TC m5000 Appendix
TC m5000 Appendix
1 Church 1 Very bright long reverb for everything 37 Crisp Deep reverb for full drumkit 70 Wide Stereo spread
2 Church 2 Warm reverb for everything 38 TajMahal Long rolling reverb 71 Wide+Amb Like #70 + ambience
3 480 Hall General purpose bright plate 39 Ambience Natural club sized room acoustics 72 Funky Funky guitar
5 VocalWet Plate for vocal / everything 40 GM-Hall Warm reverb for various purposes; vocals 73 Slapitch Slap Guitar
6 ManInBox Dry stereo spread environment 41 Ovrmuch2 Effect, replaces old REVERB-1 preset 74 PowerOct Octave below
7 Locker Environment for perc. 42 WoodHall Warm reverb for harpe and guitar 75 Valley Detuned room
8 DryHouse Short bright stereo spread 43 RichVerb Short and bright. Good for almost anything 76 Climb Pitch climbing up
9 WetHouse For vocal / guitar 44 BigBlue2 Warm reverb, replaces old REVERB-1 preset 77 Barbshop Minor 3rd blw, 5th abv.
10 Stage Environment program 45 Locker2 Short reverb with early reflections; vocal, guitar 78 Fifths 5th above and below
11 Rattle Low density program for vocal / inst. 46 5000Hall Bright reverb for general puposes; vocal, drums 79 Octave+ Octave above
12 ShortCut Short percussion reverb 47 SteelPlt Emul. of EMT140 (tube) steelplate. Try also w. pre-delay 80 Chord Major triad chord
13 SlapHall Slapback type rev. for vocal / inst. 48 GoldPlt Emul. of EMT240 goldplate. Try also with pre-delay 81 Horror Spacey pitch
14 Ugly 1 Short mellow room for ie. BD 49 PercVerb Short, general purpose reverb. Percussion and drums 82 Steel Metallic pitch
15 Ugly 2 As 14, but longer 50 KickVerb Very short deep reverb. Kickdrums and Toms. 83 WideBass Chorus for bass
REVERB-2 51 Dense-1 Bright hall without modulation 84 VocalFml Pitch for female vocal
25 Concret2 Concrete room 59 The King Delay + stereo spread for vocal / guitar 91 Country For slide/steelguitar
26 BigLead Big guitar concert sound 60 VocDelay Delay + stereo spread for vocal / guitar 92 DlySite Guit. chords and tones
27 AutoPark Large autopark 61 Echoplex Old tape echo with wow and flutter 93 Expand Exp. Stereo image
28 Vocal1 For vocal 62 2Track Double track with stereo spread 94 SoftEnd Mellow guitar delay
29 Vocal2 For vocal 63 SlowMo Slow Chorus 95 ExpDelay Wide chorus delay
31 Egg Cups For short percussive sound 65 Hi-Trash Flanger with high pitch feedback 97 Spatial TC 1210 effect
32 PeterGun Good for blending guitars into mix 66 Lo-Trash Flanger with low pitch feedback 98 DelayPan TC 1210 effect
33 Bright Discreet hall, without loosing def. 67 Plain Normal Chorus SAMPLE-1
34 Warm A bright warmth to Brass and sax 68 Seashore Just a feeling 99 Sample Standard sampler
35 Cold Remove harshness from HH & Cymb. 69 Flow Chorus with delay for a slow guitar
AMBIENCE REVCORE2
129 NewBooth
130 Stage
131 At Home
REVCORE-1 algorithm programs
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No Name Notes Mix In Out Decay xLow xHigh InitLev RevLev Lm-Xovr Mh-Xovr Shape Xsize PreDly RevFeed Hicut Att Spread Difftyp R-Width
# 8 CHAR. % dB dB s dB dB Hz Hz x ms ms Hz dB %
119 TrueRoom 34 0 0 0.5 0.61 0.47 -14 0 800 4 Hall 0.25 0 0 3.15 -31.5 1 1 100
120 HomeRoom 24 0 0 0.7 0.92 0.75 -10.5 0 125 3.15 Prism 0.4 0 0 4 -31.5 1 1 100
121 WoodChmb 39 0 0 1.4 0.7 0.77 -10.5 0 100 3.15 Fan 0.4 7.3 0 2.5 -23 1 1 63
122 Goldfoil 36 0 0 2.2 1.09 1.18 off 0 315 10 Fan 0.4 7.3 0 8 -23 1 1 100
123 The Shop 31 0 0 2.2 0.59 0.33 -4.5 0 1.25 2.5 H.shoe 0.25 41.5 0 4 -10.5 1 1 100
124 Fridge 33 0 0 0.4 0.83 0.27 -11.5 0 800 3.15 Prism 0.4 0 0 4 -31.5 1 1 84
125 COREroom 38 0 0 0.4 0.79 0.64 -11 0 500 5 Small 0.5 0 0 1.6 -25 1 1 100
127 X&Y Mics 27 0 0 0.3 0.59 0.07 -5 0 250 1.6 H.shoe 0.125 0 0 Flat -37.5 1 1 100
