6

ARTS
QUARTER 2 – MODULE 3-4

 Creates a digital painting similar with the Masters’ (e.g., Van Gogh,
etc.) in terms of style, theme, etc.
PART I

A. INTRODUCTION

Digital painting is the process of painting on a tablet and creating artwork digitally on a computer.
Just like a traditional painting, it is done through computer painting software that uses brushes.
Digital painting is an emerging art form in which traditional painting techniques such as water color,
oils, acrylic paints, etc. are applied using digital tools by means of a computer, graphic tablet and stylus, and
software. Traditional painting is painting with a physical medium as opposed to a more modern style like
digital. Digital painting differs from other forms of digital art, particularly computer-generated art, in which
does not involve the computer rendering from a model. The artist uses painting techniques to create the
digital painting directly on the computer.

B. DISCUSSION

What are artists’ brushes?

Many of the brush techniques and styles of painting that, you have read or heard about is now
possible to do in the Artists’ Brushes menu. With the Artists Brushes, imitating the behavior and appearance
of traditional materials, such as oil or watercolor paint, is very close to real painting.
There are several kinds of brushes that your Brush Selector in the Artists’ Brushes provides. The types of
brush (Flat, Camel Hair, Bristle, Water color Bristle, etc.) and style (Van Gogh, Seurat, Monet,
Impressionist, and Pointillist Brushes, etc.), for example, are some of the more popular choices. The aim of
these brushes is to help you paint in the style of their namesakes. Here are some of the brushes that illustrate
the range of Artists’ Brushes:

 Impasto- This brush technique uses

paint so thick that it achieves a king of
three dimensional quality (best output).
Impasto has been used by many master
artists, such as Van Gogh and
Rembrandt.

Figure 1: STARRY NIGHT by Van Gogh

 Splattering- This technique is about the

application of paint onto a surface by flicking,
dripping, or whisking the paint from a brush. It is
used to show the presence of small particles like
smoke, blizzard, or sea spray- or expressive and
abstract, adding energy and variety to a flat or
bare area. Spattering recalls the style of “action
painter” Jackson Pollock who among other
technique, used spattering to apply paint on his
canvases.

• Figure 2: Splatter Art by Jackson Pollock

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 Pointilization- is the digital process of rendering a
figure or shape in dots or small brushstrokes of
color. This technique refers back to late 19th
century Pointillism, a modern art style identified
with the work of George Seurat. The Pointillist
Brush allows you to mix color optically. It
provides you those popular dots of color.

Figure 3: LA PARADE DE CIRQUE

1889 by George Seurat

 Hard-Edge- painters gained prominence

because they placed importance on the
crisp, precise edges of the shapes in their
paintings. Their works contain smooth
surfaces, hard edges, pure colors (low
opacity), and simple geometric shapes.
Thin or wide lines can be created to help
define shapes and set off the colors. They
are also done with great precision. A
famous hard- edge painter is Frank Stella
on his Abgatana
III (1968) Figure 4: ABGATANA III 1968
By Frank Stella

 Impressionist- the Impressionist Brush

imitates the style of painting of late 19th-early
20th century Impressionism. The
Impressionist’s paint was dabbed on the
canvas to create interesting effects of light and
color. Go to the Impressionist Brush in the
Brush Selector to form a new Dab type. The
paint can either be applied in dabbing motion
or brushed. The exact positioning of
the dabbed
brushstrokes is sometimes hit and miss. With
Figure 5: LUNCHEON OF THE BOATING patience, you can make it work for you.
PARTY 1881 by Pierre-Auguste Renoir

 Palette Knife- The key point in this brush

technique is that the Palette Knife does not
add color, it just smears the colors that are
already present, including any background
color. The Palette Knife variant is selected
in the Brush tool bar. Load a new brush full
of clean paint without mixing each time
you apply paint using the Palette Knife
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technique. Figure 5: Palette knife digital painting

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What are layers in digital painting?

One of the wonders of using computer software’s is the ability to

work in Layers. Each layer in your software document is a separate
image that you edit apart from any other layer.

Figure 6: Layers of Digital painting

C. READINGS

How to Make Your Digital Painting

1. Open MS Paint on your Tablet PC. The first few tools at the top are your selection tools. With these tools,
you can select part of your image independently. The square tool will define for you an area- your virtual
canvas- where you can work.

2. Using your digital pen, draw out your outlines. Indicate your foreground, middle ground, and background
shapes. You can also select the character of your line switching from brush, to pen, to pencil, or airbrush in a
second. The pencil lines should touch the edge of your rectangle or virtual canvas. If the line does not touch
the edge, it will allow other colors to bleed into that shape.

3. Then, use the paint bucket tool to dump color into large areas. Use the color pattern and colored textures
in the toolbox for added effect. Add lighter colors for highlights and darker colors for shadowing. The
texture of the “fill-ins” and background can be chosen too. Use the Eraser tool if you must.

4. Create virtual brush strokes. Change the brush to blend in the effects under the paintbrush tool. If needed,
change the size and shape of the paintbrush as well. Observe how the colors are blended and what parts of
the work are being manipulated. The more you blend the colors, the more the work would look as if it were
painted by hand. You may also enlarge the size of the painting.

