figure 4).
• In this case, do not tighten the screws all the way. If you E
do, you will not be able to insert the speaker box C in
the following steps.
3. Attach speaker box C to side panels A and B.
• Secure the speaker box in place using four screws D
(Figure 4).
4. Lift up the speaker box C so its screw holes align with the
screw holes in the side panels, and then tighten the screws 9. Attach the cable clip F to the bottom of the piano (Figure
D. 6).
5. Partially tighten the screws on one side of the speaker box • Use the cable clip to bundle the adapter and pedal cables
C and then tighten the screws on the other side completely. together.
6. Fully tighten the two screws you partially tightened in step • See “Power Supply” on page E-10 for information about
2, above. using the cable clip.
7. Next, fully tighten the screws that you partially tightened
on one side of the speaker box.
Figure 6

F Cable clip

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 Assembly Instructions

Protecting the Piano Against Tipping

Over
Locating the piano against a wall is normally enough to
protect it against tipping over. If you need to locate it away
from a wall, be sure to perform the following steps in order
to ensure that it is secure.
1. Remove the metal pieces at the bottom of side panels A
and B.
2. Repositioning the metal pieces so they are facing outwards
reinstall them onto the side panels (Figure 7).
• If you have trouble inserting the bolts that come pre-
installed in the side panels into the joint connector screw
holes, use a screwdriver to rotate the joint connector so
the bolts can enter the holes (★ in Figure 7).

Figure 7

Side panel

Attaching the AC Adaptor and

Pedal to the Piano
After assembling the stand, connect the AC adaptor and pedal
to the bottom of the piano. For details, see “Power Supply”
on page E-10 and “Connections” on page E-11.

417A-E-031A E-29

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 Specifications
Model: PS-3000
Keyboard: 88 piano keys (with touch response)
Polyphony: 64 notes, maximum
Tones: 8
Digital Effects: Reverb (4 types), Chorus
Demo Tunes
Number of Tunes: 8
Playback: Repeat (all tunes, one tune)
Memory
Operations: Real-time recording, playback
Capacity: Approximately 2,500 notes (one song)
Memory Backup: Built-in lithium battery (Battery Life: 5 years)
Pedals: Damper, Soft/Sostenuto (Selectable)
Other Functions
Metronome: Beat (6 types), Tempo ( = 30 to 255)
Touch Select: 3 types, off

Transpose: 1 octave (F to C to F)
Tuning: A4 = 440Hz ±50 cents (adjustable)
MIDI: 16 multi-timbre receive
Input/Output
Headphones: Stereo mini jacks × 2
Pedal: Standard jacks × 2
Power: 12V DC
MIDI (OUT) (IN)
Speakers: φ 12 cm × 2 (Output: 8.0W + 8.0W)
Power Supply: AC Adaptor : AD-12
Power Consumption: 12V 18W
Dimensions
Piano + Stand: 135.9 × 29.9 × 76.3 cm (53 9/16 × 11 3/4 × 30 1/16 inch)
Weight
Piano + Stand: Approximately 36.5 kg (80.5 lbs)

• Design and specifications are subject to change without notice.

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 Operational Precautions
Locating the Unit
Avoid the following locations.
• Areas exposed to direct sunlight and high humidity.
• Areas subjected to very low temperatures.
• Near a radio, TV, video deck, or tuner (unit can cause interference with audio or video signals)

Care of the Unit

• Never use benzene, alcohol, thinner or other such chemicals to clean the exterior of the unit.
• To clean the keyboard, use a soft cloth dampened with a weak solution of a mild neutral detergent and water. Wring out all
excess moisture from the cloth before wiping.
• Severe impact can cause problems.
When transporting the piano, use soft cloth to pack around the keyboard and buttons to protect them against damage.
• Never try to repair or modify any part of the piano.
Any attempt to repair or modify the piano can cause problems with operation.
• Avoid using this piano near televisions, radios, etc.
Because this piano uses digital circuitry, it may cause interference with other electronic devices such as televisions, radios, etc.
• In case of a problem, check that buttons and connections are correct, as indicated in this manual. If the piano still does not work
properly, contact your retailer or a nearby dealer. Never try to repair the piano yourself.

Lithium Battery
This unit is equipped with a lithium battery to provide power needed to retain memory contents while unit power is turned off.
Should the lithium battery go dead, all memory contents will be lost whenever you turn unit power off. The normal life of the
lithium battery is five years from the time that the battery was installed. Be sure to periodically contact your retailer or authorized
service provider to have the lithium battery replaced. Note that you will be charged separately for lithium battery replacement.

• Note that CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising
from corruption or loss of data caused by malfunction or repair of the unit, or from battery replacement.

You may notice lines in the finish of the case of this piano. These lines are the result of the molding process used to shape the
plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.

NOTE
• Unauthorized reproduction of this manual in its entirety or in part is expressly forbidden. All rights reserved.
• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from
use of this product or this manual.
• The contents of this manual are subject to change without notice.

417A-E-033A E-31

PS3000_e_26_31.p65 31 03.10.8, 2:22 PM

 Appendix/Apéndice
Initial Power On Settings
The table below shows the initial settings of the digital piano whenever power is turned on.

Item Setting Item Setting

Tone GRAND PIANO Tuning A4 = 440.0Hz
Reverb HALL 1 (GRAND PIANO) Keyboard Channel Channel 1
Chorus Off (GRAND PIANO) Local Control On
Touch Select MIDDLE Program Change Mode Type 1
Transpose C

Ajustes iniciales al activarse la alimentación

La tabla siguiente muestra los ajustes iniciales del piano digital siempre que se activa la alimentación.