128 Closet 39 0 0 0.4 0.88 0.13 -7.5 0 800 2 Small 0.316 1.1 0 4 -31.5 1 1 84
129 NewBooth 41 0 0 0.5 0.66 0.47 -16 0 500 2 Prism 0.16 0 0 5 -34 1 1 100
130 Stage 34 0 0 2.2 0.82 0.5 -9 0 800 2.5 H.shoe 0.63 19.3 7.1 2.5 -39 1 1 100
131 At Home 37 0 0 0.5 0.59 0.28 -18 0 160 4 Fan 0.316 1.1 0 2.5 -31 1 0 49
REVERB-1 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C 5C
No Name Notes Mix In Out Decay xLow xHigh Diffuse Shape xSize PreDly RevFeed HiCut Att Lo-Xovr Hi-Xovr InitLev RevLev RWidth I-XFeed
# 8 CHAR. % dB dB s x ms ms Hz dB Hz Hz dB dB
1 Church 1 Very bright long reverb for everything 25 0 0 4.2 0.7 0.18 11 fan 1.25 30 0 500 -30 125 8K 0 0 100 on
2 Church 2 Warm reverb for everything 20 0 0 2 1.2 0.6 11 h.shoe 0.63 27 50 3K15 0 315 8K -4 0 100 on
3 480 Hall General purpose bright plate 20 0 0 3.5 1 0.45 13 fan 0.8 30 20 6K3 -1.5 250 8K 0 -2 100 on
4 VocalDry Plate for vocal 30 0 0 0.6 1 0.4 6 hall 0.4 18 15 2K5 -6 250 8K 0 -12.5 75 on
5 VocalWet Plate for vocal / everything 25 0 0 1.2 0.6 0.6 11 h.shoe 0.63 0 50 3K15 -8 500 6K3 -4 0 100 on
6 ManInBox Dry stereo spread environment 40 0 0 0.3 0.2 1.5 6 hall 0.2 20 26 4K -6 250 8K 0 -12 70 on
7 Locker Environment for perc. 25 0 0 0.8 0.9 0.8 6 prism 0.4 4 0 4K -24 3K15 3K15 0 -6 70 on
8 DryHouse Short bright stereo spread 25 0 0 0.5 1 0.4 6 hall 0.63 22 0 6K3 -6 250 8K 0 -10 20 on
9 WetHouse For vocal / guitar 30 0 0 1.4 1 0.4 8 hall 0.63 22 0 6K3 -6 250 8K 0 -10 20 on
11 Rattle Low density program for vocal / inst. 25 0 0 1.4 1 0.4 1 h.shoe 2.5 18 18 4K0 -6 250 8K 0 -10 100 on
13 SlapHall Slapback type rev. for vocal / inst. 30 0 0 1 1 0.45 6 hall 0.316 120 60 6K3 -6 250 8K 0 0 90 on
14 Ugly 1 Short mellow room for fx. BD 30 0 0 1 0.65 0.45 5 prism 1.25 10 30 800 -30 800 800 0 -3 70 on
15 Ugly 2 As 14, but longer 30 0 0 1 1 0.1 5 hall 1.25 10 30 800 -30 800 8K 0 -3 60 on
Created by Thomas Olesen, Tom Andersen and Ivar Iversen in FEEDBACK Studio 1+2, Aarhus, Denmark.
REVERB-2 algorithm programs
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No Name Notes Mix In Out Decay xLow xHigh Diffuse Shape Size PreDly Revfeed Hicut Att LoXovr HiXovr InitLev RevLev Rwidth I-XFeed RevDiff BuildUp IAttack IDecay
# 8 CHAR. % dB dB s x x rel x ms mS hz dB hz hz dB dB % % % dB dB
16 WoddFlr Small room 25 0 0 0.6 0.6 1.14 8 prism 1 13.9 7.2 flat 0 200 flat -3 0 100 on 0 12 -3 -3
18 HardRoom Small room 25 0 0 0.5 0.09 1.16 10 prism 0.08 12 17 flat 0 1K 8K -0.5 0 63 on 0 0 0 0
21 Water Effect 60 0 0 3.2 2.5 1 16 fan 4 200 13 630 -30 100 125 0 0 100 on 0 0 0 0
22 Nuclear Effect 80 0 0 30 2.5 1 16 h.shoe 4 200 100 500 -30 100 100 -97 0 100 on 0 0 0 0
23 Tunnel Stereo tunnel effect 25 0 0 2.6 1 1 16 prism 4 160 9.4 flat -3 20 3.15K -0.5 0 13 on 0 0 0 -17
24 Concret1 Concrete room 60 0 0 1.9 0.9 2 8 prism 1.6 20 0 2K -5 250 16K 0 -3 100 on 0 38 -6 -6
25 Concret2 Concrete room 30 0 0 1.9 0.9 2 8 prism 1.6 20 0 2K -5 250 16K 0 -2.5 100 on 0 38 -6 -6
26 BigLead Big guitar concert sound 35 0 0 3.1 0.67 1.42 7 h.shoe 2.5 66 7 6.3K -6 200 2K -2.5 -7 84 on 0 10 -40 -40
27 AutoPark Large autopark 30 0 0 3.4 1.3 1.15 14 fan 1.6 135 10 10K -1 250 5K -25 -2 100 on 0 90 -10.5 -10
28 Vocal1 For vocal 34 0 0 1.5 1.19 0.7 11 h.shoe 0.63 27 70 3.15K 0 315 6.3K -4 0 100 on 0 0 0 0
29 Vocal2 For vocal 34 0 0 2.4 1.19 0.65 11 h.shoe 0.63 27 70 1.6K 0 315 6.3K -4 0 100 on 0 0 0 0
30 Vocal3 For vocal 34 0 0 1.5 1.2 0.8 16 prism 2 20 70 10K -6 500 5K 0 0 100 on 0 0 0 0
REVERB-2 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C 5D 6A 6B 6C 6D
No Name Notes Mix In Out Decay xLow xHigh Diffuse Shape Size PreDly Revfeed Hicut Att LoXovr HiXovr InitLev RevLev Rwidth I-XFeed RevDiff BuildUp IAttack IDecay
