INSTRUMENTAL

& SUPPLEMENT
INSTRUMENTAL & SUPPLEMENT

Tracklists
Orchestral 2
Orchestral Traditions 25
Chamber 39
Canons and Counterpoint 57
Instrumental Traditions 65
Music Books 81
Bach Interactive 101
Bach after Bach 127

Sung texts
CD 203–204 Notenbüchlein für Anna Magdalena Bach (1725) 154
CD 205–206 Schemelli Gesangbuch 159
CD 211 The Bach Family 192
CD 212–214 Bach & Other Composers 194
CD 215 Bach Renewed – From Bach’s Sons to Mahler 202
 CD 164 86:22

Brandenburg Concerto No. 1 in F major BWV 1046

1 1. [Allegro] 3:38
2 2. Adagio 3:10
3 3. Allegro 4:02
4 4. Menuet – 5. Trio – 6. Polonaise – 7. Trio 7:39

Brandenburg Concerto No. 2 in F major BWV 1047

5 1. [Allegro] 4:34
6 2. Andante 3:22
7 3. Allegro assai 2:44
ORCHESTRAL

Brandenburg Concerto No. 3 in G major BWV 1048

8 1. [Allegro] – 2. Adagio 5:07
9 3. Allegro 3:55

Brandenburg Concerto No. 4 in G major BWV 1049

10 1. Allegro 6:11
11 2. Andante 3:19
12 3. Presto 4:23
BACH 333

Brandenburg Concerto No. 5 in D major BWV 1050

13 1. Allegro 9:43
14 2. Affettuoso 5:47
15 3. Allegro 5:12

4
 Brandenburg Concerto No. 6 in B flat major BWV 1051
16 1. [without tempo indication] 4:25
17 2. Adagio ma non tanto 4:11
18 3. Allegro 4:58

Musica Antiqua Köln

Reinhard Goebel

ORCHESTRAL
BACH 333
Recordings: Köln, Deutschlandfunk Kammermusiksaal,
6/1986 [1–9], 2/1987 [10–18]
Producer & Balance Engineer: Wolfgang Mitlehner
! 1987 Deutsche Grammophon GmbH, Berlin
5
 CD 165 75:45

Brandenburg Concerto No. 1 in F major BWV 1046

1 1. [Allegro] 4:13
2 2. Adagio 4:13
3 3. Allegro 4:10
4 4. Menuet – 5. Trio – 6. Polonaise – 7. Trio 7:31

Brandenburg Concerto No. 2 in F major BWV 1047

5 1. [Allegro] 5:18
6 2. Andante 3:53
7 3. Allegro assai 3:08
ORCHESTRAL

Brandenburg Concerto No. 3 in G major BWV 1048

8 1. [Allegro] 5:45
9 2. Adagio from Violin Sonata in G major BWV 1019a 0:34
10 3. Allegro 4:49

Brandenburg Concerto No. 4 in G major BWV 1049

11 1. Allegro 6:57
12 2. Andante 3:46
13 3. Presto 4:50
BACH 333

6
 Concerto for Keyboard, 2 Recorders, Strings and
Basso continuo in F major BWV 1057 (after BWV 1049)
14 1. [without tempo indication] 6:59
15 2. Andante 4:20
16 3. Allegro assai 5:17

Philip Pickett | Rachel Beckett recorders

Trevor Pinnock harpsichord & conductor

The English Concert

ORCHESTRAL
BACH 333
Recordings: London, Henry Wood Hall, 3–5, 1982 [1–13], 11/1980 [14–16]
Producer: Gerd Ploebsch · Balance Engineer: Hans-Peter Schweigmann
! 1982 [1–13] / 1981 [14–16] Deutsche Grammophon GmbH, Berlin
7
 CD 166 75:36

Brandenburg Concerto No. 5 in D major BWV 1050

1 1. Allegro 9:50
2 2. Affettuoso 5:11
3 3. Allegro 5:12

Brandenburg Concerto No. 6 in B flat major BWV 1051

4 1. [Allegro] 6:05
5 2. Adagio ma non tanto 5:20
6 3. Allegro 5:31

The English Concert

ORCHESTRAL

Trevor Pinnock

Concerto in F major BWV 1046a

(early version of Brandenburg Concerto No. 1)
7 1. [Allegro] 3:55
8 2. Adagio 3:38
9 3. Allegro 6:09

Academy of Ancient Music

Christopher Hogwood
BACH 333

8
 Concerto in D major BWV 1050a
(early version of Brandenburg Concerto No. 5)
10 1. Allegro 7:47
11 2. Affettuoso 5:29
12 3. Allegro 5:17

Academy of Ancient Music

Christopher Hogwood

Ich liebe den Höchsten von ganzem Gemüte BWV 174

ORCHESTRAL
13 1. Sinfonia 6:09

Accademia Bizantina
Ottavio Dantone

Recordings: London, Henry Wood Hall, 3–5, 1982 [1–6];

BACH 333
London, Walthamstow Assembly Hall, 5/1984 [7–12];
Ravenna, Bagnacavallo, Chiesa di San Girolamo, 1/2011 [13]
Producers: Gerd Ploebsch [1–6]; Peter Wadland [7–12]; Fabio Framba [13]
Balance Engineers: Hans-Peter Schweigmann [1–6]; John Dunkerley [7–12];
Roberto Chinellato [13]
! 1982 Deutsche Grammophon GmbH, Berlin [1–6]
! 1985 [7–12] / 2011 [13] Decca Music Group Limited
9
 CD 167 69:50

Orchestral Suite No. 1 in C major BWV 1066

1 1. Ouverture 9:38
2 2. Courante 2:35
3 3. Gavotte I alternativement – 4. Gavotte II 3:06
4 5. Forlane 1:13
5 6. Menuett I alternativement – 7. Menuett II 3:08
6 8. Bourrée I alternativement – 9. Bourrée II 2:26
7 10. Passepied I alternativement – 11. Passepied II 2:27

Orchestral Suite No. 2 in B minor BWV 1067

ORCHESTRAL

8 1. Ouverture 10:09
9 2. Rondeau 1:53
10 3. Sarabande 3:14
11 4. Bourrée I alternativement – 5. [Bourrée] II 1:34
12 6. Polonaise – 6a. Double 2:50
13 7. Menuet 1:05
14 8. Badinerie 1:26

Orchestral Suite No. 3 in D major BWV 1068

15 1. Ouverture – Vite 10:22
BACH 333

16 2. Air 4:36
17 3. Gavotte I alternativement – 4. [Gavotte] II 3:43
18 5. Bourrée 1:34
19 6. Gigue 2:47

10
Musica Antiqua Köln
Reinhard Goebel

ORCHESTRAL
BACH 333
Recordings: Köln, Deutschlandfunk Kammermusiksaal , 5/1985 [1–7/15–19];
Hamburg, Friedrich-Ebert-Halle, 4/1982 [8–14]
Producer & Balance Engineer: Wolfgang Mitlehner
! 1986 [1–7/15–19] / 1982 [8–14] Deutsche Grammophon GmbH, Berlin
11
 CD 168 86:06

Orchestral Suite No. 4 in D major BWV 1069

1 1. Ouverture 12:32
2 2. Bourrée I alternativement – 3. Bourrée II 2:37
3 4. Gavotte 1:55
4 5. Menuet I alternativement – 6. Menuet II 3:40
5 7. Réjouissance 2:30

Orchestral Suite in G minor BWV 1070 (App. B)

6 1. Ouverture. Larghetto – Un poco allegro 5:39
7 2. Torneo [Allegretto] 1:10
ORCHESTRAL

8 3. Aria. Adagio 4:03

9 4. Menuetto alternativo – Trio 3:07
10 5. Capriccio [Vivace] 3:38

Musica Antiqua Köln

Reinhard Goebel

Orchestral Suite No. 2 in B minor BWV 1067

11 1. Ouverture 9:41
12 2. Rondeau 1:52
BACH 333

13 3. Sarabande 3:14
14 4. Bourrée I alternativement – 5. [Bourrée] II 2:08
15 6. Polonaise – 6a. Double 3:43
16 7. Menuet 1:17
17 8. Badinerie 1:31
12
 Orchestral Suite No. 3 in D major BWV 1068
18 1. Ouverture – Vite 9:20
19 2. Air 4:21
20 3. Gavotte I alternativement – 4. [Gavotte] II 4:06
21 5. Bourrée 1:14
22 6. Gigue 2:47

Academy of Ancient Music

Christopher Hogwood

ORCHESTRAL
BACH 333
Recordings: Köln, Deutschlandfunk Kammermusiksaal , 5/1985 [1–5];
Hamburg, Friedrich-Ebert-Halle, 4/1982 [6–10];
London, North Finchley, St Barnabas, 2/1988 [11–17], 3/1985 [18–22]
Producers: Wolfgang Mitlehner [1–10]; Peter Wadland [11–22]
Balance Engineers: Wolfgang Mitlehner [1–10]; John Dunkerley [11–22]
! 1986 [1–5] / 1982 [6–10] Deutsche Grammophon GmbH, Berlin
! 1988 Decca Music Group Limited [11–22]
13
 CD 169 76:26

Orchestral Suite No. 1 in C major BWV 1066

1 1. Ouverture 5:38
2 2. Courante 1:59
3 3. Gavotte I alternativement – 4. Gavotte II 2:44
4 5. Forlane 1:13
5 6. Menuet I alternativement – 7. Menuet II 3:08
6 8. Bourrée I alternativement – 9. Bourrée II 2:21
7 10. Passepied I alternativement – 11. Passepied II 2:24

Orchestral Suite No. 2 in B minor BWV 1067

ORCHESTRAL

8 1. Ouverture 6:09
9 2. Rondeau 1:59
10 3. Sarabande 2:53
11 4. Bourrée I alternativement – 5. [Bourrée] II 1:57
12 6. Polonaise – 6a. Double 3:41
13 7. Menuet 1:30
14 8. Badinerie 1:33

Orchestral Suite No. 3 in D major BWV 1068

15 1. Ouverture – Vite 6:05
BACH 333

16 2. Air 4:50
17 3. Gavotte I alternativement – 4. [Gavotte] II 3:19
18 5. Bourrée 1:12
19 6. Gigue 2:51

14
 Orchestral Suite No. 4 in D major BWV 1069
20 1. Ouverture 7:22
21 2. Bourrée I alternativement – 3. Bourrée II 2:40
22 4. Gavotte 2:03
23 5. Menuet I alternativement – 6. Menuet II 3:55
24 7. Réjouissance 2:41

The English Concert

Trevor Pinnock

ORCHESTRAL
BACH 333
Recordings: London, Henry Wood Hall, 6/1978 [1–19];
München, Residenz, Herkulessaal, 8/1979 [20–24]
Producer: Gerd Ploebsch
Balance Engineer: Karl-August Naegler
! 1979 [1–19] / 1980 [20–24] Deutsche Grammophon GmbH, Berlin
15
 CD 170 79:17

Concerto for Violin, Strings and Basso continuo

No. 1 in A minor BWV 1041
1 1. [Allegro moderato] 3:29
2 2. Andante 6:00
3 3. Allegro assai 3:32
Giuliano Carmignola violin | Concerto Köln

Concerto for Keyboard, Strings and Basso continuo

in G minor BWV 1058 (after BWV 1041)
4 1. [without tempo indication] 3:27
ORCHESTRAL

5 2. Andante 5:51
6 3. Allegro assai 3:33
Christophe Rousset harpsichord
Academy of Ancient Music
Christopher Hogwood

Concerto for Violin, Strings and Basso continuo

No. 2 in E major BWV 1042
7 1. Allegro 7:13
BACH 333

8 2. Adagio 6:10
9 3. Allegro assai 2:38
Giuliano Carmignola violin | Concerto Köln

16
 Concerto for Keyboard, Strings and Basso continuo
in D major BWV 1054 (after BWV 1042)
10 1. [without tempo indication] 7:42
11 2. Adagio e piano sempre 6:48
12 3. Allegro 2:43
Trevor Pinnock harpsichord & director | The English Concert

Concerto for Flute, Violin, Keyboard, Strings

and Basso continuo in A minor BWV 1044

ORCHESTRAL
13 1. Allegro 8:13
14 2. Adagio ma non tanto e dolce 5:06
15 3. Tempo di Allabreve 6:50
Wilbert Hazelzet flute | Reinhard Goebel violin & director
Andreas Staier harpsichord | Musica Antiqua Köln

Recordings: Köln, Deutschlandfunk, Kammermusiksaal, 7/2013 [1–3/7–9];

London, Abbey Road Studios, 8/1993 [4–6]; Henry Wood Hall,
2/1980 [10–12]; Köln, Deutschlandfunk Kammermusiksaal, 6/1987 [13–15]

BACH 333
Producers: Christoph Claßen [1–3/7–9]; Chris Sayers [4–6];
Gerd Ploebsch [10–12]; Wolfgang Mitlehner [13–15]
Balance Engineers: Hendrik Manook [1–3/7–9]; Jonathan Stokes [4–6];
Karl-August Naegler [10–12]; Wolfgang Mitlehner [13–15]
! 2014 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [1–3/7–9]
! 1995 Decca Music Group Limited [4–6]
! 1981 [10–12] / 1987 [13–15] Deutsche Grammophon GmbH, Berlin
17
 CD 171 79:24

Concerto for 2 Violins, Strings and Basso continuo

in D minor BWV 1043
1 1. Vivace 3:43
2 2. Largo ma non tanto 6:34
3 3. Allegro 4:38
Simon Standage | Elizabeth Wilcock violins
The English Concert | Trevor Pinnock

Concerto for 2 Keyboards, Strings and Basso continuo

in C minor BWV 1062 (after BWV 1043)
ORCHESTRAL

4 1. [Allegro] 3:43
5 2. Andante e piano 5:35
6 3. Allegro assai 4:57
Tini Mathot harpsichord | Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

Concerto for Keyboard, Strings and Basso continuo

in D minor BWV 1052
7 1. Allegro 7:27
BACH 333

8 2. Adagio 6:02
9 3. Allegro 7:28
Christophe Rousset harpsichord
Academy of Ancient Music | Christopher Hogwood
18
 Concerto for Violin, Strings and Basso continuo
in D minor BWV 1052R
Reconstruction by Marco Serino after BWV 1052
10 1. Allegro 6:58
11 2. Adagio 6:51
12 3. Allegro 7:28
Giuliano Carmignola violin | Concerto Köln

Wir müssen durch viel Trübsal BWV 146

13 1. [Sinfonia] 7:58

ORCHESTRAL
Accademia Bizantina | Ottavio Dantone

Recordings: London, Henry Wood Hall, 3/1983 [1–3], 2/1995 [7–9];

Amsterdam, 1981 [4–6]; Köln, Deutschlandfunk, Kammermusiksaal, 7/2013 [10–12];
Ravenna, Bagnacavallo, Chiesa di San Girolamo, 1/2011 [13]
Producers: Gerd Ploebsch [1–3]; Tini Mathot [4–6]; Chris Sayers [7–9];

BACH 333
Christoph Claßen [10–12]; Fabio Framba [13]
Balance Engineers: Hans-Peter Schweigmann [1–3]; Adriaan Verstijnen [4–6];
Neil Hutchinson [7–9]; Hendrik Manook [10–12]; Roberto Chinellato [13]
! 1983 Deutsche Grammophon GmbH, Berlin [1–3]
! 1981 Universal International Music B.V. [4–6]
! 1997 [7–9] / 2011 [13] Decca Music Group Limited
! 2014 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [10–12]
19
 CD 172 80:38

Concerto for Keyboard, Strings and Basso continuo

in E major BWV 1053
1 1. [Allegro] 7:49
2 2. Siciliano 5:24
3 3. Allegro 6:09
Christophe Rousset harpsichord
Academy of Ancient Music | Christopher Hogwood

Concerto for Oboe d’amore, Strings and Basso continuo

in D major BWV 1053R
ORCHESTRAL

Reconstruction by Arnold Mehl after BWV 1053

4 1. [Allegro] 7:43
5 2. Siciliano 4:03
6 3. Allegro 6:22
Heinz Holliger oboe d’amore & director | Camerata Bern

7 Gott soll allein mein Herze haben BWV 169: 1. Sinfonia 8:57
Accademia Bizantina | Ottavio Dantone
BACH 333

8 Ich geh und suche mit Verlangen BWV 49: 1. Sinfonia 6:10
Berliner Barock Solisten | Rainer Kussmaul

20
 Concerto for Keyboard, Strings and Basso continuo
in A major BWV 1055
9 1. Allegro 4:16
10 2. Larghetto 4:39
11 3. Allegro ma non tanto 4:02
Christophe Rousset harpsichord
Academy of Ancient Music | Christopher Hogwood

Concerto for Oboe d’amore, Strings and Basso continuo

in A major BWV 1055R

ORCHESTRAL
Reconstruction after BWV 1055
12 1. Allegro 4:43
13 2. Larghetto 5:50
14 3. Allegro ma non tanto 4:29
David Reichenberg oboe d’amore | The English Concert | Trevor Pinnock

Recordings: London, Henry Wood Hall, 8/1994 [1–3]; 3/1984 [12–14]; Switzerland,
La Chaux-de-Fonds, Salle de musique, 6/1996 [4–6]; Ravenna, Bagnacavallo,
Chiesa di San Girolamo, 1/2011 [7]; Berlin, Jesus-Christus-Kirche, 6/2007 [8];

BACH 333
London, Abbey Road Studio No. 1, 8/1993 [9–11] · Producers: Chris Sayers [1–3/9–11];
Hein Dekker [4–6]; Fabio Framba [7]; Christopher Alder [8]; Gerd Ploebsch [12–14]
Balance Engineers: Jonathan Stokes [1–3/9–11]; Ko Witteveen [4–6];
Roberto Chinellato [7]; Hans-Ulrich Bastin [8]; Hans-Peter Schweigmann [12–14]
! 1995 [1–3/9–11] / 2011 [7] Decca Music Group Limited
! 1998 Universal International Music B.V. [4–6]
! 2007 [8] / 1984 [12–14] Deutsche Grammophon GmbH, Berlin
21
 CD 173 76:09

Concerto for Keyboard, Strings and Basso continuo

in F minor BWV 1056
1 1. [Allegro] 3:09
2 2. Largo 2:40
3 3. Presto 3:35
Ottavio Dantone harpsichord & director
Accademia Bizantina

Concerto for Violin, Strings and Basso continuo

in G minor BWV 1056R
ORCHESTRAL

Reconstruction by Marco Serino after BWV 1056

4 1. Allegro 3:24
5 2. Largo 2:39
6 3. Presto 3:19
Giuliano Carmignola violin | Concerto Köln

7 Geist und Seele wird verwirret BWV 35: 1. Concerto 5:16

8 Ich steh mit einem Fuß im Grabe BWV 156: 1. Sinfonia 2:35
BACH 333

9 Geist und Seele wird verwirret BWV 35: 5. Sinfonia 3:25

Accademia Bizantina | Ottavio Dantone

22
 Concerto for Oboe, Strings and Basso continuo
in D minor BWV 1059R
Reconstruction, not in BWV catalogue, after BWV 1059, BWV 35 & BWV 156
10 1. Allegro 5:25
11 2. Adagio 2:34
12 3. Presto 3:34
Marcel Ponseele oboe | Il Gardellino

13 Sinfonia in D major BWV 1045 6:36

ORCHESTRAL
Kojima Wakamatsu violin
Bach Collegium Japan | Masaaki Suzuki

Concerto for 2 Keyboards, Strings and Basso continuo

in C minor BWV 1060
14 1. Allegro 4:57
15 2. Adagio 5:19
16 3. Allegro 3:54
Tini Mathot harpsichord

BACH 333
Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

23
 Concerto for Violin, Oboe, Strings and Basso continuo
in C minor BWV 1060R
Reconstruction after BWV 1060
17 1. Allegro 5:07
18 2. Adagio 5:04
19 3. Allegro 3:33
Simon Standage violin
David Reichenberg oboe
The English Concert
ORCHESTRAL

Trevor Pinnock
Recordings: Ravenna, Muzeo National, Sala di Refettorio di San Vitale, 4/2007 [1–3];
Köln, Deutschlandfunk Kammermusiksaal, 7/2013 [4–6]; Ravenna, Bagnacavallo,
Chiesa di San Girolamo, 1/2011 [7–9]; Belgium, Bolland, Saint Apollinaire, 9/2004
[10–12]; Kobe, Shoin Women’s University, 2/2009 [13]; Amsterdam, 1981 [14–16];
London, Henry Wood Hall, 3/1984 [17–19]
Producers: Andrea Dandolo [1–3]; Christoph Claßen [4–6]; Fabio Framba [7–9];
Adelheid Glatt [10–12]; Ingo Petry [13]; Tini Mathot [14–16]; Gerd Ploebsch [17–19]
Balance Engineers: Roberto Chinellato [1–3/7–9]; Hendrik Manook [4–6];
Andreas Glatt [10–12]; Marco Frezzato [1–3]; Andreas Ruge [13];
BACH 333

Adriaan Verstijnen [14–16]; Hans-Peter Schweigmann [17–19]

! 2008 [1–3] / 2011 [7–9] Decca Music Group Limited
! 2014 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [4–6]
! 2005 Accent [10–12]
! 2009 BIS Records AB [13]
! 1981 Universal International Music B.V. [14–16]
! 1984 Deutsche Grammophon GmbH, Berlin [17–19]
24
CD 174 81:45

Concerto for 2 Keyboards in C major BWV 1061a

1 1. [Allegro] 7:12
2 2. Adagio 4:47
3 3. Vivace 5:46
Christophe Rousset | Christopher Hogwood harpsichords

Concerto for 2 Keyboards, Strings and Basso continuo

in C major BWV 1061
4 1. [Allegro] 7:16
5 2. Adagio 4:23

ORCHESTRAL
6 3. Vivace 6:14
Tini Mathot harpsichord
Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

Concerto for 3 Keyboards, Strings and Basso continuo

in D minor BWV 1063
7 1. [Allegro] 5:01
8 2. Alla Siciliana 3:54

BACH 333
9 3. Allegro 5:10
Tini Mathot | Friederike Ernst harpsichords
Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

25
 Concerto for 3 Keyboards, Strings and Basso continuo
in C major BWV 1064
10 1. [Allegro] 6:20
11 2. Adagio 5:28
12 3. Allegro 4:46
Kenneth Gilbert | Lars Ulrik Mortensen harpsichords
Trevor Pinnock harpsichord & director | The English Concert

Concerto for 3 Violins, Strings and Basso continuo

in D major BWV 1064R
ORCHESTRAL

(Arrangement after BWV 1064 by Christopher Hogwood)

13 1. [Allegro] 5:44
14 2. Adagio 5:30
15 3. Allegro 4:11
Christopher Hirons | Monica Huggett | Catherine Mackintosh violins
Academy of Ancient Music | Christopher Hogwood

Recordings: Paris, Conservatoire de Musique, 1995 [1–3]; Amsterdam, 1981 [4–9];