Item Ajuste Item Ajuste

Sonido GRAND PIANO Afinación A4 = 440,0Hz
Reverberación HALL 1 (GRAND PIANO) Canal de teclado Canal 1
Coro Desactivado (GRAND PIANO) Control local Activado
Selección de toque MIDDLE Modo de cambio de programa Tipo 1
Transposición C

417A-E–067A A-1

PS3000_es_Appendix.p65 1 03.10.8, 2:22 PM

 MIDI Data Format
Items marked “★” are receive only. Control Change
Bank Select
Channel Messages Format

Note Messages Byte 1 Byte 2 Byte 3

Note Off BnH 00H mmH (Bank Select MSB)
Recognition BnH 20H llH (Bank Select LSB)
Format
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Byte 1 Byte 2 Byte 3 mm .. Bank Number MSB = 00H, 02H, 03H, 10H, 18H
ll ....... Bank Number LSB = 00H
8nH kkH vvH
9nH kkH 00H Send
A Bank Select message is sent at the same time when you
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) select a tone on the instrument.
kk .... Note Number = 00H to 7FH
vv .... Note Off Velocity = 00H to 7FH Modulation Wheel ★
Remarks Format
Note Off Velocity value is ignored.
Byte 1 Byte 2 Byte 3
Send BnH 01H vvH
Format
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Byte 1 Byte 2 Byte 3 vv .... Modulation Depth = 00H to 7FH
8nH kkH vvH
Portamento Time ★
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) Format
kk .... Note Number = 15H to 6CH
vv .... Note Off Velocity = 40H Byte 1 Byte 2 Byte 3
BnH 05H vvH
Note On
Recognition n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... Portamento Time = 00H to 7FH
Format

Byte 1 Byte 2 Byte 3 Data Entry

Format
9nH kkH vvH
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) Byte 1 Byte 2 Byte 3
kk .... Note Number = 00H to 7FH BnH 06H mmH (Data Entry MSB)
vv .... Note Off Velocity = 00H to 7FH BnH 26H llH (Data Entry LSB)

Send n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Format mm .. Data entry MSB value for the parameter that is se-
lected by RPN and NRPN
Byte 1 Byte 2 Byte 3 ll ....... Data entry LSB value for the parameter that is se-
9nH kkH vvH lected by RPN and NRPN

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 15H to 6CH
vv .... Note Off Velocity = 01 to 7FH

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PS3000_e_MIDI Data.p65 2 03.10.8, 2:22 PM

 MIDI Data Format

Channel Volume ★ Sostenuto

Format Format

Byte 1 Byte 2 Byte 3 Byte 1 Byte 2 Byte 3

BnH 07H vvH BnH 42H vvH
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) Recognition
vv .... Volume = 00H to 7FH n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... Sostenuto = 00H to 7FH (00H to 3FH:OFF, 40H to
Pan ★ 7FH:ON)
Format
Send
Byte 1 Byte 2 Byte 3 n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
BnH 0AH vvH vv .... Sostenuto = 00H, 7FH (00H:OFF, 7FH:ON)

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) Soft

vv .... Pan = 00H (left) to 40H (center) to 7FH (right)
Format
Expression Controller ★ Byte 1 Byte 2 Byte 3
Format BnH 43H vvH
Byte 1 Byte 2 Byte 3 Recognition
BnH 0BH vvH n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... Soft = 00H to 7FH (00H to 3FH:OFF, 40H to
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) 7FH:ON)
vv .... Expression = 00H to 7FH
Send
Hold 1 (Damper Pedal) n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Format vv .... Soft = 00H, 7FH(00H:OFF, 7FH:ON)

Byte 1 Byte 2 Byte 3 Resonance ★

BnH 40H vvH Format

Recognition Byte 1 Byte 2 Byte 3

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) BnH 47H vvH
vv .... Hold 1 = 00H to 7FH (00H to 3FH:OFF, 40H to
7FH:ON) n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... Filter Resonance = 00H to 7FH
Send
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) Release Time ★
vv .... Hold 1 = 00H,7FH(00H:OFF, 7FH:ON)
Format
Portamento ★ Byte 1 Byte 2 Byte 3
Format BnH 48H vvH
Byte 1 Byte 2 Byte 3 n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
BnH 41H vvH vv .... AMP Release Time = 00H to 7FH

Recognition Attack Time ★

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Format
vv .... Portamento = 00H to 7FH (00H to 3FH:OFF, 40H
to 7FH:ON) Byte 1 Byte 2 Byte 3
BnH 49H vvH
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... AMP Attack Time = 00H to 7FH