5. Work in layers. Once you have selected a portion of the image, copy and paste it over on the left side of
the screen. At the bottom, you will find the layers panel. When you copy and paste a selection, it will
automatically create a new layer above the background layer. As you add more layers, the ones that are
higher in the layer order will be on top of your image. You can change this order by simply dragging the
layers up and down.

6. Use the Artists’ Brushes. Switch to Artists’ Brushes should you like to create a digital painting similar
with anyone of the Masters (Impressionist, Seuratt, Van Gogh, etc.) in terms of style or theme. Learn from
these masters to build a sense of the world outside of your own.
7. Print the completed painting. Finally, when you are satisfied with your painting, a paper printout, suitable
for reproduction, can be obtained. Use only small amounts of glue to mat your work, so it would not soak
through the paper. Display your work in an art exhibit. Post it online as well. Appreciate any feedbacks that
you receive from your friends and family. They could provide you with ideas that will enable you to make
better decisions.

Switch to Artist’s Brushes should you like to create a digital painting similar with anyone of the
Masters (Impressionist, Seurat, Van Gogh, Warhol, etc.) in terms of style and theme. For example, research
on the painting techniques of Andy Warhol, you will find out that Warhol is famous for his repeated images,
a familiar scene in today’s world of mass reproduction- soup can after soup can, row after row. Uniform,
accurate, and few variations in the use of shapes and color also characterize Warhol’s style. Learn from
these masters to build a sense of the world outside of your own.

D. EXAMPLES

Famous Artworks

Figure 7: The Scream Figure 8: Four Sunflowers Gone to Seed

PART II

A. Directions: Find and lope the words from the grid.

S G R A P H I C T I O
O D F A I M A G E G C
R P S S R D B G U H O
I I A O L K E I J F L
G K D I G I T A L S O
I L F G N W E S D Y R
N C S V Q T O R T U F
A X K N F A I Q P H U
L Z E I Y P E N C I L
I T T M U S A D G J K
T R C F Z V D E W F L
Y E H C R E A T I V E

Digital painting pencil creative graphic Sketch

colorful originality image idea

B. Directions: DIGI-GET MY FEELINGS!!!

Today, technology allows you the means to experiment beyond the alphabet. Try your hand
doing all or any of the following activities with your computer. Read the criteria on the Rubrics as
your guide.

1. Look for a photograph of any finished portrait painting.

2. Copy and paste your source photo nine times.

3. Use the computer and software to manipulate and make each image different from each other.
For example: change the original colors (Brush tool) of each one.

4. Make the face of your first image yellow, the second image pink, and the third image in black
and white.

5. Stretch your imagination further by sharpening the contrast (Dodge or Burn tool) between
colors, placing it on another background (Move tool), or zooming in (Zoom tool) on a part to
put a third eye or color the image’s lips alone.

6. Arrange them in a series.

 C. Directions: Look at the pictures below. Put a check (√) in the column according to your
preference.

YES NO
1. Do you see the difference between traditional and digital art?
2. Is digital art more vibrant than traditional art?
3. Do you find work done not with real brushes, but with the computer remarkable?
4. Do you like traditional art better than digital art?
5. If you were to create an art, would you choose digital art than traditional one?
KEY TO CORRECTION

A. Directions: Find and loop the words from the grid.

S G R A P H I C T I O
O D F A I M A G E G C
R P S S R D B G U H O
I I A O L K E I J F L
G K D I G I T A L S O
I L F G N W E S D Y R
N C S V Q T O R T U F
A X K N F A I Q P H U
L Z E I Y P E N C I L
I T T M U S A D G J K
T R C F Z V D E W F L
Y E H C R E A T I V E

B. Directions: DIGI-GET MY FEELINGS!!!

Rubric

Criteria Advanced Proficient Approaching Developing Beginning

Proficiency
(5) (4) (3) (2) (1)
Design Can apply design Can apply design Can apply design Can apply design Can barely
elements (lines, elements (lines, elements (lines, elements (lines, apply design
shapes, color and shapes, color and shapes, color and shapes, color elements (lines,
texture) and texture) and texture) and and texture) and shapes, color
principles principles principles principles and texture)
(emphasis or (emphasis or (emphasis or (emphasis or and principles
contrast) with contrast) with great contrast) with fair contrast) but had (emphasis or
excellent level skill skill some difficulty contrast) in the
digital painting
Creativity Can show excellent Can show great Can show good Some parts of The drawing
attention to detail. attention to detail. attention to detail. the drawings barely shows
The ideas/ The ideas/ Imaginative touches shows signs of imagination.
materials/ methods materials/ methods are scattered imagination and Can show little
are highly visible in are nearly throughout the can show attention on
arranging details mastered in project. The capability of arranging
and combination of arranging details designs and arranging creative
creative designs. and combination of combinations creative designs designs and
creative designs. creative designs are and minute details.
fairly arranged. details.
Originality Can show Can show Can show originality Can fairly show Barely shows
originality in his/ originality in his/ in his/ her drawing originality in his originality in his
her drawing her drawing through visual and or her drawing or her drawing.
through visual and through visual and communicative but can visualize
communicative communicative meaning are visible creative design
meaning of design meaning are nearly
are highly visible. visible