BACH 333

London, Henry Wood Hall, 2/1981 [10–12]; Walthamstow Assembly Hall, 9/1990
[13–15] · Producers: Chris Sayers [1–3]; Tini Mathot [4–9]; Gerd Ploebsch [10–12];
Peter Wadland [13–15] · Balance Engineers: Simon Eadon [1–3]; Adriaan
Verstijnen [4–9]; Hans-Peter Schweigmann [10–12]; Jonathan Stokes [13-15]
! 1996 [1–3] / 1991 [13–15] Decca Music Group Limited
! 1981 Universal International Music B.V. [4–9]
! 1981 Deutsche Grammophon GmbH, Berlin [10–12]
26
CD 175 82:16

Brandenburg Concerto No. 1 in F major BWV 1046

1 1. [Allegro] 4:37
2 2. Adagio 4:43
3 3. Allegro 4:34
4 4. Menuet – 5. Trio – 6. Polonaise – 7. Trio 8:02

ORCHESTRAL TRADITIONS
Adolf Busch Chamber Players
Adolf Busch

Brandenburg Concerto No. 1 in F major BWV 1046

5 2. Adagio 4:26
Szymon Goldberg violin & director
Netherlands Chamber Orchestra
Haakon Stotijn oboe

Brandenburg Concerto No. 5 in D major BWV 1050

6 1. Allegro 10:16
7 2. Affettuoso 5:44
8 3. Allegro 5:13
Boyd Neel String Orchestra | Boyd Neel

BACH 333
Kathleen Long piano
Frederick Grinke violin
Gareth Morris flute

27
 Brandenburg Concerto No. 4 in G major BWV 1049
9 1. Allegro 7:48
10 2. Andante 4:01
11 3. Presto 5:14
ORCHESTRAL TRADITIONS

Schola Cantorum Basiliensis | August Wenzinger

Brandenburg Concerto No. 6 in B flat major BWV 1051

12 1. [Allegro] 5:53
13 2. Adagio ma non tanto 4:47
14 3. Allegro 6:12
Concentus Musicus Wien | Nikolaus Harnoncourt

Recordings: London, Abbey Road Studio No. 1, 10/1935 [1–4]; Amsterdam,

Concertgebouw, 4/1958 [5]; London, West Hampstead, Decca Studios,
12/1947 [6–8]; Basel, Blauer Saal of the Justiz-Departement, 7/1952 [9–11];
Wien, Palais Schönburg, 1964 [12–14]
Producers: Lawrance Collingwood [1–4]; Jaap van Ginneken [5];
Victor Olof [6–8]; Fred Hamel [9–11]; Wolf Erichson [12–14]
BACH 333

Balance Engineers: Arthur Clarke [1–4]; Kenneth Wilkinson [6–8];

Heinrich Keilholz [9–11]
! 1938 Parlophone Records Limited, a Warner Music Group company [1–4]
! 1963 Universal International Music B.V. [5]
! 1948 Decca Music Group Limited [6–8]
! 1953 Deutsche Grammophon GmbH, Berlin [9–11]
! 1964 Teldec Classics, a Warner Music UK Division [12–14]
28
CD 176 85:28

Brandenburg Concerto No. 2 in F major BWV 1047

1 1. [Allegro] 4:47
2 2. Andante 3:44
3 3. Allegro assai 2:42

ORCHESTRAL TRADITIONS
Münchener Bach-Orchester | Karl Richter
Karl-Heinz Schneeberger violin | Hans-Martin Linde recorder
Manfred Clement oboe | Pierre Thibaud trumpet | Hedwig Bilgram harpsichord

Brandenburg Concerto No. 5 in D major BWV 1050(a)

Edition by Thurston Dart
4 1. Allegro 7:49
5 2. Affettuoso 5:37
6 3. Allegro 5:11
Academy of St Martin in the Fields | Neville Marriner
Iona Brown violin | Claude Monteux flute | George Malcolm harpsichord

Brandenburg Concerto No. 3 in G major BWV 1048

7 1. [Allegro] 5:44
8 2. Adagio 0:15

BACH 333
9 3. Allegro 4:42
Academy of Ancient Music | Christopher Hogwood

Brandenburg Concerto No. 4 in G major BWV 1049

10 1. Allegro 6:59
11 2. Andante 3:22
29
12 3. Presto 4:47
 Il Giardino Armonico | Giovanni Antonini

Brandenburg Concerto No. 5 in D major BWV 1050

13 1. Allegro 8:51
14 2. Affettuoso 5:00
ORCHESTRAL TRADITIONS

15 3. Allegro 4:56
Orchestra Mozart | Claudio Abbado
Jacques Zoon flute | Giuliano Carmignola violin | Ottavio Dantone harpsichord

Brandenburg Concerto No. 2 in F major BWV 1047

16 1. [Allegro] 4:51
17 2. Andante 3:18
18 3. Allegro assai 2:49
Dunedin Consort | John Butt
Recordings: München, Hochschule für Musik, 1/1967 [1–3]; London, Wembley,
Brent Town Hall, 2/1971 [4–6]; Walthamstow Assembly Hall, 5/1986 [7–9];
Lugano, Radiotelevisione Svizzera, 12/1996 [10–12]; Italy, Reggio Emilia, Teatro
Romolo Valli, 4/2007 (live) [13–15]; Scotland, Perth, Concert Hall, 5/2012 [16–18]
Producers: Rainer Brock [1–3]; Erik Smith [4–6]; Peter Wadland [7–9];
BACH 333

Lucienne Rosset [10–12]; Sid McLauchlan [13–15]; Philip Hobbs [16–18]

Balance Engineers: Klaus Scheibe [1–3]; Hans Lauterslager [4–6]; John Dunkerley
[7–9]; Ulrich Roescher [10–12]; Stephan Flock [13–15]; Philip Hobbs [16–18]
! 1968 Deutsche Grammophon GmbH, Berlin [1–3] · ! 1972 Universal International
Music B.V. [4–6] · ! 1985 Decca Music Group Limited [7–9] · ! 1997 Teldec
Classics, a Warner Music UK Division [10–12] · ! 2008 EuroArts Music International
GmbH, under exclusive license to Deutsche Grammophon Gesellschaft mbH [13–15]
30 ! 2013 Linn Records [16–18]
CD 177 81:17

Concerto for 2 Violins, Strings and Basso continuo

in D minor BWV 1043
1 1. Vivace 3:57
2 2. Largo ma non tanto 6:41

ORCHESTRAL TRADITIONS
3 3. Allegro 5:04
Arthur Grumiaux | Herman Krebbers violins
Les Solistes Romands | Arpad Gérecz

4 1. Vivace 4:15
5 2. Largo ma non tanto 7:32
6 3. Allegro 5:28
David Oistrakh | Igor Oistrakh violins
Royal Philharmonic Orchestra | Eugene Goossens
George Malcolm harpsichord

7 1. Vivace 3:13
8 2. Largo ma non tanto 6:50
9 3. Allegro 4:20
Hilary Hahn | Margaret Batjer violins

BACH 333
Los Angeles Chamber Orchestra | Jeffrey Kahane

10 1. Vivace 2:56
11 2. Largo, ma non tanto 5:42
12 3. Allegro 3:56
31
 Tijana Milošević violin
Nemanja Radulović violin & director | Double Sens

13 2. Largo ma non tanto (Transcription for Oboe and Violin) 6:04

Albrecht Mayer oboe | Daniel Hope violin
ORCHESTRAL TRADITIONS

Deutsches Kammerorchester Berlin | Reinhard Kammler

14 1. Vivace 3:21
15 2. Largo ma non tanto 7:20
16 3. Allegro 4:34
Anne-Sophie Mutter violin & director
Nancy Zhou [1] | Ye-Eun Choi [2] | Noa Wildschut [3] violins
Mutter’s Virtuosi | Mahan Esfahani harpsichord

Recordings: Switzerland, La Chaux-de-Fonds, Salle de musique, 11/1978 [1–3];

London, Wembley, Brent Town Hall, 2/1961 [4–6]; Los Angeles, The Herbert Zipper
Concert Hall, 10/2002 [7–9]; Paris, Notre-Dame du Liban, 3–6/2016 [10–12]; Berlin,
Jesus-Christus-Kirche, 7–8/2012 [13]; Berlin, Neue Heimat, 5/2015 (live) [14–16]
BACH 333

Producers: Wilhelm Hellweg [1–3]; Hans Weber [4–6]; Thomas Frost [7–9];
Sid McLauchlan [10–12]; Philipp Nedel [13]; Bernhard Güttler [14–16]
Balance Engineers: Wilhelm Hellweg [1–3]; Harald Baudis [4–6]; Tom Lazarus [7–9];
Rainer Maillard [10–12/14–16]; Martin Kistner [13]
! 1980 Universal International Music B.V. [1–3]
! 1962 [4–6] / 2003 [7–9] / 2016 [10–12] / 2012 [13] / 2015 [14–16]
Deutsche Grammophon GmbH, Berlin
32
CD 178 82:34

Concerto for Violin, Strings and Basso continuo

No. 1 in A minor BWV 1041
1 1. [Allegro moderato] 3:37
2 2. Andante 6:41

ORCHESTRAL TRADITIONS
3 3. Allegro assai 3:17
Anne-Sophie Mutter violin & director
Trondheim Soloists

Concerto for Violin, Strings and Basso continuo

No. 2 in E major BWV 1042
4 1. Allegro 6:55
5 2. Adagio 7:07
6 3. Allegro assai 2:31
Hilary Hahn violin
Los Angeles Chamber Orchestra | Jeffrey Kahane

Concerto for 2 Violins, Strings and Basso continuo

in D minor BWV 1043
7 1. Vivace 3:26

BACH 333
8 2. Largo ma non tanto 6:41
9 3. Allegro 4:40
Julia Fischer violin & director | Alexander Sitkovetsky violin
Academy of St Martin in the Fields
33
 Concerto for Violin, Oboe, Strings and Basso continuo
in C minor BWV 1060R
Reconstruction after BWV 1060
10 1. Allegro 4:59
11 2. Largo ovvero Adagio 5:10
ORCHESTRAL TRADITIONS

12 3. Allegro 3:34
Janine Jansen violin & director | Ramón Ortega Quero oboe
Boris Brovtsyn | Cindy Albracht | Frederik Paulsson
Julia-Maria Kretz | Tijmen Huisingh | Monika Urbonaite violins
Pauline Sachse | Nimrod Guez violas | Maarten Jansen cello
Rick Stotijn double bass | Jan Jansen harpsichord [10/12], organ [11]

Concerto for Violin, Strings and Basso continuo

in G minor BWV 1056R
Reconstruction after BWV 1056)
13 1. [without tempo indication] 3:27
14 2. Largo 2:39
15 3. Presto 3:18
Viktoria Mullova violin & director
BACH 333

Mullova Ensemble

34
 Concerto for Violin, Strings and Basso continuo No. 1
in A minor BWV 1041
16 1. [Allegro moderato] 3:56
17 2. Andante 6:50

ORCHESTRAL TRADITIONS
18 3. Allegro assai 3:45
Daniel Lozakovich violin
Kammerorchester des Symphonieorchesters
des Bayerischen Rundfunks
Radoslaw Szulc

Recordings: Hamburg, Friedrich-Ebert-Halle, 2/2007 [1–3]; Los Angeles,

The Herbert Zipper Concert Hall, 10/2002 [4–6]; London, Deptford,
St Paul’s, 6/2008 [7–9]; Berlin, Andreaskirche, 6/2013 [10–12]; Amsterdam,
De Rode Hoed, 7/1995 [13–15]; Germany, Grünwald, Musikschule,
August Everding Saal, 10/2017 [16–18]

BACH 333
Producers: Reinhild Schmidt [1–3]; Thomas Frost [4–6]; Sebastian Stein [7–9];
Andrew Walton [10–12]; Hein Dekker [13–15]; Sebastian Nattkemper [16–18]
Balance Engineers: Dagmar Birwe [1–3]; Tom Lazarus [4–6]; Jean-Marie Geijsen [7–
9]; Philip Siney [10–12]; Tjeerd Veeger [13–15]; Tobias Lehmann [16–18]
! 2008 [1–3] / 2003 [4–6] / 2018 [16–18] Deutsche Grammophon GmbH, Berlin
! 2009 [7–9] / 2013 [10–12] Decca Music Group Limited
! 1996 Universal International Music B.V. [13–15]
35
 CD 179 79:29

Concerto for Keyboard, Strings and Basso continuo

in D minor BWV 1052
1 1. Allegro 8:08
2 2. Adagio 7:01
ORCHESTRAL TRADITIONS

3 3. Allegro 7:47

Concerto for Keyboard, Strings and Basso continuo

in E major BWV 1053
4 1. [Allegro] 8:12
5 2. Siciliano 4:09
6 3. Allegro 6:29

Concerto for Keyboard, Strings and Basso continuo

in D major BWV 1054
7 1. [without tempo indication] 7:30
8 2. Adagio e piano sempre 5:46
9 3. Allegro 2:43

András Schiff piano & director

Chamber Orchestra of Europe
BACH 333

36
 Concerto for Keyboard, Strings and Basso continuo
in A major BWV 1055
10 1. Allegro 3:52
11 2. Larghetto 5:23

ORCHESTRAL TRADITIONS
12 3. Allegro ma non tanto 3:55

Concerto for Keyboard, Strings and Basso continuo

in F minor BWV 1056
13 1. Allegro 2:55
14 2. Largo 2:29
15 3. Presto 3:07

Ramin Bahrami piano

Gewandhausorchester
Riccardo Chailly

BACH 333
Recordings: Wien, Konzerthaus, 1/1989 [1–9];
Leipzig, Gewandhaus, 5/2010 [10–12], 5/2009 [13–15]
Producers: Michael Haas [1–9]; Andrew Cornall [10–15]
Balance Engineers: Stanley Goodall [1–9]; Philip Siney [10–15]
! 1990 Decca Music Group Limited [1–9]
! 2011 Universal Music Italia Srl [10–15]
37
 CD 180 76:04

Concerto for Oboe, Strings and Basso continuo

in F major BWV 1053R
Reconstruction after BWV 1053
1 1. [Allegro] 8:16
2 2. Siciliano 4:18
ORCHESTRAL TRADITIONS

3 3. Allegro 6:41
Heinz Holliger oboe
Academy of St Martin in the Fields
Iona Brown

Concerto for Violin, Oboe, Flute, Strings and Basso continuo

in D minor BWV 1063R
Reconstruction by Christopher Hogwood after BWV 1063
4 [Allegro] 5:20
5 Alla Siciliana 5:02
6 Allegro 5:18
Carmel Kaine violin | Neil Black oboe | William Bennett flute
Academy of St Martin in the Fields
Neville Marriner
BACH 333

38
 Concerto for Keyboard, Strings and Basso continuo
in E major BWV 1053
Reconstruction for Viola, Strings and Basso continuo
7 1. Allegro [from Cantata BWV 169] 7:22
8 2. Siciliano [from Cantata BWV 49] 4:26

ORCHESTRAL TRADITIONS
9 3. Allegro [from Violin Concerto BWV 1053] 5:42
Wolfram Christ viola
Berliner Barock Solisten
Rainer Kussmaul

Concerto for Oboe d’amore, Strings and Basso continuo

Arrangement by Andreas N. Tarkmann after
“Non sa che sia dolore” Cantata BWV 209
10 1. Allegro 6:08
11 2. Andante 7:33
12 3. Allegro 5:20
Albrecht Mayer oboe d’amore & director
The English Concert

BACH 333
39
 Orchestral Suite No. 3 in D major BWV 1068
13 2. Air 3:14

Orchestral Suite No. 2 in B minor BWV 1067

14 7. Badinerie (arr. violin) 1:21
ORCHESTRAL TRADITIONS

Janine Jansen violin & director

Boris Brovtsyn | Cindy Albracht | Frederik Paulsson
Julia-Maria Kretz | Tijmen Huisingh | Monika Urbonaite violins
Nimrod Guez | Pauline Sachse violas | Maarten Jansen cello
Rick Stotijn double bass | Jan Jansen harpsichord

Recordings: London, St John’s, Smith Square, 5 & 7/1982 [1–3], 8/1974 [4],
4/1974 [5/6]; Berlin, Kammermusiksaal, 12/2000 [7–9]; London, Deptford,
St Paul’s, 3/2009 [10–12]; Berlin, Andreaskirche, 6/2013 [13/14]
BACH 333

Producers: Wilhelm Hellweg [1-3]; Michael Bremner [4–6]; Walter Schales [7–9];
Dominic Fyfe [10–12]; Andrew Walton [13/14]
Balance Engineers: Wilhelm Hellweg [1–3]; Stanley Goodall [4–6];
Geert Puhlmann [7–9]; Philip Siney [10–14]
! 1983 Universal International Music B.V. [1–3]
! 1976 [4–6] / 2009 [10–12] / 2013 [13/14] Decca Music Group Limited
! 2002 Universal Music Classics & Jazz, a division of Universal Music GmbH [7–9]
40
CD 181 73:49

Sonata for Solo Violin No. 1 in G minor BWV 1001

1 1. Adagio 3:53
2 2. Fuga. Allegro 5:56
3 3. Siciliana 3:32
4 4. Presto 3:50
Partita for Solo Violin No. 1 in B minor BWV 1002
5 1. Allemanda 6:22
6 2. Double 3:37
7 3. Corrente 3:38
8 4. Double. Presto 3:59
9 5. Sarabande 4:21

CHAMBER
10 6. Double 2:35
11 7. Tempo di Borea 3:36
12 8. Double 3:40
Sonata for Solo Violin No. 2 in A minor BWV 1003
13 1. Grave 4:16
14 2. Fuga 8:41
15 3. Andante 5:39

BACH 333
16 4. Allegro 6:12

Giuliano Carmignola violin

(Pietro Guarneri, Venice, 1733; Bow: Emilio Salviero, 2007,
after Nicolas Léonard Tourte, 18th century)

41
 CD 182 74:20

Partita for Solo Violin No. 2 in D minor BWV 1004

1 1. Allemande 4:35
2 2. Corrente 2:57
3 3. Sarabande 4:16
4 4. Giga 4:29
5 5. Ciaconna 14:06
Sonata for Solo Violin No. 3 in C major BWV 1005
6 1. Adagio 4:18
7 2. Fuga 11:45
8 3. Largo 3:27
9 4. Allegro assai 5:04
CHAMBER

Partita for Solo Violin No. 3 in E major BWV 1006

10 1. Preludio 3:58
11 2. Loure 4:35
12 3. Gavotte en Rondeau 3:19
13 4. Menuet I – 5. Menuet II 3:48
14 6. Bourrée 1:35
15 7. Gigue 2:06
BACH 333

Giuliano Carmignola violin (Pietro Guarneri, Venice, 1733;

Bow: Emilio Salviero, 2007, after Nicolas Léonard Tourte, 18th century)
Eine Co-Produktion mit Deutschlandfunk
A co-production with Deutschlandfunk
Recordings: Italy, Toblach, Euregio Kulturzentrum, Gustav Mahler Saal, 2/2018
Producer & Balance Engineer: Michael Seberich
42
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin
CD 183 85:26
Suites for “Lute”

Suite in G minor BWV 995 (“pour la luth”)

Arrangement of Suite for Solo Cello No. 5 in C minor BWV 1011
1 1. Prelude 6:38
2 2. Allemande 5:46
3 3. Courante 2:31
4 4. Sarabande 3:04
5 5. Gavotte I – 6. Gavotte II en Rondeau 5:34
6 7. Gigue 2:36

Toyohiko Satoh lute

7 Fugue in G minor BWV 1000 5:52

CHAMBER
Arrangement of Sonata for Solo Violin No. 1 in G minor BWV 1001: 2. Fuga

Suite in C minor BWV 997

8 1. Prelude 3:20
9 2. Fuga 7:07
10 3. Sarabande 5:31
11 4. Gigue – 5. Double 3:41

BACH 333
Prelude, Fugue and Allegro in E flat major BWV 998
12 1. Prelude 3:26
13 2. Fuga 5:57
14 3. Allegro 2:00

43
 15 Prelude in C minor BWV 999 2:10

Narciso Yepes lute

Suite in E major BWV 1006a (for unspecified instrument)

Arrangement of Partita for Solo Violin No. 3 in E minor BWV 1006

16 1. Preludio 5:07
17 2. Loure 3:08
18 3. Gavotte en Rondeau 3:04
19 4. Menuet I – 5. Menuet II 4:02
20 6. Bourrée 1:52
21 7. Gigue 2:17
CHAMBER

Göran Söllscher guitar

Recordings: Netherlands, Haarlem, Doopsgezinde Kerk, 1981 [1–6];

Madrid, Estudios Phonogram, 5/1973 [7–11], 9/1972 [12–15];
Sweden, Skurup, Mastersound Recording Studios, 6/1981 [16–21]
BACH 333

Producers: Adriaan Verstijnen [1–6]; Heinz Wildhagen [7–15];

Lars Finnstroem [16–21]
Balance Engineers: Adriaan Verstijnen [1–6];
Heinz Wildhagen [7–15]; Lars Finnstroem [16–21]
! 1981 Universal International Music B.V. [1–6]
! 1973 [7–15] / 1981 [16–21] Deutsche Grammophon GmbH, Berlin
44
CD 184 68:22

Suite for Solo Cello No. 1 in G major BWV 1007

1 1. Prélude 2:16
2 2. Allemande 4:39
3 3. Courante 2:42
4 4. Sarabande 2:50
5 5. Menuet I – 6. Menuet II 3:48
6 7. Gigue 1:44

Suite for Solo Cello No. 3 in C major BWV 1009

7 1. Prélude 3:00
8 2. Allemande 4:13

CHAMBER
9 3. Courante 3:08
10 4. Sarabande 4:37
11 5. Bourrée I – 6. Bourrée II 4:00
12 7. Gigue 3:16

Suite for Solo Cello No. 5 in C minor BWV 1011

13 1. Prélude 6:36
14 2. Allemande 7:09
15 3. Courante 2:35

BACH 333
16 4. Sarabande 3:39
17 5. Gavotte I – 6. Gavotte II 5:35
18 7. Gigue 2:30

David Watkin cello (Francesco Rugeri, Cremona, c.1670;

Bow: John Waterhouse, after ? Carlo Annibale Tononi, Italy, c. 1725)) 45
 CD 185 76:46

Suite for Solo Cello No. 2 in D minor BWV 1008

1 1. Prélude 3:20
2 2. Allemande 3:39
3 3. Courante 2:04
4 4. Sarabande 5:13
5 5. Menuet I – 6. Menuet II 4:01
6 7. Gigue 2:55

Suite for Solo Cello No. 4 in E flat major BWV 1010

7 1. Prélude 3:27
8 2. Allemande 4:05
CHAMBER

9 3. Courante 3:25
10 4. Sarabande 3:41
11 5. Bourrée I – 6. Bourrée II 6:24
12 7. Gigue 2:50

Suite for Solo Cello No. 6 in D major BWV 1012

13 1. Prélude 4:56
14 2. Allemande 8:49
15 3. Courante 3:43
BACH 333

16 4. Sarabande 4:59
17 5. Gavotte I – 6. Gavotte II 4:56
18 7. Gigue 4:17

46
David Watkin cello (Francesco Rugeri, Cremona, c.1670;
Suite No. 6: Antonio & Hieronymous Amati, 5-String violoncello piccolo,
Cremona, c.1600;
Bow: John Waterhouse, after ? Carlo Annibale Tononi, Italy, c. 1725)