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 MIDI Data Format

Brightness ★ Format
Format
Byte 1 Byte 2 Byte 3
Byte 1 Byte 2 Byte 3
BnH 63H pmH (MSB)
BnH 4AH vvH
BnH 62H plH (LSB)
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... Filter Cutoff Frequency = 00H to 7FH
pm ... MSB of NRPN
pl ..... LSB of NRPN
Portamento Control ★
Format Recognition
• NRPN messages not defined by the instrument can also
Byte 1 Byte 2 Byte 3 be received, but subsequent data entry values after
BnH 5AH vvH undefined NRPN messages are ignored.
• After the NRPN MSB and LSB are received and the
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
applicable control parameters settings are made, the
kk .... Source Note Number = 00H to 7FH
value is set by receipt of the MSB of the subsequent
data entry. The data entry LSB is ignored.
Effect 1 Depth (Reverb Send Level)
Format
Vibrato Rate
Byte 1 Byte 2 Byte 3 NRPN MSB = 01H
BnH 5BH vvH NRPN LSB = 08H
Data Entry MSB = mmH
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
mm .. Vibrato Rate = 00H to 40H to 7FH (-64 to 0 to +63)
vv .... Reverb Send Level = 00H to 7FH
Recognition
Effect 3 Depth (Chorus Send Level) When the instrument receives this message, the preset
Format Vibrato Rate value for the tone is changed to the Vibrato
Rate value that corresponds to the data entry MSB of the
Byte 1 Byte 2 Byte 3 received message. There is no change when the value of
BnH 5DH vvH the data entry MSB is 40H(0).
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... Chorus Send Level = 00H to 7FH Vibrato Depth
NRPN MSB = 01H
NRPN (Non-Registered Parameter Numbers) ★ NRPN LSB = 09H
With the instrument, NRPN are defined as tone editing Data Entry MSB = mmH
parameters and drawbar parameters. The MSB and LSB of mm .. Vibrato Depth = 00H to 40H to 7FH (-64 to 0 to
an NRPN specify the parameter being controlled, while the +63)
specified parameter’s value is set in accordance with the
subsequent data entry. Recognition
The following table shows the relationship between When the instrument receives this message, the preset
parameters and NRPN as defined by the instrument. Vibrato Depth value for the tone is changed to the value
that corresponds to the data entry MSB of the received
NRPN MSB NRPN LSB Parameter message. There is no change when the value of the data
01H 08H Vibrato Rate entry MSB is 40H(0).
01H 09H Vibrato Depth
Vibrato Delay
01H 0AH Vibrato Delay
NRPN MSB = 01H
01H 20H TVF Cut Off Frequency
NRPN LSB = 0AH
01H 21H TVF Resonance Data Entry MSB = mmH
01H 63H TVF/TVA Envelope Attack Time
mm .. Vibrato Delay = 00H to 40H to 7FH (-64 to 0 to +63)
01H 64H TVF/TVA Envelope Decay Time
01H 66H TVF/TVA Envelope Release Time Recognition
When the instrument receives this message, the preset
See “Vibrato Rate” through “TVF/TVA Envelope Release Vibrato Delay value for the tone is changed to the value
Time” for the data entry MSB value range and other details. that corresponds to the data entry MSB of the received
message. There is no change when the value of the data
entry MSB is 40H(0).

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PS3000_e_MIDI Data.p65 4 03.10.8, 2:22 PM

 MIDI Data Format

Filter Cut Off Frequency Filter/AMP Envelope Release Time

NRPN MSB = 01H NRPN MSB = 01H
NRPN LSB = 20H NRPN LSB = 66H
Data Entry MSB = mmH Data Entry MSB = mmH

mm .. Cut Off Frequency = 00H to 40H to 7FH (-64 to 0 to mm .. Filter/AMP Envelope Release Time = 00H to 40H
+63) to 7FH (-64 to 0 to +63)
Recognition Recognition
When the instrument receives this message, the preset When the instrument receives this message, the preset
Filter Cut off Frequency value for the tone is changed to Filter/AMP Envelope Release Time value for the tone is
the value that corresponds to the data entry MSB of the changed to the value that corresponds to the data entry
received message. There is no change when the value of MSB of the received message. There is no change when
the data entry MSB is 40H(0). the value of the data entry MSB is 40H(0).

Filter Resonance RPN (Registered Parameter Numbers)

NRPN MSB = 01H On the instrument, RPNs are defined as settings for the
NRPN LSB = 21H following parameters.
Data Entry MSB = mmH
NRPN MSB NRPN LSB Parameter
mm .. Filter Resonance= 00H to 40H to 7FH (-64 to 0 to
+63) 00H 00H Pitch Bend Sensitivity
00H 01H Master Fine Tuning
Recognition
00H 02H Master Coarse Tuning
When the instrument receives this message, the preset
Filter Resonance value for the tone is changed to the val- 7FH 7FH RPN Null
ue that corresponds to the data entry MSB of the received The MSB and LSB of an RPN specify the parameter be-
message. There is no change when the value of the data ing controlled, while the specified parameter’s value is
entry MSB is 40H(0). set in accordance with the MSB of the subsequent data
entry.
Filter/AMP Envelope Attack Time See “Pitch Bend Sensitivity” through “RPN Null” for the
NRPN MSB = 01H data entry MSB value range and other details.
NRPN LSB = 63H
Format
Data Entry MSB = mmH
mm .. Filter/AMP Envelope Attack Time = 00H to 40H Byte 1 Byte 2 Byte 3
to 7FH (-64 to 0 to +63) BnH 65H qmH (MSB)
BnH 64H qlH (LSB)
Recognition
When the instrument receives this message, the preset n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Filter/AMP Envelope Attack Time value for the tone is qm ... MSB of RPN
changed to the value that corresponds to the data entry ql ..... LSB of RPN
MSB of the received message. There is no change when
the value of the data entry MSB is 40H(0). Recognition
• RPN messages not defined by the instrument can also
Filter/AMP Envelope Decay Time be received, but subsequent data entry values after un-
defined RPN messages are ignored.
NRPN MSB = 01H
• After the MSB and LSB of an RPN are received and the
NRPN LSB = 64H
applicable control parameters settings are made, the
Data Entry MSB = mmH
value is set by receipt of the MSB of the subsequent
mm .. Filter/AMP Envelope Decay Time = 00H to 40H data entry. The data entry LSB is ignored.
to 7FH (-64 to 0 to +63)
Send
Recognition An RPN is sent whenever an operation that changes the
When the instrument receives this message, the preset parameter assigned to the RPN is performed.
Filter/AMP Envelope Decay Time value for the tone is
changed to the value that corresponds to the data entry
MSB of the received message. There is no change when
the value of the data entry MSB is 40H(0).