# 8 CHAR. % dB dB s x x rel x ms mS hz dB hz hz dB dB % % % dB dB
31 Egg Cups For short percussive sound 25 0 0 0.3 2 2 16 fan 4.00 55.2 26.9 16K -19.5 2.5K 5K -79 0 33 on 0 0 0 0
32 PeterGun Good for blending guitars into mix 44 0 0 0.7 0.74 0.5 16 prism 0.63 8.2 40 4K -19.5 20 200 off 0 50 on 0 0 0 0
33 Bright Discreet hall, without loosing def. 13 0 0 3.2 1.28 0.64 9 fan 0.80 101.5 40 5K -17 1K 8K 0 0 90 on 0 0 0 0
34 Warm A bright warmth to Brass and sax 15 0 0 4.6 0.93 0.3 12 hall 0.63 74.2 44.8 2.5K -25 250 3.15K 0 -2 93 on 0 0 0 0
35 Cold Remove harshness from HH & Cymb 17 0 0 2.3 0.9 0.58 6 prism 1.00 100 0 flat 0 2K 10K 0 -7 75 on 0 0 0 0
36 Perc.1 Allround for kick, snare and toms 45 0 0 0.8 1 1 16 fan 0.50 10 35.4 1.6K -6 200 4K 0 0 75 on 0 0 0 0
37 Crisp Deep reverb for full drumkit 16 0 0 3.2 0.69 1 10 fan 1.60 80 0 8K -8 125 8K 0 0 100 on 0 0 0 0
38 TajMahal Long rolling reverb 20 0 0 30 1 0.09 16 h.shoe 1.60 90.9 40.8 16K -30 flat 630 0 0 56 on 0 0 0 0
39 Ambience Natural club sized room acoustics 40 0 0 0.5 1 0.87 1 club 0.63 0 0 2K -7.5 125 3.15K -1 -4 100 on 0 88 -10 -4
REVERB-3 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C 4D 5A 5B 5C
No Name Notes Mix In Out Decay xLow xLoMid xHigh Diffuse Lo-Xovr LM-Xovr Hi-Xovr Predly Distans HiCut Att ModRate ModDpth DifType
# 8 CHAR. % dB dB s x x x Hz Hz Hz ms dB Hz dB %
40 GM-Hall Warm reverb for various purposes; vocals 55 0 0 5.9 0.01 1 0.07 58 20 200 4K 80 15 10K -40 60 100 Smooth1
41 Ovrmuch2 Effect, replaces old REVERB-1 preset 55 0 0 7.5 0.7 1.68 0.4 85 63 1K 8K 20 15 2,5K -7.5 27 24 Smooth2
42 WoodHall Warm reverb for harpe and guitar 23 0 0 2.4 2.1 1.5 0.1 70 63 800 4K 25 13 2K -15 22 60% Smooth2
43 RichVerb Short and bright. Good for almost anything 32 0 0 1.6 0.6 1 0.85 27 40 200 10K 1 15 4K -6 70 95 Smooth1
44 BigBlue2 Warm reverb, replaces old REVERB-1 preset 25 0 0 3.5 0.8 1.3 0.3 45 125 630 4K 27 12 1,6K -8 27 35 Short1
45 Locker2 Short reverb with early reflections; vocal, guitar 39 0 0 1.2 0.6 1.3 0.35 25 40 800 6,3K 6 7 2,5K -6 28 55 Short2
46 5000Hall Bright reverb for general puposes; vocal, drums 28 0 0 2.6 0.6 1 0.45 90 40 200 5K 12 14 4K -5 27 65 Smooth1
47 SteelPlt Emul. of EMT140 (tube) steelplate. Try also w. pre-delay 30 0 0 2.8 0.65 2.5 0.3 80 315 1,6K 2,5K 1 15 2,5K -14 20 55 Short1
48 GoldPlt Emul. of EMT240 goldplate. Try also with pre-delay 28 0 0 4.4 0.9 1.65 0.3 72 100 630 4K 1 15 5K -12 12 30 Short1
49 PercVerb Short, general purpose reverb. Percussion and drums 31 0 0 1.1 1.47 1.14 0.37 50 630 1,6K 4K 10 13 6,3K -6.5 100 50 Smooth2
50 KickVerb Very short deep reverb. Kickdrums and Toms. 39 0 0 0.6 2.5 1.14 0.56 50 200 1,6K 4K 10 13 8K -9 100 50 Short2
51 Dense-1 Bright hall without modulation 55 0 0 4 1 1 1 61 20 200 16K 10 5 16K -10 100 0 Smooth1
NONLIN-1 algorithm programs
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No Name Notes Mix InLev OutLev PreDly Attack Hold Release LoCut HiCut Diffuse PreDiff DifType Width
# 8 CHAR. % dB dB ms ms ms ms dB dB %
59 The King Delay + stereo spread for vocal / guitar 40 0 0 90 120 20 0.56 15 100 4K 6K3 -6
60 VocDelay Delay + stereo spread for vocal / guitar 20 0 0 90 220 20 0.28 5 100 8K 10K -6
61 Echoplex Old tape echo with wow and flutter 35 0 0 90 425 35 0.141 20 400 2K 1K6 -18
65 Hi-Trash Flanger with high pitch feedback 50 0 0 90 1 93 0.2 8 800 off off off
66 Lo-Trash Flanger with low pitch feedback 50 0 0 90 1 99 0.2 13 off 1K off off
69 Flow Chorus with delay for a slow guitar 40 0 0 90 370 31 1 14 200 off off off
REVPITCH algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4B 4D 5A 5B 5C 5D 6A 6B 6C 6D 6B 6D