CHAMBER
BACH 333
Recordings: Edinburgh, The Robin Chapel, 3–12/2013
Producer & Balance Engineer: Adam Binks
! 2015 Resonus Limited
47
 CD 186 77:55

1 Fugue in G minor BWV 1026 4:17

Reinhard Goebel violin

Robert Hill harpsichord

Sonata for Violin and Keyboard No. 1 in B minor BWV 1014

2 1. Adagio 3:34
3 2. Allegro 2:52
4 3. Andante 3:02
5 4. Allegro 3:24

Sonata for Violin and Keyboard No. 2 in A major BWV 1015

CHAMBER

6 1. [Andante] 2:50
7 2. Allegro 3:14
8 3. Andante un poco 3:08
9 4. Presto 4:15

Sonata for Violin and Keyboard No. 3 in E major BWV 1016

10 1. Adagio 3:55
11 2. Allegro 2:47
12 3. Adagio ma non tanto 5:02
BACH 333

13 4. Allegro 3:58

Monica Huggett violin

Ton Koopman harpsichord

48
 Sonata for Violin and Keyboard No. 4 in C minor BWV 1017
14 1. Largo 4:02
15 2. Allegro 4:25
16 3. Adagio 3:00
17 4. Allegro 4:35

Sonata for Violin and Keyboard No. 5 in F minor BWV 1018

18 1. [without tempo indication] 6:23
19 2. Allegro 4:27
20 3. Adagio 2:17
21 4. Vivace 2:25

CHAMBER
Reinhard Goebel violin
Robert Hill harpsichord

BACH 333
Recordings: Bamberg, Zentralsaal, 3/1983 [1], 11/1982 [14–21];
Utrecht, Maria Minor Kerk, 6/1983 [2–13]
Producers: Heinz Wildhagen [1/14–21]; Tini Mathot [2–13]
Balance Engineers: Heinz Wildhagen [1/14–21]; Adriaan Verstijnen [2–13]
! 1983 Deutsche Grammophon GmbH, Berlin [1/14–21]
! 1983 Universal International Music B.V. [2–13]
49
 CD 187 85:39

Sonata for Violin and Keyboard No. 6 in G major BWV 1019

1 1. Allegro (BWV 1019a = Vivace) 3:23
2 2. Largo 1:35
3 3. Allegro (harpsichord solo) 2:51
4 4. Adagio 2:54
5 5. Allegro 3:09

Reinhard Goebel violin

Robert Hill harpsichord

Sonata for Violin and Keyboard in G major BWV 1019a

Extra movements from earlier versions (BWV3 1019.1 / 1019.2)
CHAMBER

6 Adagio in B minor / G minor (BWV 1019.1/2) 1:51

7 Cantabile, ma un poco adagio (BWV 1019.2) 6:20
Monica Huggett violin
Ton Koopman harpsichord
8 Violino solo e Basso l’accompagnato (BWV 1019.1) 2:17
Andrew Manze violin
Richard Egarr harpsichord
BACH 333

For the Harpsichord solo in E minor also used in BWV 1019.1,

see BWV 830/3 (CD 138, tr. 15)

50
 Sonata for Violin and Basso continuo in G major BWV 1021
9 1. Adagio 3:34
10 2. Vivace 1:03
11 3. Largo 2:10
12 4. Presto 1:26

Sonata for Violin and Basso continuo in E minor BWV 1023

13 1. [without tempo indication] – 2. Adagio ma non tanto 4:29
14 3. Allemanda 3:56
15 4. Gigue 3:07

Trio Sonnerie

CHAMBER
Monica Huggett violin
Sarah Cunningham viola da gamba
Mitzi Meyerson harpsichord

Sonata for Viola da gamba and Keyboard No. 1

in G major BWV 1027
16 1. Adagio 3:42
17 2. Allegro ma non tanto 3:37

BACH 333
18 3. Andante 2:13
19 4. Allegro moderato 3:18

51
 Sonata for Viola da gamba and Keyboard No. 2
in D major BWV 1028
20 1. Adagio 1:55
21 2. Allegro 3:53
22 3. Andante 4:26
23 4. Allegro 4:18

Sonata for Viola da gamba and Keyboard No. 3

in G minor BWV 1029
24 1. Vivace 5:14
25 2. Adagio 5:09
CHAMBER

26 3. Allegro 3:47

Jaap ter Linden viola da gamba

Henk Bouman harpsichord

Recordings: Bamberg, Zentralsaal, 11/1982 [1–5]; Utrecht, Maria Minor Kerk,

6/1983 [6/7]; Bristol, St George’s, Brandon Hill, 3–4/1999 [8]; Cardiff, University
Concert Hall, 1986 [9–15]; München, Plenarsaal der Akademie der Wissenschaften,
1/1982 [16–26]
BACH 333

Producers: Heinz Wildhagen [1–5]; Tini Mathot [6/7]; Robina G. Young [8];
Nicholas Parker [9–15]; Gerd Ploebsch [16–26]
Balance Engineers: Heinz Wildhagen [1–5]; Adriaan Verstijnen [6/7];
Brad Michel [8]; Nicholas Parker [9–15]; Wolfgang Mitlehner [16–26]
! 1983 Deutsche Grammophon GmbH, Berlin [1–5/16–26]
! 1983 Universal International Music B.V. [6/7]
! 2000 Harmonia Mundi USA [8] · ! 1986 ASV Ltd. [9–15]
52
CD 188 79:33

Partita for Solo Flute in A minor BWV 1013

1 1. Allemande 4:15
2 2. Corrente 2:52
3 3. Sarabande 4:30
4 4. Bourrée Anglaise 1:59

Wilbert Hazelzet flute

Sonata for Flute and Basso continuo in E minor BWV 1034

5 1. Adagio ma non tanto 3:09
6 2. Allegro 2:50
7 3. Andante 3:38

CHAMBER
8 4. Allegro 4:37

Sonata for Flute and Basso continuo in C major BWV 1033

9 1. Andante – Presto 1:43
10 2. Allegro 2:22
11 3. Adagio 1:49
12 4. Menuetto I – Menuetto II 2:21

Konrad Hünteler flute

BACH 333
Jaap ter Linden cello
Ton Koopman harpsichord

53
 Sonata for Flute and Basso continuo in C major BWV 1033
13 1. Andante – Presto (Presto without continuo) 1:54

Wilbert Hazelzet flute

Jaap ter Linden cello
Henk Bouman harpsichord

Sonata for Flute and Basso continuo in B minor BWV 1030

14 1. Andante 7:41
15 2. Largo e dolce 3:40
16 3. Presto 5:29
CHAMBER

Sonata for Flute and Basso continuo in A major BWV 1032

17 1. Vivace 5:10
18 2. Largo e dolce 3:24
19 3. Allegro 4:09

Wilbert Hazelzet flute

Henk Bouman harpsichord
BACH 333

54
 Sonata for Flute and Basso continuo in E major BWV 1035
20 1. Adagio ma non tanto 2:14
21 2. Allegro 3:00
22 3. Siciliano 3:35
23 4. Allegro assai 3:10

Konrad Hünteler flute

Jaap ter Linden cello
Ton Koopman harpsichord

CHAMBER
BACH 333
Recordings: München, Plenarsaal der Akademie der Wissenschaften, 1/1982 [1–4/13];
Netherlands, 4/1983 [5–12/20–23]; Bamberg, Zentralsaal 3/1983 [14–19]
Producers: Gerd Ploebsch [1–4/13–19]; Tini Mathot [5–12/20–23]
Balance Engineers: Wolfgang Mitlehner [1–4/13–19]; Adriaan Verstijnen [5–12/20–23]
! 1983 Deutsche Grammophon GmbH, Berlin [1–5/13–23]
! 1983 Universal International Music B.V. [6–12]
55
 CD 189 79:47

Sonata for Flute and Basso continuo in E flat major BWV 1031
1 1. Allegro moderato 3:31
2 2. Siciliano 1:57
3 3. Allegro 4:25

Wilbert Hazelzet flute

Henk Bouman harpsichord

Trio Sonata in G major BWV 1039

4 1. Adagio 3:42
5 2. Allegro ma non presto 3:33
6 3. Adagio e piano 2:15
CHAMBER

7 4. Presto 2:57

Philippe Suzanne | Wilbert Hazelzet flutes

Jaap ter Linden viola da gamba | Henk Bouman harpsichord

Trio Sonata in G major BWV 1038

8 1. Largo 3:49
9 2. Vivace 1:00
BACH 333

10 3. Adagio 2:14
11 4. Presto 1:28

Wilbert Hazelzet flute | Reinhard Goebel violin

Jaap ter Linden cello | Henk Bouman harpsichord

56
 Doubtful and Spurious Sonatas

Sonata for Violin and Basso continuo in F major BWV 1022 (App. B)
12 1. [without tempo indication] 3:09
13 2. Allegro e presto 2:37
14 3. Adagio 2:22
15 4. Presto 1:24

Reinhard Goebel violin | Robert Hill harpsichord

Sonata for Violin and Basso continuo in C minor BWV 1024 (App. B)
16 1. Adagio 2:49

CHAMBER
17 2. Presto 3:30
18 3. Affettuoso 3:33
19 4. Vivace 4:03

Trio Sonata in D minor BWV 1036 (App. D)

probably by Carl Philipp Emanuel Bach, H 569
20 1. Adagio 3:34
21 2. Allegro 2:06

BACH 333
22 3. Largo 3:03
23 4. Vivace 2:23

Reinhard Goebel violin

Jaap ter Linden cello | Henk Bouman harpsichord

57
 Trio Sonata in C major BWV 1037 (App. D)
by Johann Gottlieb Goldberg, DürG 13
24 1. Adagio 3:28
25 2. Alla breve 2:31
26 3. Largo 1:53
27 4. Gigue. Presto 4:57

Hajo Bäß | Reinhard Goebel violins

Jaap ter Linden cello | Henk Bouman harpsichord

28 Trio for Oboe, Violin and Basso continuo in F major BWV 1040 1:33
CHAMBER

Heinz Holliger oboe | Thomas Zehetmair violin

Massimo Polidori cello | Andreas Erismann harpsichord

Recordings: München, Plenarsaal der Akademie der Wissenschaften,

3/1983 [1–3], 1/1980 [4–11], 5/1981 [16–19], 11/1980 [20–27];
Hamburg, Friedrich-Ebert-Halle, 7/1982 [12–15]; Switzerland,
BACH 333

La Chaux-de-Fonds, Salle de musique, 6/1996 [28]

Producers: Heinz Wildhagen [1–3/12–19];
Gerd Ploebsch [4–11/20–27]; Hein Dekker [28]
Balance Engineers: Heinz Wildhagen [1–3/12–19];
Wolfgang Mitlehner [4–11/20–27]; Ko Witteveen, Hein Dekker [28]
! 1983 [1–3/12–19] / 1981 [4–11/20–27] Deutsche Grammophon GmbH, Berlin
! 1998 Universal International Music B.V. [28]
58
CD 190 82:04

1 Canon a 4 perpetuus BWV 1073 1:42

2 Canon a 4 BWV 1074 1:53
3 Canon a 2 BWV 1075 0:37
4 Canon super fa mi a 7 BWV 1078 1:39

CANONS & COUNTERPOINT

5 Canon a 2 “Concordia discors” BWV 1086 1:23
6 Canon a 8 “Trias Harmonica” BWV 1072 0:46
7 Canon triplex a 6 BWV 1076 0:33
8 Canon for 4 Voices and Bass “Canone doppio 0:56
sopr’il Soggetto” BWV 1077

14 Canons on the First 8 Bass Notes of the Aria

from the Goldberg Variations BWV 1087
9 1. Canon simplex 0:22
10 2. All’ roverscio 0:21
11 3. Beede vorigen Canones zugleich, motu recto e contrario 0:16
12 4. In motu contrario e recto 0:19
13 5. Canon duplex a 4 0:24
14 6. Canon simplex über besagtes Fundament a 3 0:39

BACH 333
15 7. Idem a 3 0:20
16 8. Canon simplex a 3, il soggetto in Alto 0:23
17 9. Canon in unisono post semifusam a 3 0:20
18 10. Alio modo, per syncptiones et per ligaturas, a 2 – Evolutio 0:23

59
 19 11. Canon duplex übers Fundament a 5 (version of BWV 1077) 0:53
20 12. Canon duplex über besagte Fundamental-Noten a 5 0:33
21 13. Canon triplex a 6 (version of BWV 1076) 0:36
22 14. Canon a 4 per Augmentationem et Diminutionem 0:40
CANONS & COUNTERPOINT

Musica Antiqua Köln

Reinhard Goebel

Canonic Variations on the Christmas Song:

Vom Himmel hoch, da komm ich her BWV 769
23 Variatio 1 nel canone all’ ottava 1:29
24 Variatio 2 alio modo / nel canone alla quinta 1:26
25 Variatio 3. Canone alla settima. Cantabile 2:20
26 Variatio 4 per augmentationem / nel canone all’ ottava 2:51
27 Variatio 5. L’altra sorte del canone al rovescio 3:06
1. alla sesta – 2. alla terza – 3. alla seconda e – 4. alla nona

Helmut Walcha organ

Musical Offering · Musikalisches Opfer BWV 1079

28 1. Ricercar a 3 6:39
BACH 333

Christopher Hogwood fortepiano

60
 Musical Offering · Musikalisches Opfer BWV 1079
29 1. Ricercar a 3 5:45
30 4a. Canon 1 a 2 cancrizans 0:52
31 4b. Canon 2 a 2 Violini in unisono 0:48
32 4c. Canon 3 a 2 per Motum contrarium 0:34

CANONS & COUNTERPOINT

33 4d. Canon 4 a 2 per Augmentationem, contrario Motu 2:45
34 4e. Canon 5 a 2 per Tonos 2:39
35 4f. Fuga canonica in Epidiapente 2:09
36 4g. Canon perpetuus super Thema Regium 1:02
37 4h. Canon perpetuus 2:19
38 4i. Canon a 2 1:41
39 4k. Canon a 4 1:57
3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino
e Basso continuo
40 1. Largo 6:00
41 2. Allegro 6:03
42 3. Andante 2:48
43 4. Allegro 3:16
44 2. Ricercar a 6 7:36

BACH 333
Musica Antiqua Köln
Reinhard Goebel

61
 Recordings: Hamburg, Friedrich-Ebert-Halle, 6/1984 [1–22];
Strasbourg, Saint-Pierre-le-Jeune, 5/1971 [23–27];
London, St John’s, Downshire Hill, 7/1977 [28];
München, Residenz, Herkulessaal, 2/1979 [29–44]
Producers: Andreas Holschneider [1–22];
CANONS & COUNTERPOINT

Gerd Ploebsch [23–27/29–44]; Adam Skeaping [28]

Balance Engineers: Wolfgang Mitlehner [1–22]; Hansjoachim Reiser [23–27];
Adam Skeaping [28]; Hans-Peter Schweigmann [29–44]
! 1984 [1–22] / 1971 [23–27] / 1979 [29–44] Deutsche Grammophon GmbH, Berlin
! 1982 Decca Music Group Limited [28]
BACH 333

Note on CDs 191–193: The Art of Fugue

In order to aid the listener compare and contrast the same music of the various
versions and titles on CDs 191–193, numbers in square brackets all refer to the
62 music found in the 1751/1752 printed versions and available at www.bachdigital.net
CD 191 76:57

The Art of Fugue · Die Kunst der Fuge BWV 1080

1751 Original Print arr. Chamber Ensemble by Hermann Diener
1 [1.] Contrapunctus 1 2:57
2 [2.] Contrapunctus 2 2:52
3 [3.] Contrapunctus 3 3:08

CANONS & COUNTERPOINT

4 [4.] Contrapunctus 4 4:17
5 [5.] Contrapunctus 5 2:54
6 [6.] Contrapunctus 6 a 4 in Stylo Francese 4:04
7 [7.] Contrapunctus 7 a 4 per Augmentationem et Diminutionem 4:07
8 [8.] Contrapunctus 8 a 3 7:31
9 [9.] Contrapunctus 9 a 4 alla Duodecima 2:31
10 [10.] Contrapunctus 10 a 4 alla Decima 4:44
11 [11.] Contrapunctus 11 a 4 7:41
12 [12b.] Contrapunctus rectus a 4 1:39
13 [12a.] Contrapunctus inversus a 4 1:31
14 [13b.] Contrapunctus inversus a 3 2:10
15 [13a.] Contrapunctus rectus a 3 2:14
16 [15.] Canon per Augmentationem in Contrario Motu 5:25
17 [16.] Canon alla Ottava 2:19
18 [17.] Canon alla Decima in Contrappunto alla Terza 4:40

BACH 333
19 [18.] Canon alla Duodecima in Contrappunto alla Quinta 2:24
20 [20.] Fuga a 3 Soggetti (unfinished) 7:48
Accademia Bizantina | Ottavio Dantone

Recording: Italy, Bagnacavallo, Teatro Goldoni, 2/2017 · Producer: Fabio Framba

Balance Engineer: Roberto Chinellato · ! 2017 Accademia Bizantina
63
 CD 192 78:36

The Art of Fugue · Die Kunst der Fuge BWV 1080

Later version of the original print (1752) edited by Christoph Wolff
1 [1.] Contrapunctus 1 3:01
2 [2.] Contrapunctus 2 2:38
3 [3.] Contrapunctus 3 3:11
CANONS & COUNTERPOINT

4 [4.] Contrapunctus 4 3:05

5 [5.] Contrapunctus 5 3:07
6 [6.] Contrapunctus 6 a 4 in Stylo Francese 4:40
7 [7.] Contrapunctus 7 a 4 per Augmentationem et Diminutionem 4:09
8 [8.] Contrapunctus 8 a 3 7:01
9 [9.] Contrapunctus 9 a 4 alla Duodecima 2:18
10 [10.] Contrapunctus 10 a 4 alla Decima 3:44
11 [11.] Contrapunctus 11 a 4 7:04
12 [12a.] Contrapunctus inversus a 4 3:01
13 [12b.] Contrapunctus rectus a 4 3:14
14 [13a.] Contrapunctus rectus a 3 2:08
15 [13b.] Contrapunctus inversus a 3 2:16
16 [16.] Canon alla Ottava 2:20
17 [17.] Canon alla Decima in Contrappunto alla Terza 4:16
18 [18.] Canon alla Duodecima in Contrappunto alla Quinta 1:59
BACH 333

19 [15.] Canon per Augmentationem in Contrario Motu 8:03

20 [20.] Fuga a 3 Soggetti (unfinished) 7:18
Pierre-Laurent Aimard piano
Recording: Wien, Konzerthaus, Mozart-Saal, 9/2007
Producer: Christoph Claßen · Balance Engineer: Tobias Lehmann
64 ! 2008 Deutsche Grammophon GmbH, Berlin
CD 193 79:10

The Art of Fugue · Die Kunst der Fuge BWV 1080

Earlier (1742) version of the autograph score
1 Fuga 1 [1] 3:21
2 Fuga 2 [3] 2:59
3 Fuga 3 [2] 2:26

CANONS & COUNTERPOINT

4 Fuga 4 [5] 3:38
5 Fuga 5 [9] 3:04
6 Fuga 6 [ ] 3:44
7 Fuga 7 [6] 4:07
8 Fuga 8 [7] 4:49
9 Canon In Hypodiapason, perpetuus [16] 2:45
10 Fuga 10 [8] 5:35
11 Fuga 11 [11] 7:03
12 Canon In Hypodiatesseron, al roverscio 3:56
e per augemntationem, perpetuus [15]
13 Fuga 13.1 (inversus) [12a] 3:07
14 Fuga 13.2 (rectus) [12b] 3:08
15 Fuga 14.1 (inversus) [13a] 2:29
16 Fuga 14.2 (rectus) [13b] 2:30

BACH 333
Kenneth Gilbert harpsichord

65
 17 Alio modo Fuga a 2 Clav. 2:10
18 Fuga (inversa) a 2 Clav. 2:11

Christopher Hogwood | Christophe Rousset harpsichords

CANONS & COUNTERPOINT

19 Contrapunctus 14 a 4 (Fuga a 3 Soggetti) 10:46

completed by Davitt Moroney

Davitt Moroney harpsichord

20 Wenn wir in höchsten Nöten sein BWV 668a 4:53

Christian Schmitt organ

Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk [20]

Recordings: Chartres, Musée des Beaux-Arts, salle « à l’italienne », 1/1989 [1–16];
Paris, Conservatoire de Musique, 1995 [17/18]; Paris, Salle Adyar, 1/1985 [19];
Germany, Freiberg, Petrikirche, 11/2017 [20]
Producers: Gerd Ploebsch [1–16]; Chris Sayers [17/18];
BACH 333

Michel Bernard [19]; Matthias Erb [20]

Balance Engineers: Gernot von Schultzendorff [1–16]; Simon Eadon [17/18];
Jean-François Pontefract [19]; Matthias Erb [20]
! 1989 [1–16] Deutsche Grammophon GmbH, Berlin
! 1996 Decca Music Group Limited [17/18]
! 1986 Harmonia Mundi s.a. [19]
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [20]
66
CD 194 86:05

Suite for Solo Cello No. 1 in G major BWV 1007

1 1. Prélude 2:29
2 2. Allemande 3:42

INSTRUMENTAL TRADITIONS
3 3. Courante 2:32
4 4. Sarabande 2:23
5 5. Menuet I – 6. Menuet II 3:15
6 7. Gigue 1:53

Suite for Solo Cello No. 5 in C minor BWV 1011

7 4. Sarabande 2:51

Pablo Casals cello

Suite for Solo Cello No. 3 in C major BWV 1009

8 1. Prélude 4:14
9 2. Allemande 3:01

János Starker cello

Suite for Solo Cello No. 2 in D minor BWV 1008

10 1. Prélude 3:40

BACH 333
Maurice Gendron cello

67
 Suite in G minor BWV 995
11 3. Courante 2:38
12 4. Sarabande 3:24
INSTRUMENTAL TRADITIONS

Walter Gerwig lute

Sonata for Viola da Gamba and Keyboard

No. 3 in G minor BWV 1029
13 2. Adagio 5:18

August Wenzinger viola da gamba

Fritz Neumeyer harpsichord

Partita for Solo Violin No. 2 in D minor BWV 1004

Arrangement by Andrés Segovia
14 5. Ciaccona 13:56

Andrés Segovia guitar

Suite in E minor BWV 996

15 4. Sarabande 4:16
BACH 333

16 5. Bourrée 1:34

Julian Bream guitar

68
 Suite for Solo Cello No. 3 in C major BWV 1009
Transcription in A major by John Duarte
17 5. Bourrée I – 6. Bourrée II 4:15
18 7. Gigue 3:44

INSTRUMENTAL TRADITIONS
John Williams guitar

Partita for Solo Violin No. 2 in D minor BWV 1004

19 3. Sarabande 4:18

Henryk Szeryng violin

Sonata for Violin and Keyboard No. 1 in B minor BWV 1014

20 1. Adagio 3:56

Henryk Szeryng violin | Helmut Walcha harpsichord

Sonata for Viola da gamba and Keyboard

No. 3 in G minor BWV 1029
21 2. Adagio 6:22

Mischa Maisky cello | Martha Argerich piano

BACH 333
Sonata for Flute and Keyboard in E flat major BWV 1031
22 2. Siciliano 2:23