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PS3000_e_MIDI Data.p65 5 03.10.8, 2:22 PM

 MIDI Data Format

Pitch Bend Sensitivity ★ Pitch Bend Change ★

RPN MSB = 00H
Format
RPN LSB = 00H
Data Entry MSB = mmH Byte 1 Byte 2 Byte 3
mm .. Pitch Bend Sensitivity = 00H to 18H (0 to 24 semi- EnH llH mmH
tones)
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Recognition ll ....... Pitch Bend Change LSB = 00H to 7FH
The data entry LSB is always ignored. mm .. Pitch Bend Change MSB = 00H to 7FH
Recognition
Master Fine Tuning
• The value llH mmH is 00H 00H at the lowest pitch,
RPN MSB = 00H 00H 40H at mid-pitch, and 7FH 7FH at the highest
RPN LSB = 01H pitch.
Data Entry MSB = mmH • You have to set both the LSB and MSB together to form
Data Entry LSB = llH a 14-bit value and make a Pitch Bend Change message
mm ll Master Fine Tuning = 00 00H to 40H 00H to 7FH recognized by the instrument.
7FH (-100 to 0 to +99.99 cents)
Channel Mode Message
Master Coarse Tuning
All Sound Off ★
RPN MSB = 00H
Format
RPN LSB = 02H
Data Entry MSB = mmH Byte 1 Byte 2 Byte 3
mm .. Master Coarse Tuning = 28H to 40H to 58H (-24 to BnH 78H 00H
0 to +24 semitones)
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Recognition
Recognition
The data entry LSB is always ignored.
Receipt of this message immediately mutes all tones play-
ing over the MIDI channels.
RPN Null
RPN MSB = 7FH Reset All Controller ★
RPN LSB = 7FH
Format
Recognition
Once an RPN Null is sent, all received data entry MSBs Byte 1 Byte 2 Byte 3
and LSBs are ignored until another RPN message other BnH 79H 00H
than RPN Null or an NRPN message is received. n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition
Program Change Receipt of the Reset All Controller message causes the
Format following controllers to be reset.

Byte 1 Byte 2 Controller Name Reset Value

CnH ppH Modulation Wheel vvH = 00H
Expression Controller vvH = 7FH
pp .... Program Number = 00H to 7FH
Hold 1 vvH = 00H
Send Portamento vvH = 00H
Program Change messages are sent when you select a
Sostenuto vvH = 00H
tone on the instrument.
Soft vvH = 00H
NRPN msb = 7FH, lsb = 7FH
RPN msb = 7FH, lsb = 7FH
Pitch Bend Change llH mmH = 00H 40H

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 MIDI Data Format

All Note Off Poly Mode On ★

Format Format

Byte 1 Byte 2 Byte 3 Byte 1 Byte 2 Byte 3

BnH 7BH 00H BnH 7FH 00H
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Recognition Receive
Receipt of the All Note Off message mutes all tones be- Receipt of a Poly Mode On message by the instrument
ing played by data received over the MIDI channels (note sets Channel n to Mode 3 and is processed as if an All
off). Sound Off message and All Note Off message were re-
If Hold 1 or Sostenuto is turned on when the All Note ceived.
Off message is received, notes are sustained in accordance
with the corresponding pedal operation.
Send System Messages
This message is sent when the CONTROL button is
pressed and when memory playback is stopped. Universal System Exclusive Message
GM System On ★
Omni Mode Off ★ Format
Format
F0H 7EH 7FH 09H 01H F7H
Byte 1 Byte 2 Byte 3
Send
BnH 7CH 00H
This message cannot be sent.
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
Reverb Type
Recognition
Format
Receipt of an Omni Mode On message does not turn on
the instrument Omni Mode. Receipt of an Omni Mode F0 7F 7F 04 05 01 01 01 01 01 00 vv F7
On message is treated as an All Note Off message.
Parameter (vv) Setting GM Level 2 Equivalent
Omni Mode On ★ 00H ROOM Small Room
Format 02H STAGE Large Room
03H HALL 1 Medium Hall
Byte 1 Byte 2 Byte 3
04H HALL 2 Large Hall
BnH 7DH 00H
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16) Chorus Type
Recognition Format
Receipt of an Omni Mode On message does not turn on F0 7F 7F 04 05 01 01 01 01 02 00 vv F7
the instrument Omni Mode. Receipt of an Omni Mode
On message is treated as an All Note Off message. Parameter (vv) Setting GM Level 2 Equivalent
02H CHORUS Chorus 3
Mono Mode On ★
Format

Byte 1 Byte 2 Byte 3

BnH 7EH vvH
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)
vv .... Number of Mono Mode Channels = 00H to 10H
Recognition
Receipt of a Mono Mode On message does not turn on
the instrument Mono Mode. Receipt of a Mono Mode On
message is treated as an All Sound Off message.

417A-E-073A A-7

PS3000_e_MIDI Data.p65 7 03.10.8, 2:22 PM

 Formato de datos MIDI
Solamente se reciben los ítemes marcados con “★” . Cambio de control
Selección de banco
Mensajes de canales Formato

Mensajes de nota 1er. byte 2do. byte 3r. byte

Desactivación de nota BnH 00H mmH (MSB de selección de banco)
Reconocimiento BnH 20H llH (LSB de selección de banco)
Formato n ....... Número de canal de voz = 0H a FH (canal 1 al 16).
mm .. MSB de número de banco = 00H, 02H, 03H, 10H,
1er. byte 2do. byte 3r. byte
18H.
8nH kkH vvH ll ....... LSB de número de banco = 00H.
9nH kkH 00H
Envío
n ....... Número de canal de voz = 0H a FH (canal 1 al 16). Un mensaje de selección de banco es enviado al mismo
kk .... Número de nota = 00H a 7FH. tiempo cuando selecciona un sonido en el instrumento.
vv .... Velocidad de presión = 00H a 7FH.
Perilla de modulación ★
Observaciones
El valor de la velocidad de desactivación de nota es Formato
ignorado.
1er. byte 2do. byte 3r. byte
Envío BnH 01H vvH
Formato
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).
1er. byte 2do. byte 3r. byte vv .... Profundidad de modulación = 00H a 7FH.
8nH kkH vvH
Tiempo de portamento ★
n ....... Número de canal de voz = 0H a FH (canal 1 al 16). Formato
kk .... Número de nota = 15H a 6CH.
vv .... Velocidad de desactivación de nota = 40H. 1er. byte 2do. byte 3r. byte
BnH 05H vvH
Nota activada
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
Reconocimiento nal 16).
Formato vv .... Tiempo de portamento = 00H a 7FH.