No Name Notes Mix Inlev Outlev Pitch-1 Fine-1 Pitch-2 Fine-2 Level-1 Pan-1 Level-2 Pan-2 Hicut-1 Att-1 Hicut-2 Att-2 FB-1 FB-2Xfb 1>2 Xfb 2>1 Ambmix Predly Shape xSize PitcDly PitcCft
# 8 CHAR. % dB dB % % % % % % Hz dB Hz dB % % % % % mS x mS ms
70 Wide Stereo spread 40 0 0 0 8 0 -8 0 50R 0 50L flat 0 flat 0 0 0 0 0 0 25 small 1.6 40 100
72 Funky Funky guitar 40 0 0 0 12 0 -12 0 50R 0 50L flat 0 flat 0 7 10 0 0 35 80 delay 2.5 40 100
PITCH-1 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4B 4D 5A 5B 5C 5D 6A 6B 7A 7B 7C 7D
No Name Notes Mix Inlev Outlev Pitch-1 Fine-1 Pitch-2 Fine-2 Level-1 Pan-1 Level-2 Pan-2 Hicut-1 Att-1 Hicut-2 Att-2 FB-1 FB-2 Xfb1>2 Xfb2>1 Delay-1 Delay-2 Dgspeed Polyspd Polydly Dgfilt
# 8 CHAR. % dB dB % % % % % % Hz dB Hz dB % % % % mS mS KHz
73 Slapitch Slap Guitar 30 0 0 0 -10 0 0 0 50 R 0 50 L 10k -30 10k -30 50 50 0 100 10 84 0.50 50 18 2
74 PowerOct Octave below 45 0 0 -12 -1200 -12 -1200 0 50 L 0 50 R flat 0 flat 0 0 0 0 0 0 0 0.10 20 18 2
76 Climb Pitch climbing up 50 0 0 7 700 3 300 0 50 R 0 50 L flat 0 flat 0 30 30 20 20 310 155 0.28 50 18 2
77 Barbshop Minor 3rd blw, 5th abv. 60 0 0 -3 -300 7 700 0 Center 0 Center flat 0 flat 0 0 0 0 0 0 0 0.28 50 18 2
78 Fifths 5th above and below 50 0 0 6 690 7 710 0 50 R 0 50 L flat 0 flat 0 0 0 0 0 0 0 0.28 50 18 2
81 Horror Spacey pitch 60 0 0 -1 -100 1 100 0 50 L 0 50 R flat 0 flat 0 50 50 30 50 100 140 0.28 50 18 2
85 Vocals General vocal pitch 65 0 0 -3 -300 0 -18 -10 20 R -6.5 20 L 6.3k -20 6.3k -20 0 0 0 0 0 0 0.20 20 18 2
PITCH-2 algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3D 4A 4B 4B 4D
No Name Notes Mix Inlev Outlev Pitch Fine FB Delay Hicut Att Dgspeed Polyspd Polydly Dgfilt
# 8 CHAR. % dB dB % % mS Hz dB Hz
92 DlySite Guit. chords and tones 40 0 0 200 250 8K 0 0 50 L 0 50 R 0.1 100 0 off 30 30 20 -20 0 0 20 flat
94 SoftEnd Mellow guitar delay 40 0 0 330 290 630 -32.5 0 50 L 0 50 R 0.1 60 90 off 40 40 40 -40 0 0 20 flat
95 ExpDelay Wide chorus delay 42 0 0 250 255 10K 0 0 50 L 0 50 R 0.1 0 180 off 20 20 10 -10 0 0 20 flat
97 Spatial TC 1210 effect 100 0 0 11 8 flat 0 0 center 0 center 0.1 0 180 on 0 0 0 0 0 0 20 flat
99 Sample Standard sampler 100 0 0 sample None 0 ready? 0 0 0 0 mono off 0 center 0 0.01 manual -25 -3 0.1
AMBIENCE algorithm programs
PAGE 1A 1B 1C 2A 2B 2C 2D 3A 3B 3C 3D 4A 4B 4C
No Name Notes Mix In Out Shape xSize PreDly Width LoCut Att HiCut Att PreDly Depth PdlyMul
# 8 CHAR. % dB dB x ms % Hz dB Hz dB ms %
100 TlfBooth Environmental - Telephone booth 100 0 0 club 0.25 0 70 100 -5.5 1K -4.5 0 x size
101 TileBath Environmental - Bathroom with tiles 60 0 0 small 0.8 2 100 100 -5.5 1K -2.5 0 x size
102 LongTube Environmental - Sewer tube 95 0 0 fan 0.25 0 100 100 -5.5 1K -2.5 0.18 25 x size
103 Festival Environmental - Big Rock'n'roll festival 50 0 0 small 4 100 100 125 0 1K -3 0.112 27 x size
104 NextDoor Environmental - The neighbors having a party 100 0 0 small 0.04 0 0 40 0 1K -40 0 x size
105 Garage Environmental 50 0 0 hall 0.5 2 100 100 -5.5 1K -0.5 0 x size
106 67VWvan1 Environmental - frontseat sound 100 0 0 prism 0.25 0 100 100 -3.5 1K -4.5 0 x size
107 67VWvan2 Environmental - luggage compartment with no interior 100 0 0 prism 0.5 0 100 125 -5.5 1K 0 0 x size
108 SlugBug Environmental - VolksWagen 100 0 0 club 0.25 0 100 100 -8.5 1K -3.5 0 x size
109 Wreck Environmental - Bad car stereo 100 0 0 prism 0.125 0 100 800 -19 1K -0.5 0 x size
110 Studio1 General purpose ambience 35 0 0 hall 1.6 2 100 100 -5.5 1K -3 0 x size
111 Studio2 General purpose ambience 40 0 0 hall 0.5 0 100 100 -5.5 1K -3 0 x size
TAPFAC Algorithm presets
