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TC m5000 Appendix

The document provides information on various reverb, delay, chorus, and other effect presets for a digital audio workstation or effects processor. It includes 119 presets across categories like reverb, ambience, phaser, dynamic effects, and more. The preset labeled "TrueRoom" is described as a 34% mix with no input or output gain, 0.5 second decay, low and high cutoffs of 0.61 and 0.47 kHz, initial level of -14 dB, no reverse level, crossover points of 800 and 4000 Hz, hall algorithm shape with a diffusion of 0.25, no pre-delay, no feedback, high cut of 3.15 kHz, attenuation of -31.5 dB

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Erkan Yıldız
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0% found this document useful (0 votes)
101 views38 pages

TC m5000 Appendix

The document provides information on various reverb, delay, chorus, and other effect presets for a digital audio workstation or effects processor. It includes 119 presets across categories like reverb, ambience, phaser, dynamic effects, and more. The preset labeled "TrueRoom" is described as a 34% mix with no input or output gain, 0.5 second decay, low and high cutoffs of 0.61 and 0.47 kHz, initial level of -14 dB, no reverse level, crossover points of 800 and 4000 Hz, hall algorithm shape with a diffusion of 0.25, no pre-delay, no feedback, high cut of 3.15 kHz, attenuation of -31.5 dB

Uploaded by

Erkan Yıldız
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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REVERB-1 36 Perc.

1 Allround for kick, snare and toms REVPITCH

1 Church 1 Very bright long reverb for everything 37 Crisp Deep reverb for full drumkit 70 Wide Stereo spread

2 Church 2 Warm reverb for everything 38 TajMahal Long rolling reverb 71 Wide+Amb Like #70 + ambience

3 480 Hall General purpose bright plate 39 Ambience Natural club sized room acoustics 72 Funky Funky guitar

4 VocalDry Plate for vocal REVERB-3 PITCH-1

5 VocalWet Plate for vocal / everything 40 GM-Hall Warm reverb for various purposes; vocals 73 Slapitch Slap Guitar

6 ManInBox Dry stereo spread environment 41 Ovrmuch2 Effect, replaces old REVERB-1 preset 74 PowerOct Octave below

7 Locker Environment for perc. 42 WoodHall Warm reverb for harpe and guitar 75 Valley Detuned room

8 DryHouse Short bright stereo spread 43 RichVerb Short and bright. Good for almost anything 76 Climb Pitch climbing up

9 WetHouse For vocal / guitar 44 BigBlue2 Warm reverb, replaces old REVERB-1 preset 77 Barbshop Minor 3rd blw, 5th abv.

10 Stage Environment program 45 Locker2 Short reverb with early reflections; vocal, guitar 78 Fifths 5th above and below

11 Rattle Low density program for vocal / inst. 46 5000Hall Bright reverb for general puposes; vocal, drums 79 Octave+ Octave above

12 ShortCut Short percussion reverb 47 SteelPlt Emul. of EMT140 (tube) steelplate. Try also w. pre-delay 80 Chord Major triad chord

13 SlapHall Slapback type rev. for vocal / inst. 48 GoldPlt Emul. of EMT240 goldplate. Try also with pre-delay 81 Horror Spacey pitch

14 Ugly 1 Short mellow room for ie. BD 49 PercVerb Short, general purpose reverb. Percussion and drums 82 Steel Metallic pitch

15 Ugly 2 As 14, but longer 50 KickVerb Very short deep reverb. Kickdrums and Toms. 83 WideBass Chorus for bass

REVERB-2 51 Dense-1 Bright hall without modulation 84 VocalFml Pitch for female vocal

16 WoddFlr Small room NONLIN-1 85 Vocals General vocal pitch

17 StoneWal Small room 52 KitPig1 PITCH-2

18 HardRoom Small room 53 KitPig2 86 Stereo

19 Soft-1 Small room 54 SoBad DELAY-1

20 Soft-2 Small room 55 ShapeIt 87 Straight

21 Water Effect 56 Closet DELAY-2

22 Nuclear Effect 57 Rumble 88 Mod-Echo

23 Tunnel Stereo tunnel effect 58 Reverse 89 Apollo Soundscape

24 Concret1 Concrete room CHORUS-1 90 Shuffle Rhythm delay

25 Concret2 Concrete room 59 The King Delay + stereo spread for vocal / guitar 91 Country For slide/steelguitar

26 BigLead Big guitar concert sound 60 VocDelay Delay + stereo spread for vocal / guitar 92 DlySite Guit. chords and tones

27 AutoPark Large autopark 61 Echoplex Old tape echo with wow and flutter 93 Expand Exp. Stereo image

28 Vocal1 For vocal 62 2Track Double track with stereo spread 94 SoftEnd Mellow guitar delay

29 Vocal2 For vocal 63 SlowMo Slow Chorus 95 ExpDelay Wide chorus delay

30 Vocal3 For vocal 64 Flanger Normal Flanger 96 ChorEcho Chorus on echotail

31 Egg Cups For short percussive sound 65 Hi-Trash Flanger with high pitch feedback 97 Spatial TC 1210 effect

32 PeterGun Good for blending guitars into mix 66 Lo-Trash Flanger with low pitch feedback 98 DelayPan TC 1210 effect

33 Bright Discreet hall, without loosing def. 67 Plain Normal Chorus SAMPLE-1

34 Warm A bright warmth to Brass and sax 68 Seashore Just a feeling 99 Sample Standard sampler

35 Cold Remove harshness from HH & Cymb. 69 Flow Chorus with delay for a slow guitar
AMBIENCE REVCORE2

100 TlfBooth Environmental - Telephone booth 132 InstRoom

101 TileBath Environmental - Bathroom with tiles 133 DarkRoom

102 LongTube Environmental - Sewer tube 134 DarkHall

103 Festival Environmental - Big Rock'n'roll festival 135 PercRoom

104 NextDoor Environmental - The neighbors having a party 136 LiveRoom

105 Garage Environmental 137 Chuch 3

106 Van1 Environmental - frontseat sound '67VWvan 138 WoodRoom

107 Van2 Environmental - luggage compartment with no interior '67VWvan PHASER-1

108 SlugBug Environmental - VolksWagen 139 Phase 1

109 Wreck Environmental - Bad car stereo 140 Trash

110 Studio1 General purpose ambience 141 Sgt.#1

111 Studio2 General purpose ambience 142 Sgt.#2

TAPFAC 143 Deep #1

112 MoneyBox 144 Deep #2

113 Atmosph1 145 Deep #3

114 MultiTap DYNAMIC1

115 BeatBox1 200 1BandCom

116 BeatBox2 201 2BandCom

117 FlamBeat 202 3BandCom

PAREQ 203 TapeSim1

118 ParEq 204 TapeSim2

REVCORE-1 205 Loudness

119 TrueRoom 206 RockLim1

120 HomeRoom 207 Hi-Fi

121 WoodChmb 208 Gain

122 Goldfoil 209 ComPand

123 The Shop 210 EasyExp1

124 Fridge 211 SoftLim

125 COREroom 212 RecComp1

126 DrewRoom 213 CDMaster

127 X&Y Mics TOOLBOX

128 Closet 214 Neutral

129 NewBooth

130 Stage

131 At Home
REVCORE-1 algorithm programs
PAGE 1A 1B 2A 2B 2C 2D 2E 2F 3A 3B 3C 3D 3E 4A 4B 5A 5B 5C 5C

No Name Notes Mix In Out Decay xLow xHigh InitLev RevLev Lm-Xovr Mh-Xovr Shape Xsize PreDly RevFeed Hicut Att Spread Difftyp R-Width