1er. byte 2do. byte 3r. byte Ingreso de datos

9nH kkH vvH Formato
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).
1er. byte 2do. byte 3r. byte
kk .... Número de nota = 00H a 7FH.
vv .... Velocidad de desactivación de nota = 00H a 7FH. BnH 06H mmH (MSB de ingreso de datos)
BnH 26H llH (LSB de ingreso de datos)
Envío
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).
Formato mm .. Valor MSB de ingreso de datos para el parámetro
que se selecciona mediante RPN y NRPN.
1er. byte 2do. byte 3r. byte
ll ....... Valor LSB de ingreso de datos para el parámetro
9nH kkH vvH que se selecciona mediante RPN y NRPN.
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).
kk .... Número de nota = 15H a 6CH.
vv .... Velocidad de desactivación de nota = 01 a 7FH.

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PS3000_s_MIDI Data.p65 8 03.10.22, 2:54 PM

 Formato de datos MIDI

Volumen de canal ★ Sostenuto

Formato Formato

1er. byte 2do. byte 3r. byte 1er. byte 2do. byte 3r. byte
BnH 07H vvH BnH 42H vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al canal Reconocimiento

16). n ....... Número de canal de voz = 0H a FH (canal 1 al canal
vv .... Volumen = 00H a 7FH 16).
vv .... Sostenuto = 00H a 7FH (00H a 3FH:OFF, 40H a
Efecto panorámico ★ 7FH:ON).
Formato
Envío
n ....... Número de canal de voz = 0H a FH (canal 1 al canal
1er. byte 2do. byte 3r. byte
16).
BnH 0AH vvH
vv .... Sostenuto = 00H,7FH (00H:OFF, 7FH:ON).
n ....... Número de canal de voz = 0H a FH (canal 1 al canal
16). Suave
vv .... Efecto panorámico = 00H (izquierdo) a 40H (centro) Formato
a 7FH (derecho).
1er. byte 2do. byte 3r. byte
Controlador de expresión ★ BnH 43H vvH
Formato
Reconocimiento
n ....... Número de canal de voz = 0H a FH (canal 1 al canal
1er. byte 2do. byte 3r. byte
16).
BnH 0BH vvH
vv .... Suave = 00H a 7FH (00H a 3FH:OFF, 40H a
n ....... Número de canal de voz = 0H a FH (canal 1 al canal 7FH:ON).
16). Envío
vv .... Expresión = 00H a 7FH. n ....... Número de canal de voz = 0H a FH (canal 1 al canal
16).
Retención 1 (Pedal amortiguador) vv .... Suave = 00H,7FH (00H:OFF, 7FH:ON).
Formato
Resonancia ★
Byte 1 Byte 2 Byte 3
Formato
BnH 40H vvH
1er. byte 2do. byte 3r. byte
Reconocimiento
n ....... Número de canal de voz = 0H a FH (canal 1 al canal BnH 47H vvH
16).
n ....... Número de canal de voz = 0H a FH (canal 1 al canal
vv .... Retención 1 = 00H a 7FH (00H a 3FH:OFF, 40H a
16).
7FH:ON).
vv .... Filtro de resonancia TVF = 00H a 7FH.
Envío
n ....... Número de canal de voz = 0H a FH (canal 1 al canal Tiempo de liberación ★
16). Formato
vv .... Retención 1 = 00H,7FH (00H:OFF, 7FH:ON).
1er. byte 2do. byte 3r. byte
Portamento ★ BnH 48H vvH
Formato
n ....... Número de canal de voz = 0H a FH (canal 1 al canal
1er. byte 2do. byte 3r. byte 16).
vv .... Tiempo de liberación AMP = 00H a 7FH.
BnH 41H vvH

Reconocimiento Tiempo de ataque ★

n ....... Número de canal de voz = 0H a FH (canal 1 al canal Formato
16).
vv .... Portamento = 00H a 7FH (00H a 3FH:OFF, 40H a 1er. byte 2do. byte 3r. byte
7FH:ON). BnH 49H vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al canal 16).

vv .... Tiempo de ataque de AMP = 00H a 7FH.