Aurèle Nicolet flute | Karl Richter harpsichord

69
INSTRUMENTAL TRADITIONS

Recordings: Paris, 6/1938 [1–6], 6/1939 [7]; New York City, Fine Recording Studios,
12/1965 [8/9]; Paris, Schola Cantorum, 2/1964 [10]; Hamburg, Studio Thienhaus,
11/1949 [11/12]; Germany, Freiburg im Breisgau, Paulus-Saal, 10/1952 [13];
New York City, 6/1954 [14]; Wien, Konzerthaus, Mozart-Saal, 5/1956 [15/16];
London, 12/1958 [17/18]; Switzerland, Vevey, Théâtre Municipal, 7/1967 [19];
Paris, Église du Liban, 6/1969 [20]; München, Plenarsaal der Akademie
der Wissenschaften, 3/1985 [21], 4/1973 [22]
Producers: M. Georges Cailly [1–7]; Harold Lawrence [8/9];
Vittorio Negri [10/19/20]; Karl Friedrich Doering [11/12]; Fred Hamel [13];
Wolfgang Stengel [21]; Gerd Ploebsch [22]
BACH 333

Balance Engineers: Werner Grimme [13]; James Grayson, Kurt List [15/16];
A. Buczynski [19]; Karl-August Naegler [21]; Klaus Scheibe [22]
! 2011 Warner Classics, Warner Music UK Ltd [1–7]
! 1966 [8/9] / 1964 [10] / 1970 [20] Universal International Music B.V.
! 1950 [11/12] / 1953 [13] / 1954 [14] / 1956 [15/16] / 1985 [21] / 1973 [22] /
1968 [19] Deutsche Grammophon GmbH, Berlin
! 1972 Decca Music Group Limited [17/18]
70
CD 195 86:13

Sonata for Solo Violin No. 1 in G minor BWV 1001

1 1. Adagio 3:57
2 2. Fuga. Allegro 5:01

INSTRUMENTAL TRADITIONS
3 3. Siciliana 3:10
4 4. Presto 2:40

Partita for Solo Violin No. 1 in B minor BWV 1002

5 1. Allemanda 4:07
6 2. Double 2:13
7 3. Corrente 2:35
8 4. Double. Presto 2:47
9 5. Sarabande 2:09
10 6. Double 1:26
11 7. Tempo di Borea 2:01
12 8. Double 2:02

Sonata for Solo Violin No. 2 in A minor BWV 1003

13 1. Grave 4:01
14 2. Fuga 7:22
15 3. Andante 4:35

BACH 333
16 4. Allegro 6:12

71
 Partita for Solo Violin No. 2 in D minor BWV 1004
17 1. Allemande 4:03
18 2. Corrente 3:33
INSTRUMENTAL TRADITIONS

19 3. Sarabande 4:01
20 4. Giga 4:13
21 5. Ciaccona 14:03

Nathan Milstein violin

BACH 333

Recording: London, Conway Hall, 2/1973

Producer: Werner Mayer
Balance Engineer: Klaus Hiemann
! 1975 Deutsche Grammophon GmbH, Berlin
72
CD 196 83:53

Partita for Solo Violin No. 2 in D minor BWV 1004

1 1. Allemande 3:08
2 2. Corrente 1:59

INSTRUMENTAL TRADITIONS
3 3. Sarabande 3:08
4 4. Giga 3:06
5 5. Ciaccona 13:27

Sonata for Solo Violin No. 3 in C major BWV 1005

6 1. Adagio 4:05
7 2. Fuga 10:48
8 3. Largo 2:58
9 4. Allegro assai 2:46

Partita for Solo Violin No. 3 in E major BWV 1006

10 1. Preludio 3:47
11 2. Loure 2:48
12 3. Gavotte en Rondeau 2:57
13 4. Menuet I – 5. Menuet II 2:33
14 6. Bourrée 1:14
15 7. Gigue 1:36

BACH 333
Arthur Grumiaux violin

73
 Sonata for Violin and Keyboard No. 1 in B minor BWV 1014
16 1. Adagio 3:16
17 2. Allegro 3:08
INSTRUMENTAL TRADITIONS

18 3. Andante 2:46
19 4. Allegro 2:35

Sonata for Violin and Keyboard No. 2 in A major BWV 1015

20 1. [Andante] 2:14
21 2. Allegro 3:07
22 3. Andante un poco 2:54
23 4. Presto 3:28

Arthur Grumiaux violin

Christiane Jaccottet harpsichord
BACH 333

Recordings: Amsterdam, Bachzaal, 3/1961 [1–5], 7/1961 [6–9], 11/1960 [10–15];

Switzerland, La Chaux-de-Fonds, Salle de Musique, 2 & 8/1978 [16–23]
Producers: Volker Straus [1–15]; Wilhelm Hellweg [16–23]
! 1964 [1–15] / 1979 [16–23] Universal International Music B.V.
74
CD 197 84:30

Sonata for Solo Violin No. 1 in G minor BWV 1001

1 1. Adagio 4:23
2 2. Fuga. Allegro 4:26

INSTRUMENTAL TRADITIONS
3 3. Siciliana 3:04
4 4. Presto 3:13

Gidon Kremer violin

Partita for Solo Violin No. 3 in E major BWV 1006

5 1. Preludio 3:48
6 2. Loure 3:36
7 3. Gavotte en Rondeau 2:55
8 4. Menuet I – 5. Menuet II 4:11
9 6. Bourrée 1:39
10 7. Gigue 2:00

Viktoria Mullova violin

Sonata for Solo Violin No. 2 in A minor BWV 1003

11 1. Grave 4:29
12 2. Fuga 7:47

BACH 333
13 3. Andante 5:51
14 4. Allegro 4:29

Lisa Batiashvili violin

75
 Partita for Solo Violin No. 2 in D minor BWV 1004
15 1. Allemande 4:16
16 2. Corrente 2:41
INSTRUMENTAL TRADITIONS

17 3. Sarabande 4:01
18 4. Giga 4:15
19 5. Ciaccona 13:25

Janine Jansen violin

Recordings: Netherlands, Haarlem, Lutherse Kerk, 3/1980 [1–4];

Bristol, St George’s, Brandon Hill, 8/1992 [5–10];
München, Himmelfahrtskirche, 1/2014 [11–14];
Hampshire, East Woodhay, St Martin’s Church, 8/2007 [15–19]
BACH 333

Producers: Wilhelm Hellweg [1–4]; Hein Dekker [5–10];

Torsten Schreier [11–14]; Andrew Cornall [15–19]
Balance Engineers: Wilhelm Hellweg [1–4]; Erdo Groot [5–10];
Stefan Briegel [11–14]; Neil Hutchinson [16–19]
! 1981 [1–4] / 1994 [5–10] Universal International Music B.V.
! 2014 Deutsche Grammophon GmbH, Berlin [11–14]
! 2007 Decca Music Group Limited [15–19]
76
CD 198 61:22

Suite for Solo Cello No. 1 in G major BWV 1007

1 1. Prélude 2:50
2 2. Allemande 4:18

INSTRUMENTAL TRADITIONS
3 3. Courante 2:45
4 4. Sarabande 3:21
5 5. Menuet I – 6. Menuet II 3:28
6 7. Gigue 2:05

Suite for Solo Cello No. 2 in D minor BWV 1008

7 1. Prélude 3:25
8 2. Allemande 3:26
9 3. Courante 2:06
10 4. Sarabande 4:19
11 5. Menuet I – 6. Menuet II 3:17
12 7. Gigue 2:34

Suite for Solo Cello No. 3 in C major BWV 1009

13 1. Prélude 3:43
14 2. Allemande 4:00
15 3. Courante 3:11

BACH 333
16 4. Sarabande 5:01
17 5. Bourrée I – 6. Bourrée II 3:55
18 7. Gigue 3:18

Pierre Fournier cello

77
 CD 199 77:52

Suite for Solo Cello No. 4 in E flat major BWV 1010

1 1. Prélude 4:15
2 2. Allemande 4:32
INSTRUMENTAL TRADITIONS

3 3. Courante 3:46
4 4. Sarabande 5:08
5 5. Bourrée I – 6. Bourrée II 5:07
6 7. Gigue 2:44

Suite for Solo Cello No. 5 in C minor BWV 1011

7 1. Prélude 7:00
8 2. Allemande 4:35
9 3. Courante 2:06
10 4. Sarabande 3:29
11 5. Gavotte I – 6. Gavotte II 5:05
12 7. Gigue 2:37

Suite for Solo Cello No. 6 in D major BWV 1012

13 1. Prélude 5:01
14 2. Allemande 5:44
15 3. Courante 3:48
BACH 333

16 4. Sarabande 3:47
17 5. Gavotte I – 6. Gavotte II 4:39
18 7. Gigue 4:08

Pierre Fournier cello

78
 INSTRUMENTAL TRADITIONS
BACH 333
Recordings: Hannover, Beethovensaal, 12/1960
[CD 198 & 199: 1–12]; 2/1961 [CD 199: 13–18]
Producer: Karl-Heinz Schneider
Balance Engineer: Heinz Wildhagen
! 1961 Deutsche Grammophon GmbH, Berlin
79
 CD 200 84:37
Alternative instrumentations

1 Toccata and Fugue in D minor BWV 565 (reconstructed A. Manze) 7:36

Andrew Manze violin

Aria with 30 Variations “Goldberg Variations” BWV 988

INSTRUMENTAL TRADITIONS

(arr. strings and continuo by R. Alessandrini)

2 Aria 4:56
3 Variatio 14 a 2 Clav. 1:06
4 Variatio 15. Canone alla Quinta a 1 Clav. 1:36
5 Variatio 16. Ouverture a 1 Clav. 3:17
Concerto Italiano | Rinaldo Alessandrini

Suite in E minor BWV 996

6 1. Prélude. Passagio – Presto 2:49
7 2. Allemande 2:17
8 3. Courante 2:48
9 4. Sarabande 3:51
10 5. Bourrée (transposed to G minor) 1:16
11 6. Gigue 3:21

12 Prelude in C minor BWV 999 1:53

BACH 333

Göran Söllscher guitar

Trio Sonata in E minor BWV 528

13 1. Adagio – Vivace 2:21
14 2. Andante 4:09
80
15 3. Un poc’ allegro 2:27
Heinz Holliger oboe d’amore | Tabea Zimmermann viola
Christiane Jaccottet harpsichord | Thomas Demenga cello

INSTRUMENTAL TRADITIONS
Sonata for Flute and Basso continuo in G minor BWV 1030a
(version for oboe BWV 1030b)
16 1. Andante 7:10
17 2. Largo e dolce [Siciliano] 4:20
18 3. Presto 5:46
Heinz Holliger oboe | Christiane Jaccottet harpsichord

2-Part Inventions · 3-Part Sinfonias

19 Inventio 1 in C major BWV 772 1:11
20 Inventio 10 in G major BWV 781 0:58
21 Sinfonia 14 in B flat major BWV 800 1:12
22 Sinfonia 15 in B minor BWV 801 2:33
Janine Jansen violin | Maxim Rysanov viola
Torleif Thedéen cello [21/22]

BACH 333
Aria with 30 Variations “Goldberg Variations” BWV 988
Arrangement for String Trio by Dmitry Sitkovetsky
23 Variatio 16. Ouverture a 1 Clav. 2:56
24 Variatio 17 a 2 Clav. 1:54
25 Variatio 18. Canone alla Sesta a 1 Clav. 1:36
81
 26 Variatio 19 a 1 Clav. 1:47
27 Variatio 20 a 2 Clav. 2:01
Julian Rachlin violin | Nobuko Imai viola | Mischa Maisky cello
INSTRUMENTAL TRADITIONS

The Art of Fugue · Die Kunst der Fuge BWV 1080

28 Contrapunctus 1 3:05
29 Contrapunctus 9 a 4 alla Duodecima 2:23
Emerson String Quartet

Recordings: Bristol, St. George’s, Brandon Hill, 3–4/1999 [1]; Trevi, Chiesa di San
Francesco, 5/2017 [2–5]; Hannover, Beethovensaal, 4/1983 [6–11], 4/1984 [12];
Switzerland, La Chaux-de-Fonds, Salle de Musique, 10/1987 [13–15]; Amsterdam,
Concertgebouw, 5–6/1973 [16–18]; Berlin, Teldex Studio [19–22]; Dresden,
Lukaskirche, 2/2006 [23–27]; New York City, American Academy and Institute
of Arts and Letters, 1–2/2003 [28/29]
Producers: Robina G. Young [1]; Fabio Framba [2–5]; Wolfgang Mitlehner [6–12];
Ezio Servolo [13–15]; Volker Straus [16–18]; Friedemann Engelbrecht [19–22];
Arend Prohmann [23–27]; Da-Hong Seetoo [28/29]
BACH 333

Balance Engineers: Brad Michel [1]; Fabio Framba [2–5]; Wolfgang Mitlehner [6–12];
Willem van Leeuwen [13–15]; Philip Siney [19–22]; Daniel Schleef [23–27];
Da-Hong Seetoo [28/29]
! 2000 Harmonia Mundi USA [1] · ! 2017 naïve, a label of believe group [2–5]
! 1983 [6–11] / 1984 [12] / 2006 [23–27] / 2003 [28/29] Deutsche Grammophon
GmbH, Berlin · ! 1989 [13–15] / 1974 [16–18] Universal International Music B.V.
! 2007 Decca Music Group Limited [19–22]
82
CD 201 84:11
Clavier-Büchlein für Wilhelm Friedemann Bach (start)

1 Applicatio in C major BWV 994 1:07

2 Prelude in D minor BWV 924 1:23
3 Wer nur den lieben Gott lässt walten BWV 691 1:22
4 Prelude in D minor BWV 926 1:13
5 Jesu, meine Freude BWV 753 (fragment) 2:05
6 Allemande in G minor BWV 836 2:53
7 Allemande in G minor BWV 837 (fragment) 1:22
8 Prelude in F major BWV 927 0:45
9 Prelude in G minor BWV 930 2:37
10 Prelude in F major BWV 928 1:33

MUSIC BOOKS
11 Menuet in G major BWV 841 1:13
12 Menuet in G minor BWV 842 0:50
13 Menuet in G major BWV 843 1:45
14 Prelude in C major BWV 846a 1:38
15 Prelude in C minor BWV 847 0:57
16 Prelude in D minor BWV 851 0:49
17 Prelude in D major BWV 850 0:59
18 Prelude in E minor BWV 855a 1:03
19 Prelude in E major BWV 854 1:30

BACH 333
20 Prelude in F major BWV 856 1:04
21 Prelude in C sharp major BWV 848 1:16
22 Prelude in C sharp minor BWV 849 3:01
23 Prelude in E flat minor BWV 853 3:14
24 Prelude in F minor BWV 857 2:08
83
 Pièce pour le Clavecin by Johann Christoph Richter (1700–1785)
25 1. Allemande 1:54
26 2. Courante 1:54
27 Prelude in C major BWV 924a 0:52
28 Prelude in D major BWV 925 1:23
29 Prelude in E minor BWV 932 (fragment) 0:54
30 Prelude in A minor BWV 931 0:57
31 Bass Sketch in G minor BWV deest 0:30
32 Fugue in C major BWV 953 1:30
MUSIC BOOKS

2-Part Inventions · Zweistimmige Inventionen

33 Inventio 1 in C major BWV 772 1:11
34 Inventio 4 in D minor BWV 775 0:53
35 Inventio 7 in E minor BWV 778 1:52
36 Inventio 8 in F major BWV 779 0:56
37 Inventio 10 in G major BWV 781 1:10
38 Inventio 13 in A minor BWV 784 1:05
39 Inventio 15 in B minor BWV 786 1:12
40 Inventio 14 in B flat major BWV 785 2:01
BACH 333

41 Inventio 12 in A major BWV 783 1:19

42 Inventio 11 in G minor BWV 782 1:01
43 Inventio 9 in F minor BWV 780 1:51
44 Inventio 6 in E major BWV 777 2:32
45 Inventio 5 in E flat major BWV 776 1:38
84
46 Inventio 3 in D major BWV 774 1:15
47 Inventio 2 in C minor BWV 773 1:55

Suite in A major TWV 32:14 by Georg Philipp Telemann (1681–1767)

48 1. Allemande 2:23
49 2. Courante 1:32
50 3. Gigue 2:35

Partia di Signore Steltzen by Gottfried Heinrich Stölzel (1690–1749)

51 1. Ouverture 3:35

MUSIC BOOKS
52 2. Air Italien 1:11
53 3. Bourreé 0:53
54 4. Menuet – Trio (Trio in G minor by J. S. Bach BWV 929) 2:27

Ralph Kirkpatrick clavichord [1/2/4/8–13/33–47]

Wolfgang Rübsam organ [3]
Simon Preston organ [5]
Justin Taylor harpsichord [6/7/14–27/29–32/48–54]
Kenneth Gilbert harpsichord [28]

BACH 333
85
 CD 202 76:46
Clavier-Büchlein für Wilhelm Friedemann Bach (conclusion)

3-Part Sinfonias · Dreistimmige Sinfonien

1 Sinfonia 1 in C major BWV 787 1:08

2 Sinfonia 4 in D minor BWV 790 2:07
3 Sinfonia 7 in E minor BWV 793 2:23
4 Sinfonia 8 in F major BWV 794 1:13
5 Sinfonia 10 in G major BWV 796 0:54
6 Sinfonia 13 in A minor BWV 799 1:12
7 Sinfonia 15 in B minor BWV 801 1:28
8 Sinfonia 14 in B flat major BWV 800 1:40
MUSIC BOOKS

9 Sinfonia 12 in A major BWV 798 1:35

10 Sinfonia 11 in G minor BWV 797 1:58
11 Sinfonia 9 in F minor BWV 795 3:16
12 Sinfonia 6 in E major BWV 792 1:37
13 Sinfonia 5 in E flat major BWV 791 2:30
14 Sinfonia 3 in D major BWV 789 1:16
15 Sinfonia 2 in C minor BWV 788 1:44

Clavier-Büchlein für Anna Magdalena Bach (1722)

BACH 333

French Suite No. 1 in D minor BWV 812

16 1. Allemande 1:32
17 2. Courante 1:21
18 3. Sarabande 1:46
19 4. Menuet I alternativement – 5. Menuet II 1:34
86 20 6. Gigue 2:07
 French Suite No. 2 in C minor BWV 813
21 1. Allemande 1:22
22 2. Courante 1:05
23 3. Sarabande 1:39
24 4. Air 0:47
25 5. Menuet I – 6. Menuet II 0:50
26 7. Gigue 1:34

French Suite No. 3 in B minor BWV 814

27 1. Allemande 1:47

MUSIC BOOKS
28 2. Courante 1:28
29 3. Sarabande 1:43
30 4. Anglaise 0:51
31 5. Menuet I – 6. Menuet II 1:40
32 7. Gigue 1:21

French Suite No. 4 in E flat major BWV 815

33 1. Allemande 1:23
34 2. Courante 1:07
35 3. Sarabande 1:41

BACH 333
36 4. Gavotte 0:44
37 6. Menuet 0:32
38 5. Air 0:47
39 7. Gigue 1:41

87
 French Suite No. 5 in G major BWV 816
40 1. Allemande 1:38
41 2. Courante 0:55
42 3. Sarabande 2:45
43 4. Gavotte 0:43
44 5. Bourrée 0:50
45 6. Loure 1:26
46 7. Gigue 1:52

47 Fantasia in C major BWV 573 (fragment) 0:59

MUSIC BOOKS

48 Air with Variations in C minor BWV 991 3:24

(realisation by Stéphane Gassot)
49 Jesus, meine Zuversicht BWV 728 2:28
50 Menuet in G major BWV 841 1:22

Ralph Kirkpatrick clavichord [1–15/50]

Thurston Dart clavichord [16–46]
Christian Schmitt organ [47]
BACH 333

Peter Hurford organ [49]

Justin Taylor harpsichord [48]

Note: Due to the rare historical interest of the Thurston Dart clavichord recordings,
the five French Suites performed here include movements not in the 1722 Clavier-
88 Büchlein. For Suite No. 6 see CD 161.
Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk
CD 201: [6/7/14–27/29–32/48–54] · CD 202: [47/48]
Recordings CD 201: Paris, Polydor Studios, 8/1960 [1/2/4/8–13/33–47]; Germany,
Freiburg, 1976 · Organ: Marcussen [3]; Denmark, Sorø, Klosterkirke, 11/1997 [5];
Berlin, b-sharp (Tanzsaal), 1/2018 [6/7/14–27/29–32/48–54]; Chartres, Musée
des Beaux-Arts, salle « à l’italienne », 4/1984 [28]
Producers: Ralph Kirkpatrick, Wolfgang Lohse [1/2/4/8–13]; Teije van Geest [3];
Sid McLauchlan [5]; Ken Yoshida [6/7/14–27/29–32/48–54]; Heinz Wildhagen [28];
Wolfgang Lohse [33–47]
Balance Engineers: Harald Baudis [1/2/4/8–13/33–47]; Teije van Geest [3];

MUSIC BOOKS
Andrew Wedman [5]; Ken Yoshida [6/7/14–27/29–32/48–54]; Heinz Wildhagen [28]
! 1961 [1/2/4/8–13/33–47] / 2000 [5] /1986 [28]
Deutsche Grammophon GmbH, Berlin
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin
[6/7/14–27/29–32/48–54]
! 1977 Universal International Music B.V. [3]
Recordings CD 202: Paris, Polydor Studios, 8/1960 [1–15/50]; London, West
Hampstead, Decca Studios, 1/1961 [16–46]; Germany, Freiberg, Petrikirche,
11/2017 [47]; Berlin, b-sharp (Tanzsaal), 1/2018 [48]; Sydney, Knox Grammar
School, 1977 [49]

BACH 333
Producers: Wolfgang Lohse [1–15]; Erik Smith [16–46]; Matthias Erb [47];
Ken Yoshida [48]; Ralph Kirkpatrick, Wolfgang Lohse [50]
Balance Engineers: Harald Baudis [1– 15/50]; Arthur Lilley [16–46];
Matthias Erb [47]; Ken Yoshida [48]; Chris Hazell [49]
! 1961 Deutsche Grammophon GmbH, Berlin [1–15/50]
! 1961 [16–46] / 1979 [49] Decca Music Group Limited
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [47/48]
89
 CD 203 79:53
Notenbüchlein für Anna Magdalena Bach (1725) (start)

Partita No. 3 in A minor BWV 827

1 1. Fantasia 2:05
2 2. Allemande 2:58
3 3. Corrente 3:18
4 4. Sarabande 2:41
5 5. Burlesca 1:38
6 6. Scherzo 1:20
7 7. Gigue 3:41

Partita No. 6 in E minor BWV 830

MUSIC BOOKS

8 1. Toccata 6:11
9 2. Allemande 2:54
10 3. Corrente 2:52
11 4. Air 1:27
12 5. Sarabande 3:20
13 6. Tempo di Gavotta 2:22
14 7. Gigue 3:32