Preset: 112 Use this preset for: Preset: 113 Use this preset for: Preset: 114 Use this preset for:
2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap
20 0 100 18 25 0 100 18 100 0 100 18
3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10)
1 3.4 32 8L 1 5.5 32 8L 1 22.5 32 8L
2 15,5 71 4R 2 29.3 71 4R 2 73.2 71 4R
3 31.5 63 7L 3 44.5 63 7L 3 119.9 63 7L
4 33.9 56 5R 4 63.3 56 6R 4 162.8 56 6R
5 38.1 50 10L 5 78.5 50 10L 5 220.4 50 10L
6 59.2 45 10R 6 91.6 45 10R 6 263.2 45 10R
7 55.6 40 4R 7 106.8 40 4R 7 299.7 40 4R
8 83.4 35 10L 8 140.6 35 10L 8 325.7 35 10L
9 84.5 31 10R 9 179.3 31 10R 9 383.1 31 10R
10 93.6 28 5R 10 210 28 6R 10 419.4 28 6R
11 134 25 7L 11 253.9 25 7L 11 427.1 25 7L
12 152.9 22 5R 12 297.5 22 5R 12 480.1 22 5R
13 205.2 20 6L 13 327.8 20 6L 13 489.7 19 6L
14 248.7 18 5R 14 385.8 18 5R 14 519 18 5R
15 293.2 16 6L 15 430.8 16 6L 15 546.3 16 6L
16 400.3 14 7R 16 479.9 14 7R 16 585.6 14 7R
17 493.4 12 6L 17 555.4 12 6L 17 602.7 12 6L
18 615.3 11 7R 18 621.6 11 7R 18 623 11 7R
4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB)
20 0 6.3K -40 20 0 2.5k -20 20 0 2.5k -20
5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%)
0.2 0 0.2 0 0.2 0
TAPFAC Algorithm presets
Preset: 115 Use this preset for: Preset: 116 Use this preset for: Preset: 117 Use this preset for:
2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap 2 Scale (%) PreDly (ms) Width (%) LastTap
100 0 100 14 77 0 100 4 80 0 100 5
3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10) 3 Tap Delay (ms) Level (%) Pan (±10)
1 100 70 10R 1 150 50 10L 1 150 80 10L
2 100.7 70 10R 2 300 50 2L 2 300 100 10R
3 100 63 10L 3 450 50 3R 3 465 100 10L
4 200.6 56 10L 4 600 100 0 4 35 100 10R
5 300 50 10R 5 5 35 100 0
6 300.8 45 10R 6 6
7 400 40 10L 7 7
8 400.5 35 10L 8 8
9 400 31 10R 9 9
10 400.7 28 10R 10 10
11 500 22 10L 11 11
12 500.4 22 10L 12 12
13 600 19 10R 13 13
14 600.5 19 10R 14 14
15 15 15
16 16 16
17 17 17
18 18 18
4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB) 4 LoCut (Hz) Att (dB) HiCut (Hz) Att (dB)
20 0 2.5k 0 20 0 2.5k 0 20 0 2.5k 0
5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%) 5 Speed (Hz) Depth (%)
0 0 0.2 50
DYNAMIC1 Algorithm
Preset: 200 Use this preset for: Preset: 201 Use this preset for: Preset: 202 Use this preset for:
1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center
2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0Hz low-off mid-off on 2.0Hz 1ow-off 400Hz on 2.0Hz 100Hz 3.15KHz on
3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 0.0dB 0.0dB 0.0dB Bnd-Lev 0.0dB -0.5dB -2.0dB Bnd-Lev -2.0dB -1.0dB -1.0dB
0dB ref -8.0dB -8.0dB -8.0dB 0dB ref -8.0dB -8.0dB -8.0dB 0dB ref -8.0dB -8.0dB -8.0dB
Meters 5dB 5dB 5dB Meters 5dB 5dB 5dB Meters 5dB 5dB 5dB
4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold -4.0dB -4.0dB -4.0dB Threshold 0.0dB -7.5dB -6.5dB Threshold -8.5dB -2.5dB -10.5dB
Ratio 2.0>1 2.0>1 2.0>1 Ratio 2.0>1 2.0>1 2.0>1 Ratio 4.0>1 2.5>1 2.0>1
Gain 2.0dB 2.0dB 2.0dB Gain 0.0dB 3.7dB 3.2dB Gain 6.3dB 1.5dB 5.2dB
Attack 20ms 20ms 20ms Attack 20ms 20ms 20ms Attack 30ms 20ms 20ms
Release 500ms 500ms 500ms Release 500ms 500ms 500ms Release 300ms 500ms 700ms
FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 10.0ms 10.0ms 10.0ms
Crest RMS RMS RMS Crest RMS RMS RMS Crest RMS RMS RMS
5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold 0.0dB 0.0dB 0.0dB Threshold 0.0dB 0.0dB 0.0dB
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1
Attack 1.4ms 1.4ms 1.4ms Attack 1.4ms 1.4ms 1.4ms Attack 1.4ms 1.4ms 1.4ms
Release 1.4s 1.4s 1.0s Release 1.4s 1.4s 1.0s Release 1.4s 1.4s 1.0s
FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms
6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold -40.0dB -40.0dB -40.0dB Threshold -40.0dB -40.0dB -40.0dB Threshold -40.0dB -40.0dB -40.0dB
Ratio off off off Ratio off off off Ratio off off off
Attack 1.0ms 1.0ms 0.3ms Attack 1.0ms 1.0ms 0.3ms Attack 1.0ms 1.0ms 0.3ms
Release 1.0s 1.0s 1.0s Release 1.0s 1.0s 1.0s Release 1.0s 1.0s 1.0s
Range -30.0dB -30.0dB -30.0dB Range -30.0dB -30.0dB -30.0dB Range -30.0dB -30.0dB -30.0dB
TapeSim1 TapeSim2
1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0dB 0dB center 100% 0dB 0.0dB center
2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0hz 400Hz 2.5KHz on 2.0hz 315Hz 4KHz on
3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 0dB -0.5dB -3.5dB Bnd-Lev -1.0dB -3.5dB -8.0dB Bnd-Lev
0dB ref 0dB 0dB 0dB 0dB ref 0dB 0dB 0dB 0dB ref
Meters 10dB 10dB 10dB Meters 20dB 20dB 20dB Meters
4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold -14dB -14dB -18dB Threshold -14dB -14dB -18dB Threshold
Ratio 1.6>1 1.6>1 1.8>1 Ratio 3.2>1 3.2>1 3.2>1 Ratio
Gain 5.2dB 5.2dB 7.9dB Gain 9.6dB 9.6dB 12.3dB Gain
Attack 3.0ms 2.0ms 1.4ms Attack 3.0ms 2.0ms 1.4ms Attack
Release 1s 700ms 300ms Release 1.0s 700ms 300ms Release
FeedFwd 4.0ms 3.0ms 2.5ms FeedFwd 4ms 3ms 2.5ms FeedFwd
Crest 12dB 12dB 12dB Crest 12dB 12dB 12dB Crest
5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold -1.5dB -2.5dB -4.0dB Threshold -1.0dB -1.0dB -6.0dB Threshold
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio
Attack 100us 100us 50us Attack 100us 100us 50us Attack
Release 200ms 200ms 200ms Release 300ms 140ms 50ms Release
FeedFwd 3.0ms 1.0ms 1.0ms FeedFwd 0.1ms 0.1ms 0.1ms FeedFwd
6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold Threshold Threshold
Ratio off off off Ratio off off off Ratio
Attack Attack Attack
Release Release Release
Range Range Range
1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0dB 0.0dB center 100% 0dB 0dB center 100% 0dB 0dB center
2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0hz 200Hz 4.0KHz on 2.0hz 400Hz 3.15KHz on 2.0Hz 63Hz 2.50KHz on
3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 1.0dB -1.5dB 1.0dB Bnd-Lev -1.0dB -3.0dB -2.5dB Bnd-Lev -5.0dB 0.0dB -3.0dB
0dB ref -6dB -6dB -6dB 0dB ref -6dB -6dB -6dB 0dB ref -8.0dB -8.0dB -8.0dB
Meters 10dB 10dB 10dB Meters 10dB 10dB 10dB Meters 5dB 5dB 5dB
4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold -10dB -15dB -12.5dB Threshold -13.5dB -12dB -15dB Threshold -13.0dB 0.0dB -16.0dB
Ratio 8.0>1 3.2>1 5.6>1 Ratio 32>1 32>1 32>1 Ratio 8.0>1 2.5>1 2.0>1
Gain 8.7dB 10.3dB 10.2dB Gain 13.0dB 11.6dB 14.5dB Gain 11.3dB 0.0dB 8.0dB
Attack 2.0ms 2.0ms 2.0ms Attack 10ms 10ms 10ms Attack 30ms 20ms 20ms
Release 50ms 1.0s 1.0s Release 1.0s 1.0s 1.0s Release 500ms 500ms 700ms
FeedFwd 1.0ms 10ms 10ms FeedFwd 10ms 10ms 10ms FeedFwd 10.0ms 10.0ms 10.0ms
Crest rms peak peak Crest 12dB 12dB 12dB Crest RMS RMS RMS
5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold -2.0dB -2.0dB -2.0dB Threshold -4.5dB -6.5dB -8.0dB Threshold 0.0dB 0.0dB 0.0dB
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1
Attack 50us 50us 50us Attack 100us 140us 100us Attack 1.4ms 1.4ms 1.4ms
Release 200ms 200ms 200ms Release 50ms 50ms 50ms Release 1.4s 1.4s 1.4s
FeedFwd 3.0ms 1.0ms 1.0ms FeedFwd 3.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms
6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold Threshold Threshold -40.0dB -40.0dB -40.0dB
Ratio off off off Ratio off off off Ratio off off off
Attack Attack Attack 1.0ms 1.0ms 0.3ms
Release Release Release 1.0s 1.0s 1.0s
Range Range Range -30dB -30dB -30dB
1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center
2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0Hz low-off mid-off on 2.0Hz 100Hz 3.15KHz on 2.0Hz 200Hz 1.60KHz off