417A-E–075A A-9

PS3000_s_MIDI Data.p65 9 03.10.22, 2:54 PM

 Formato de datos MIDI

Brillo ★ Para la gama de valores de ingreso de datos y otros detalles

Formato vea “Regimen de vibrato” a “Tiempo de liberacion de en-
volvente de TVF/TVA”.
1er. byte 2do. byte 3r. byte
BnH 4AH vvH Formato
n ....... Número de canal de voz = 0H a FH (canal 1 al canal 1er. byte 2do. byte 3r. byte
16).
BnH 63H pmH (MSB)
vv .... Frecuencia de corte de filtro = 00H a 7FH.
BnH 62H plH (LSB)
Control de portamento ★ n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
Formato nal 16).
pm ... MSB de NRPN.
1er. byte 2do. byte 3r. byte
pl ..... LSB de NRPN.
BnH 5AH vvH
Reconocimiento
n ....... Número de canal de voz = 0H a FH (canal 1 al canal • Los mensajes NRPN no definidos por el instrumento
16). también pueden ser recibidos, pero los valores de
kk .... Número de nota de fuente = 00H a 7FH. ingreso de datos subsiguientes después de los mensajes
NRPN sin definir son ignorados.
Profundidad de efecto 1 (Nivel de envío de reverberación) • Después que se reciben los NRPN MSB y LSB y se
Formato realizan los ajustes de parámetros de control
aplicable, el valor se ajusta por la recepción del MSB
1er. byte 2do. byte 3r. byte
del ingreso de datos subsiguientes. El ingreso de
BnH 5BH vvH datos LSB es ignorado.
n ....... Número de canal de voz = 0H a FH (canal 1 al canal
16). Régimen de vibrato
vv .... Nivel de envío de reverberación = 00H a 7FH. NRPN MSB = 01H
NRPN LSB = 08H
Profundidad de efecto 3 (Nivel de envío de coro) MSB de ingreso de datos = mmH
Formato mm .. Régimen de vibrato = 00H a 40H a 7FH (-64 a 0 a
+63).
1er. byte 2do. byte 3r. byte
BnH 5DH vvH Reconocimiento
Cuando el instrumento recibe este mensaje, el valor de
n ....... Número de canal de voz = 0H a FH (canal 1 al canal régimen de vibrato para el sonido es cambiado al valor
16). de régimen de vibrato que corresponde al MSB de ingreso
vv .... Nivel de envío de coro = 00H a 7FH. de datos del mensaje recibido. No hay cambio cuando el
valor de MSB de ingreso de datos es 40H(0).
NRPN (Números de parámetros sin registrar) ★
Con el instrumento, los NRPN son definidos como parámetros Profundidad de vibrato
de edición de sonido y parámetros de barra de arrastre. Los NRPN MSB = 01H
MSB y LSB de un NRPN especifican el parámetro que está sien- NRPN LSB = 09H
do controlado, mientras el valor del parámetro especificado se MSB de ingreso de datos = mmH
ajusta de acuerdo con el ingreso de dato subsiguiente.
La tabla siguiente muestra la relación entre los parámetros y mm .. Profundidad de vibrato = 00H a 40H a 7FH (-64 a 0
NRPN como lo define el instrumento. a +63).

NRPN MSB NRPN LSB Parámetro Reconocimiento

01H 08H Régimen de vibrato Cuando el instrumento recibe este mensaje, el valor de
profundidad de vibrato para el sonido es cambiado al
01H 09H Profundidad de vibrato
valor que corresponde al MSB de ingreso de datos del
01H 0AH Retardo de vibrato
mensaje recibido. No hay cambio cuando el valor de MSB
01H 20H Frecuencia de corte de TVF de ingreso de datos es 40H(0).
01H 21H Resonancia de TVF
01H 63H Tiempo de ataque de envolvente Extinción de vibrato
TVF/TVA. NRPN MSB = 01H
01H 64H Tiempo de extinción de NRPN LSB = 0AH
envolvente TVF/TVA. MSB de ingreso de datos = mmH
01H 66H Tiempo de liberación de
mm .. Extinción de vibrato = 00H a 40H a 7FH (-64 a 0 a
envolvente TVF/TVA.
+63).

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 Formato de datos MIDI

Reconocimiento Reconocimiento
Cuando el instrumento recibe este mensaje, el valor de Cuando el instrumento recibe este mensaje, el valor del
extinción de vibrato preajustado para el sonido es tiempo de extinción de envolvente de AMP/Filtro para
cambiado al valor que corresponde al MSB de ingreso de el sonido es cambiado al valor que corresponde al MSB
datos del mensaje recibido. No hay cambio cuando el de ingreso de datos del mensaje recibido. No hay cambio
valor de MSB de ingreso de datos es 40H(0). cuando el valor de MSB de ingreso de datos es 40H(0).

Frecuencia de corte de filtro Tiempo de liberación de envolvente de AMP/Filtro

NRPN MSB = 01H NRPN MSB = 01H
NRPN LSB = 20H NRPN LSB = 66H
MSB de ingreso de datos = mmH MSB de ingreso de datos = mmH
mm .. Frecuencia de corte = 00H a 40H a 7FH (-64 a 0 a mm .. Tiempo de liberación de envolvente de AMP/Filtro
+63). = 00H a 40H a 7FH (-64 a 0 a +63).

Reconocimiento Reconocimiento
Cuando el instrumento recibe este mensaje, el valor de Cuando el instrumento recibe este mensaje, el valor del
frecuencia de corte de filtro para el sonido es cambiado tiempo de liberación de envolvente de AMP/Filtro para
al valor que corresponde al MSB de ingreso de datos del el sonido es cambiado al valor que corresponde al MSB
mensaje recibido. No hay cambio cuando el valor de MSB de ingreso de datos del mensaje recibido. No hay cambio
de ingreso de datos es 40H(0). cuando el valor de MSB de ingreso de datos es 40H(0).