# 8 CHAR. % dB dB s dB dB Hz Hz x ms ms Hz dB %

119 TrueRoom 34 0 0 0.5 0.61 0.47 -14 0 800 4 Hall 0.25 0 0 3.15 -31.5 1 1 100

120 HomeRoom 24 0 0 0.7 0.92 0.75 -10.5 0 125 3.15 Prism 0.4 0 0 4 -31.5 1 1 100

121 WoodChmb 39 0 0 1.4 0.7 0.77 -10.5 0 100 3.15 Fan 0.4 7.3 0 2.5 -23 1 1 63

122 Goldfoil 36 0 0 2.2 1.09 1.18 off 0 315 10 Fan 0.4 7.3 0 8 -23 1 1 100

123 The Shop 31 0 0 2.2 0.59 0.33 -4.5 0 1.25 2.5 H.shoe 0.25 41.5 0 4 -10.5 1 1 100

124 Fridge 33 0 0 0.4 0.83 0.27 -11.5 0 800 3.15 Prism 0.4 0 0 4 -31.5 1 1 84

125 COREroom 38 0 0 0.4 0.79 0.64 -11 0 500 5 Small 0.5 0 0 1.6 -25 1 1 100

126 DrewRoom 44 0 0 0.9 0.01 0.57 -8 0 32 3.15 Small 0.5 0 0 4 -14 1 1 93

127 X&Y Mics 27 0 0 0.3 0.59 0.07 -5 0 250 1.6 H.shoe 0.125 0 0 Flat -37.5 1 1 100

128 Closet 39 0 0 0.4 0.88 0.13 -7.5 0 800 2 Small 0.316 1.1 0 4 -31.5 1 1 84

129 NewBooth 41 0 0 0.5 0.66 0.47 -16 0 500 2 Prism 0.16 0 0 5 -34 1 1 100

130 Stage 34 0 0 2.2 0.82 0.5 -9 0 800 2.5 H.shoe 0.63 19.3 7.1 2.5 -39 1 1 100

131 At Home 37 0 0 0.5 0.59 0.28 -18 0 160 4 Fan 0.316 1.1 0 2.5 -31 1 0 49
REVERB-1 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C 5C
No Name Notes Mix In Out Decay xLow xHigh Diffuse Shape xSize PreDly RevFeed HiCut Att Lo-Xovr Hi-Xovr InitLev RevLev RWidth I-XFeed
# 8 CHAR. % dB dB s x ms ms Hz dB Hz Hz dB dB

1 Church 1 Very bright long reverb for everything 25 0 0 4.2 0.7 0.18 11 fan 1.25 30 0 500 -30 125 8K 0 0 100 on

2 Church 2 Warm reverb for everything 20 0 0 2 1.2 0.6 11 h.shoe 0.63 27 50 3K15 0 315 8K -4 0 100 on

3 480 Hall General purpose bright plate 20 0 0 3.5 1 0.45 13 fan 0.8 30 20 6K3 -1.5 250 8K 0 -2 100 on

4 VocalDry Plate for vocal 30 0 0 0.6 1 0.4 6 hall 0.4 18 15 2K5 -6 250 8K 0 -12.5 75 on

5 VocalWet Plate for vocal / everything 25 0 0 1.2 0.6 0.6 11 h.shoe 0.63 0 50 3K15 -8 500 6K3 -4 0 100 on

6 ManInBox Dry stereo spread environment 40 0 0 0.3 0.2 1.5 6 hall 0.2 20 26 4K -6 250 8K 0 -12 70 on

7 Locker Environment for perc. 25 0 0 0.8 0.9 0.8 6 prism 0.4 4 0 4K -24 3K15 3K15 0 -6 70 on

8 DryHouse Short bright stereo spread 25 0 0 0.5 1 0.4 6 hall 0.63 22 0 6K3 -6 250 8K 0 -10 20 on

9 WetHouse For vocal / guitar 30 0 0 1.4 1 0.4 8 hall 0.63 22 0 6K3 -6 250 8K 0 -10 20 on

10 Stage Environment program 20 0 0 2 1 0.38 7 hall 0.63 22 75 2K5 -20 250 8K 0 0 85 on

11 Rattle Low density program for vocal / inst. 25 0 0 1.4 1 0.4 1 h.shoe 2.5 18 18 4K0 -6 250 8K 0 -10 100 on

12 ShortCut Short percussion reverb 30 0 0 0.3 1 1 6 h.shoe 0.63 7 40 5K -25 250 5K -5 0 70 on

13 SlapHall Slapback type rev. for vocal / inst. 30 0 0 1 1 0.45 6 hall 0.316 120 60 6K3 -6 250 8K 0 0 90 on

14 Ugly 1 Short mellow room for fx. BD 30 0 0 1 0.65 0.45 5 prism 1.25 10 30 800 -30 800 800 0 -3 70 on

15 Ugly 2 As 14, but longer 30 0 0 1 1 0.1 5 hall 1.25 10 30 800 -30 800 8K 0 -3 60 on

Created by Thomas Olesen, Tom Andersen and Ivar Iversen in FEEDBACK Studio 1+2, Aarhus, Denmark.
REVERB-2 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C 5D 6A 6B 6C 6D
No Name Notes Mix In Out Decay xLow xHigh Diffuse Shape Size PreDly Revfeed Hicut Att LoXovr HiXovr InitLev RevLev Rwidth I-XFeed RevDiff BuildUp IAttack IDecay
# 8 CHAR. % dB dB s x x rel x ms mS hz dB hz hz dB dB % % % dB dB

16 WoddFlr Small room 25 0 0 0.6 0.6 1.14 8 prism 1 13.9 7.2 flat 0 200 flat -3 0 100 on 0 12 -3 -3

17 StoneWal Small room 25 0 0 1 0.3 1 5 prism 0.08 50 17 flat 0 1K 8K -0.5 0 63 on 0 0 0 0

18 HardRoom Small room 25 0 0 0.5 0.09 1.16 10 prism 0.08 12 17 flat 0 1K 8K -0.5 0 63 on 0 0 0 0

19 Soft-1 Small room 30 0 0 0.3 1 0.9 1 hall 0.1 0 0 2K -6 250 2K -5 0 80 on 0 0 0 -10

20 Soft-2 Small room 40 0 0 0.5 1 0.9 1 hall 0.1 0 0 2K -6 250 2K -5 0 80 on 0 0 0 -10

21 Water Effect 60 0 0 3.2 2.5 1 16 fan 4 200 13 630 -30 100 125 0 0 100 on 0 0 0 0

22 Nuclear Effect 80 0 0 30 2.5 1 16 h.shoe 4 200 100 500 -30 100 100 -97 0 100 on 0 0 0 0

23 Tunnel Stereo tunnel effect 25 0 0 2.6 1 1 16 prism 4 160 9.4 flat -3 20 3.15K -0.5 0 13 on 0 0 0 -17

24 Concret1 Concrete room 60 0 0 1.9 0.9 2 8 prism 1.6 20 0 2K -5 250 16K 0 -3 100 on 0 38 -6 -6

25 Concret2 Concrete room 30 0 0 1.9 0.9 2 8 prism 1.6 20 0 2K -5 250 16K 0 -2.5 100 on 0 38 -6 -6

26 BigLead Big guitar concert sound 35 0 0 3.1 0.67 1.42 7 h.shoe 2.5 66 7 6.3K -6 200 2K -2.5 -7 84 on 0 10 -40 -40

27 AutoPark Large autopark 30 0 0 3.4 1.3 1.15 14 fan 1.6 135 10 10K -1 250 5K -25 -2 100 on 0 90 -10.5 -10

28 Vocal1 For vocal 34 0 0 1.5 1.19 0.7 11 h.shoe 0.63 27 70 3.15K 0 315 6.3K -4 0 100 on 0 0 0 0

29 Vocal2 For vocal 34 0 0 2.4 1.19 0.65 11 h.shoe 0.63 27 70 1.6K 0 315 6.3K -4 0 100 on 0 0 0 0

30 Vocal3 For vocal 34 0 0 1.5 1.2 0.8 16 prism 2 20 70 10K -6 500 5K 0 0 100 on 0 0 0 0
REVERB-2 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C 5D 6A 6B 6C 6D
No Name Notes Mix In Out Decay xLow xHigh Diffuse Shape Size PreDly Revfeed Hicut Att LoXovr HiXovr InitLev RevLev Rwidth I-XFeed RevDiff BuildUp IAttack IDecay
# 8 CHAR. % dB dB s x x rel x ms mS hz dB hz hz dB dB % % % dB dB

31 Egg Cups For short percussive sound 25 0 0 0.3 2 2 16 fan 4.00 55.2 26.9 16K -19.5 2.5K 5K -79 0 33 on 0 0 0 0

32 PeterGun Good for blending guitars into mix 44 0 0 0.7 0.74 0.5 16 prism 0.63 8.2 40 4K -19.5 20 200 off 0 50 on 0 0 0 0