3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 3.0dB 3.0dB 3.0dB Bnd-Lev -2.0dB -1.0dB -1.0dB Bnd-Lev -3.0dB -3.0dB -6.0dB
0dB ref -8.0dB -8.0dB -8.0dB 0dB ref -8.0dB -8.0dB -8.0dB 0dB ref 0.0dB 0.0dB 0.0dB
Meters 5dB 5dB 5dB Meters 5dB 5dB 5dB Meters 10dB 10dB 10dB
4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -8.5dB -2.5dB -10.5dB Threshold -14.0dB -14.0dB -18.0dB
Ratio off off off Ratio 4.0>1 2.5>1 2.0>1 Ratio 2.0>1 2.0>1 2.5>1
Gain 0.0dB 0.0dB 0.0dB Gain 6.3dB 1.5dB 5.2dB Gain 7.0dB 7.0dB 10.8dB
Attack 30ms 20ms 20ms Attack 30ms 20ms 20ms Attack 3.0ms 2.0ms 1.4ms
Release 500ms 500ms 700ms Release 300ms 500ms 700ms Release 1.0s 700ms 300ms
FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 10.0ms 10.0ms 10.0ms FeedFwd 3.0ms 3.0ms 2.5ms
Crest RMS RMS RMS Crest RMS RMS RMS Crest 12dB 12dB 12dB
5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -1.5dB -1.5dB -1.5dB Threshold -1.5dB -2.5dB -4.0dB
Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1 Ratio infin>1 infin>1 infin>1
Attack 1.0ms 1.0ms 1.0ms Attack 1.4ms 1.4ms 1.4ms Attack 100µs 100µs 50µs
Release 1.4s 1.4s 1.4s Release 1.4s 1.4s 1.4s Release 300ms 140ms 70ms
FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 1.0ms 1.0ms 1.0ms FeedFwd 0.2ms 0.2ms 0.2ms
6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold -40dB -40dB -40dB Threshold -24.0dB -24.0dB -24.0dB Threshold -32.0dB -38dB -46dB
Ratio off off off Ratio 1>3.2 1>3.2 1>3.2 Ratio 1>2.0 1>2.0 1>2.0
Attack 1.0ms 1.0ms 0.3ms Attack 0.3ms 0.3ms 0.3ms Attack 1.0ms 1.0ms 1.0ms
Release 1.0s 1.0s 1.0s Release 1.0s 1.0s 1.0s Release 300ms 300ms 300ms
Range -30.0dB -30.0dB -30.0dB Range -40.0dB -40.0dB -40.0dB Range -20dB -20dB -20dB
SoftLim RecComp1
1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance 1 MIX INLEV OUTLEV Balance
100% 0.0dB 0.0dB center 100% 0.0dB 0.0dB center
2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip 2 LowCut Lo-Xovr Hi-Xovr SoftClip
2.0Hz low-off mid-off on 8.0Hz 200Hz 2.00KHz on
3 LEVELS low mid high 3 LEVELS low mid high 3 LEVELS low mid high
Bnd-Lev 4.0dB 4.0dB 4.0dB Bnd-Lev -3.0dB -3.5dB -5.5dB Bnd-Lev
0dB ref 0.0dB 0.0dB 0.0dB 0dB ref 0.0dB 0.0dB 0.0dB 0dB ref
Meters 10dB 10dB 10dB Meters 10dB 10dB 10dB Meters
4 COMPRES low mid high 4 COMPRES low mid high 4 COMPRES low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -14.0dB -14.0dB -18.0dB Threshold
Ratio off off off Ratio 1.80>1 1.80>1 2.0>1 Ratio
Gain 0.0dB 0.0dB 0.0dB Gain 6.2dB 6.2dB 9.0dB Gain
Attack 3.0ms 2.0ms 1.4ms Attack 2.0ms 1.4ms 1.0ms Attack
Release 1.0s 700ms 300ms Release 1.0s 700ms 300ms Release
FeedFwd 0.0ms 0.0ms 0.0ms FeedFwd 2.0ms 1.4ms 0.5ms FeedFwd
Crest 12dB 12dB 12dB Crest 10dB 10dB 10dB Crest
5 LIMITER low mid high 5 LIMITER low mid high 5 LIMITER low mid high
Threshold 0.0dB 0.0dB 0.0dB Threshold -1.5dB -2.5dB -4.0dB Threshold
Ratio off off off Ratio infin>1 infin>1 infin>1 Ratio
Attack 100µs 100µs 50µs Attack 100µs 100µs 50µs Attack
Release 300ms 140ms 70ms Release 300ms 140ms 70ms Release
FeedFwd 0.2ms 0.2ms 0.2ms FeedFwd 0.2ms 0.2ms 0.2ms FeedFwd
6 EXPAND low mid high 6 EXPAND low mid high 6 EXPAND low mid high
Threshold -32.0dB -38.0dB -46dB Threshold -64dB -64dB -70dB Threshold
Ratio off off off Ratio 1>2.0 1>2.0 1>2.0 Ratio
Attack 1.0ms 1.0ms 1.0ms Attack 1.0ms 0.7ms 0.5ms Attack
Release 300ms 300ms 300ms Release 700ms 700ms 700ms Release
Range -20.0dB -20.0dB -20.0dB Range -10dB -10dB -10dB Range
DS P -2 S E R IAL NO:
DS P -1 S E R IAL NO:
ME MOR Y CAR D T Y P E : S IZ E :
AP P L. S OF T WAR E : **
APPENDIX C
M5TROUBL
APPENDIX C
M5TROUBL
Insert a JEIDA memory card in the slot in order to check the Memory card slot.