Filtro de resonancia RPN (Números de parámetros registrados)

NRPN MSB = 01H En el instrumento, los RPN son definidos como ajustes para
NRPN LSB = 21H los parámetros siguientes.
MSB de ingreso de datos = mmH
NRPN MSB NRPN LSB Parámetros
mm .. Filtro de resonancia = 00H a 40H a 7FH (-64 a 0 a 00H 00H Sensibilidad de
+63).
inflexión de altura tonal
Reconocimiento 00H 01H Afinación fina maestra
Cuando el instrumento recibe este mensaje, el valor de 00H 02H Afinación gruesa maestra
resonancia de filtro preajustado para el sonido es
7FH 7FH RPN nulo
cambiado al valor que corresponde al MSB de ingreso de
datos del mensaje recibido. No hay cambio cuando el Los MSB y LSB de un RPN especifican el parámetro que
valor de MSB de ingreso de datos es 40H(0). está siendo controlado, mientras el valor de parámetro
especificado se ajusta de acuerdo con el MSB del ingreso
Tiempo de ataque de envolvente de AMP/Filtro de datos subsiguientes.
NRPN MSB = 01H Para la gama de valores MSB y otros detalles vea
NRPN LSB = 63H “Sensibilidad de inflexión de altura tonal” al “RPN nulo”.
MSB de ingreso de datos = mmH
Formato
mm .. Tiempo de ataque de envolvente de AMP/Filtro =
00H a 40H a 7FH (-64 a 0 a +63). 1er. byte 2do. byte 3r. byte
BnH 65H qmH (MSB)
Reconocimiento
BnH 64H qlH (LSB)
Cuando el instrumento recibe este mensaje, el valor del
tiempo de ataque de envolvente AMP/Filtro para el n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
sonido es cambiado al valor que corresponde al MSB de nal 16).
ingreso de datos del mensaje recibido. No hay cambio pm ... MSB de RPN.
cuando el valor de MSB de ingreso de datos es 40H(0). pl ..... LSB de RPN.

Tiempo de extinción de envolvente de AMP/Filtro Reconocimiento

NRPN MSB = 01H • Los mensajes RPN no definidos por el instrumento
NRPN LSB = 64H también pueden ser recibidos, pero los valores de
MSB de ingreso de datos = mmH ingreso de datos subsiguientes después de los mensajes
RPN sin definir son ignorados.
mm .. Tiempo de extinción de envolvente de AMP/Filtro • Después que se reciben los MSB y LSB de un RPN y se
= 00H a 40H a 7FH (-64 a 0 a +63). realizan los ajustes de parámetros de control aplicable,
el valor se ajusta mediante la recepción del MSB del
ingreso de datos subsiguientes. El ingreso de datos LSB
es ignorado.

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 Formato de datos MIDI

Envío Cambio de inflexión de altura tonal ★

Un RPN es enviado siempre que una operación cambia
el parámetro asignado al RPN. Formato

1er. byte 2do. byte 3r. byte

Sensibilidad de inflexión de altura tonal ★
EnH llH mmH
NRPN MSB = 00H
NRPN LSB = 00H n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
MSB de ingreso de datos = mmH nal 16).
ll ....... LSB de cambio de inflexión de altura tonal = 00H a
mm .. Sensibilidad de inflexión de altura tonal = 00H a
7FH.
18H (0 a 24 semitonos).
mm .. MSB de cambio de inflexión de altura tonal = 00H
Reconocimiento a 7FH.
El LSB de ingreso de datos es siempre ignorado.
Reconocimiento
• El valor 11H mmH es 00H 00H en la altura tonal más
Afinación fina maestra
baja, 00H 40H en la altura tonal media y 7FH 7FH en la
RPN MSB = 00H altura tonal más alta.
RPN LSB = 01H • Para formar un valor de 14 bit para hacer que el mensaje
MSB de ingreso de datos = mmH de cambio de altura tonal sea reconocido por el
LSB de ingreso de datos = 11H instrumento, tiene que ajustar LSB y MSB juntos.
mm ll ... Afinación fina maestra = 00 00H a 40H 00H a
7FH 7FH (-100 a 0 a +99,99 centésimas). Mensaje de modo de canal
Todos los sonidos desactivados ★
Afinación gruesa maestra
Formato
RPN MSB = 00H
RPN LSB = 02H 1er. byte 2do. byte 3r. byte
MSB de ingreso de datos = mmH BnH 78H 00H
mm ... Afinación fina maestra = 28H a 40H a 58H (-24 a 0 n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
a +24 semitonos). nal 16).
Reconocimiento Reconocimiento
El LSB de ingreso de datos siempre es ignorado. La recepción de este mensaje silencia inmediatamente
todos los sonidos que se ejecutan sobre los canales MIDI.
RPN nulo
RPN MSB = 7FH Controlador de reposición completa ★
RPN LSB = 7FH
Formato
Reconocimiento
Una vez que se envía un RPN nulo, todos los MSB y LSB 1er. byte 2do. byte 3r. byte
de ingreso de datos recibidos son ignorados, hasta que BnH 79H 00H
se reciba otro mensaje RPN diferente a RPN nulo o un
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
mensaje NRPN.
nal 16).

Cambio de programa Reconocimiento

La recepción del mensaje del controlador de reposición
Formato
completa ocasiona que los controladores siguientes se
1er. byte 2do. byte reposicionen.
CnH ppH Nombre de controlador Valor de reposición
pp .... Número de programa = 00H a 7FH Perilla de modulación vvH = 00H
Controlador de expresión vvH = 7FH
Envío
Retención 1 vvH = 00H
Los mensaje de cambio de programa son enviados cuando
selecciona un sonido en el instrumento. Portamento vvH = 00H
Sostenuto vvH = 00H
Suave vvH = 00H
NRPN msb = 7FH, lsb = 7FH
RPN msb = 7FH, lsb = 7FH
Cambio de inflexión de altura tonal llH mmH = 00H 40H

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 Formato de datos MIDI

Desactivación de nota completa n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