33 Bright Discreet hall, without loosing def. 13 0 0 3.2 1.28 0.64 9 fan 0.80 101.5 40 5K -17 1K 8K 0 0 90 on 0 0 0 0

34 Warm A bright warmth to Brass and sax 15 0 0 4.6 0.93 0.3 12 hall 0.63 74.2 44.8 2.5K -25 250 3.15K 0 -2 93 on 0 0 0 0

35 Cold Remove harshness from HH & Cymb 17 0 0 2.3 0.9 0.58 6 prism 1.00 100 0 flat 0 2K 10K 0 -7 75 on 0 0 0 0

36 Perc.1 Allround for kick, snare and toms 45 0 0 0.8 1 1 16 fan 0.50 10 35.4 1.6K -6 200 4K 0 0 75 on 0 0 0 0

37 Crisp Deep reverb for full drumkit 16 0 0 3.2 0.69 1 10 fan 1.60 80 0 8K -8 125 8K 0 0 100 on 0 0 0 0

38 TajMahal Long rolling reverb 20 0 0 30 1 0.09 16 h.shoe 1.60 90.9 40.8 16K -30 flat 630 0 0 56 on 0 0 0 0

39 Ambience Natural club sized room acoustics 40 0 0 0.5 1 0.87 1 club 0.63 0 0 2K -7.5 125 3.15K -1 -4 100 on 0 88 -10 -4
REVERB-3 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C
No Name Notes Mix In Out Decay xLow xLoMid xHigh Diffuse Lo-Xovr LM-Xovr Hi-Xovr Predly Distans HiCut Att ModRate ModDpth DifType
# 8 CHAR. % dB dB s x x x Hz Hz Hz ms dB Hz dB %

40 GM-Hall Warm reverb for various purposes; vocals 55 0 0 5.9 0.01 1 0.07 58 20 200 4K 80 15 10K -40 60 100 Smooth1

41 Ovrmuch2 Effect, replaces old REVERB-1 preset 55 0 0 7.5 0.7 1.68 0.4 85 63 1K 8K 20 15 2,5K -7.5 27 24 Smooth2

42 WoodHall Warm reverb for harpe and guitar 23 0 0 2.4 2.1 1.5 0.1 70 63 800 4K 25 13 2K -15 22 60% Smooth2

43 RichVerb Short and bright. Good for almost anything 32 0 0 1.6 0.6 1 0.85 27 40 200 10K 1 15 4K -6 70 95 Smooth1

44 BigBlue2 Warm reverb, replaces old REVERB-1 preset 25 0 0 3.5 0.8 1.3 0.3 45 125 630 4K 27 12 1,6K -8 27 35 Short1

45 Locker2 Short reverb with early reflections; vocal, guitar 39 0 0 1.2 0.6 1.3 0.35 25 40 800 6,3K 6 7 2,5K -6 28 55 Short2

46 5000Hall Bright reverb for general puposes; vocal, drums 28 0 0 2.6 0.6 1 0.45 90 40 200 5K 12 14 4K -5 27 65 Smooth1

47 SteelPlt Emul. of EMT140 (tube) steelplate. Try also w. pre-delay 30 0 0 2.8 0.65 2.5 0.3 80 315 1,6K 2,5K 1 15 2,5K -14 20 55 Short1

48 GoldPlt Emul. of EMT240 goldplate. Try also with pre-delay 28 0 0 4.4 0.9 1.65 0.3 72 100 630 4K 1 15 5K -12 12 30 Short1

49 PercVerb Short, general purpose reverb. Percussion and drums 31 0 0 1.1 1.47 1.14 0.37 50 630 1,6K 4K 10 13 6,3K -6.5 100 50 Smooth2

50 KickVerb Very short deep reverb. Kickdrums and Toms. 39 0 0 0.6 2.5 1.14 0.56 50 200 1,6K 4K 10 13 8K -9 100 50 Short2

51 Dense-1 Bright hall without modulation 55 0 0 4 1 1 1 61 20 200 16K 10 5 16K -10 100 0 Smooth1
NONLIN-1 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3C 4A 4B 4C 4D
No Name Notes Mix InLev OutLev PreDly Attack Hold Release LoCut HiCut Diffuse PreDiff DifType Width
# 8 CHAR. % dB dB ms ms ms ms dB dB %

52 KitPig1 30 0 0 22 22 42 210 20 6.3K 5 15 warm 100

53 KitPig2 30 0 0 0 100 10 175 100 8K 4 15 midtone 100

54 SoBad 30 0 0 0 27 172 0 20 6.3K 1 0 bright1 100

55 ShapeIt 20 0 0 0 14 90 150 50 10K 1 60 bright1 100

56 Closet 40 0 0 0 0 40 50 100 2.5K 6 0 midtone 100

57 Rumble 30 0 0 0 27 60 170 32 2K 1 65 bright2 100

58 Reverse 30 0 0 0 200 50 0 20 6.3K 5 22 warm 100


CHORUS-1 algorithm programs
PAGE 1A 1B 1C 1D 2A 2B 2C 2D 3A 3B 3C 3D
No Name Notes Mix InLev OutLev Phase Delay FB Speed Depth FbLoCut FbHiCut HiCut Att
# 8 CHAR. % dB dB deg ms % Hz % Hz Hz Hz dB

59 The King Delay + stereo spread for vocal / guitar 40 0 0 90 120 20 0.56 15 100 4K 6K3 -6

60 VocDelay Delay + stereo spread for vocal / guitar 20 0 0 90 220 20 0.28 5 100 8K 10K -6

61 Echoplex Old tape echo with wow and flutter 35 0 0 90 425 35 0.141 20 400 2K 1K6 -18

62 2Track Double track with stereo spread 40 0 0 90 40 20 0.28 5 100 8K 10K -3

63 SlowMo Slow Chorus 50 0 0 90 12 0 0.16 50 off off 3K15 -10

64 Flanger Normal Flanger 50 0 0 90 5 85 0.56 8 200 4K off off

65 Hi-Trash Flanger with high pitch feedback 50 0 0 90 1 93 0.2 8 800 off off off

66 Lo-Trash Flanger with low pitch feedback 50 0 0 90 1 99 0.2 13 off 1K off off

67 Plain Normal Chorus 50 0 0 90 10 0 1 14 0 off off off

68 Seashore Just a feeling 70 0 0 90 30 30 4 3 400 off off off

69 Flow Chorus with delay for a slow guitar 40 0 0 90 370 31 1 14 200 off off off
REVPITCH algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4B 4D 5A 5B 5C 5D 6A 6B 6C 6D 6B 6D
No Name Notes Mix Inlev Outlev Pitch-1 Fine-1 Pitch-2 Fine-2 Level-1 Pan-1 Level-2 Pan-2 Hicut-1 Att-1 Hicut-2 Att-2 FB-1 FB-2Xfb 1>2 Xfb 2>1 Ambmix Predly Shape xSize PitcDly PitcCft
# 8 CHAR. % dB dB % % % % % % Hz dB Hz dB % % % % % mS x mS ms

70 Wide Stereo spread 40 0 0 0 8 0 -8 0 50R 0 50L flat 0 flat 0 0 0 0 0 0 25 small 1.6 40 100

71 Wide+Amb Like #70 + ambience 40 0 0 0 12 0 -12 0 50R 0 50L 8K -3 8K -3 7 10 10 8 35 25 small 2 40 100

72 Funky Funky guitar 40 0 0 0 12 0 -12 0 50R 0 50L flat 0 flat 0 7 10 0 0 35 80 delay 2.5 40 100
PITCH-1 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4B 4D 5A 5B 5C 5D 6A 6B 7A 7B 7C 7D
No Name Notes Mix Inlev Outlev Pitch-1 Fine-1 Pitch-2 Fine-2 Level-1 Pan-1 Level-2 Pan-2 Hicut-1 Att-1 Hicut-2 Att-2 FB-1 FB-2 Xfb1>2 Xfb2>1 Delay-1 Delay-2 Dgspeed Polyspd Polydly Dgfilt
# 8 CHAR. % dB dB % % % % % % Hz dB Hz dB % % % % mS mS KHz