15 Minuet in F major BWV Anh. 113 (App. C) 1:32

BACH 333

16 Minuet in G major BWV Anh. 114 (App. D) 1:27

by Christian Petzold (1677–1733)
17 Minuet in G minor BWV Anh. 115 (App. D) 1:32
by Christian Petzold
18 Rondeau in B flat major BWV Anh. 183 (App. D) 4:55
“Les Bergeries” by François Couperin (1668–1733)
90
19 Minuet in G major BWV Anh. 116 (App. C) 1:14
20 Polonaise in F major BWV Anh. 117a (App. C) 1:00
21 Polonaise in F major BWV Anh. 117b (App. C) 1:07
22 Minuet in B flat major BWV Anh. 118 (App. C) 1:14
23 Polonaise in G minor BWV Anh. 119 (App. C) 0:48

24 Wer nun den lieben Gott lässt walten BWV 691 1:50

25 Gib dich zufrieden und sei stille BWV 510 2:20

(realisation by Stéphane Gassot)

MUSIC BOOKS
26 Gib dich zufrieden und sei stille BWV 511 2:28
27 Gib dich zufrieden und sei stille BWV 512 2:31
Sung text p. 154

28 Minuet in A minor BWV Anh. 120 (App. C) 1:05

29 Minuet in C minor BWV Anh. 121 (App. C) 0:59
30 March in D major BWV Anh. 122 (App. C) 0:57
31 Polonaise in G minor BWV Anh. 123 (App. C) 1:02

BACH 333
32 March in G major BWV Anh. 124 (App. C) 1:11
33 Polonaise in G minor BWV Anh. 125 (App. C) 1:30
34 So oft ich meine Tobackspfeife BWV 515 1:00
35 So oft ich meine Tobackspfeife BWV 515a 2:34
Sung text p. 155 91
 36 Minuet in G major “per Monsieur Böhm” BWV deest 0:58
37 Musette in D major BWV Anh. 126 (App. C) 0:51
38 March in E flat major BWV Anh. 127 (App. C) 1:38
39 Polonaise in D minor BWV Anh. 128 (App. C) 1:50

Blandine Verlet harpsichord [1–14]

Justin Taylor harpsichord [15–23/25/28–34/36–39]
Peter Hurford organ [24]
MUSIC BOOKS

Hugues Cuénod tenor | Franz Holetschek harpsichord

Richard Harand cello [26]
Elisabeth Speiser soprano | Hedwig Bilgram organ [27]
Hermann Prey baritone | Leonard Hokanson harpsichord
Marcal Cervera viola da gamba [35]
BACH 333

92
CD 204 73:01
Notenbüchlein für Anna Magdalena Bach (1725) (conclusion)

1 Bist du bei mir BWV 508 by G. H. Stölzel (1690–1749) · Sung text p. 155 2:29

2 Aria with 30 Variations “Goldberg Variations” BWV 988: Aria 2:34

3 Solo per il cembalo in E flat major BWV Anh. 129 (App. D) 3:09
by Carl Philipp Emanuel Bach

4 Polonaise in G major BWV Anh. 130 (App. D) 1:31

by Johann Adolf Hasse

5 Prelude in C major BWV 846a 2:04

MUSIC BOOKS
French Suite No. 1 in D minor BWV 812
6 1. Allemande 3:28
7 2. Courante 2:06
8 3. Sarabande 2:26
9 4. Menuet I alternativement 1:14
10 5. Menuet II 1:28
11 6. Gigue 3:13

French Suite No. 2 in C minor BWV 813

12 1. Allemande 3:11

BACH 333
13 2. Courante 1:54
14 3. Sarabande 2:18
15 4. Air 0:52
16 5. Menuet I – 6. Menuet II 1:14
17 7. Gigue 1:47
93
 18 Rigaudon (March) in F major BWV Anh. 131 (App. D) 0:38
by Johann Christian Bach (1735–1782)

19 Warum betrübst du dich BWV 516 1:39

Sung text p. 156
Ich habe genug BWV 82
Sung texts → Sacred Cantatas III, pp. 111–112

20 2. Recitative: Ich habe genug! Mein Trost ist nur allein 0:57
21 3. Aria: Schlummert ein, ihr matten Augen 7:37
22 Schaffs mit mir, Gott, nach deinem Willen BWV 514 1:50
MUSIC BOOKS

Sung text p. 156

23 Minuet in D minor BWV Anh. 132 (App. C) 1:05
24 Aria di Giovannini: Willst du dein Herz mir schenken BWV 518 5:12
Sung text pp. 156–157

Ich habe genug BWV 82

Sung text → Sacred Cantatas III, p. 112
25 3. Aria: Schlummert ein, ihr matten Augen 7:01

26 Dir, dir, Jehova, will ich singen BWV 299 1:01

BACH 333

27 Dir, dir, Jehova, will ich singen BWV 452 1:28

Sung text → Sacred & Secular Vocal, p. 170
28 Wie wohl ist mir, o Freund der Seelen BWV 517 3:05
Sung text pp. 157–158
94
29 Gedenke doch, mein Geist, zurücke BWV 509 1:11
Sung text p. 158
30 O Ewigkeit, du Donnerwort BWV 513 3:15
Sung text pp. 158–159

Emma Kirkby soprano | Academy of Ancient Music

Christopher Hogwood [1/20/21/29]
Gustav Leonhardt harpsichord [2] & clavichord [12–17]
Justin Taylor harpsichord [3–5/18/23]

MUSIC BOOKS
Huguette Dreyfus harpsichord [6–11]
Margot Guilleaume soprano | Fritz Neumeyer harpsichord [19/22/25/30]
Lorraine Hunt Lieberson mezzo-soprano | Nicholas McGegan harpsichord
David Bowles baroque cello [24]
Augsburger Domsingknaben | Reinhard Kammler
Claudia Waßner organ [26]
Peter Schreier tenor | Ton Koopman organ | Jaap ter Linden cello [27]
Elisabeth Speiser soprano | Hedwig Bilgram organ [28]

BACH 333
Note: French Suite BWV 813 and “Schlummert ein” (tr. 25) are performed here
complete even though not complete in the 1725 Notenbüchlein.
95
 Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk
CD 203: [15–23/25/28–34/36–39] · CD 204: [3–5/18/23/26]
Recordings CD 203: Amsterdam, Doopsgezinde Kerk, 3/1977, 3/1977 [1–14];
Berlin, b-sharp (Tanzsaal), 1/2018 [15–23/25/28–34/36–39]; Toronto, Church of
Our Lady of Sorrows, 4/1977 [24]; 1954 [26]; München, Plenarsaal der Akademie
der Wissenschaften, 8/1974 [27]; Germany, 1/1973 [35]
Producers: Wilhelm Hellweg [1–14]; Ken Yoshida [15–23/25/28–34/36–39];
Chris Hazell [24]; Gerd Ploebsch [27]; Hans Gerhard Lichthorn [35]
Balance Engineers: Ken Yoshida [15–23/25/28–34/36–39];
Hans-Peter Schweigmann [27]; Karl-August Naegler [35]
! 1994 Universal International Music B.V. [1–14] · ! 2018 Deutschlandradio /
Deutsche Grammophon GmbH, Berlin [15–23/25/28–34/36–39]
! 1958 [26] / 1975 [27] / 1974 [35] Deutsche Grammophon GmbH, Berlin
! 1978 Decca Music Group Limited [24]
Recordings CD 204: London, Henry Wood Hall, 2/1997 [1/20/21/29]; Netherlands,
MUSIC BOOKS

Haarlem, 9/1988 [2]; Berlin, b-sharp (Tanzsaal), 1/2018 [3–5/18/23]; Paris,

Christuskirche (Église évangélique allemande), 5/1972 [6–11]; Amsterdam, 5/1988
[12–17]; California, Nicasio, Skywalker Ranch [24]; Welden, Karmelitinnenkloster,
St. Thekla-Kirche, 7/2017 [26]; Amsterdam, Raphaelkerk, 9/1991 [27];
München, Plenarsaal der Akademie der Wissenschaften, 8/1974 [28];
Freiburg im Breisgau, Paulus-Saal, 10/1960 [19/22/25/30]
Producers: Chris Sayers [1/20/21/29]; Michael Bremner [2]; Ken Yoshida [3–5/18/23];
Michael Bremner [12–17]; Hans Ritter [19/22/25/30]; Robina G. Young [24];
Johannes Kammann [26]; Tini Mathot [27]; Gerd Ploebsch [28]
Balance Engineers: Philip Siney [1/20/21/29]; Ken Yoshida [3–5/18/23];
BACH 333

Hein Dekker [12–17]; Heinz Wildhagen [19/22/25/30]; Hugh Davies [24];

Johannes Kammann [26]; Hans-Peter Schweigmann [28]
! 1999 [1/20/21/29] Decca Music Group Limited
! 1989 [2] / 1990 [12–17] / 1992 [27] Universal International Music B.V.
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [3–5/18/23/26]
! 1973 [6–11] / 1961 [19/22/25/30] / 1975 [28] Deutsche Grammophon GmbH, Berlin
! 1991 Harmonia Mundi USA [24]
96
CD 205 81:12
Geistliche Lieder und Arien aus Schemellis Gesangbuch (start)
Sung texts pp. 159–176
1 Ach, dass nicht die letzte Stunde BWV 439 1:50
2 Auf, auf! Die rechte Zeit ist hier BWV 440 1:29
3 Auf, auf! mein Herz, mit Freuden BWV 441 1:55
4 Beglückter Stand getreuer Seelen! BWV 442 3:00
5 Beschränkt, ihr Weisen dieser Welt BWV 443 2:03
6 Brich entzwei, mein armes Herze BWV 444 2:05
7 Brunnquell aller Güter BWV 445 2:17
8 Der lieben Sonne Licht und Pracht BWV 446 2:50

MUSIC BOOKS
9 Der Tag ist hin, die Sonne gehet nieder BWV 447 2:24
10 Der Tag mit seinem Lichte BWV 448 2:44
11 Dich bet ich an, mein höchster Gott BWV 449 1:37
12 Die bittre Leidenszeit beginnet abermal BWV 450 3:40
13 Die güldne Sonne, voll Freud und Wonne BWV 451 1:15
14 Dir, dir, Jehova will ich singen BWV 452 1:26
Sung text → Sacred & Secular Vocal, p. 170

BACH 333
15 Eins ist Not! ach Herr, dies Eine BWV 453 1:49
16 Ermuntre dich, mein schwacher Geist BWV 454 2:03
17 Erwürgtes Lamm, das die verwahrten Siegel BWV 455 2:35
18 Es glänzet der Christen inwendiges Leben BWV 456 2:45
19 Es ist nun aus mit meinem Leben BWV 457 3:05
97
 20 Es ist volbracht! Vergiss ja nicht dies Wort BWV 458 3:04
21 Es kostet viel, ein Christ zu sein BWV 459 2:17
22 Gib dich zufrieden und sei stille BWV 460 2:27
23 Gott lebet noch BWV 461 1:56
24 Gott, wie groß ist deine Güte BWV 462 2:01
25 Herr, nicht schicke deine Rache BWV 463 2:11
26 Ich bin ja, Herr, in deiner Macht BWV 464 2:38
27 Ich freue mich in dir BWV 465 1:38
MUSIC BOOKS

28 Ich halte treulich still BWV 466 2:02

29 Ich lass dich nicht, du musst mein Jesus bleiben BWV 467 2:11
30 Ich liebe Jesum alle Stund BWV 468 2:01
31 Ich steh an deiner Krippen hier BWV 469 1:24
32 Jesu, Jesu, du bist mein BWV 470 2:25
33 Jesu, deine Liebeswunden BWV 471 2:14
34 Jesu, meines Glaubens Zier BWV 472 1:57
BACH 333

35 Jesu, meines Herzens Freud BWV 473 3:48

36 Jesus ist das schönste Licht BWV 474 2:03

98
CD 206 80:08
Geistliche Lieder und Arien aus Schemellis Gesangbuch (conclusion)
Sung texts pp. 176–192
1 Jesus, unser Trost und Leben BWV 475 1:31
2 Ihr Gestirn, ihr hohen Lüfte BWV 476 1:36
3 Kein Stündlein geht dahin BWV 477 2:18
4 Komm, süßer Tod, komm, sel’ge Ruh! BWV 478 3:17
5 Kommt, Seelen, dieser Tag BWV 479 1:07
6 Kommt wieder aus der finstren Gruft BWV 480 1:45
7 Lasset uns mit Jesu ziehen BWV 481 3:15
8 Liebes Herz, bedenke doch BWV 482 1:31

MUSIC BOOKS
9 Liebster Gott, wann werd ich sterben? BWV 483 2:58
10 Liebster Herr Jesu, wo bleibst du so lange? BWV 484 2:28
11 Liebster Immanuel, Herzog der Frommen BWV 485 1:41
12 Mein Jesu, dem die Seraphinen BWV 486 2:33
13 Mein Jesu, was für Seelenweh BWV 487 2:34
14 Meines Lebens letzte Zeit BWV 488 1:58
15 Nicht so traurig, nicht so sehr BWV 489 2:07

BACH 333
16 Nur mein Jesus ist mein Leben BWV 490 3:03
17 O du Liebe meiner Liebe BWV 491 2:51
18 O finstre Nacht, wenn wirst du doch vergehen? BWV 492 3:10
19 O Jesulein süß, o Jesulein mild BWV 493 2:25
20 O liebe Seele, zieh die Sinnen BWV 494 1:59 99
 21 O wie selig seid ihr doch, ihr Frommen BWV 495 1:53
22 Seelenbräutigam, Jesu, Gottes Lamm BWV 496 1:38
23 Seelenweide, meine Freude BWV 497 1:57
24 Selig, wer an Jesum denkt BWV 498 2:03
25 Sei gegrüßet, Jesu gütig BWV 499 2:26
26 So gehst du nun, mein Jesu, hin BWV 500 3:24
27 So gibst du nun, mein Jesu, gute Nacht! BWV 501 2:12
28 So wünsch ich mir zu guter Letzt BWV 502 2:32
MUSIC BOOKS

29 Steh ich bei meinem Gott BWV 503 1:56

30 Vergiss mein nicht, dass ich dein nicht vergesse BWV 504 3:04
31 Vergiss mein nicht, mein allerliebster Gott BWV 505 2:51
32 Was bist du doch, o Seele BWV 506 2:33
33 Wo ist mein Schäflein, das ich liebe BWV 507 2:28
34 Ich bin nun wie ich bin BWV Anh. 40 1:30
35 Dir zu Liebe, wertes Herze BWV Anh. 41 1:33
BACH 333

100
Peter Schreier tenor | Hedwig Bilgram organ
[CD 205: 1/6/12/15/21/24/29 · CD 206: 2/29/33]
Margot Guilleaume soprano | Helmut Tramnitz organ [CD 205: 2 · CD 206: 10]
Peter Schreier tenor | Ton Koopman organ | Jaap ter Linden cello
[CD 205: 3/5/7/8/11/14/22/23/28/31 · CD 206: 1/8/21/32]
Hilde Rössel-Majdan contralto
Franz Holetschek harpsichord | Richard Harand cello
[CD 205: 4/10/16/18/25–27/30/33–35 · CD 206: 9/12/14/16/20/23/25/28]
Peter Schreier tenor | Karl Richter organ [CD 205: 9 · CD 206: 6]

MUSIC BOOKS
Magdalena Kožená mezzo-soprano | Christian Schmitt organ
[CD 205: 13 · CD 206: 4/5/13/27]
Hugues Cuénod tenor
Franz Holetschek harpsichord | Richard Harand cello
[CD 205: 17/19/32/36 · CD 206: 3/11/15/17/18/22/24/30]
Aafje Heynis contralto | Simon C. Jansen organ [CD 205: 20 · CD 206: 26]
Elisabeth Speiser soprano | Hedwig Bilgram organ [CD 205: 24 · CD 206: 19]
Hermann Prey baritone | Leonard Hokanson harpsichord

BACH 333
Marcal Cervera viola da gamba [CD 206: 7]
Nathalie Stutzmann contralto | Michele Pasotti lute [CD 206: 31]
Kölner Akademie | Michael Alexander Willens [CD 206: 34/35]

101
 Recordings CD 205: München, Plenarsaal der Akademie der Wissenschaften,
8/1974 [1/6/12/15/21/24/29]; Germany, Wolfenbüttel, St. Marien-Kirche,
9/1960 [2]; Amsterdam, Raphaelkerk, 9/1991 [3/5/7/8/11/14/22/23/28/31];
1954 [4/10/16–19/25–27/30/32–36]; Germany, Freiberg, Dom, 9/1978 [9];
Regensburg, Konzertsaal der Hochschule für katholische Kirchenmusik und
Musikpädagogik, 9/2013 [13]; Amsterdam, Adventskerk, 1957 [20]
Producers: Gerd Ploebsch [1/6/12/15/21/24/29]; Ursula von Rauchhaupt [2];
Tini Mathot [3/5/7/8/11/14/22/23/28/31]; Gerd Ploebsch, Reimar Bluth [9];
Christoph Franke [13] · Balance Engineers: Hans-Peter Schweigmann
[1/6/12/15/21/24/29]; Gerd Henjes [2]; Eberhard Richter [9]
! 1975 [1/6/12/15/21/24/29] / 1961 [2] / 1958 [4/10/16–19/25–27/30/32–36] /
1981 [9] / 2014 [13] Deutsche Grammophon GmbH, Berlin
! 1992 Universal International Music B.V. [3/5/7/8/11/14/22/23/28/31]
! 1957 Universal Music B.V. [20]
Recordings CD 206: Amsterdam, Raphaelkerk, 9/1991 [1/8/21/32]; München,
Plenarsaal der Akademie der Wissenschaften, 8/1974 [2/19/29/33]; 1954
MUSIC BOOKS

[3/9/11/12/14–18/20/22–25/28/30]; Regensburg, Konzertsaal der Hochschule für

katholische Kirchenmusik und Musikpädagogik, 9/2013 [4/5/13/27]; Germany,
Freiberg, Dom, 9/1978 [6]; 1/1973 [7]; Germany, Wolfenbüttel, St. Marien-Kirche,
9/1960 [10]; Amsterdam, Adventskerk 1957 [26]; France, Arsenal de Metz, 4/2012
[31]; Köln, Deutschlandfunk Kammermusiksaal, 1/2018 [34/35]
Producers: Tini Mathot [1/8/21/32]; Gerd Ploebsch [2/19/29/33]; Christoph
Franke [4/5/13/27]; Gerd Ploebsch, Reimar Bluth [6]; Christian Lange,
Hans Gerhard Lichthorn [7]; Ursula von Rauchhaupt [10]; Étienne Collard [31];
Johannes Kammann [34/35] · Balance Engineers: Hans-Peter Schweigmann
[2/19/29/33]; René Möller [4/5/13/27]; Eberhard Richter [6]; Karl-August Naegler,
BACH 333

Hans-Peter Schweigmann [7]; Gerd Henjes [10]; Günther Rose [34/35]

! 1992 Universal International Music B.V. [1/8/21/32]
! 1975 [2/19/29/33] / 1958 [3/9/11/12/14–18/20/22–25/28/30] / 2014 [4/5/13/27] /
1981 [6] / 1974 [7] / 1961 [10] Deutsche Grammophon GmbH, Berlin
! 1957 Universal Music B.V. [26] · ! 2012 Decca Records France [31]
Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [34/35]
102
CD 207 86:40
Bach: Early Influences

Dieterich Buxtehude (1637–1707)

1 Prelude and Fugue in F sharp minor BuxWV 146 7:45

Johann Adam Reincken (1643–1722)

2 An Wasserflüssen Babylon 16:51

Johann Sebastian Bach

BACH INTERACTIVE
Sonata in A minor BWV 965
after Sonata and Suite I for 2 Violins, Viola and Basso continuo
from “Hortus musicus” by Johann Adam Reincken
3 Adagio – Fuga – Adagio – [Presto] 6:52
4 Allemande 1:41
5 Courante 1:05
6 Sarabande 2:30
7 Gigue 2:37

Sonata in C major BWV 966

after Sonata and Suite III for 2 Violins, Viola and Basso continuo
from “Hortus musicus” by Johann Adam Reincken
8 Praeludium 2:03

BACH 333
9 Fuga 3:36
10 Adagio 0:56
11 [Allegro] 0:34
12 Allemande 3:12

103
 Georg Böhm (1661–1733)
13 Prelude and Fugue in C major 4:21

Nicolaus Bruhns (1665–1697)

14 Prelude in E minor “Large” 8:44

Johann Pachelbel (1653–1706)

BACH INTERACTIVE

15 Ciacona in D minor P. 41 6:04

Girolamo Frescobaldi (1583–1643)

16 Toccata Terza F 2.03 4:05
(Toccate e partite d’intavolatura di cimbalo, Libro Primo, Rome, 1615)

Jean-Henry d’Anglebert (1629–1691)

17 Prélude in D minor from Suite No. 3 4:14

Nicolas de Grigny (1672–1703)

18 Récit de tierce en taille 6:03

Johann Sebastian Bach

BACH 333

19 Aria in F major BWV 587 3:25

after the Suite from “L’Impériale” for 2 Violins and Basso continuo
by François Couperin (1668–1733)

104
Helmut Walcha organ [1] | Bernard Foccroulle organ [2]
Henrik Bouman harpsichord [3–7]
Ramin Bahrami piano [8–12] | Peter Hurford organ [13/15]
Gillian Weir organ [14/18] | Catherine Pierron organ [16]
Christophe Rousset harpsichord [17]
Wolfgang Rübsam organ [19]

BACH INTERACTIVE
Recordings: Germany, Cappel, St. Peter-und-Paul Kirche, 9/1977 [1]; Hamburg,
St Jakobi · Organ: Arp Schnitger, 1693 [2]; München, Plenarsaal der Akademie
der Wissenschaften, 8–11/1980 [3–7]; Italy, Roletto, Chiesa della B.V. Maria
del Monte Carmelo al Colletto, 9/2007 [8–12]; Netherlands, Papendrecht,
Bethlehemkerk, 12/1985 · Organ: K. B. Blank [13/15]; Cambridge, Clare College,
1979 · Organ: Beckerath [14]; Cambridge, Chesterton, St George’s Church,
11/2016 [16]; Colmar, Musée d’Unterlinden, 10/1996 [17]; Hexham, Hexham Abbey,
9/1975 · Organ: Phelps [18]; Switzerland, Frauenfeld, St. Nikolauskirche, 1976 [19]
Producers: Gerd Ploebsch [1/3–7]; Jérome Lejeune [2]; Alberto Spano [8–12];
Chris Hazell [13/15/18]; Michael Bremner [14]; Adrian Peacock [16];
Chris Sayers [17]; Teije van Geest [19]
Balance Engineers: Karl-August Naegler [1]; Jérome Lejeune [2]; Wolfgang
Mitlehner [3–7]; Davide Ficco [8–12]; Simon Eadon [13/15]; Stanley Goodall [14/18];

BACH 333
Andrew Mellor [16]; Jonathan Stokes [17]; Teije van Geest [19]
! 1978 [1] / 1981 [3–7] Deutsche Grammophon GmbH, Berlin
! 2002 Ricercar [2]
! 2009 Universal Music Italia Srl [8–12]
! 1987 [13/15] / 1980 [14] / 2000 [17] / 1977 [18] Decca Music Group Limited
! 2017 I Fagiolini Projects Limited [16]
! 1977 Universal International Music B.V. [19]
105
 CD 208 67:13
Concertos at Weimar: Telemann · Prince Johann Ernst

