Logo Use & Identity Application Guidelines
Logo Use & Identity Application Guidelines
IDENTITY APPLICATION
GUIDELINES
Consistent and proper use of the International Year of Light (IYL) logo can aid
LOGO USE &
us all as partners in the effort to promote the importance of light and light-
IDENTITY APPLICATION based technologies to the citizens of the world. The following guidelines have Table of
GUIDELINES been developed to increase awareness through consistency. Contents
Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12-13
Web Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
– Paul Rand
Design Examples . . . . . . . . . . . . . . . . . . . . . . . . . 16-17
Consistent and proper use of the International Year of Light (IYL) logo can aid
us all as partners in the effort to promote the importance of light and light-
based technologies to the citizens of the world. The following guidelines have
been developed to increase awareness through consistency.
Identity This booklet contains a set of guidelines that are meant to act as tools to help
guide design direction, look and feel. These guidelines provide a basis, but are not
The primary logo colors are an important part of the logo as they represent the full spectrum
of color in light. Though print methods and screen renderings will have variences, the below
Guidelines necessarily intended to be the only design solutions available. They are not meant Color color builds are meant to serve as a guide for color consistency. The additional identity colors
Overview to stifle creativity but to provide identity standards, consistency and quality control. Palette and craft paper texture complete the set of colors for the IYL design identity.
Feel is experiential
c73 m48 y18 k1
PMS: 647 HTML: 537aa4
and emotional.”
c94 m87 y36 k29
PMS: 289 HTML: 28315b
is so distinctive.” Off-White
C0-M1-Y8-K1
PMS: 111 @ 10%
Black
C0-M0-Y0-K100
PMS: Pantone Black
Craft Paper
Texture
4 5
The essential element of the International Year of Light Visual Identity, the Logo is to be The symbolism contained within the logo symbol is not meant to serve as definition of purpose,
Logo used and visibly recognizable on all media—including print, digital, and environmental. Logo nor is it a fully comprehensive set of defined aspects. Rather, the symbol as a whole is intended to create
When the opportunity to apply the visual identity is limited to one element, this is it! Symbolism a general sense of the initiative through one simple visual, made up of representational parts.
*white
*off-white
6 7
Consistent and proper use of the logo can aid us all as partners in the effort to promote the
Please consider the following guidelines in logo application. Whenever possible, the importance of light and light-based technologies to the citizens of the world. The following
Logo/Wordmark wordmark and symbol lock-up should remain intact. Only under rare and special Improper Use & guidelines have been developed to increase awareness through consistency. Addressing the most
Placement & Spacing circumstances should isolated use of the wordmark be utilized. Abuse of Logo common misuses (but not all), these rules apply to both vertical and horizontal logo versions.
Do not change colors Do not rotate or Do not change font, type case, Do not drop the year ‘2015’ Do not create
adjust the symbol or text orientation logo in gray
Isolated Word Mark (used only under rare and special circumstances) Do not change Do not adjust Do not stretch or Do not create Do not create bevels,
orientation proportions squish the logo a dropshadow or other visual elements
FOR LIGHT-BASED
TECHNOLOGY
Do not use full color logo Do not use full color Do not create a lock-up
on a colored background logo on a photo Do not crop the logo Do not ad a tag line with another logo
8 9
Typography is an essential part of the International Year of Light Brand Identity. The International Year of Light official fonts listed below are free to download.
Typography Type plays a very up-front role, and along with color, is commonly the only visual Typography (Bemio) http://www.losttype.com/font/?name=bemio
element of design within a given contextual setting. (Quicksand) http://www.fontsquirrel.com/fonts/quicksand
A completely unique
Primary Type Face #1 : Bemio Regular Primary Type Face #2 : Quicksand Bold & Book
- primarily used in titles and headlines - primary body copy font
VvWwXxYyZz VvWwXxYyZz
recognition is created that
0123456789
Bold Weight Book Weight
Secondary Type Face: Calibri Regular & Calibri Light (used sparingly)
- not to be used as replacement for primary type faces #1 or #2 - used only for web implementation of body copy
- can be used for items such as subtitles or in “fine print” - never used in headlines, titles, or as a primary font
10 11
Photographic content will and should be very diverse. A unique color overlay application
Photography must be appropriate and supportive of the content message. There
has been created for photography. Using colors contained within the IYL logo, this color
Photography must be good reason to use photography—it is not to be used solely to fill space. Photography treatment will evoke the idea of light through color. Additionally it will produce a consistent
It can be used as the main focal point, a featured element or as a background. Use Examples look and feel of the photographic visual identity for the International Year of Light.
*figure a.
Color Overlay
© Eric Lafforgue
and use photography that Full Color before
color application
Red-Orange color overlay
30% opacity & 45˚ angle
Green-Orange color overlay
30% opacity & 45˚ angle
Red-Blue color overlay
30% opacity & 45˚ angle
and adds an element of As featured focal point As visual support, sharing focus As supportive background
F U T U R E
L I G H T
T E C H N O L O G Y
12 13
The website example below is to serve as a guide to illustrate the use of
Imagery & Illustration style Website Design different identity design elements. When the established family of visual
elements are utilized they create a consistent look and feel.
Item 01
Aa 50,000
Bb 45,000 ABOUT UNESCO THE MISSION CONTACT US
125,000
Item 03
that is executed
Dd Home About Events Science Stories Education Gallery Join In Press
Item 04 Ee 100,000
Item 05
Ff 75,000 consistently across The Global
Mission
110,000
all touchpoints
A GLOBAL INITIATIVE
Gg TO THE CITIZENS OF THE
WORLD HIGHLIGHTING THE
IMPORTANCE OF LIGHT AND
OPTICAL TECHNOLOGIES IN
produces a visual
THEIR LIVES AND FOR THE
DEVELOPMENT
OF SOCIETY
learn more
Responding to the needs of Humankind
language that
Icons, Line Art & Illustration – Flattened Style
Enter Now View Slideshow
Keynote
Speech
is universally
Light years – From Fire to Large Hadron
Colliders.Aquunt la de volenimendae consequ
PHOTO iatquatatem enimuscil ilignihic to il enime
COMPETITION
voluptas nis ra dundebit, seque este porum EDUCATIONAL
enducil lupiento tempostiunt imo di dolum
NOW OPEN SLIDE SHOWS
understood.
learn more
14 15
Examples Below is a set of mock sample materials to Examples
& Sample help guide and inspire professional designers & Sample
Materials in execution and application. Materials
Thomas Edison’s
Contribution
Global
Afiliate
1000 20th Street TEL: +1(360)676-3290
Bellingham WA FAX: +1(360)676-3290
98225 USA
S C I E N C E O F
L I G H T
F U T U R E T E C H N O L O G Y
16 17
Light-based technologies
directly respond to the
needs of humankind
L I GHT
I N CULTU R E
For more information specifically regarding graphic Contact: Bryan Hintz
standards, or to request logos, design elements, materials, Lead Designer, Marketing
For More or for any questions that may not be covered within this [email protected]
Information booklet, please contact the SPIE Graphics Department. 360 685 5415
John Dudley
[email protected]
www.light2015.org
Krisinda Plenkovich
[email protected]
www.spie.org/iyl