73 Slapitch Slap Guitar 30 0 0 0 -10 0 0 0 50 R 0 50 L 10k -30 10k -30 50 50 0 100 10 84 0.50 50 18 2

74 PowerOct Octave below 45 0 0 -12 -1200 -12 -1200 0 50 L 0 50 R flat 0 flat 0 0 0 0 0 0 0 0.10 20 18 2

75 Valley Detuned room 20 0 0 0 -10 0 10 0 50 L 0 50 R 10 -40 10 -40 50 50 0 100 40 60 0.50 50 18 2

76 Climb Pitch climbing up 50 0 0 7 700 3 300 0 50 R 0 50 L flat 0 flat 0 30 30 20 20 310 155 0.28 50 18 2

77 Barbshop Minor 3rd blw, 5th abv. 60 0 0 -3 -300 7 700 0 Center 0 Center flat 0 flat 0 0 0 0 0 0 0 0.28 50 18 2

78 Fifths 5th above and below 50 0 0 6 690 7 710 0 50 R 0 50 L flat 0 flat 0 0 0 0 0 0 0 0.28 50 18 2

79 Octave+ Octave above 35 0 0 11 1190 12 1200 0 50 R 0 50 L flat 0 flat 0 0 0 0 0 0 0 0.28 50 18 2

80 Chord Major triad chord 60 0 0 5 500 9 900 0 10 R 0 10 L flat 0 flat 0 0 0 0 0 0 0 0.28 50 18 2

81 Horror Spacey pitch 60 0 0 -1 -100 1 100 0 50 L 0 50 R flat 0 flat 0 50 50 30 50 100 140 0.28 50 18 2

82 Steel Metallic pitch 50 0 0 11 1190 12 1200 0 50 L 0 50 R flat 0 flat 0 20 20 50 60 50 50 0.28 50 18 2

83 WideBass Chorus for bass 40 0 0 0 8 0 -8 0 center 0 center flat 0 flat 0 0 0 0 0 0 0 0.10 20 12 2

84 VocalFml Pitch for female vocal 67 0 0 0 14 0 -13 0 50 L 0 50 R 6.3k -6 6.3k -3 0 0 0 0 0 0 0.20 20 10 2

85 Vocals General vocal pitch 65 0 0 -3 -300 0 -18 -10 20 R -6.5 20 L 6.3k -20 6.3k -20 0 0 0 0 0 0 0.20 20 18 2
PITCH-2 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3D 4A 4B 4B 4D
No Name Notes Mix Inlev Outlev Pitch Fine FB Delay Hicut Att Dgspeed Polyspd Polydly Dgfilt
# 8 CHAR. % dB dB % % mS Hz dB Hz

86 Stereo 65 0 0 1 100 0 0 6,3K -20 0.2 20 18 2K


DELAY-1 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 4A 4B 4B 4D
No Name Notes Mix InLev OutLev L-Delay R-Delay Fb FbLocut FbHicut Hicut Att
# 8 CHAR. % dB dB ms ms dB Hz Hz Hz dB

87 Straight 50 0 0 100 100 off off off flat 0


DELAY-2 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C 5D 6A 6B 6C 6D
No Name Notes Mix In Out Delay-1 Delay-2 HiCut Att Level-1 Pan-1 Level-2 Pan-2 Speed Depth Phase Inv Pan FB-1 FB-2 XFB 1>2 XFB 2>1 Lo-FB Hi-FB Lo-Xovr Hi-Xovr
# 8 CHAR. % dB dB ms ms Hz dB dB dB dB dB Hz % deg sw % % % % dB dB Hz Hz

88 Mod-Echo 50 0 0 320 300 flat 0 0 50 L 0 50 R 0.16 50 90 off 50 50 0 0 0 0 20 flat

89 Apollo Soundscape 60 0 0 500 250 1,6K 0 0 50 L 0 50 R 0.125 40 90 off 40 55 60 -20 0 -6 20 16K

90 Shuffle Rhythm delay 38 0 0 450 670 8K 0 0 50 L 0 50 R 0.1 20 180 on 20 20 50 -50 0 0 20 flat

91 Country For slide/steelguitar 40 0 0 30 100 10K 0 0 50 L 0 50 R 0.316 60 180 on 20 20 50 -50 0 0 20 flat

92 DlySite Guit. chords and tones 40 0 0 200 250 8K 0 0 50 L 0 50 R 0.1 100 0 off 30 30 20 -20 0 0 20 flat

93 Expand Exp. Stereo image 60 0 0 10 75 flat 0 0 50 L 0 50 R 0.224 80 180 off 0 0 0 0 0 0 20 flat

94 SoftEnd Mellow guitar delay 40 0 0 330 290 630 -32.5 0 50 L 0 50 R 0.1 60 90 off 40 40 40 -40 0 0 20 flat

95 ExpDelay Wide chorus delay 42 0 0 250 255 10K 0 0 50 L 0 50 R 0.1 0 180 off 20 20 10 -10 0 0 20 flat

96 ChorEcho Chorus on echotail 45 0 0 402 570 8K 0 0 50 L 0 50 R 0.125 70 180 on 30 30 20 -20 0 0 20 flat

97 Spatial TC 1210 effect 100 0 0 11 8 flat 0 0 center 0 center 0.1 0 180 on 0 0 0 0 0 0 20 flat

98 DelayPan TC 1210 effect 100 0 0 10 10 flat 0 0 50 L 0 50 R 0.4 9 90 off 0 0 0 0 0 0 20 flat


SAMPLE-1 algorithm programs.
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4D 5A 5B 5C 5D 6A 6B 6C 6D
No Name Notes Mix Inlev Outlev Sample Action Counter Status Start Fine End Fine Recmode Reverse Level Pan Fadein Fadeovr Trigger Triglev Deadbnd Retrig
# 8 CHAR. % dB dB Mode Sek. Sek. mS Sek. mS Mode On/Off dB sek. sek. dB dB Sek.

99 Sample Standard sampler 100 0 0 sample None 0 ready? 0 0 0 0 mono off 0 center 0 0.01 manual -25 -3 0.1
AMBIENCE algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C
No Name Notes Mix In Out Shape xSize PreDly Width LoCut Att HiCut Att PreDly Depth PdlyMul
# 8 CHAR. % dB dB x ms % Hz dB Hz dB ms %

100 TlfBooth Environmental - Telephone booth 100 0 0 club 0.25 0 70 100 -5.5 1K -4.5 0 x size

101 TileBath Environmental - Bathroom with tiles 60 0 0 small 0.8 2 100 100 -5.5 1K -2.5 0 x size

102 LongTube Environmental - Sewer tube 95 0 0 fan 0.25 0 100 100 -5.5 1K -2.5 0.18 25 x size

103 Festival Environmental - Big Rock'n'roll festival 50 0 0 small 4 100 100 125 0 1K -3 0.112 27 x size

104 NextDoor Environmental - The neighbors having a party 100 0 0 small 0.04 0 0 40 0 1K -40 0 x size

105 Garage Environmental 50 0 0 hall 0.5 2 100 100 -5.5 1K -0.5 0 x size

106 67VWvan1 Environmental - frontseat sound 100 0 0 prism 0.25 0 100 100 -3.5 1K -4.5 0 x size

107 67VWvan2 Environmental - luggage compartment with no interior 100 0 0 prism 0.5 0 100 125 -5.5 1K 0 0 x size

108 SlugBug Environmental - VolksWagen 100 0 0 club 0.25 0 100 100 -8.5 1K -3.5 0 x size

109 Wreck Environmental - Bad car stereo 100 0 0 prism 0.125 0 100 800 -19 1K -0.5 0 x size

110 Studio1 General purpose ambience 35 0 0 hall 1.6 2 100 100 -5.5 1K -3 0 x size

111 Studio2 General purpose ambience 40 0 0 hall 0.5 0 100 100 -5.5 1K -3 0 x size
TAPFAC Algorithm presets
Preset: 112 Use this preset for: Preset: 113 Use this preset for: Preset: 114 Use this preset for:

MoneyBox Atmosph1 MultiTap

1 MIX INLEV OUTLEV 1 MIX INLEV OUTLEV 1 MIX INLEV OUTLEV


50 0 0 50 0 0 50 0 0

2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap
20 0 100 18 25 0 100 18 100 0 100 18