Georg Philipp Telemann (1681–1767)

Concerto for 2 Violins, Strings and Basso continuo
in G major “a sei” TWV 52:G2
1 1. Grave 1:50
2 2. Allegro 1:59
3 3. Largo 1:49
4 4. Presto 3:40
BACH INTERACTIVE

Concerto for Violin, Strings and Basso continuo in G minor TWV 51:g1
5 1. Allegro 2:07
6 2. Adagio 2:06
7 3. Allegro 2:05

Johann Sebastian Bach, after Telemann

Keyboard Concerto in G minor BWV 985
after Violin Concerto in G minor TWV 51:g1 by Telemann
8 1. [without tempo indication] 2:28
9 2. Adagio 1:32
10 3. Allegro 2:30
BACH 333

11 Trio in G major BWV 586 after a fugue by ? Telemann 4:09

106
 Prince Johann Ernst of Saxe-Weimar (1696–1715)
Concerto for Violin, Strings and Basso continuo in B flat major op. 1/1
12 1. Allegro 1:57
13 2. Adagio – Allegro 3:18
14 3. Un poco presto 1:45

Johann Sebastian Bach, after Prince Johann Ernst

BACH INTERACTIVE
Keyboard Concerto in B flat major BWV 982
after Violin Concerto in B flat major op. 1/1
15 1. [without tempo indication] 2:26
16 2. Adagio 3:17
17 3. Allegro 1:53
Organ Concerto in G major BWV 592
Arrangement after a lost violin concerto in G major
18 1. [without tempo indication] 3:19
19 2. Grave 2:40
20 3. Presto 1:54
21 Organ Concerto in C major BWV 595 4:02

BACH 333
Arrangement after an unknown concerto
Keyboard Concerto in C major BWV 984
after a lost concerto
22 1. [without tempo indication] 2:45
23 2. Adagio e affettuoso 2:10
24 3. Allegro assai 2:30
107
 Keyboard Concerto in D minor BWV 987
after Violin Concerto in D minor op. 1/4
25 1. [without tempo indication] 1:20
26 2. Allegro 0:52
27 3. Adagio 2:42
28 4. Vivace 1:14

Florian Deuter violin

BACH INTERACTIVE

Reinhard Goebel violin & director | Musica Antiqua Köln [1–4]

Stanley Ritchie violin | The Bach Ensemble | Joshua Rifkin [5–7/12–14]
Huguette Dreyfus harpsichord [8–10/15–17/25–28]
Simon Preston organ [11/18–20] | Peter Hurford organ [21]
Ivor Bolton harpsichord [22–24]
Recordings: Köln, Deutschlandfunk Kammermusiksaal , 10/1999 [1–4]; New York
City, American Academy and Institute of Arts and Letters, 5/1987 [5–7/12–14];
Paris, Église Saint-Pierre, 9–10/1989 [8–10/15–17/25–28]; London, St John’s,
Smith Square, 5/1996 [11]; Lübeck, Dom, 3/1987 [18–20]; Windsor, Eton College,
School Hall, 1981 [21]; Surrey, Petersham, All Saint’s Church, 7/1989 [22–24]
Producers: Helmut Burk [1–4]; Peter Wadland [5–7/12–14]; Yoshiharu Kawaguchi
BACH 333

[8–10/15–17/25–28]; Arend Prohmann [11]; Gerd Ploebsch [18–20];

Chris Hazell [21]; Ben Turner [22–24] · Balance Engineers: Hans-Ulrich Bastin [1–4];
John Dunkerley [5–7/12–14]; Gen’ichi Kitami [8–10/15–17/25–28];
Hans-Peter Schweigmann [11/18–20]; Trygg Tryggvason [22–24]
! 2000 [1–4/11] / 1988 [18–20] Deutsche Grammophon GmbH, Berlin
! 1988 [5–7/12–14] / 1981 [21] Decca Music Group Limited
108 ! 1990 Nippon Columbia Co. Ltd. [8–10/15–17/25–28] · ! 1990 ASV Ltd. [22–24]
CD 209 77:03
Concertos at Weimar: Vivaldi

Antonio Vivaldi (1678–1741)

Concerto for Violin, Strings and Basso continuo
in D major “Grosso Mogul” RV 208
1 1. Allegro 5:29
2 2. Grave. Recitativo 2:39
3 3. Allegro 6:35

BACH INTERACTIVE
Johann Sebastian Bach, after Antonio Vivaldi
Organ Concerto in C major BWV 594
after Violin Concerto in D major RV 208
4 1. [without tempo indication] 5:32
5 2. Recitativo Adagio 3:14
6 3. Allegro 6:46
Organ Concerto in A minor BWV 593
after Concerto for 2 Violins in A minor RV 522
7 1. [without tempo indication] 3:45
8 2. Adagio 4:37
9 3. Allegro 3:49

BACH 333
Organ Concerto in D minor BWV 596
after Concerto for 2 Violins in D minor RV 565
10 1. [without tempo indication] 1:06
11 2. Grave 0:29
12 3. Fuga 3:32
109
 13 4. Largo e spiccato 2:43
14 5. [without tempo indication] 3:07
Keyboard Concerto in D major BWV 972
after Violin Concerto in D major RV 230
15 1. [without tempo indication] 2:10
16 2. Larghetto 3:14
17 3. Allegro 2:13
BACH INTERACTIVE

Keyboard Concerto in G major BWV 973

after Violin Concerto in G major RV 299
18 1. [without tempo indication] 2:39
19 2. Largo 1:56
20 3. Allegro 2:09
Keyboard Concerto in G minor BWV 975
after Violin Concerto in G minor RV 316
21 1. [without tempo indication] 2:59
22 2. Largo 3:39
23 3. Giga. Presto 1:52
BACH 333

110
Nicola Benedetti violin
Scottish Chamber Orchestra | Christian Curnyn [1–3]
Wolfgang Rübsam organ [4–6]
Peter Hurford organ [7–9]
Simon Preston organ [10–14]
Ivor Bolton harpsichord [15–23]

BACH INTERACTIVE
Recordings: Edinburgh, Usher Hall, 5–6/2010 [1–3]; Switzerland, Frauenfeld,
St. Nikolauskirche, 1976 [4–6]; Sydney, Knox Grammar School, 4/1977 · Organ:
Sharp [7–9]; Lübeck, Dom, 3/1987 · Organ: Metzler [10–14]; Surrey, Petersham,
All Saint’s Church [15–23]
Producers: Andrew Walton [1–3]; Teije van Geest [4–6]; Chris Hazell [7–9];
Gerd Ploebsch [10–14]; Ben Turner [15–23]

BACH 333
Balance Engineers: Mike Clements [1–3]; Teije van Geest [4–6]; David Marrett [7–9];
Hans-Peter Schweigmann [10–14]; Trygg Tryggvason [15–23]
! 2011 Decca, a division of Universal Music Operations Limited [1–3]
! 1977 Universal International Music B.V. [4–6]
! 1978 Decca Music Group Limited [7–9]
! 1988 Deutsche Grammophon GmbH, Berlin [10–14]
! 1990 ASV Ltd. [15–23]
111
 CD 210 86:19
Concertos at Weimar: Vivaldi · A. & B. Marcello

Johann Sebastian Bach, after various composers

Keyboard Concerto in C major BWV 976
after Violin Concerto in E major RV 265 by Antonio Vivaldi
1 1. [without tempo indication] 3:48
2 2. Largo 3:27
3 3. Allegro 2:52
Keyboard Concerto in F major BWV 978
BACH INTERACTIVE

after Violin Concerto in E major RV 310 by Antonio Vivaldi

4 1. Allegro 2:35
5 2. Largo 2:27
6 3. Allegro 2:37
7 Keyboard Concerto in B minor BWV 979 11:11
after Violin Concerto in D minor RV 813 by Antonio Vivaldi
[without tempo indication] – Allegro – Adagio – Allegro –
Andante – Adagio – Allegro
Keyboard Concerto in G major BWV 980
after Violin Concerto in B flat major RV 381 by Antonio Vivaldi
8 1. [without tempo indication] 4:02
BACH 333

9 2. Largo 2:56
10 3. Allegro 3:00

112
 Keyboard Concerto in D minor BWV 974
after Oboe Concerto in D minor by Alessandro Marcello (1673–1747)
11 1. [without tempo indication] 3:04
12 2. Adagio 3:26
13 3. Presto 3:46
Keyboard Concerto in C minor BWV 981
after Violin Concerto in E minor op. 1/2 by Benedetto Marcello (1686–1739)

BACH INTERACTIVE
14 1. Adagio 1:50
15 2. Vivace 1:57
16 3. [Largo] 2:28
17 4. Prestissimo 4:34
Keyboard Concerto in C major BWV 977
after an unknown source
18 1. [without tempo indication] 2:33
19 2. Adagio 1:18
20 3. Giga 2:41
Keyboard Concerto in G minor BWV 983
after an unknown source

BACH 333
21 1. [without tempo indication] 3:14
22 2. Adagio 2:18
23 3. Allegro 2:38

113
 Keyboard Concerto in G major BWV 986
after an unknown source
24 1. [without tempo indication] 2:10
25 2. Adagio 0:55
26 3. Allegro 1:45
27 Allabreve in D major BWV 589 5:48
possibly after Johann David Heinichen
BACH INTERACTIVE

Ivor Bolton harpsichord [1–3/7/11–17]

Huguette Dreyfus harpsichord [4–6/8–10/18–26]
Wolfgang Rübsam organ [27]

Recordings: Surrey, Petersham, All Saint’s Church 7/1989 [1–3/7/11–17];

Paris, Église Saint-Pierre, 9–10/1989 [4–6/8–10/18–26]; Switzerland,
Frauenfeld, St. Nikolauskirche, 1976 [27]
BACH 333

Producers: Ben Turner [1–3/7/11–17]; Yoshiharu Kawaguchi [4–6/8–10/18–26];

Teije van Geest [27]
Balance Engineers: Trygg Tryggvason [1–3/7/11–17];
Genichi Kitami [4–6/8–10/18–26]; Teije van Geest [27]
! 1990 ASV Ltd. [1–3/7/11–17]
! 1990 Nippon Columbia Co. Ltd. [4–6/8–10/18–26]
! 1977 Universal International Music B.V. [27]
114
CD 211 83:00
The Bach Family

Heinrich Bach (1615–1692)

1 Ich danke dir, Gott 5:58
Sung text p. 192

Johann Christoph Bach (1642–1703)

2 Es erhub sich ein Streit 7:23
Sung text pp. 192–193

BACH INTERACTIVE
? Johann Ludwig Bach (1677–1731)
Mass in C major BWV App. C (ex Anh. 25)
Sung texts → Sacred & Secular Vocal, p. 212
3 1. Kyrie eleison I 1:12
4 2. Christe eleison 2:09
5 3. Kyrie eleison II 2:50

? Carl Philipp Emanuel Bach (1714–1788)

Sonata for Flute and Keyboard in G minor H 542 (App. D, ex BWV 1020)
6 1. [Allegro] 3:52
7 2. Adagio 2:57

BACH 333
8 3. Allegro 3:55

115
 Carl Philipp Emanuel Bach
Concerto for Harpsichord, Strings and Basso continuo
in A minor H 403
9 1. Allegro ma non molto 6:19
10 2. Andante 7:01
11 3. Presto 4:39
BACH INTERACTIVE

Wilhelm Friedemann Bach (1710–1784)

Sonata for 2 Harpsichords in F major F 10
12 1. [Allegro moderato] 6:04
13 2. Andante 5:35
14 3. Presto 4:01

Johann Bernhard Bach (1676–1749)

Overture in G major (Orchestral Suite No. 2)
15 1. Ouverture 5:12
16 2. Gavotte en Rondeau 1:31
17 3. Sarabande 1:55
BACH 333

18 4. Bourree. Gayement 1:18

19 5. Air. Grave 3:02
20 6. Menuet 0:56
21 7. Gigue – La Tempeste – Très vite 1:48

116
 Johann Christoph Bach (1642–1703)
22 Lieber Herr Gott, wecke uns auf 3:18
Sung text p. 193

Rheinische Kantorei | Hermann Max chorus master

Musica Antiqua Köln | Reinhard Goebel [1/2]
Alsfelder Vokalensemble | I Febiarmonici | Wolfgang Helbich [3–5]

BACH INTERACTIVE
Konrad Hünteler flute | Ton Koopman harpsichord [6–8]
Miklós Spányi harpsichord | Concerto Armonico | Péter Szüts [9–11]
Andreas Staier | Robert Hill harpsichords [12–14]
Bach Concentus | Ewald Demeyere [15–21]
Cantus Cölln | Concerto Palatino | Konrad Junghänel [22]
Recordings: Wuppertal, Immanuelskirche, 1/1986 [1/2]; Bremen, Radio Bremen
Sendesaal, 2–6/2001 [3–5]; Netherlands, 4/1983 [6–8]; Budapest, Angyalföld
Reformed Church, 12/1994 [9–11]; Köln, Deutschlandfunk Kammermusiksaal ,
12/1985 [12–14]; Antwerp, de Singel, 2007 [15–21]; Neustadt, Mandelsloh,
St. Osdag-Kirche, 1–2/2002 [22]
Producers: Heinz Wildhagen [1/2]; Renate Wolter-Seevers [3–5]; Tini Mathot [6–8];

BACH 333
Ingo Petry [9–11]; Wolfgang Mitlehner [12–14]; Adelheid Glatt [15–21];
Andreas Neubronner [22] · Balance Engineers: Heinz Wildhagen [1/2];
Klaus Schumann [3–5]; Adriaan Verstijnen [6–8]; Ingo Petry [9–11];
Wolfgang Mitlehner [12–14]; Andreas Glatt [15–21]
! 1986 Deutsche Grammophon GmbH, Berlin [1/2/12–14] · ! 2003 CPO [3–5]
! 1983 Universal International Music B.V. [6–8] · ! 1995 BIS Records AB [9–11]
! 2008 Accent [15–21] · ! 2003 Harmonia Mundi [22]
117
 CD 212 73:26
Bach & Other Composers (c.1715–1730)

after Johann Christoph Pez (1664–1716)

Mass in A minor BWV App. D (ex Anh. 24) from Missa Sancti Lamberti
1 1. Kyrie 0:46
2 2. Gloria 3:39

Marco Giuseppe Peranda (1625–1675)

Mass in A minor
BACH INTERACTIVE

Sung texts tr. 1–3 → Sacred & Secular Vocal, p. 212

3 1. Kyrie 5:39

after Francesco Bartolomeo Conti (1681–1732)

Languet anima mea BWV App. C
Sung texts p. 194

4 1. Recitative: Languet, languet anima mea 0:52

5 2. Aria: O vulnera, vita coelestis 3:20
6 3. Recitative: Amoris tui jaculo 0:39
7 4. Aria: Tu lumen mentis es 7:03
8 5. Alleluja 1:33
BACH 333

118
 with Georg Philipp Telemann (1681–1767)
Jauchzet dem Herrn, alle Welt BWV App. A 4 (ex Anh. 160)
Sung texts p. 195
9 1. Jauchzet dem Herrn, alle Welt TWV 8:10 4:30
10 2. Sei Lob und Preis mit Ehren BWV 28/2a 4:35
11 3. Amen, Lob und Ehre und Weisheit und Dank TWV 1:1066 3:16

BACH INTERACTIVE
St Mark Passion · Markus-Passion BWV 247
Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach
and ? Gottfried Keiser (c.1650 – before 1732)
Sung texts pp. 195–197
12 53. Chorus: Geh, Jesu, geh zu deiner Pein! (BWV 198/1) 5:25
13 54. Chorale: Keinen hat Gott verlassen (BWV 369) 1:08
14 55. Recitative: Und etliche, die dabeistunden 0:11
15 56. Chorus: Siehe, er rufet den Elias! 0:24
16 57. Recitative: Da lief einer und füllet einen Schwamm 0:48
17 58. Aria: Welt und Himmel, nehmt zu Ohren (BWV 7/2) 4:36
18 59. Recitative: Und der Vorhang im Tempel zerriss 2:49

J. S. Bach’s additions to ? G. Keiser’s St Mark Passion BWV 1165

BACH 333
Sung texts pp. 197–198
19 Chorale: O Traurigkeit, o Herzeleid! 2:11
20 Chorale: O hilf, Christe, Gottes Sohn BWV 1084 (Leipzig version) 1:01
21 Chorale: So gehst du nun, mein Jesu, hin BWV 500a (Leipzig version) 1:02
22 Sinfonia (Weimar version) 0:51
119
 Anonymous
St Luke Passion · Lukas-Passion BWV 246 / Anh. II 30->
Sung texts p. 198
23 1. Chorus: Furcht und Zittern, Scham und Schmerzen 3:47
24 39. Aria: Den Fels hat Moses’ Stab geschlagen 5:21
25 40. Chorale: Aus der Tiefe rufe ich 1:02
26 40a. Chorale: Aus der Tiefe rufe ich (J. S. Bach’s version) 1:24
BACH INTERACTIVE

Francesco Durante (1684–1755)

Mass in C minor BWV App. D (ex Anh. 26)
Sung texts → Sacred & Secular Vocal, p. 212
27 1. Kyrie eleison I 2:44
28 2. Christe eleison by J. S. Bach BWV 242 1:10
29 3. Kyrie eleison II 1:38

Alsfelder Vokalensemble | Hannoversche Hofkapelle

Wolfgang Helbich [1/2]
Bach Collegium Japan | Masaaki Suzuki [3/27–29]
BACH 333

Magdalena Kožená mezzo-soprano

Musica Antiqua Köln | Reinhard Goebel [4–8]
Thomanerchor Leipzig | Baroque Brass of London
Capella Thomana | Georg Christoph Biller [9–11]

120
Ruth Gomme soprano | William Towers alto | Jeremy Ovenden tenor
Gonville & Caius College Choir, Cambridge
Cambridge Baroque Camerata | Geoffrey Webber [12–19]
Kölner Akademie | Michael Alexander Willens [20–22]
Harry van Berne tenor | Alsfelder Vokalensemble
Barockorchester Bremen | Wolfgang Helbich [23–26]
Recordings: Germany, Blankensee, Festhalle der Johannischen Kirche,

BACH INTERACTIVE
3–5/2009 [1/2]; Kobe, Shoin Women’s University, 2/2015 [3]; Köln,
Melanchthonkirche, 2/2003 [4–8]; Leipzig, Paul-Gerhardt-Kirche, 2/1997 [9–11];
Cambridge, Chapel of Downing College, 6/1998 [12–19]; Köln,
Deutschlandfunk Kammermusiksaal, 1/2018 [20–22]; Germany, Alsfeld,
Walpurgiskirche, 3–4/1996 [23–26]; Japan, Saitama, Saitama Arts Theater
Concert Hall, 9/2014–10/2015 [27–29]
Producers: Stephan Schmidt [1/2]; Thore Brinkmann [3]; Christopher Alder [4–8];
Matthias Stiehler [9–11]; Michael Ponder [12–19]; Johannes Kammann [20–22];
Hans Bernhard Bätzing [23–26]; Hans Kipfer [27–29]
Balance Engineers: Olaf Mielke [1/2]; Hans Kipfer [3]; Hans-Ulrich Bastin [4–8];
Matthias Stiehler [9–11]; Andrew Lang [12–19]; Gunther Rose [20–22]; Wolfgang
Decker [23–26]; Jens Braun [27–29]
Co-produced by Thomanerchor Leipzig / Mitteldeutscher Rundfunk (MDR) [9–11]

BACH 333
! 2012 [1/2] /1997 [23–26] CPO
! 2015 [3] / 2015 [27–29] BIS Records AB
! 2005 Deutsche Grammophon GmbH, Berlin [4–8]
Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [20–22]
! 1998 Universal Music Classics & Jazz, a division of Universal Music GmbH [9–11]
! 1999 ASV Ltd. [12–19]
121
 CD 213 79:31
Bach & Other Composers (c.1730–1742)

after Antonio Vivaldi (1678–1741)

Concerto for 4 Harpsichords, Strings and Basso continuo
in A minor BWV 1065 after Concerto for 4 Violins RV 580
1 1. [without tempo indication] 3:52
2 2. Largo 1:58
3 3. Allegro 3:23
BACH INTERACTIVE

George Frideric Handel (1685–1759)

Alcina HWV 34 · Sung texts p. 199
4 10. Aria: Di’, cor mio, quanto t’amai (Act I) 7:21
5 23. Aria: Mi lusinga il dolce affetto (Act II) 6:51

J. S. Bach’s additions to Carl Heinrich Graun’s (1704–1759)

Wer ist der, so von Edom kömmt BWV 1166
6 19. Chorus: Herr Jesu Christ, wahr’ Mensch und Gott BWV 127/1 5:05
Sung text → Sacred Cantatas II, p. 114
7 20. Arioso: So heb ich denn mein Auge sehnlich auf BWV 1088 1:44
Sung text p. 199

after Johann Friedrich Fasch (1688–1758)

BACH 333

Trio in C minor BWV 585

8 1. Adagio 2:47
9 2. Allegro 2:29

122
 after Sylvius Leopold Weiss (1687–1750)
Suite for Violin and Keyboard in A major BWV 1025
10 1. Fantasia 2:04
11 2. Courante 3:47
12 3. Entrée 3:29
13 4. Rondeau 3:39
14 5. Sarabande 4:46

BACH INTERACTIVE
15 6. Menuett 2:52
16 7. Allegro 3:43

after Antonio Caldara (1670–1736)

17 Suscepit Israel puerum suum BWV 1082 1:37
Arrangement of Mvt. 3 from Caldara’s Magnificat in C major
18 Sanctus in D minor BWV 239 2:01
19 Sanctus in G major BWV 240 2:24
Bach’s arrangements
Mass in G major BWV App. C (ex Anh. 167)
Sung texts trs. 17–22 → Sacred & Secular Vocal, pp. 205, 212, 213

BACH 333
20 1. Kyrie 4:27
21 2. Gloria 3:09
22 3. Gloria II – Domine Deus 5:59

Colin Tilney | Christophe Rousset | Davitt Moroney harpsichords

Christopher Hogwood harpsichord & director
Academy of Ancient Music [1–3] 123
 Joyce DiDonato soprano | Maite Beaumont mezzo-soprano [4/5]
Il Complesso Barocco | Alan Curtis [4/5]
Hans-Georg Wimmer bass | Rheinische Kantorei [6/7]
Das Kleine Konzert | Hermann Max [6/7] | Simon Preston organ [8/9]
Reinhard Goebel violin | Robert Hill harpsichord [10–16]
St. Salvator’s Chapel Choir | Ars Eloquentiae [17]
Fitzwilliam Quartet | Tom Wilkinson [17]
BACH INTERACTIVE

Alsfelder Vokalensemble | Hannoversche Hofkapelle [18]

Wolfgang Helbich [18] | Bach Collegium Japan | Masaaki Suzuki [19]
Alsfelder Vokalensemble | Gesualdo Consort Amsterdam [20–22]
Solistenquartett der Hochschule Bremen [20–22]
Hannoversche Hofkapelle | Wolfgang Helbich [20–22]