If DO is pressed the data on the JEIDA card will be lost, if UNDO is pressed, this test will
be skipped and the next test will be done.
When all tests are done and no errors were detected, the display will show :
Tests OK
Press DO to continue (*)
The M5000 will look for installed cards, and show the type and address of the detected cards.
If one ADDA and one DSP are installed the display will show:
ADDA at addr 1 DSP at addr 0
Pressing DO will enter the service card software mode. This is for future use. At this point all
tests are done, and the M5000 should be powered down.
APPENDIX C
M5TROUBL
Make sure that the green backlight is on. Turn the small viewing angle knob clockwise and
verify that the display turns black, then turn the knob counterclockwise and verify that the
display turns clear (green).
Now turn the knob to the position that gives you the best contrast.
Pressing DO will continue the front test:
Turn A and verify all LEDs
0 Press DO/SW7 to continue
When turning knob A the LEDs on the front will turn on one at a time. Verify that all LED's
on the front panel works, and that only one LED is on at a time.
Pressing DO will continue the front test:
Check if all LEDs are flashing
(except meters) press DO/SW7
All LEDs on the front panel should now flash except the meters, which will be on all the time.
Pressing DO will continue the front test:
Try all encoders 0..9 Then press DO/SW7
0 0 0 0 0
Try to turn all knobs and verify that numbers from 0 to 9 can be selected.
Pressing DO will continue the front test:
Try all keys
NO KEY PRESSED
Press all keys - one at a time - and verify that the name of the key is shown in the display.
The front panel test is done. Turn power off.
APPENDIX C
M5TROUBL
APPENDIX C
M5TROUBL
APPENDIX C
M5TROUBL
APPENDIX C
M5TROUBL
APPENDIX C
M5TROUBL
APPENDIX C
M5TROUBL
Left & Right Input XLR 20 KOhm balanced. Max. input +22 dBu,
pin 2 +, Pin 3 -.
Left & Right Output XLR 100 Ohm balanced, floating type. Max.
output +22 dBu, pin 2 +, Pin 3 -
2
3
1
2 1
JACK\MONO
2
3
1
2 1
JACK\MONO
To unbalance an input or output to the ADA-1 module, make that the the cable with the
unbalancing pin 3/1 connection is made at the mono plug end of the cable, as shown on the
figure. Pin 1 is the shield.
APPENDIX C
M5TROUBL
Use always high-quality, low capacitance cables with fixed impedance (Coaxial), 110 Ω for
AES/EBU and 75 Ω for SPDIF. There is no guarantee that it will work properly if an ordinary
microphone cable is used for AES/EBU-communication or ordinary RCA cables for typical
HI-FI equipment.
APPENDIX C
M5TROUBL
TC BBS M5000
The purpose of the TC Bulletin Board is to distribute new software, programs and presets for
TC products and to share information between TC Electronic and the users of TC equipment.
In order to use the TC BBS you need the following:
1. An IBMtm, Ataritm or MACtm computer.
2. A communication program such as Procomm, Crosstalk or one of several public
domain programs.
3. A modem, (a modem is an interface for your computer that enables you to connect
your computer to another computer through the telephone line).
In the communication program you have to set certain parameters: i.e. (for the bulletin
board in Denmark) 300-14400 Baud, 8 Data bits, No parity and 1 Stop bit. You get the
best result if you set your program to use the ANSI terminal emulator.
Depending on where you are in the world, you can call the following numbers:
Bulletin Board Number to call Baud rate Data bits Parity Stop bits
TC Denmark +45 86 26 28 99 300-14400 8 N 1
Germany1 +49 40 45 80 90 300-19200 8 N 1
TC USA 805-374 9343 300-14400 8 N 1
Important!
Once you are connected to the bulletin board, you will be asked what the serial number of
your M5000 frame is - so you better have that ready before calling, in order not to waste
expensive on-line time while looking for the serial number on the M5000 - notice that you
need the serial number from the frame - not the number from the modules - it will begin with
28x xxx.
When you are on-line, you will be guided through the menus and messages on the screen will
explain what to do, when you want to download (receive) a program, read a message or leave
a message etc.
On the bulletin board you will find the latest software version for the M5000 together with
different utilities such as programs for dumping software to the M5000 from a computer
through MIDI, program-files, newest information from TC and much more.
Call the bulletin board NOW and see for yourself....
APPENDIX C
M5TROUBL
Note: Some of the features in software version 1.14 and higher will not be supported in
BIOS version 1.04. A list of such features are found in the following table:
The software version is shown in the display during the power-on sequence of the M5000.
The BIOS version and the Flash EPROM size are shown in the M5000 Setup Utility Menu.
Refer to page 2 in the SOFTWARE INSTALLATION chapter in the CONFIGURATION
section.
All M5000s with a higher serial number than 281 000 are all updated with BIOS version
higher than 2.0 and 2 Megabit FLASH EPROM size !
APPENDIX C
M5TROUBL