3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10)
1 3.4 32 8L 1 5.5 32 8L 1 22.5 32 8L
2 15,5 71 4R 2 29.3 71 4R 2 73.2 71 4R
3 31.5 63 7L 3 44.5 63 7L 3 119.9 63 7L
4 33.9 56 5R 4 63.3 56 6R 4 162.8 56 6R
5 38.1 50 10L 5 78.5 50 10L 5 220.4 50 10L
6 59.2 45 10R 6 91.6 45 10R 6 263.2 45 10R
7 55.6 40 4R 7 106.8 40 4R 7 299.7 40 4R
8 83.4 35 10L 8 140.6 35 10L 8 325.7 35 10L
9 84.5 31 10R 9 179.3 31 10R 9 383.1 31 10R
10 93.6 28 5R 10 210 28 6R 10 419.4 28 6R
11 134 25 7L 11 253.9 25 7L 11 427.1 25 7L
12 152.9 22 5R 12 297.5 22 5R 12 480.1 22 5R
13 205.2 20 6L 13 327.8 20 6L 13 489.7 19 6L
14 248.7 18 5R 14 385.8 18 5R 14 519 18 5R
15 293.2 16 6L 15 430.8 16 6L 15 546.3 16 6L
16 400.3 14 7R 16 479.9 14 7R 16 585.6 14 7R
17 493.4 12 6L 17 555.4 12 6L 17 602.7 12 6L
18 615.3 11 7R 18 621.6 11 7R 18 623 11 7R

4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB)
20 0 6.3K -40 20 0 2.5k -20 20 0 2.5k -20

5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%)
0.2 0 0.2 0 0.2 0
TAPFAC Algorithm presets
Preset: 115 Use this preset for: Preset: 116 Use this preset for: Preset: 117 Use this preset for:

BeatBox1 BeatBox2 FlamBeat

1 MIX INLEV OUTLEV 1 MIX INLEV OUTLEV 1 MIX INLEV OUTLEV


50 0 0 25 0 0 34 0 0

2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap
100 0 100 14 77 0 100 4 80 0 100 5

3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10)
1 100 70 10R 1 150 50 10L 1 150 80 10L
2 100.7 70 10R 2 300 50 2L 2 300 100 10R
3 100 63 10L 3 450 50 3R 3 465 100 10L
4 200.6 56 10L 4 600 100 0 4 35 100 10R
5 300 50 10R 5 5 35 100 0
6 300.8 45 10R 6 6
7 400 40 10L 7 7
8 400.5 35 10L 8 8
9 400 31 10R 9 9
10 400.7 28 10R 10 10
11 500 22 10L 11 11
12 500.4 22 10L 12 12
13 600 19 10R 13 13
14 600.5 19 10R 14 14
15 15 15
16 16 16
17 17 17
18 18 18

4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB)
20 0 2.5k 0 20 0 2.5k 0 20 0 2.5k 0

5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%)
0 0 0.2 50
DYNAMIC1 Algorithm
Preset: 200 Use this preset for: Preset: 201 Use this preset for: Preset: 202 Use this preset for:

1BandCom 2BandCom 3BandCom

1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center

2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0Hz low-off mid-off on 2.0Hz 1ow-off 400Hz on 2.0Hz 100Hz 3.15KHz on

3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 0.0dB 0.0dB 0.0dB Bnd-Lev 0.0dB -0.5dB -2.0dB Bnd-Lev -2.0dB -1.0dB -1.0dB
0dB ref -8.0dB -8.0dB -8.0dB 0dB ref -8.0dB -8.0dB -8.0dB 0dB ref -8.0dB -8.0dB -8.0dB
Meters 5dB 5dB 5dB Meters 5dB 5dB 5dB Meters 5dB 5dB 5dB

4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold -4.0dB -4.0dB -4.0dB Threshold 0.0dB -7.5dB -6.5dB Threshold -8.5dB -2.5dB -10.5dB
Ratio 2.0>1 2.0>1 2.0>1 Ratio 2.0>1 2.0>1 2.0>1 Ratio 4.0>1 2.5>1 2.0>1
Gain 2.0dB 2.0dB 2.0dB Gain 0.0dB 3.7dB 3.2dB Gain 6.3dB 1.5dB 5.2dB
Attack 20ms 20ms 20ms Attack 20ms 20ms 20ms Attack 30ms 20ms 20ms
Release 500ms 500ms 500ms Release 500ms 500ms 500ms Release 300ms 500ms 700ms
FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 10.0ms 10.0ms 10.0ms
Crest RMS RMS RMS Crest RMS RMS RMS Crest RMS RMS RMS

5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold 0.0dB 0.0dB 0.0dB Threshold 0.0dB 0.0dB 0.0dB
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1
Attack 1.4ms 1.4ms 1.4ms Attack 1.4ms 1.4ms 1.4ms Attack 1.4ms 1.4ms 1.4ms
Release 1.4s 1.4s 1.0s Release 1.4s 1.4s 1.0s Release 1.4s 1.4s 1.0s
FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms

6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold -40.0dB -40.0dB -40.0dB Threshold -40.0dB -40.0dB -40.0dB Threshold -40.0dB -40.0dB -40.0dB
Ratio off off off Ratio off off off Ratio off off off
Attack 1.0ms 1.0ms 0.3ms Attack 1.0ms 1.0ms 0.3ms Attack 1.0ms 1.0ms 0.3ms
Release 1.0s 1.0s 1.0s Release 1.0s 1.0s 1.0s Release 1.0s 1.0s 1.0s
Range -30.0dB -30.0dB -30.0dB Range -30.0dB -30.0dB -30.0dB Range -30.0dB -30.0dB -30.0dB

7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly


on 10.0ms off 10.0ms off 10.0ms
DYNAMIC1 Algorithm
Preset: 203 Use this preset for: Preset: 204 Use this preset for: Preset: Use this preset for:

TapeSim1 TapeSim2

1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0dB 0dB center 100% 0dB 0.0dB center

2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0hz 400Hz 2.5KHz on 2.0hz 315Hz 4KHz on

3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 0dB -0.5dB -3.5dB Bnd-Lev -1.0dB -3.5dB -8.0dB Bnd-Lev
0dB ref 0dB 0dB 0dB 0dB ref 0dB 0dB 0dB 0dB ref
Meters 10dB 10dB 10dB Meters 20dB 20dB 20dB Meters

4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold -14dB -14dB -18dB Threshold -14dB -14dB -18dB Threshold
Ratio 1.6>1 1.6>1 1.8>1 Ratio 3.2>1 3.2>1 3.2>1 Ratio
Gain 5.2dB 5.2dB 7.9dB Gain 9.6dB 9.6dB 12.3dB Gain
Attack 3.0ms 2.0ms 1.4ms Attack 3.0ms 2.0ms 1.4ms Attack
Release 1s 700ms 300ms Release 1.0s 700ms 300ms Release
FeedFwd 4.0ms 3.0ms 2.5ms FeedFwd 4ms 3ms 2.5ms FeedFwd
Crest 12dB 12dB 12dB Crest 12dB 12dB 12dB Crest

5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold -1.5dB -2.5dB -4.0dB Threshold -1.0dB -1.0dB -6.0dB Threshold
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio
Attack 100us 100us 50us Attack 100us 100us 50us Attack
Release 200ms 200ms 200ms Release 300ms 140ms 50ms Release
FeedFwd 3.0ms 1.0ms 1.0ms FeedFwd 0.1ms 0.1ms 0.1ms FeedFwd

6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold Threshold Threshold
Ratio off off off Ratio off off off Ratio
Attack Attack Attack
Release Release Release
Range Range Range

7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly


off 10ms off 3ms
DYNAMIC1 Algorithm
Preset: 205 Use this preset for: Preset: 206 Use this preset for: Preset: 207 Use this preset for:

Loudness RockLim1 Hi-Fi

1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0dB 0.0dB center 100% 0dB 0dB center 100% 0dB 0dB center

2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0hz 200Hz 4.0KHz on 2.0hz 400Hz 3.15KHz on 2.0Hz 63Hz 2.50KHz on

3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 1.0dB -1.5dB 1.0dB Bnd-Lev -1.0dB -3.0dB -2.5dB Bnd-Lev -5.0dB 0.0dB -3.0dB
0dB ref -6dB -6dB -6dB 0dB ref -6dB -6dB -6dB 0dB ref -8.0dB -8.0dB -8.0dB
Meters 10dB 10dB 10dB Meters 10dB 10dB 10dB Meters 5dB 5dB 5dB