C. Directions: Look at the pictures below. Put a check (√) in the column according to your preference.
Answers may vary/Teachers Discretion
PART III
7
SUMMATIVE EVALUATION

A. Direction: Rearrange the jumbled letters.

1. STAPTEIRNG - This technique is about the application of paint onto a surface by

flicking, dripping, or whisking the paint from a brush.
2. HRAD – EDGE - painters gained prominence because they placed importance on the
crisp, precise edges of the shapes in their paintings.
3. PLAETTE KINFE - The key point in this brush technique is that the Palette Knife does
not add color, it just smears the colors that are already present,
including any background color.
4. PINOLAZITIOITN- the digital process of rendering a figure or shape in dots or small
brushstrokes of color.
5. IPERMSOISIT - imitates the style of painting of late 19th-early 20th century
Impressionism.
6. IPMSATO - This brush technique uses paint so thick that it achieves a king of three
dimensional quality.
7. PINOLAZITIOITN BURHS - allows you to mix color optically. It provides you those
popular dots of color.
8. VNA GGOH – he’s famous painting “Starry Night”
9. ATRSITS BURSEHS - imitating the behavior and appearance of traditional materials,
such as oil or watercolor paint, is very close to real painting.
10. GOREGE SUEART – he’s famous painting “LA PARADE DE CIRQUE 1889”.

B. Directions: MODIFIED TRUE or FALSE. Write T if the statement is correct and if it is false, write the
correct answer on the space provided before the number.

1. . Work in pair. Once you have selected a portion of the image, copy and paste it over on the left
side of the screen.

2. Create virtual brushstrokes. Change the brush to blend in the effects under the paintbrush tool.
If needed, change the size and shape of the paintbrush as well.

3. Open Gimp (Open Source) for Tablet PC. Any version of the program will provide you with
a keyboard on the left-hand side of the screen.

4. Use the Artists’ Brushes. Switch to Artists’ Brushes should you like to create a digital painting
similar with anyone of the Masters (Impressionist, Seuratt, Van Gogh, etc.) in terms of color and
texture.

5. Using your digital pen, draw out your outlines. Indicate your foreground, middle ground, and
background shapes.
 C. Directions: Make your own digital painting then print the completed painting. Use a long
coupon bond as you layout size. Scoring Rubric will be the basis for evaluation.

RUBRIC FOR DIGITAL PAINTING

CRITERIA 1 2 3 4 5 TOTAL
ILLUSTRATIO Illustratio One of the Few of the Most of the All of the
NS/ ns/graphi illustration/ illustrations/ illustrations illustrations/
GRAPHICS cs are not graphic is graphics are /graphics graphics are
clear and clear and clear and are clear clear and
messy neat neat and neat neat.
CREATIVITY Does not Contains a Contains a Contains a Contains
contain little few creative more many
of evidence of ideas in creative creative ideas
creativity creativity his/her ideas in in his/her
painting his/her painting
painting
ATTRACTIVE The The poster The poster The poster The poster is
NESS poster is is is nearly is attractive neat, very
messy acceptably attractive and neat attractive and
and very attractive and needs has an
poorly but a bit improvemen excellent
designed. messy t design.

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REFERENCES

A. Books

Quintinio, Ligaya Bautista Garcia. et.al. 2016. The 21st Century MAPEH in ACTION 6. 856
Nicanor Reyes Sr. St., Sampaloc Manila, Philippines. Rex Bookstore, Inc.

B. Online Source

https://i.pinimg.com/originals/87/ea/91/87ea91d804c4340c6a6520693e037501.jpg

https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/efe01ace-f7b1-436a-8177-
71678ae66111/d6tzbgy-b87a49aa-2965-4334-a3c1- cb1a2e6374a4.jpg?
token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBw
OiIsImlzcyI6InVybjphcHA6Iiwib2JqIjpbW3sicGF0aCI6IlwvZlwvZWZlMDFhY2UtZjdiMS00Mz
ZhLTgxNzctNzE2NzhhZTY2MTExXC9kNnR6Ymd5LWI4N2E0OWFhLTI5NjUtNDMzNC1hM
2MxLWNiMWEyZTYzNzRhNC5qcGcifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6ZmlsZS5kb3du
bG9hZCJdfQ.zn7IFZTUPJ8hQiblzDwyFpQAOTQY5yxo6orreRRqIZk

https://1.bp.blogspot.com/-
roV2vMxAvf4/XEHaGtRiW4I/AAAAAAAAI9M/iqjUFVc_Sk4qI1uD_heXq77nDwu7VtxWwCL
cBGAs/s1600/Stella%2BAllen.jpg

https://i.pinimg.com/736x/92/d9/ca/92d9ca708ec3a17c185ef9e895c44c9a.jpg

https://i.ytimg.com/vi/YUxWQGZx09U/maxresdefault.jpg