Formato nal 16).
vv .... Número de canales del modo monofónico = 00H a
1er. byte 2do. byte 3r. byte 10H.
BnH 7BH 00H
Reconocimiento
n ....... Número de canal de voz = 0H a FH (canal 1 al ca- La recepción de un mensaje de activación de modo
nal 16). monofónico no activa el modo monofónico del
instrumento. La recepción de un mensaje de activación
Reconocimiento del modo monofónico es tratado como un mensaje de
La recepción del mensaje de desactivación de nota desactivación de sonido completo.
completa silencia todos los sonidos que están siendo
reproducidos por los datos recibidos sobre los canales Activación de modo polifónico ★
MIDI (desactivación de nota).
Formato
Si retención 1 o sostenuto es activado cuando se recibe
el mensaje de desactivación de nota completa, las notas 1er. byte 2do. byte 3r. byte
son sostenidas de acuerdo con la operación de pedal BnH 7FH 00H
correspondiente.
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
Envío nal 16).
Este mensaje es enviado cuando se presiona el botón
CONTROL y caundo se para la reproducción de la Recepción
memoria. La recepción de un mensaje de activación de modo
polifónico por el instrumento ajusta el canal n al modo 3,
Desactivación de modo Omni ★ y es procesado como si se estuviera recibiendo un mensaje
Formato de desactivación de sonido completo y mensaje de
desactivación de nota completa.
1er. byte 2do. byte 3r. byte
BnH 7CH 00H
n ....... Número de canal de voz = 0H a FH (canal 1 al ca- Mensajes de sistema
nal 16).
Mensaje exclusivo de sistema universal
Reconocimiento
La recepción del mensaje de activación de modo Omni Activación del sistema GM ★
no activa el modo Omni del instrumento. La recepción Formato
de un mensaje de activación del modo Omni es tratado F0H 7EH 7FH 09H 01H F7H
como un mensaje de desactivación de nota completa.
Envío
Activación del modo Omni ★ Este mensaje no puede ser enviado.
Formato
Tipo de reverberación
1er. byte 2do. byte 3r. byte Formato
BnH 7DH 00H
F0 7F 7F 04 05 01 01 01 01 01 00 vv F7
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-
nal 16). Parámetro (vv) Ajuste Equivalente al nivel GM 2
Reconocimiento 00H ROOM Small Room
La recepción del mensaje de activación de modo Omni 02H STAGE Large Room
no activa el modo Omni del instrumento. La recepción 03H HALL 1 Medium Hall
de un mensaje de activación del modo Omni es tratado 04H HALL 2 Large Hall
como un mensaje de desactivación de nota completa.
Tipo de coro
Activación de modo monofónico ★
Formato
Formato
F0 7F 7F 04 05 01 01 01 01 02 00 vv F7
1er. byte 2do. byte 3r. byte
BnH 7EH vvH Parámetro (vv) Ajuste Equivalente al nivel GM 2
02H CHORUS Chorus 3

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PS3000_es_MIDI Chart.p65
2
Model PS-3000
MIDI Implementation Chart Version: 1.0

Function .. Transmitted Recognized Remarks

Basic Default 1-16 1-16
Channel Changed 1-16 1-16
Default Mode 3 Mode 3
Mode Messages X X
Altered ❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Note 21-108 0-127
Number: True voice ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 0-127
Velocity Note ON O 9nH V = 1-127 O 9nH V = 1-127
Note OFF X 8nH V = 64 X 9nH V = 0, 8nH V = ** ** = no relation
After Key’s X X
Touch Ch’s X X
Pitch Bend X O
0, 32 O O Bank select
1 X O Modulation
Control 5 X O Portamento Time

03.10.8, 2:22 PM
Change 6, 38 O*1 O*1 Data entry
7 X O Volume
10 X O Pan
11 X O Expression
64 O O Damper
65 X O Portamento
66 O O Sostenuto
67 O O Soft
71 X O Resonance
72 X O Release Time
73 X O Attack Time
74 X O Brightness

417A-E-086A
84 X O Portamento Control

91 O O Reverb send
 74 X O Brightness
84 X O Portamento Control

91 O O Reverb send
93 O O Chorus send

417A-E-087A
98, 99 X O NRPN LSB, MSB
100, 101 O O RPN LSB, MSB
120 X O All sound off
121 X O Reset all controller

PS3000_es_MIDI Chart.p65
Program O 0-7 O 0-7 Equipped with General MIDI
Change: True # ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 0-7 compatible mode (switchable
type).
System Exclusive O*2 O*2

3
System : Song Pos X X
Common : Song Sel X X
: Tune X X
System : Clock X X
Real Time : Commands X X
Aux : Local ON/OFF X X
: All notes OFF O O
Messages : Active Sense X O
: System Reset X X
Remarks *1 Fine tune and coarse tune send/receive, and RPN Null, pitch bend sense, vibrato rate, vibrato depth,
vibrato delay, Filter cut off frequency, Filter resonance, Filter/AMP envelope attack time, Filter/AMP
envelope decay time and Filter/AMP envelope release time receives
*2 GM System On [F0][7E][7F][09][01][F7]
Reverb Type [F0][7F][7F][04][05][01][01][01][01][01][00][XX][F7]
XX=00:ROOM, 02:STAGE, 03:HALL 1, 04:HALL 2
Chorus Type [F0][7F][7F][04][05][01][01][01][01][02][00][YY][F7]
YY=02:CHORUS

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes

03.10.8, 2:22 PM
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No
 This recycle mark indicates that the packaging conforms to
the environmental protection legislation in Germany.
Esta marca de reciclaje indica que el empaquetado conforma
a la legislación de protección ambiental en Alemania.

CASIO COMPUTER CO.,LTD.

6-2, Hon-machi 1-chome P MA0305-B Printed in China
Shibuya-ku, Tokyo 151-8543, Japan PS3000-ES-1

PS3000_es_cover.p65 2 03.10.8, 2:22 PM