How To Fall in Love With The Euphonium and Want To Play It Forever!
How To Fall in Love With The Euphonium and Want To Play It Forever!
Presented by:
Gail A. Robertson
Sponsored by:
Sonaré Winds and
Schreiber-Keilwerth York Brass
“How to fall in love with the Euphonium and want to play it forever”
Gail Robertson
2. Reasons why new students don’t pick the euphonium and why we are sometimes
“bored” in band
A. Lack of quality school instruments. (Who wants to play a beat up horn?)
B. Lack of challenge in the band “sheet music.” (Nothing to practice and there is only
one euphonium part) *see attached example
C. Lack of attention. (We sit in the back)
D. Lack of visibility. (Not found on MTV and in Pop Music)
E. Lack of posters and pictures of professional players.
F. The euphonium is not a full-time instrument in the Jazz Band or Orchestra.
G. Lack of instruments, CD’s, and sheet music to select from in local music stores.
3. Songs (used to show that the euphonium can do the same as other instruments
can)
A. “When You Wish Upon a Star” (famous Jiminy Cricket vocal solo)
B. “The Buglers Holiday” (famous trumpet feature)
C. “The Clarinet Polka” (famous clarinet solo)
D. “Never Smile at a Crocodile” (Disney theme usually suite for tuba)
E. “It’s Only a Paper Moon” (famous Nat King Cole vocal jazz song)
F. “Sir Duke” (popular Stevie Wonder saxophone feature)
G. “Mario Brothers Theme” (popular video game theme song)
H. “Stars and Stripes Forever” (famous piccolo solo)
Solos that are Best for advanced 8th graders and 9th Graders:
Solos that are Best for advanced 12 graders and college students:
Allegro et Finale Eugéne Bozza
Andante et Allegro J. Guy Ropartz/A. Shapiro
Believe me, If All those Endearing Young Charms Simone Mantia/David Werden
Blue Bells of Scotland Arthur Pryor
Carnival of Venice J. B. Arban/Edwin Franko Goldman
Concert Fantasie Gustav Cords
Concertino Op. 4 Ferdinand David
Concertino #1 in B flat Major Julius Klengel/Leonard Falcone
Concerto Mvt. 1 (K. 191 for Bassoon) W. A. Mozart/Allen Ostrander
Euphonium Concerto Joseph Horovitz
Fantasia Gordon Jacob
Fantasia di Concerto Edoardo Boccalari
Introduction and Polonaise Max Denmark
Lyric Suite Donald H. White
Morceau Symphonique, Op. 88 Alexandre Guilmant/E. Falaguerra
Pantomime Phillip Sparke
Ricercare #1 (Unaccompanied) Andrea Gabrieli
Sonata for Euphonium David Uber
Sonata in C Major Johann Friedrich Fasch/Fromme
Symphonic Variants James Curnow
Originally from Pompano Beach, Florida, Gail Robertson began her music studies at the University of
Central Florida. She was then awarded a full-scholarship as graduate assistant to Harvey G. Phillips at Indiana
University and completed her Masters Degree in Euphonium performance and earned a Performer's Certificate. Ms.
Robertson then began the DMA in euphonium performance at the University of Maryland with Dr. Brian L.
Bowman. Two months later, she was relocated back to Orlando to become one of the founding members of Walt
Disney World's “Tubafours,” a professional tuba and euphonium quartet that was together for 10 years. She later
became the leader and chief arranger for the group and produced a CD called “Tubas Under the Boardwalk.”
Robertson is currently Instructor of Euphonium and Tuba at the University of Central Florida and
Valencia Community College. She has taught on the faculties of the University of Florida, Bethune-Cookman
College, and Seminole Community College. Additionally, she has served as an adjudicator for national and
international music competitions including the Leonard Falcone Tuba and Euphonium Competition,
International Tuba and Euphonium Conference Solo Artist and Tuba-Euphonium Quartet Competitions, and the
Florida Bandmasters Association (District and State). In July 2007, Gail accepted the Sonaré Winds and
Schreiber-Keilwerth York Brass invitation to become an International Artist and Clinician.
Robertson is currently the President of the International Women’s Brass Conference (IWBC). She has
also served on the board of directors and as the “Euphonium and Membership Coordinator” of the International
Tuba and Euphonium Association (ITEA), and as the President, Vice President and Personnel Manager of the
Brass Band of Central Florida. In 2006, Gail was one of the Conference hosts at the International Women’s Brass
Conference held at Illinois State University.
An in demand free-lance artist, Gail is a member of the Brass Band of Battle Creek, and tours the US and
Japan with Keith Brion’s “New Sousa Band” as soloist and Stage Manager, the Athena Brass Band, the Brass
Band of Central Florida, and has toured with the River City Brass Band. Robertson has appeared frequently as a
soloist and clinician for the U.S. Army Band Tuba and Euphonium Conference, the International Tuba and
Euphonium Conference (ITEC), and the International Women’s Brass Conference. Other soloist and clinician
appearances include the Red Cedar Festival of Community Bands, the Howard Hovey Tuba Day, the International
Euphonium Institute, and the “Harvey Phillips Big Brass Bash” in Seattle, Washington. Gail is also a member of
“ E uphoniums Unlimited” and “Symphonia,” two of America’s premier Tuba/Euphonium Ensembles.
As a composer, Gail was commissioned to compose “Psychedelic Dances” for the Tuba-Euphonium
Quartet of the USAF Reserve and was commissioned to compose “A Euphers Dream,” for the 2006 International
Women’s Brass Conference. Several of Gail’s tuba and euphonium ensemble arrangements and Compositions are
published by the Tuba and Euphonium Press and most recently by EUPHONIUM.COM. As a Sonaré Winds and
Schreiber-Keilwerth York Artist, Gail's euphonium of choice is the York Eminence YO-EU4052 with a
Warburton/Gail Robertson mouthpiece.