4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold -10dB -15dB -12.5dB Threshold -13.5dB -12dB -15dB Threshold -13.0dB 0.0dB -16.0dB
Ratio 8.0>1 3.2>1 5.6>1 Ratio 32>1 32>1 32>1 Ratio 8.0>1 2.5>1 2.0>1
Gain 8.7dB 10.3dB 10.2dB Gain 13.0dB 11.6dB 14.5dB Gain 11.3dB 0.0dB 8.0dB
Attack 2.0ms 2.0ms 2.0ms Attack 10ms 10ms 10ms Attack 30ms 20ms 20ms
Release 50ms 1.0s 1.0s Release 1.0s 1.0s 1.0s Release 500ms 500ms 700ms
FeedFwd 1.0ms 10ms 10ms FeedFwd 10ms 10ms 10ms FeedFwd 10.0ms 10.0ms 10.0ms
Crest rms peak peak Crest 12dB 12dB 12dB Crest RMS RMS RMS

5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold -2.0dB -2.0dB -2.0dB Threshold -4.5dB -6.5dB -8.0dB Threshold 0.0dB 0.0dB 0.0dB
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1
Attack 50us 50us 50us Attack 100us 140us 100us Attack 1.4ms 1.4ms 1.4ms
Release 200ms 200ms 200ms Release 50ms 50ms 50ms Release 1.4s 1.4s 1.4s
FeedFwd 3.0ms 1.0ms 1.0ms FeedFwd 3.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms

6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold Threshold Threshold -40.0dB -40.0dB -40.0dB
Ratio off off off Ratio off off off Ratio off off off
Attack Attack Attack 1.0ms 1.0ms 0.3ms
Release Release Release 1.0s 1.0s 1.0s
Range Range Range -30dB -30dB -30dB

7 Par-Lnk Nom-Dly 2 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly


off 10ms off 10ms off 10.0ms
DYNAMIC1 Algorithm
Preset: 208 Use this preset for: Preset: 209 Use this preset for: Preset: 210 Use this preset for:

Gain ComPand EasyExp1

1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center

2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0Hz low-off mid-off on 2.0Hz 100Hz 3.15KHz on 2.0Hz 200Hz 1.60KHz off

3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 3.0dB 3.0dB 3.0dB Bnd-Lev -2.0dB -1.0dB -1.0dB Bnd-Lev -3.0dB -3.0dB -6.0dB
0dB ref -8.0dB -8.0dB -8.0dB 0dB ref -8.0dB -8.0dB -8.0dB 0dB ref 0.0dB 0.0dB 0.0dB
Meters 5dB 5dB 5dB Meters 5dB 5dB 5dB Meters 10dB 10dB 10dB

4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -8.5dB -2.5dB -10.5dB Threshold -14.0dB -14.0dB -18.0dB
Ratio off off off Ratio 4.0>1 2.5>1 2.0>1 Ratio 2.0>1 2.0>1 2.5>1
Gain 0.0dB 0.0dB 0.0dB Gain 6.3dB 1.5dB 5.2dB Gain 7.0dB 7.0dB 10.8dB
Attack 30ms 20ms 20ms Attack 30ms 20ms 20ms Attack 3.0ms 2.0ms 1.4ms
Release 500ms 500ms 700ms Release 300ms 500ms 700ms Release 1.0s 700ms 300ms
FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 3.0ms 3.0ms 2.5ms
Crest RMS RMS RMS Crest RMS RMS RMS Crest 12dB 12dB 12dB

5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -1.5dB -1.5dB -1.5dB Threshold -1.5dB -2.5dB -4.0dB
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1
Attack 1.0ms 1.0ms 1.0ms Attack 1.4ms 1.4ms 1.4ms Attack 100µs 100µs 50µs
Release 1.4s 1.4s 1.4s Release 1.4s 1.4s 1.4s Release 300ms 140ms 70ms
FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 0.2ms 0.2ms 0.2ms

6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold -40dB -40dB -40dB Threshold -24.0dB -24.0dB -24.0dB Threshold -32.0dB -38dB -46dB
Ratio off off off Ratio 1>3.2 1>3.2 1>3.2 Ratio 1>2.0 1>2.0 1>2.0
Attack 1.0ms 1.0ms 0.3ms Attack 0.3ms 0.3ms 0.3ms Attack 1.0ms 1.0ms 1.0ms
Release 1.0s 1.0s 1.0s Release 1.0s 1.0s 1.0s Release 300ms 300ms 300ms
Range -30.0dB -30.0dB -30.0dB Range -40.0dB -40.0dB -40.0dB Range -20dB -20dB -20dB

7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly


on 10.0ms off 10.0ms off 3.0ms
DYNAMIC1 Algorithm
Preset: 211 Use this preset for: Preset: 212 Use this preset for: Preset: Use this preset for:

SoftLim RecComp1

1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center

2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0Hz low-off mid-off on 8.0Hz 200Hz 2.00KHz on

3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 4.0dB 4.0dB 4.0dB Bnd-Lev -3.0dB -3.5dB -5.5dB Bnd-Lev
0dB ref 0.0dB 0.0dB 0.0dB 0dB ref 0.0dB 0.0dB 0.0dB 0dB ref
Meters 10dB 10dB 10dB Meters 10dB 10dB 10dB Meters

4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -14.0dB -14.0dB -18.0dB Threshold
Ratio off off off Ratio 1.80>1 1.80>1 2.0>1 Ratio
Gain 0.0dB 0.0dB 0.0dB Gain 6.2dB 6.2dB 9.0dB Gain
Attack 3.0ms 2.0ms 1.4ms Attack 2.0ms 1.4ms 1.0ms Attack
Release 1.0s 700ms 300ms Release 1.0s 700ms 300ms Release
FeedFwd 0.0ms 0.0ms 0.0ms FeedFwd 2.0ms 1.4ms 0.5ms FeedFwd
Crest 12dB 12dB 12dB Crest 10dB 10dB 10dB Crest

5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -1.5dB -2.5dB -4.0dB Threshold
Ratio off off off Ratio infin>1 infin>1 infin>1 Ratio
Attack 100µs 100µs 50µs Attack 100µs 100µs 50µs Attack
Release 300ms 140ms 70ms Release 300ms 140ms 70ms Release
FeedFwd 0.2ms 0.2ms 0.2ms FeedFwd 0.2ms 0.2ms 0.2ms FeedFwd

6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold -32.0dB -38.0dB -46dB Threshold -64dB -64dB -70dB Threshold
Ratio off off off Ratio 1>2.0 1>2.0 1>2.0 Ratio
Attack 1.0ms 1.0ms 1.0ms Attack 1.0ms 0.7ms 0.5ms Attack
Release 300ms 300ms 300ms Release 700ms 700ms 700ms Release
Range -20.0dB -20.0dB -20.0dB Range -10dB -10dB -10dB Range

7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly 7 Par-Lnk Nom-Dly


on 0.0ms off 0.3ms
APPENDIX C
If problems or questions arise regarding your M5000, please check the following before you
contact your dealer, TC Distributor or TC's head office in Denmark:

HARDWARE CONFIGURAT ION:


F R AME S E R IAL NO:

NO: 1 NO: 2 NO: 3 NO: 4


ADA-1 S E R IAL NO:

DS P -2 S E R IAL NO:

DS P -1 S E R IAL NO:

5DIS K S E R IAL NO: DIS K T Y P E : 720 Kb/1.44 Mb DD/HD

ME MOR Y CAR D T Y P E : S IZ E :

S OFT WARE CONF IGURAT ION


B IOS VE R S ION: *

AP P L. S OF T WAR E : **

M5000 CONNE CT IONS


Analog IN: YE S NO B alanced U nbalanced

Digital IN: YE S NO AE S /E B U S P DIF R CA/OPT .

Analog OU T : YE S NO B alanced U nbalanced

Digtal OU T : YE S NO AE S /E B U S P DIF R CA/OPT .


WHAT KIND OF E QU IP ME NT IS CONNE CT E D T O T HE M5000 ?

DE S CR IB E T HE P R OB LE M AND IN WHICH S IT U AT ION IT OCCUR S :

* Refer to the 'SOFTWARE INSTALLATION'-module in the 'CONFIGURATION'-SECTION.


