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Oblivion: Violoncello 1

This document provides a musical transcription for a cello ensemble of the piece 'Oblivion' by Astor Piazzolla. The transcription includes musical notation and parts for four cellos, with cues provided for playing together. It aims to faithfully represent Piazzolla's composition for a cello ensemble.

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BrianMakBless
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0% found this document useful (0 votes)
252 views5 pages

Oblivion: Violoncello 1

This document provides a musical transcription for a cello ensemble of the piece 'Oblivion' by Astor Piazzolla. The transcription includes musical notation and parts for four cellos, with cues provided for playing together. It aims to faithfully represent Piazzolla's composition for a cello ensemble.

Uploaded by

BrianMakBless
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Oblivion

Astor Piazzolla
Arr.:Tobias Kischkel

              
=76 Transcription for Cello Ensemble


    
       
Violoncello 1

        

          
Violoncello 2  

       
Violoncello 3 

      
         
pizz.

       
Violoncello 4

               
     
       
5

Vc.1

Vc.2
        
  

  

  

       
   
Vc.3
 
 

   
3

         
       
Vc.4

 
   crescendo            
9 Solo

Vc.1

                              
Vc.2 

              


Vc.3

      
   
Vc.4
           
                
  
13

Vc.1

      
          

3

  
Vc.2
   
          

Vc.3         

 

   
         
       
Vc.4

     
  
    
 
       
17

    
Vc.1

            
   
crescendo

Vc.2

                   

Vc.3
 

     

         
Vc.4
          

                   
         
22


Vc.1

               
diminuendo

Vc.2

              
Vc.3
      

       
       
Vc.4          
              

    
27

                 

Vc.1

  
3 3

 

           
Vc.2

           
3 3

Vc.3

   
3
arco
 
3

               
     
   
Vc.4

     
      

33

              
Vc.1

  
3

    
Vc.2

         
 
3

   
 
Vc.3

   
3

  
             
pizz.

         
Vc.4

    
    
38


            
Vc.1

 
Vc.2
 

             
3 3

    
Vc.3
    
       
           
          
Vc.4

                            
   
44


Vc.1


   
  
Vc.2             

      

       
           
pizz.

arco                

Vc.3

 
   

Vc.4
3


         
49

Vc.1

                          


Vc.2 

        
      
   

Vc.3

          
Vc.4  

           
        

53


Vc.1

           

  

    

3


Vc.2
   
    
          
arco

Vc.3

     
         
pizz.

       
Vc.4
               
        
 
57


  
Vc.1

            


   
crescendo

Vc.2

                   

Vc.3
 

    

         
Vc.4
          


                            
  
62


Vc.1

     
Vc.2
        

              
Vc.3
      

      
        
Vc.4        
  

    
 
 

67
g lis

0
s.


Vc.1

       
rit.

             
 
        
Vc.2
    

          

         

Vc.3



  
       
arco

 
Vc.4

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