Recordings: Paris, Conservatoire de Musique, 8/1989 [1–3]; Italy, Chiesa Sant’

Agostino, 9/2007 [4/5]; Germany, Lohmar-Honrath, ev. Kirche, 1/1990 [6/7]; London,
St John’s, Smith Square, 5–6/1996 · Organ: Klais [8/9]; Hamburg, Friedrich-Ebert-
Halle, 7/1982 [10–16]; Dundee, Saint Salvador’s Church, 6/2015 [17]; Germany,
Blankensee, Festhalle der Johannischen Kirche, 3–5/2009 [18/20–22]; Japan,
Saitama Arts Theater Concert Hall, 9/2014–10/2015 [19]
Producers: Peter Wadland [1–3]; Arend Prohmann [4/5/8/9]; Gerd Berg [6/7]; Heinz
BACH 333

Wildhagen [10–16]; Adrian Hunter [17]; Stephan Schmidt [18/20–22]; Hans Kipfer [19]
Balance Engineers: Hans-Ulrich Bastin [4/5]; Hartwig Paulsen [6/7]; Hans-Peter
Schweigmann [8/9]; Adrian Hunter [17]; Olaf Mielke [18/20–22]; Jens Braun [19]
! 1991 Decca Music Group Limited [1–3] · ! 2009 [4/5] / 1997 [8/9] / 1983 [10–16]
Deutsche Grammophon GmbH, Berlin · ! 1990 EMI Music Germany GmbH & Co.
KG [6/7] · ! 2016 University of St Andrews [17] · ! 2012 CPO [18/20–22]
! 2015 BIS Records AB [19]
124
CD 214 85:25
Bach & Other Composers (1742–1750)

after Gottfried Heinrich Stölzel (1690–1749)

1 Aria: Bekennen will ich seinen Namen BWV 200 3:20
from Passion Oratorio “Die leidende und am Kreuz sterbende Liebe”
Sung text p. 200

after Pietro Torri (1650–1737)

Magnificat in C major App. D (ex Anh. 30)

BACH INTERACTIVE
Sung texts → Sacred & Secular Vocal, p. 205
2 1. Chorus: Magnificat anima 3:52
3 2. Duet: Quia respexit 1:46
4 3. Duet: Quia fecit mihi magna 2:09
5 4. Chorus: Et misericordia ejus 2:43
6 5. Duet: Fecit, fecit, fecit potentiam 1:27
7 6. Chorus: Deposuit, deposuit potentes de sede 1:05
8 7. Duet: Suscepit Israel puerum suum 1:45
9 8. Chorus: Sicut locutus est ad patres nostros 4:14

after Giovanni Pierluigi da Palestrina (1525–1594)

Missa Sine Nomine

BACH 333
J. S. Bach’s colla parte arrangement App. C
Sung texts → Sacred & Secular Vocal, p. 212
10 1. Kyrie 3:16
11 2. Gloria 2:26
12 Qui Tollis 2:54
125
 after Giovanni Battista Pergolesi (1710–1736)
Tilge, Höchster, meine Sünden BWV 1083
Psalm Cantata arrangement of Pergolesi’s Stabat Mater
Sung texts pp. 200–202
13 1. Versus 1: Tilge, Höchster, meine Sünden 4:25
14 2. Versus 2: Ist mein Herz in Missetaten 2:07
15 3. Versus 3: Missetaten, die mich drücken 2:29
BACH INTERACTIVE

16 4. Versus 4: Dich erzürnt mein Tun und Lassen 2:00

17 5. Versus 5–6: Wer wird seine Schuld verneinen 2:10
18 6. Versus 7: Sieh! ich bin in Sünd empfangen 0:44
19 7. Versus 8: Sieh, du willst die Wahrheit haben 2:49
20 8. Versus 9: Wasche mich doch rein, rein von Sünden 2:00
21 9. Versus 10: Lass mich Freud und Wonne spüren 2:18
22 10. Versus 11–15: Schaue nicht auf meine Sünden 5:53
23 11. Versus 16: Öffne Lippen, Mund und Seele 3:29
24 12. Versus 17–18: Denn du willst kein Opfer haben 3:10
25 13. Versus 19–20: Lass dein Zion blühend dauern 1:51
26 14. Amen 1:58
BACH 333

after Johann Kaspar Kerll (1627–1693)

27 Sanctus in D major BWV 241 (Version in E major) 2:04
from “Missa superba”

126
28 Credo Intonation BWV 1081 by J. S. Bach for 0:45
Giovanni Battista Bassani (1647–1716)
29 Credo in unum Deum 5:37
from Missa No. 5 in F major “Acroama Missale”
Sung texts trs. 27–29 → Sacred & Secular Vocal, pp. 212–213

after Johann Kuhnau (1660–1722)

BACH INTERACTIVE
30 Der Gerechte kömmt um BWV 1149 7:41
after motet “Tristis est anima mea”, probably by Kuhnau
Sung text p. 202

Magdalena Kožená mezzo-soprano

Musica Antiqua Köln | Reinhard Goebel [1]
Gesualdo Consort Amsterdam
Solistenquartett der Hochschule Bremen
Alsfelder Vokalensemble | Hannoversche Hofkapelle
Wolfgang Helbich [2–9]
Concerto Palatino | Bruce Dickey [10–12]
Carolyn Sampson soprano | Robin Blaze countertenor [13–26]

BACH 333
Bach Collegium Japan | Masaaki Suzuki [13–27]
St Salvator’s Chapel Choir | Ars Eloquentiae
Fitzwilliam String Quartet | Tom Wilkinson [28/29]
The Monteverdi Choir | English Baroque Soloists
John Eliot Gardiner [30] 127
BACH INTERACTIVE

Recordings: Köln, Melanchthonkirche, 2/2003 [1]; Germany, Blankensee,

Festhalle der Johannischen Kirche, 3–5/2009 [2–9]; Germany [10–12]; Kobe,
Shoin Women’s University, 9/2005 [13–26]; Japan, Saitama Arts Theater Concert
Hall, 9/2014–10/2015 [27]; Dundee, Saint Salvador’s Church, 6/2015 [28/29];
Germany, Ansbach, St. Gumbertus, 7/2000 (live) [30]
Producers: Christopher Alder [1]; Stephan Schmidt [2–9]; Jens Braun [13–26];
Hans Kipfer [27]; Adrian Hunter [28/29]; Isabella de Sabata [30]
Balance Engineers: Hans-Ulrich Bastin [1]; Olaf Mielke [2–9]; Uli Schneider [13–26];
Jens Braun [27]; Adrian Hunter [28/29]; Jean-Marie Geijsen [30]
BACH 333

! 2005 Deutsche Grammophon GmbH, Berlin [1]

! 2012 CPO [2–9]
! 1991 Warner Music Group Germany Holding GmbH / A Warner Music Group
Company [10–12]
! 2015 BIS Records AB [13–27]
! 2016 University of St Andrews [28/29]
! 2009 Monteverdi Productions Ltd. [30]
128
CD 215 80:40
Bach Renewed – From Bach’s Sons to Mahler

Wilhelm Friedemann Bach (1710–1784)

Gaudete omnes populi – Manebit verbum Domini F 103
after Cantata “Ein feste Burg ist unser Gott” BWV 80 · Sung texts pp. 202–203
1 1. Gaudete omnes populi after BWV 80/1 5:10
2 2. Manebit verbum Domini after BWV 80/5 3:36

Jauchzet Gott in allen Landen BWV 51

Additional instrumentation by Wilhelm Friedemann Bach

BACH AFTER BACH

Sung texts → Sacred Cantatas III, pp. 134–135
3 1. [Aria:] Jauchzet Gott in allen Landen! 3:52
4 2. Recitative: Wir beten zu dem Tempel an 2:07
5 3. Aria: Höchster, Höchster, mache deine Güte 3:12
6 4. Chorale: Sei Lob und Preis mit Ehren 3:11
7 [Aria:] Halleluja 2:13

Carl Philipp Emanuel Bach (1714–1788)

8 Introduction to the Credo H 848 (of the Mass in B minor BWV 232) 1:31
9 Credo in unum Deum (from Mass in B minor BWV 232) 2:01
Sung texts → Sacred & Secular Vocal, pp. 212–213

BACH 333
Christoph Willibald Gluck (1714–1787)
Iphigénie en Tauride Wq 46
Sung texts p. 203
10 Accompagnato & Aria (Act 4): Non, cet affreux devoir – 3:41
Je t’implore et je tremble after Gigue from Partita BWV 825
129
 Wolfgang Amadeus Mozart (1756–1791)
5 Four-Part Fugues K 405
Arrangements for String Quartet after The Well-Tempered Clavier, Book II
11 Fugue in C minor after BWV 871 1:33
12 Fugue in E flat major after BWV 876 2:03
13 Fugue in E major after BWV 878 3:07
14 Fugue in D sharp minor after BWV 877 2:18
BACH AFTER BACH

15 Fugue in D major after BWV 874 1:29

Ludwig van Beethoven (1770–1827)

16 Fugue in B flat minor Hess 38 1:58
Arrangement for String Quintet after Fugue BWV 867
from The Well-Tempered Clavier, Book I

Felix Mendelssohn (1809–1847)

St Matthew Passion · Matthäus-Passion 1841 version
Sung texts → Sacred & Secular Vocal, pp. 249, 259, 260
17 39. Aria: Erbarme dich, mein Gott 6:28
18 48. Recitative: Und siehe da, der Vorhang im Tempel zerriss 1:55
BACH 333

Chorus: Wahrlich, dieser ist Gottes Sohn gewesen

Recitative: Und es waren viel Weiber da
19 49. Recitative: Am Abend, da es kühle war 1:40
20 50. Aria: Mache dich, mein Herze, rein 2:45

130
 Johannes Brahms (1833–1897)
5 Studies for Piano Anh. 1a/1
21 No. 3. Presto (1st version) 2:51
22 No. 4. Presto (2nd version) 2:55
after Sonata for Solo Violin No. 1 in G minor BWV 1001

Gustav Mahler (1860–1911)

BACH AFTER BACH

Suite for Orchestra
after Orchestral Suites BWV 1067 and BWV 1068
23 1. Ouverture (BWV 1067) 6:33
24 2. Rondeau – Badinerie (BWV 1067) 3:46
25 3. Air (BWV 1068) 5:06
26 4. Gavotte I – Gavotte ll (BWV 1068) 3:37

Chorus Musicus Köln | Das Neue Orchester | Christoph Spering [1/2]

Christine Schäfer soprano
Musica Antiqua Köln | Reinhard Goebel [3–7]
RIAS Kammerchor | Akademie für Alte Musik Berlin

BACH 333
Hans-Christoph Rademann [8/9]
Mireille Delunsch soprano
Les Musiciens du Louvre | Marc Minkowski [10]
Hagen Quartett [11–15]

131
 Kölner Akademie | Michael Alexander Willens [16]
Christine Schäfer soprano | Hilary Hahn violin
Münchener Kammerorchester | Alexander Liebreich [17]
Jörg Dürmüller tenor | Maarten Koningsberger baritone
Consensus Vocalis | Netherlands Symphony Orchestra
Jan Willem de Vriend [18–20]
Georg Friedrich Schenk piano [21/22]
BACH AFTER BACH

Royal Concertgebouw Orchestra | Riccardo Chailly [23–26]

Recordings: Köln, Melanchthonkirche, 10–11/2014 [1/2]; Köln, Deutschlandfunk
Kammermusiksaal, 1/1999 [3–7], 1/2018 [16]; Berlin, Konzerthaus, 6/2014 (live)
[8/9]; Paris, Radio France, 3/1999 (live) [10]; Austria, Mondsee, Schloss Mondsee,
Festsaal, 11/2000 [11–15]; München, Himmelfahrtskirche, 12/2008 [17];
Netherlands, Enschede, Muziekcentrum, 4/2014 (live) [18–20]; Berlin, RIAS,
9/1990 [21/22]; Amsterdam, Concertgebouw, Grote Zaal, 9/2000 [23–26]
Producers: Jens Schünemann [1/2]; Karl-August Naegler [3–7];
Sebastian Braun [8–9]; Arend Prohmann [10]; Wolfgang Mitlehner [11–15];
Johannes Kammann [16]; Sid McLauchlan [17]; Bert van der Wolf [18–20];
Wolfgang Gottschalk [21/22]; Andrew Cornall [23–26]· Balance Engineers: Christoph
Rieseberg [1/2]; Hans-Ulrich Bastin [3–7]; Toine Mertens [8–9]; Joel Soupiron [10];
BACH 333

Wolfgang Mitlehner [11–15]; Gunther Rose [16]; Stephan Flock [17];

Bert van der Wolf [18–20]; Geert Puhlmann [21/22]; Jonathan Stokes [23–26]
! 2015 Sony Music Entertainment Germany [1/2]
! 1999 [3–7] / 2001 [10] / 2002 [11–15] / 2009 [17] / 1993 [21/22] Deutsche
Grammophon GmbH, Berlin · ! 2014 Accentus Music Gmbh [8/9]
Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [16]
132 ! 2015 Challenge Classics [18–20] · ! 2004 Decca Music Group Limited [23–26]
CD 216 80:31
Bach Reimagined – Chaconne & Passacaglia

Robert Schumann (1810–1856)

1 Chaconne for Violin and Piano 14:37
after Partita for Solo Violin No. 2 in D minor BWV 1004

Felix Mendelssohn (1809–1847)

2 Prelude for Violin and Piano 4:05
after Partita for Solo Violin No. 3 in E major BWV 1006

BACH AFTER BACH

Robert Schumann
3 Andante for Violin and Piano 5:06
after Sonata for Solo Violin No. 2 in A minor BWV 1003

Johannes Brahms (1833–1897)

5 Piano Studies Anh. 1a/1
4 5. Chaconne for the left hand 17:32
after Partita for Solo Violin No. 2 in D minor BWV 1004

Ferruccio Busoni (1866–1924)

5 Chaconne for Piano 14:07
after Partita for Solo Violin No. 2 in D minor BWV 1004

BACH 333
Ottorino Respighi (1879–1936)
6 Passacaglia for Orchestra P 159 12:19
after Passacaglia and Fugue in C minor BWV 582

133
 orchestrated by Leopold Stokowski (1882–1977)
7 Passacaglia and Fugue in C minor BWV 582 12:43

Daniel Sepec violin | Andreas Staier piano [1]

Mayumi Hirasaki violin | Christine Schornsheim piano [2/3]
Anatol Ugorski piano [4]
BACH AFTER BACH

Benjamin Grosvenor piano [5]

Dallas Symphony Orchestra | Eduardo Mata [6]
The Philadelphia Orchestra | Yannick Nézet-Séguin [7]

Recordings: Berlin, Teldex Studio, 5/2009 [1]; Germany [2/3]; Berlin,

Jesus-Christus-Kirche, 4/1996 [4]; United Kingdom, Monmouth, Wyastone Hall,
12/2015 [5]; Dallas, Morton H. Meyerson Symphony Center, Eugene
McDermott Hall, 5/1993 [6]; Philadelphia, Kimmel Center for the Performing Arts,
Verizon Hall, 3/2013 [7]
Producers: Martin Sauer [1]; Werner Mayer [4]; Mike George [5]; Sid McLauchlan [7]
BACH 333

Balance Engineers: Tobias Lehmann [1]; Rainer Maillard [4]; Arne Axelberg [5]
Publishers: Broude Brothers, New York [7]
! 2010 Harmonia Mundi s.a. [1]
! 2010 Genuin [2/3]
! 1996 [4] / 2013 [7] Deutsche Grammophon GmbH, Berlin
! 2016 Decca Music Group Limited [5]
! 2011 Sono Luminus [6]
134
CD 217 77:35
Bach Orchestrated – Reger to Stokowski

Leopold Stokowski (1882–1977)

1 Toccata and Fugue in D minor BWV 565 9:11

Arnold Schoenberg (1874–1951)

2 Prelude and Fugue in E flat major BWV 552 14:47
3 Schmücke dich, o liebe Seele BWV 654 5:02
4 Komm, Gott Schöpfer, heiliger Geist BWV 631 2:19

BACH AFTER BACH

Anton Webern (1883–1945)
5 Fuga (Ricercata) 7:09
after Musical Offering BWV 1079: 2. Ricercar a 6

Max Reger (1873–1916)

6 O Mensch, bewein dein Sünde groß BWV 622 5:23

Edward Elgar (1857–1934)

Fantasia and Fugue in C minor op. 86 after BWV 537
7 1. Fantasia. Poco Allegretto 5:14
8 2. Fugue. Allegro 3:54

BACH 333
Gustav Holst (1874–1934)
9 Fugue à la Gigue 3:22
after Fugue in G major BWV 577

135
 William Walton (1902–1983)
The Wise Virgins (ballet suite)
10 5. Sheep may safely graze 4:41
after “Was mir behagt, ist nur die muntre Jagd” BWV 208

Heitor Villa-Lobos (1887–1959)

Bachianas Brasileiras No. 5 for Soprano and Cello Ensemble W 389
11 1. Ária (Cantilena) 6:19
BACH AFTER BACH

Leopold Stokowski
12 Fugue in G minor BWV 578 3:50
13 Prelude in E flat minor BWV 853 5:18
from The Well-Tempered Clavier, Book I

Boston Symphony Orchestra | Seiji Ozawa [1/2]

Symphonieorchester des Bayerischen Rundfunks
Michael Tilson Thomas [3/4]
Berliner Philharmoniker | Pierre Boulez [5]
BACH 333

Hamburg Soloists | Emil Klein [6]

Los Angeles Philharmonic | Esa-Pekka Salonen [7/8]
The Boston Pops | Arthur Fiedler [9/10]

¯
Elina Garanča mezzo-soprano
Staatskapelle Dresden | Fabio Luisi [11]
136
The Philadelphia Orchestra | Yannick Nézet-Séguin [12]
Czech Philharmonic Orchestra | Leopold Stokowski [13]

BACH AFTER BACH

Recordings: USA, 4/1990 [1]; 10/1989 [2]; München, Residenz, Herkulessaal [3/4];
Berlin, Jesus-Christus-Kirche, 3/1993 [5]; Germany [6]; Los Angeles, Dorothy
Chandler Pavilion, 10/1999 [7/8]; Boston, Symphony Hall, 6/1971 [9/10]; Dresden,
Lukaskirche, 7/2006 [11]; Philadelphia, Kimmel Center for the Performing Arts,
Verizon Hall, 3/2013 [12]; Prague, Rudolfinum, 9/1972 (live) [13]
Producers: Wilhelm Hellweg [1/2]; David Mottley [3/4/7/8]; Karl-August Naegler [5];
Thomas Mowrey [9/10]; Sid McLauchlan [11/12]; Raymond Few [13]
Balance Engineers: Onno Scholtze [1/2]; Michael Kempff, Martin Wöhr [3/4];
Helmut Burk [5]; Günter Hermanns, Gernot Westhaeuser [9/10];
Hans-Ulrich Bastin [11]; Arthur Lilley [13]
Publishers: Universal Edition [5]; Boosey & Hawkes [9]; Oxford University Press [10];
Sikorski [11]; Broude Brothers [12]

BACH 333
! 1992 Universal International Music B.V. [1/2]
! 1984 [3/4] / 2000 [7/8] Sony Music Entertainment Inc.
! 1995 [5] / 2006 [11] / 2013 [12] Deutsche Grammophon GmbH, Berlin
! 1995 Arte Nova Musikprodutions GmbH [6]
! 1976 Universal Classics Group, a Division of UMG Recordings Inc. [9/10]
! 1973 Decca Music Group Limited [13]
137
 CD 218 85:39
Inspired by Bach – Gounod to Pärt

Charles Gounod (1818–1893)

1 Méditation sur le Premier Prélude de S. Bach 4:24
after Prelude BWV 846 from The Well-Tempered Clavier, Book I

Ignaz Moscheles (1794–1870)

Studies in Melodic Counterpoint op. 137
after The Well-Tempered Clavier, with cello obligato
2 1. Prelude in C major (BWV 846) 3:01
BACH AFTER BACH

3 8. Prelude in D minor (BWV 875) 1:43

Ferruccio Busoni (1866–1924)

4 Chromatic Fantasia and Fugue in D minor BV B 38 14:40
Arrangement for Cello and Piano after BWV 903

Max Reger (1873–1916) | Karl Straube (1873–1950)

2-Part Inventions · Zweistimmige Inventionen
Arrangements for Organ as “Schule des Triospiels”
5 Inventio 5 in E flat major BWV 776 2:10
6 Inventio 6 in E major BWV 777 2:38
7 Inventio 7 in E minor BWV 778 1:38
BACH 333

8 Inventio 8 in F major BWV 779 1:21

138
 Max Reger
Prelude and Fugue for Solo Violin in G major op. 117/5
after Prelude BWV 572
9 Molto vivace 1:26
10 Moderato 5:13

Paul Hindemith (1895–1963)

11 Ragtime (wohltemperiert) 3:53

BACH AFTER BACH

after Fugue BWV 847 from The Well-Tempered Clavier, Book I

Igor Stravinsky (1882–1971)

Canonic Variations on the Christmas Song:
Vom Himmel hoch, da komm ich her BWV 769
Arrangement for Chorus and Orchestra
12 Choral 0:46
13 Var. I: In canone all’ ottava 1:17
14 Var. II: Alio modo in canone alle quinta 1:13
15 Var. III: In canone alla settima 2:09
16 Var. IV: In canone all’ ottava per augmentationem 2:34

BACH 333
17 Var. V: L’altra sorte del canone al rovescio 2:40

Luciano Berio (1925–2003)

18 Contrapunctus XIX 8:40
Arrangement for 23 Players after The Art of Fugue BWV 1080

139
 Peter Maxwell Davies (1934–2016)
19 Prelude and Fugue in C sharp major BWV 848 4:20
Arrangement for Chamber Ensemble from The Well-Tempered Clavier, Book I

Harrison Birtwistle (*1934)

20 Seufzer, Tränen, Kummer, Not 4:35
Arrangement for Soprano, Oboe and Ensemble after Cantata BWV 21
BACH AFTER BACH

Arvo Pärt (*1935)

21 Credo for Piano Solo, Mixed Choir and Orchestra 15:16
after Prelude BWV 846 from The Well-Tempered Clavier, Book I

Arthur Grumiaux violin | István Hajdu piano [1]

Jelena Očić cello | Federico Lovato piano [2/3]
Lucia Swarts cello | Leo van Doeselaar piano [4]
Christian Barthen organ [5–8] | Mateja Marinković violin [9/10]
Michael Guttman violin | Philharmonia Orchestra | José Serebrier [11]
Tanglewood Festival Chorus
BACH 333

Boston Symphony Orchestra | Seiji Ozawa [12–17]

Orchestra Sinfonica di Milano Giuseppe Verdi | Riccardo Chailly [18]
The Fires of London | Peter Maxwell Davies [19]

140
Claire Seaton soprano
Melinda Maxwell oboe | Richard William Stafford Hudson clarinet
Helen Tunstall harp | Ben Fullbrook marimba [20]
Hélène Grimaud piano
Swedish Radio Choir | Stefan Parkman chorus master
Swedish Radio Symphony Orchestra | Esa-Pekka Salonen [21]

BACH AFTER BACH

Recordings: Amsterdam, 2/1973 [1]; Leipzig, FWL Studios, 1/2011 [2/3];
Netherlands, Renswoude, Hervormde Kerk, 5/1997 [4]; Germany, Fulda, Dom,
6/2013 [5–8]; United Kingdom, Petersham, All Saints Church [9/10]; London,
Walthamstow Assembly Hall, 1/1995 [11], 1/1980 [19]; Boston, Symphony Hall,
4/1990 [12–17]; Auditorium di Milano, 8/2004 [18]; London, East Finchley, All Saints
Church, 9/2008 [20]; Stockholm, Sveriges Radio, Berwaldhallen, 9/2003 (live) [21]
Producers: Piotr Furmanczyk [2/3]; Ted Diehl [4]; Wolfgang Rübsam [5–8];
Stephen Johns [9/10]; Wilhelm Hellweg [12–17]; Andrew Cornall [18];
Antony Hodgson [19]; Mike Purton [20]; Sid McLauchlan [21]
Balance Engineers: Piotr Furmanczyk [2/3]; Mike Hatch [9/10];
Brian B. Culverhouse [11]; Onno Scholtze [12–17]; Jonathan Stokes [18];
Geoffrey Barton [19]; Tony Faulkner [20]; Rainer Maillard [21]
! 1973 [1] / 1992 [12–17] Universal International Music B.V.