** Switch the M5000 OFF. During next 'power on', software version is shown in the display for a few seconds.

APPENDIX C
M5TROUBL

Rev 1.5 Page 1


SELF TEST PROCEDURE IN BIOS 1.07 or higher M5000
The BIOS 1.07 (or higher) has built-in diagnostic test features. Hopefully you will never need
them but they are implemented in order that the user can check the machine before it is sent
for repair. Each time the M5000 is powered on, a quick test is done. These tests consist of the
following steps:
• All 4 LEDs on the CPU board are turned on.
• Check BIOS EPROM checksum, if the checksum is bad LD1 on the CPU-board will turn
on, and if the front panel is working then the preset LED's will show 'E01'. The M5000 will
then halt.
• Part of the dynamic RAM is tested, if the RAM is bad LD2 on the CPU-board will turn on,
and if the front panel is working then the preset LED's will show 'E02'. The M5000 will
then halt.
• Contact to the LCD display is tested, if no contact is established LD1 and LD2 on the CPU-
board will turn on, and if the front panel is working then the preset LEDs will show 'E03'.
The M5000 will then halt.
• LD4 on the CPU-board will stay on showing power is on.
If any problems occurs during operation of the M5000, e.g. disk problems or MIDI communi-
cation the user can select 2 different test sessions to be run.

SESSION 1: Total CPU test.


This session will run the following tests:
1. DYN RAM
2. JEIDA MEMORY CARD SLOT
3. EEPROM TEST
4. EXTERNAL INTERRUPTS
5. MIDI PORTS
6. DISK DRIVE TEST
7. MODULE CARD DETECTION (cannot detect DSP cards with a “+”)
A MIDI cable must be connected from MIDI output to MIDI input in order to check the MIDI
ports.
In order to test the disk drive, a formatted 720 Kb or 1.44 Mb disk must be inserted. The data
on the disk will be preserved.

APPENDIX C
M5TROUBL

Rev 1.5 Page 2


Keep BYPASS and EDIT pressed while turning power on. After a while the display will
show:
M5000 diagnostics
Please wait

Now release the keys.


The test will run by it self and if any errors are detected user will be prompted and asked to
take action. It will be shown on the LCD display.
Before the JEIDA test, the user will be prompted :
JEIDA test will destroy all data on card
Press DO to continue, UNDO to skip.

Insert a JEIDA memory card in the slot in order to check the Memory card slot.
If DO is pressed the data on the JEIDA card will be lost, if UNDO is pressed, this test will
be skipped and the next test will be done.
When all tests are done and no errors were detected, the display will show :
Tests OK
Press DO to continue (*)

If any errors were detected the display will show:


Errors detected
Press DO to continue (*)

Pressing DO will result in the following message:


Push any key to detect Cards..
Then push any key to continue..

The M5000 will look for installed cards, and show the type and address of the detected cards.
If one ADDA and one DSP are installed the display will show:
ADDA at addr 1 DSP at addr 0

Pressing DO will enter the service card software mode. This is for future use. At this point all
tests are done, and the M5000 should be powered down.

APPENDIX C
M5TROUBL

Rev 1.5 Page 3


SESSION 2: Front panel test.
Keep BYPASS and PROGRAM pressed while turning power on. After a while the display
will show:
Press DO and verify that LCD is filled
with black squares. (then press DO/SW7)

Pressing DO should give the following display:


§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§
§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§

Pressing DO now will continue the front test:


Verify BackLight & viewing angle knob.
cw=black , ccw=white (then press DO/SW7)

Make sure that the green backlight is on. Turn the small viewing angle knob clockwise and
verify that the display turns black, then turn the knob counterclockwise and verify that the
display turns clear (green).
Now turn the knob to the position that gives you the best contrast.
Pressing DO will continue the front test:
Turn A and verify all LEDs
0 Press DO/SW7 to continue

When turning knob A the LEDs on the front will turn on one at a time. Verify that all LED's
on the front panel works, and that only one LED is on at a time.
Pressing DO will continue the front test:
Check if all LEDs are flashing
(except meters) press DO/SW7

All LEDs on the front panel should now flash except the meters, which will be on all the time.
Pressing DO will continue the front test:
Try all encoders 0..9 Then press DO/SW7
0 0 0 0 0

Try to turn all knobs and verify that numbers from 0 to 9 can be selected.
Pressing DO will continue the front test:
Try all keys
NO KEY PRESSED

Press all keys - one at a time - and verify that the name of the key is shown in the display.
The front panel test is done. Turn power off.

APPENDIX C
M5TROUBL

Rev 1.5 Page 4


TROUBLESHOOTING/ERR. CODES M5000

ERROR DESCRIPTION ACTION


EO1 EPROM checksum error (IC 31 & IC Turn the M5000 off and on. If the error still is there,
32). The BIOS EPROMs may be defect fill in the check form on page 1 and contact your
or is badly connected in the socket. dealer.
EO2 Static RAM error (IC 22). The Static Turn the M5000 off and on. If the error still is there,
RAM may be defect or has a bad fill in the check form on page 1 and contact your
connection to the socket. dealer.
E03 Bad contact between Display - CPU- Turn the M5000 off and on. If the error still is there,
board. fill in the check form on page 1 and contact your
dealer.
E04 Internal error trap. A heavy line Make note on the ALGO/PROGRAM you are
transient might cause these errors or running and the keys you pressed up to the error.
bad internal connections. Try to power off and the reestablish the error. If this
is possible, please contact your dealer.
E05 Stack overflow in CPU (IC 4).
E06 Multitask overflow in CPU (IC 4).
#1 (LCD display) EEPROM error (IC 14). Probably you Turn the M5000 off and on. If the error still is there,
will get a serial# type mismatch fill in the check form on page 1 and contact your
message as well on next power up. dealer.
#2 (LCD display) Flash PROM error (IC 23). The Flash Turn the M5000 off and on. If the error still is there,
PROM may be defect or has a bad con- fill in the check form on page 1 and contact your
nection in the socket. dealer.
Serial information RAM/Backup failure. Installed options Press as noted DO and write down the 16 character
mismatch ... are lost. Standard software can run with code and M5000 frame serial no (28 xx xx) and
BIOS higher than 1.08. contact your dealer. In a tight situation you might
press UNDO instead of DO and run the standard
software (BIOS higher than 1.08), however, it may
need to be re-installed. The error message will
appear on every power up.
Device is hanging While the ADA-1 was present the I/O Reinstall the ADA-1 module again change the I/O
after ADA-1 was selector was still set to A/A&D. It will selector from A/A&D to D/D mode. Then you can
removed (1.13) expect analog input and there isn't any. remove the ADA-1 module. This problem was fixed
in software version 1.14.

APPENDIX C
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Rev 1.5 Page 5


APPENDIX D

TECHNICAL SPECIFICATIONS M5000


All Specs is measured with ADA-1 STEREO ANALOG IN/OUT module installed.

Max. Input Level @ - 8 dB gain, + 22,0 dBu


@ 0 dB gain, + 14,8 dBu
@ 12 dB gain, + 2,8 dBu
Input Impedance 20 KOhm, electronically balanced, pin 2+, 3-
Input Gain ± 12 dB
Input CMRR DC - 1 KHz, > 60 dB
1 KHz - 20 KHz, > 40 dB
Max. Output Level + 22 dBu
Output Signal Balance >40 dB @ 1 KHz (BBC method)
Output Impedance 100 Ohm, electronically balanced, floating
type, pin 2+, 3-
Output Gain -18 dB to + 12 dB
Frequency Response 10-22 KHz, +0 -1 dB, Fs=48.0KHz
10-20 KHz, +0 -1 dB, Fs=44.1KHz
10-15 KHz, +0 -0.5 dB, Fs=32.0KHz
Total Harmonic Dist. < 0.03 %, 1 KHz, 0 dBu
Inter modulation Dist. < 0.03 %
Dynamic Range > 98 dB
Crosstalk < -80 dB @ 1 KHz
Group Delay Linearity < 5 µS
Phase Linearity Better than 5º
Digital Conversion Input: Delta Sigma 64x oversampling, 18 bit res.
Output: Linear 8x oversampling, 20 bit res.
Sampling Rate 48.0 KHz, 44.1 KHz, 32.0 KHz
Environment Operating 0º to 50º, storage -20º to 60º
Power Requirements 100 - 240 Vac, 50-60 Hz
APPENDIX C
M5TROUBL

Rev 1.5 Page 7


Power Consumption 20 - 60 watts, depending on configuration
Finish Black anodized aluminum face plate.
Black painted steel top and buttom plate.
Chromatic steel chassis.
Net Weight 8.6 kg (19 lbs)
Shipping Weight 10 kg (22 lbs)

Due to continuous development, TC Electronic reserves the right to change


specifications without further notice.