BACH 333
! 2011 [2/3] / 2007 [4] Challenge Classics
! 2014 Naxos Rights US Inc. [5–8]
! 1994 [9/10] / 1995 [11] ASV Ltd.
! 2004 Universal Music Italia Srl [18]
! 1981 Unicorn-Kanchana Records [19]
! 2009 Melinda Maxwell [20]
! 2003 Deutsche Grammophon GmbH, Berlin [21]
141
 CD 219 82:16
Bach & The Virtuoso Piano – Liszt and Busoni

Arrangements and Transcriptions for Piano

Franz Liszt (1811–1886)

1 Prelude and Fugue in A minor S 462/1 9:33
after Prelude and Fugue BWV 543
2 Variations on the motive by Bach “Weinen, Klagen” S 180 14:05
after Cantata BWV 12, Mass in B minor BWV 232 and Cantata BWV 99
BACH AFTER BACH

Fantasia and Fugue in G minor S 463

after Prelude and Fugue BWV 542
3 Grave 5:09
4 Allegro 5:20

Ferruccio Busoni (1866–1924)

Toccata, Adagio and Fugue in C major BWV 564
5 1. Preludio, quasi improvvisando. Tempo moderato 6:59
6 2. Intermezzo. Adagio 6:04
7 3. Fuga. Moderatamente scherzando, un poco umoristico 4:28

Chorale Preludes
BACH 333

8 Jesus Christus, unser Heiland BWV 665 6:11

9 In dir ist Freude BWV 615 2:05
10 Herr Gott, nun schleuß den Himmel auf BWV 617 3:11
11 Durch Adams Fall ist ganz verderbt BWV 637 2:37
142
12 Wachet auf, ruft uns die Stimme BWV 645 3:47
13 Nun freut euch, lieben Christen gmein BWV 734 2:12
14 Ich ruf zu dir, Herr Jesu Christ BWV 639 3:03
15 Komm, Gott Schöpfer, Heiliger Geist BWV 667 2:14
16 Nun komm, der Heiden Heiland BWV 659 5:16

BACH AFTER BACH

Hélène Grimaud [1] | Alfred Brendel [2/16]
Francesco Piemontesi [3/4] | Kun-Woo Paik [5–11/13]
Gianluca Cascioli [12] | Nelson Freire [14/15]

Recordings: Berlin, Funkhaus Nalepastrasse, Saal 1, 8/2008 [1]; 7/1989 [2];

Switzerland, RSI Lugano, 9/2010 [3/4]; Suffolk, Dunwich, Potton Hall,
6/2000 [5–11/13]; Hamburg, Friedrich-Ebert-Halle, 8/1996 [12], 8/2015 [14/15];
London, Walthamstow Assembly Hall, May 1976 [16]
Producers: Stephan Flock [1]; Volker Straus [2/16]; Michael Rast [3/4]; Andrew

BACH 333
Cornall [5–11/13]; Sid McLauchlan [12]; Dominic Fyfe [14/15]
Balance Engineers: Stephan Flock [1/12]; Volker Straus [2/16];
Michael Rast [3/4]; Philips Siney [5–11/13]; Jonathan Stokes [14/15]
! 2008 [1] / 1997 [12] Deutsche Grammophon GmbH, Berlin
! 1990 [2] / 1977 [16] Universal International Music B.V.
! 2011 Avanti Classic [3/4]
! 2000 [5–11/13] / 2016 [14/15] Decca Music Group Limited
143
 CD 220 81:42
Bach & The Virtuoso Piano – The 20th Century

Sergei Rachmaninov (1873–1943)

Suite from Partita for Solo Violin No. 3 in E major BWV 1006
1 1. Preludio 3:31
2 3. Gavotte en Rondeau 2:41
3 7. Gigue 1:38

Alexander Siloti (1863–1945)

4 Prelude in E minor BWV 855 (transposed into B minor) 3:00
BACH AFTER BACH

5 Prelude in G minor BWV 535 4:33

Myra Hess (1890–1965)

6 Jesu, Joy of Man’s Desiring from Cantata BWV 147 3:38

Arnold Bax (1883–1953)

7 Fantasia in G major BWV 572 5:43

Constant Lambert (1905–1951)

8 Der Tag, der ist so freudenreich BWV 605 from Orgelbüchlein 1:54

Lord Berners (1883–1950)

BACH 333

9 In dulci jubilo BWV 729 1:50

Ralph Vaughan Williams (1872–1958)

Ach bleib bei uns, Herr Jesu Christ BWV 649
10 1. Chorale 1:08
144 11 2. Chorale Prelude 3:36
 Cyril Scott (1879–1970)
12 Mein gläubiges Herze from Cantata BWV 68 2:36

Harriet Cohen (1895–1967)

13 Sanctify us by thy goodness from Cantata BWV 22 3:15

Percy Grainger (1882–1961)

14 Blithe Bells 4:01

BACH AFTER BACH

A Free Ramble on Bach’s “Sheep May Safely Graze” from Cantata BWV 208

Anonymous (19th century)

15 Sonata from Cantata BWV 182 2:19

Heitor Villa-Lobos (1887–1959)

Bachianas Brasileiras No. 4 W 264
16 1. Prelúdio (Introdução) 5:18

Ignaz Friedman (1882–1948)

17 Mein gläubiges Herze from Cantata BWV 68 3:37

BACH 333
Wilhelm Kempff (1895–1991)
18 Siciliano from Sonata BWV 1031 4:13
19 Befiehl du deine Wege BWV 727 2:11

Michael Finnissy (*1946)

20 Joh. Seb. Bach 3:38
145
 Judith Weir (*1954)
21 Roll off the Ragged Rocks of Sin from Cantata BWV 132 3:54

Andrew Toovey (*1962)

22 Cantus Firmus 1:54

Henri Dutilleux (1916–2013)

23 Hommage à Bach No. 5 from Au gré des ondes 3:27
BACH AFTER BACH

Sofia Gubaidulina (*1931)

24 Toccata-Troncata 1:48

Béla Bartók (1881–1945)

25 Hommage à J.S.B. No. 79 from Mikrokosmos Sz 107 (Book 3) 0:55

György Kurtág (*1926)

26 Sonata in E flat major BWV 525: Mvt. 1 2:58
27 Sonatina from Gottes Zeit ist die allerbeste Zeit BWV 106 2:23

Vladimir Ashkenazy [1–3] | Víkingur Ólafsson [4] | Nelson Freire [5/6]

BACH 333

Antony Gray [7/8/10–12/15/20–22] | Gordon Fergus-Thompson [9]

Alicia de Larrocha [13] | Bengt Forsberg [14] | Jorge Luis Prats [16]
Petronel Malan [17] | Evgeny Kissin [18] | Wilhelm Kempff [19]
Robert Levin [23] | Béatrice Rauchs [24] | Zoltán Kocsis [25]
146 Márta Kurtág | György Kurtág [26/27]
Recordings: Berlin, Teldec Studios, 12/2000 [1–3]; Reykjavik, Harpa Concert Hall,
4/2018 [4]; Hamburg, Friedrich-Ebert-Halle, 8/2015 [5/6], 7/1997 [25]; Sydney,
Eugene Goossens Hall of the Australian Broadcasting Corporation’s Ultimo Centre,
2003/4 [7/8/10/11/20–22]; United Kingdom, Cheam, St Dunstan’s [9]; London,
Kilburn, St Augustine’s Church, 9/2012 [12/15]; London, Kingsway Hall, 6/1977 [13];
München, Residenz, Herkulessaal, 8/2005 [14]; Spain, Zaragoza, Auditorio, Sala
Mozart, 3/2011 (live) [16]; USA, Nicasio, Skywalker Sound, 1/2001 [17]; München,

BACH AFTER BACH

Bavaria Musikstudios, 12/1990 [18]; Hannover, Beethovensaal, 4/1975 [19];
Lugano, Auditorio Radio Svizzera, 12/2008 [23];
France, Metz, Arsenal, 7/1995 [24]; Wien, Konzerthaus, Mozart-Saal, 7/1996 [26/27]
Producers: Andrew Cornall [1–3]; Christopher Tarnow [4]; Dominic Fyfe [5/6/16];
Alexander Waugh [9]; James Walker [13]; Sid McLauchlan [14]; Victor Ledin [17];
Werner Mayer [18]; Rudolf Werner [19]; Manfred Eicher [23/26/27]; Katja Bajenova
[24]; Wilhelm Hellweg [25]
Balance Engineers: Philip Siney [1–3/16]; Christopher Tarnow [4]; Jonathan Stokes
[5/6]; Martin Haskell [9]; Colin Moorfoot [13]; Andrew Wedman [14]; Leslie Ann Jones
[17]; Günter Hermanns [18]; Klaus Scheibe [19]; Markus Heiland [23]; Laurent
Watgen [24]; Jean-Marie Geijsen [25]; Stephan Schellmann [26/27]
! 2002 [1–3] / 2016 [5/6] / 1978 [13] / 2011 [16] Decca Music Group Limited
! 2018 [4] / 2006 [14] / 1993 [18] / 1976 [19] Deutsche Grammophon GmbH, Berlin

BACH 333
! 2012 Australian Broadcasting Corporation [7/8/10–12/15/20–22]
! 1991 ASV Ltd. [9]
! 2003 hänssler Classic [17]
! 2010 ECM Records GmbH [23]
! 1997 BIS Records AB [24]
! 1999 Universal International Music B.V. [25]
! 1997 ECM Records GmbH [26/27] 147
 CD 221 82:34
Bach à la Jazz

1 Improvisation on 1st movement of Concerto for 2 Violins BWV 1043 3:27

Eddie South | Stéphane Grappelli violins
Django Reinhardt guitar

2 Invention in A minor BWV 784 2:12

Hazel Scott piano

3 Get Off My Bach 2:41

George Shearing Quintet | George Shearing piano
BACH AFTER BACH

Al McKibbon bass | Bill Clark drums| Cal Tjader vibraphone

4 Prelude in C minor BWV 847 4:20

Jacques Loussier Trio
Jacques Loussier piano
Pierre Michelot double bass | Christian Garros drums

5 Bach to Swing 3:29

Claude Bolling Trio | Claude Bolling piano

Alec Templeton (1909–1963)

6 Bach Goes to Town 2:32
BACH 333

George Malcolm harpsichord

7 Bach to the Blues (after Wachet auf BWV 645) 2:34

Ramsey Lewis Trio | Ramsey Lewis piano
Isaac “Red” Holt drums | Eldee Young bass

148
8 Praeambulum (from Partita No. 5 BWV 829, arr. Ward Swingle) 2:26
The Swingle Singers
Guy Pedersen double bass | Gus Wallez drums

9 Ricercar a 6 from Musical Offering BWV 1079 (arr. John Lewis) 6:31
The Modern Jazz Quartet | The Swingle Singers

10 Aria (Air) from Orchestral Suite No. 3 BWV 1068 3:28

Jacques Loussier Trio (as track 4)

BACH AFTER BACH

11 Valse (based on a theme by Bach) 5:51
Bill Evans Trio with Symphony Orchestra
Claus Ogerman arranger, conductor

12 The Blues for Johann Sebastian 3:37

Lalo Schifrin piano & conductor
13 Allemande in A major 4:16
Siegfried Schwab guitar
Jürgen Ehlers double bass | Tom Holm drums

14 Fugue Tune 4:27

BACH 333
Oliver Nelson arranger, conductor
Hank Jones electric harpsichord

15 Back to Bach 3:34

Stan Getz saxophone | Christiane Legrand vocals
Michel Legrand composer, arranger
149
 16 Come Bach to Me 4:30
Rhoda Scott jazz organ | Félix Simitaine drums

17 Fugue No. 4 “A Little Slam in Diamonds” 5:05

John Lewis piano | Joel Lester violin | Lois Martin viola
Howard Collins guitar | Marc Johnson double bass

18 The Bach Suite: Andante 3:32

Oscar Peterson piano
BACH AFTER BACH

19 Sicilienne from Sonata BWV 1031 4:30

Toots Thielemans harmonica | Kenny Werner string arranger, piano

20 Air from Orchestral Suite No. 3 BWV 1068 4:58

Till Brönner trumpet | Frank Kuruc guitar | Roberto Di Gioia piano
Timothy Lefebvre bass | Martijn Vink drums
Bruce Dukov | Tami Hatwan | Radu Pieptea | Yelena Yegoryan
Marina Manukian | Neel Hammond violins
Shawn Mann | Kate Reddish | Brett Banducci violas
Vanessa Freebairn-Smith cello
Rhythm Arrangement by Till Brönner and Jens Winther
BACH 333

Strings arranged and conducted by Chris Walden

21 Chaconne from Partita BWV 1004 4:32

Naoko Terai violin | Naoki Kitajima piano
Kunio Tanaami double bass | Go Nakazawa drums

150
Recordings: Paris, Swing, 11/1937 [1]; New York, 12/1940 [2]; Los Angeles,
3/1954 [3], 11/1971; Paris, 1959 [4], 1961 [5], 1968 [8], 1966 [9], 1960 [10];
London, West Hampstead, Decca Studios, 3/1960 [6]; Chicago, Ter-Mar Studios,

BACH AFTER BACH

1/1964 [7]; New Jersey, Englewood Cliffs, Van Gelder Studio, 10 & 12/1965 [11];
4/1966 [12]; München, 3/1967 [13]; USA [14]; New York City, Rutgers Presbyterian
Church, 1/1984 & 10/1985 [17]; Los Angeles, Westwood Playhouse, 11/1986 (live)
[18]; Belgium, Biblo, Kalmthout, 6/2001 [19]; Berlin, Planet Roc Studios and Till’s
Studio / Hollywood, Capitol Studio A (strings), 2010 [20]; Japan, 12/2010 [21]
Producers: James Walker [6]; Esmond Edwards [7]; Pierre Fatosme [9]; Creed Taylor
[11/12]; Horst Hartmann [13]; George Douglas [14]; Stan Getz [15]; Raoul Saint-Yves
[16]; John Lewis, Kiyoshi Koyama [17]; Oscar Peterson [18]; Dirk Godts, Veerle Van
De Poel [19]; Andreas Herbig, Henrik Menzel [20]; Naoko Terai [21]
Balance Engineers: Alan Reeve [6]; Rudy van Gelder [11/12];
Daniel Léon [19]; Arne Schumann [20]; Tomoo Suzuki [21]
! 1938 Swing / Saga SARL [1] · ! 1940 [2] / 1954 [3] / 1964 [7] UMG Recordings, Inc.
! 1959 [4] / 1961 [5] / 1964 [8] / 1966 [9] / 1960 [10] / 1971 [16] Decca Records

BACH 333
France · ! 1961 Decca Music Group Limited [6] · ! 1966 Polydor Inc. [11]
! 1966 Verve Label Group, a Division of UMG Recordings, Inc. [11/12]
! 1967 Universal Music Classics & Jazz, a division of Universal Music GmbH [13]
! 1966 [14] / 1972 [15] The Verve Music Group, a Division of UMG Recordings, Inc.
! 1986 Universal Music LLC [17] · ! 1990 Pablo Records [18]
! 2001 Universal Music B. V. [19] · ! 2010 Till Brönner [20]
! 2011 EMI Music Japan Inc. [21]
151
 CD 222 76:55
New Colours of Bach

1 Prelude and Fugue in C major 4:31

András Schiff piano | Ulrich Schnauss keyboards, synthesizer, programming

2 1.3 Courante from Cello Suite No. 1 BWV 1007 2:27

Peter Gregson solo cello & synthesizers | Richard Harwood
Reinoud Ford | Tim Lowe | Ben Chappell | Katherine Jenkinson cellos

3 Fugue in G major from BWV 550 3:17

Amsterdam Loeki Stardust Quartet
BACH AFTER BACH

4 Air from Orchestral Suite No. 3 BWV 1068 3:48

Anne-Sophie Mutter violin & director | Trondheim Soloists

5 Menuet II from French Suite No. 1 BWV 812 1:41

Francesco Tristano piano

Elena Kats-Chernin (*1957)

6 Re-invention No. 1 after Inventio 8 BWV 779 4:23
Genevieve Lacey descant recorder | Flinders Quartet

7 Herzlich tut mich verlangen BWV 727 2:37

Håkan Hardenberger trumpet | Simon Preston organ
BACH 333

8 Badinerie from Orchestral Suite No. 2 BWV 1067 2:46

Benny Anderssons Orkester (live recording)

9 Erbarme dich, mein Gott from St Matthew Passion BWV 244 6:07
Nigel Kennedy violin | Albrecht Mayer oboe | Sinfonia Varsovia
152
10 Above and Below, B minor (after Bach / Siloti BWV 855) 2:58
Peter Gregson cello & synthesizers | Víkingur Ólafsson piano

11 Prelude and Fugue in E minor BWV 855 (arr. Olivier Fourès) 2:59
Daniel Hope violin | Juan Lucas Aisemberg viola | Christiane Starke cello

12 Duett No. 1 in E minor BWV 802 2:03

Francesco Tristano piano

BACH AFTER BACH

13 Courante from Cello Suite No. 3 BWV 1009 (arr. Celedonio Romero) 2:41
Pepe Romero guitar

14 5.5 Gavotte from Cello Suite No. 5 BWV 1011 3:08

Peter Gregson solo cello & synthsesizers | cellos as track 2

15 Esurientes implevit bonis from Magnificat BWV 243 (arr. A. Tarkmann) 2:49
Albrecht Mayer cor anglais | Sinfonia Varsovia

16 Widerstehe doch der Sünde BWV 54 (arr. Ólafsson) 4:26

Víkingur Ólafsson piano

17 Sonatina from Cantata BWV 106 (arr. György Kurtág)

BACH 333
Víkingur Ólafsson | Halla Oddný Magnúsdóttir piano

18 Courante from Cello Suite No. 4 BWV 1010 3:04

Nobuko Imai viola

153
 19 4.3 Courante from Cello Suite No. 4 BWV 1010 2:02
Peter Gregson solo cello & synthesizers | cellos as track 2

20 Fugue in A flat major BWV 886 from The Well-Tempered Clavier, Book II 2:15
Arrangement in B flat by Emanuel Aloys Förster (1748–1823)
Emerson String Quartet

21 Fugue in G minor “The Little” BWV 578 (arr. Ronald Romm) 3:25
Canadian Brass
BACH AFTER BACH

22 Aria from Goldberg Variations BWV 988 3:33

Catrin Finch harp

23 Andante from Flute Sonata No. 5 BWV 1034 3:19

Avi Avital mandolin | Ophira Zakai theorbo
Ira Givol cello | Shalev Ad-El harpsichord

24 1.6 Gigue from Cello Suite No. 1 BWV 1007 2:00

Peter Gregson solo cello & synthesizers | cellos as track 2

25 Contrapunctus 1 from The Art of Fugue BWV 1080 4:36

Richard Galliano accordion
BACH 333

154
Recordings: London, 1984/2016 [1]; Air Studios, Lyndhurst Hall, 2–3/2018
[2/14/19/24]; 5/2018 [10]; Abbey Road Studios, 3/1987 [3]; Hamburg, Friedrich-
Ebert-Halle, 2/2007 [4]; Berlin, Teldex Studio [5/12]; Melbourne, Iwaki Auditorium of
the Australian Broadcasting Corporation’s Southbank Centre, 8/2008 [6]; Denmark,
Sorø, Klosterkirke, 6/1991 [7]; Sweden, Örebro/Leksand, 8/2005 (live) [8]; Witold
Lutosławski Concert Studio of Polish Radio, 3/2003 [9/15]; Berlin, Funkhaus
Nalepastrasse, Saal 1, 6–7/2012 [11], 10/2011 [23]; Reykjavik, Harpa Concert Hall,
4/2018 [10/16/17]; California, Mission San Luis Rey, 1/1998 [13]; Switzerland, La
Chaux-de-Fonds, Salle de Musique, 1/1999 [18]; New York City, American Academy

BACH AFTER BACH

and Institute of Arts and Letters, 12/2007 [20]; Toronto, Church of St. Mary
Magdalene, 8/1990 [21]; Wales, Cardiff, Acapela Arts Complex, 3/2008 [22]; Paris,
Notre Dame du Liban, 9/2009 [25]
Producers: Michael Haas [1/3]; Peter Gregson, Laurie Anderson [2/14/19/24];
Reinhild Schmidt [4]; Moritz von Oswald [5/12]; Stephen Snelleman [6]; Martha de
Francisco [7]; Benny Andersson [8]; Peter Gregson [10]; Andreas Neubronner [11];
Wilhelm Hellweg [13]; Christopher Tarnow [16/17]; Ursula Singer [18]; Da-Hong
Seetoo [20]; Hein Dekker [21]; Hywel Wigley [22]; Andreas Neubronner [23];
Emmanuel Jolivet, Richard Galliano [25]
Engineers: Adam Miller [2/14/19/24]; John Dunkerley [3]; Dagmar Birwe [4]; Russell
Thomson [6]; Ko Witteveen [7]; Björn Lehnberg [8]; Andrzej Sasin [9/15]; Markus
Heiland [11]; Christopher Tarnow [16/17]; Ursula Singer [18]; Da-Hong Seetoo [20];
Hywel Wigley [22]; Andreas Neubronner [23]; Guillaume Mis [25]

BACH 333
! 2016 Decca, a division of Universal Music Operations Limited [1]
! 2018 [2/10/14/16/17/19/24] / 2008 [4/20] / 2003 [9/15] / 2013 [11] / 2009 [22] /
2012 [23] Deutsche Grammophon GmbH, Berlin · ! 1987 Decca Music Group
Limited [3] · ! 2011 Universal Music Classics & Jazz, a division of Universal Music
GmbH [5/12] · ! 2009 Flinders Quartet [6] · ! 1992 [7] / 1998 [13] / 1999 [18] /
1991 [21] Universal International Music B.V. · ! 2006 Mono Music AB [8] · ! 2010
Decca Records France [25] 155