APPENDIX C
M5TROUBL

Rev 1.5 Page 8


APPENDIX C
M5TROUBL

Rev 1.5 Page 9


CONTROLS & DISPLAYS M5000

Power Switch Rocker type


Device Selector Selects the DSP to be controlled
Edit Page Selects next or previous Edit Page
Dials A, B, C, D Four dials for parameter editing
Program Dial Control Program- recall, view and store
Do, Undo Executes and cancels changes made
Program Selects Program Algorithm Mode
Edit Selects Edit Parameter Mode
Utility Selects utility display
Bypass Bypass of active devices
Load LED Lit when parameters are updating
Timecode LED Lit when receiving timecode
MIDI In LED Lit when receiving MIDI
Digital In LED Lit when receiving at digital inputs
LAN/SCSI LED Lit when reading or writing data
Parameter Display 80 character alphanumeric display
Algorithm/Program Displays algorithm type and program name
Program Number 3 digit program number display
Input Level Meter Dual 10 segment LED

APPENDIX C
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Rev 1.5 Page 10


REAR PANEL CONNECTIONS M5000

MIDI In, Out and Thru


Remote 7-way custom RS-232 or RS485 In and Out, +
power
Pedal Programmable switch type, not implemented
SMPTE Input for cuelist management. The SMPTE jack
plug must be an unbalanced connection with the
TIP = HOT and the RING = GROUND. The
SMPTE input accepts signals from -10 dBu and
up
OPTION For future options such as PCMCIA or SCSI, a
Local Area Network option 2.5 Mbit/Sec. high
speed data exchange between M5000 and
Macintosh, Optical drive, Hard drive or another
M5000

APPENDIX C
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Rev 1.5 Page 11


DSP-1 CONNECTIONS M5000

AES/EBU In/Out XLR Professional Format. Sample rates between


32.0 KHz and 48.0 KHz
Optical In/Out Optical Consumer Digital Format. Sample rates
between 32.0 KHz and 48.0 KHz
SPDIF In/Out RCA Phono Consumer Digital Format. Sample
rates between 32.0 KHz and 48.0 KHz

APPENDIX C
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Rev 1.5 Page 12


ADA-1 CONNECTIONS M5000

Left & Right Input XLR 20 KOhm balanced. Max. input +22 dBu,
pin 2 +, Pin 3 -.
Left & Right Output XLR 100 Ohm balanced, floating type. Max.
output +22 dBu, pin 2 +, Pin 3 -

2
3
1

2 1

JACK\MONO

2
3
1

2 1

JACK\MONO

To unbalance an input or output to the ADA-1 module, make that the the cable with the
unbalancing pin 3/1 connection is made at the mono plug end of the cable, as shown on the
figure. Pin 1 is the shield.

APPENDIX C
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Rev 1.5 Page 13


APPENDIX E

CABLES FOR DIGITAL AUDIO M5000


In order to get a clean and noiseless digital signal flow the cable in which the digital signal is
running has a great influence - especially over longer distances. Here is a list of cables
recommended for digital interfaces by the corresponding manufacturer.
AES/EBU PROFESSIONAL DIGITAL AUDIO
Manufacturer Type
GOTHAM AG R’DORF, SWITZERLAND GAC-2 (AES/EBU), 115ohm, +/-20%
NEGLEX – MOGAMI 3080 (AES/EBU), 110 ohm
GEPCO INT’L INC, CHICAGO PN5524 – E131675 (ul), CM 24 AWG SHIELDED 75c
CANARE 105 AES/EBU
BELDEN 9860 (br. Sh.) 9271 (foil. Sh.), 124 ohm (Coaxial)

SPDIF CONSUMER DIGITAL AUDIO


Manufacturer Type
BELDEN 8217 OR 9259, 75OHM (Coaxial, RG-59/U-type)
TOSHIBA TOCP174Y (OPTICAL)
SONY POC-15 (OPTICAL)

Use always high-quality, low capacitance cables with fixed impedance (Coaxial), 110 Ω for
AES/EBU and 75 Ω for SPDIF. There is no guarantee that it will work properly if an ordinary
microphone cable is used for AES/EBU-communication or ordinary RCA cables for typical
HI-FI equipment.

APPENDIX C
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Rev 1.5 Page 15


APPENDIX F

TC BBS M5000
The purpose of the TC Bulletin Board is to distribute new software, programs and presets for
TC products and to share information between TC Electronic and the users of TC equipment.
In order to use the TC BBS you need the following:
1. An IBMtm, Ataritm or MACtm computer.
2. A communication program such as Procomm, Crosstalk or one of several public
domain programs.
3. A modem, (a modem is an interface for your computer that enables you to connect
your computer to another computer through the telephone line).
In the communication program you have to set certain parameters: i.e. (for the bulletin
board in Denmark) 300-14400 Baud, 8 Data bits, No parity and 1 Stop bit. You get the
best result if you set your program to use the ANSI terminal emulator.
Depending on where you are in the world, you can call the following numbers:
Bulletin Board Number to call Baud rate Data bits Parity Stop bits
TC Denmark +45 86 26 28 99 300-14400 8 N 1
Germany1 +49 40 45 80 90 300-19200 8 N 1
TC USA 805-374 9343 300-14400 8 N 1

Important!
Once you are connected to the bulletin board, you will be asked what the serial number of
your M5000 frame is - so you better have that ready before calling, in order not to waste
expensive on-line time while looking for the serial number on the M5000 - notice that you
need the serial number from the frame - not the number from the modules - it will begin with
28x xxx.
When you are on-line, you will be guided through the menus and messages on the screen will
explain what to do, when you want to download (receive) a program, read a message or leave
a message etc.
On the bulletin board you will find the latest software version for the M5000 together with
different utilities such as programs for dumping software to the M5000 from a computer
through MIDI, program-files, newest information from TC and much more.
Call the bulletin board NOW and see for yourself....

1ProAudio Net - A commercial BBS.

APPENDIX C
M5TROUBL

Rev 1.5 Page 17


APPENDIX M

BIOS AND FLASH MINIMUM REQUIREMENT


The following table shows a connection between the released software versions and the BIOS
versions. Also the required Flash EPROM size is shown:

SOFTWARE version BIOS version FLASH size

1.04 1.04 1 Megabit


1.06 1.04 1 Megabit
1.07 1.04 1 Megabit
1.09 1.04 1 Megabit
1.11 1.04 1 Megabit
1.12 1.04 1 Megabit
1.13 1.04 1 Megabit
1.14A (ATAC) 1.04 1 Megabit
1.15 1.04 1 Megabit
next release 2.00 2 Megabit

Note: Some of the features in software version 1.14 and higher will not be supported in
BIOS version 1.04. A list of such features are found in the following table:

SOFTWARE version FEATURES Min. BIOS version Min. FLASH size

x.xx Self test proc. 1.07 1 Megabit


1.12 SAMPLING option 1.04 1 Megabit
1.13 MD2 1.04 1 Megabit
1.14 MD2 1.04 1 Megabit
1.14ATAC ATAC support, 1.04* 1 Megabit
SAMPLER (SIMM)
1.15 TOOLBOX** 2.00 2 Megabit
SMPTE
PARAMETRIC EQ
* Updating to BIOS 2.00 will improve ATAC performance
** Only if MD2 is installed

The software version is shown in the display during the power-on sequence of the M5000.
The BIOS version and the Flash EPROM size are shown in the M5000 Setup Utility Menu.
Refer to page 2 in the SOFTWARE INSTALLATION chapter in the CONFIGURATION
section.
All M5000s with a higher serial number than 281 000 are all updated with BIOS version
higher than 2.0 and 2 Megabit FLASH EPROM size !
APPENDIX C
M5TROUBL

Rev 1.5 Page 18

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