Terms and Definitions FOR: Essential Garment Construction
Terms and Definitions FOR: Essential Garment Construction
FOR
ITC2201
2000
TC/CHANT/2000
Clothing Terms and Definitions
1. Accordian pleats
Narrow, straight pleats usually parallel to one another.
2. Back-strap
Strap across the back of a garment at the waist, usually fitted with a buckle, or
other method of adjustable fastening, and used to adjust the fit of the garment,
within limits, to the wearer's requirement.
4. Belt loop
A loop of material or thread, which is sewn into the waist of the garment. The
degree of fit is adjustable by means of a belt drawn through the loops.
5. Bespoke
Bespoke clothes are those which are made to the order of an individual.
6. Bodice
The section of a woman's garment covering the body from neck to waist.
7. Box pleat
A form of enclosed pleats achieved by double folding cloth alternately in opposite
directions.
8. Break
The point where the bridle ends at the centre front of a coat, it is usually at the top
buttonhole.
9. Buggy
A lining from the neck down across the back of anotherwise unlined coat.
13. Catch
An underlap of material providing a backing to an opening to take buttons or a zip
tape for fastening, e.g. fly-catch, button-catch.
15. Clem
A very small dart, which is sewn and not cut.
16. Coat
A sleeved outer garment.
17. Collar
Neck band, upright or turned over on a coat, dress, shirt, etc. Band of lining, lace
or material, etc., which completes the upper part of a garment around the neck.
20. Cuff
The lower part of the sleeve which at the wrist usually has a plain turned in edge.
If turned up it may also be described as a gauntlet cuff.
22. Dart
A wedge shape removed from the surface area of a garment by stitching or
alternatively by cutting and stitching.
2
Coat or other garment with wrap over fronts having buttons and buttonholes on
each forepart.
25. Dress
(a) Clothing, particularly outerwear.
(b) A garment worn by women or children.
(c) To finish cloth.
(d) To take dress from men's trousers is to cut a section from one side to make
it fit as closely as the other.
26. Drip-dry
The term used to imply that a garment after washing should be hung to allow it to
dry without removing excess water either by and or machine. It does not in itself
indicate that ironing is unnecessary.
29. Facings
An upper of face material covering such as that of a coat lapel, etc.
32. Fish
A dart cut at the waist of a garment to give a closer fit.
33. Flap
A shaped piece of material, which provides a covering for a pocket mouth, or for
ornamentation.
34. Fly
A cloth covering opening to conceal a fastening (E.G. button, zip). A blind fly is
fastened instead of left open along, the finished edge.
35. Fly catch
See catch.
36. Flyline
3
The line of the fly fastening from the centre of the fork to the top of the waistband
on a pair of trousers.
37. Fork
The point of a pair of trousers at which the legs join.
39. Foreparts
The name given to the fronts of a jacket or coat. This section of the garment
extends from the front edge to the side seam horizontally and from the hem to the
shoulder seam vertically.
40. Gore
A wedge-shaped piece of clothe inserted into a garment to obtain width at a
specific place.
Gored skirt; a skirt with a panel inserted.
41. Gorge
The neck runs of the forepart to which the collar is joined.
43. Gusset
A piece of fabric inserted to strengthen or enlarge a garment.
45. Hem
A folded edge produced by turning in the raw edge and securing it.
46. Inlay
An extra seam allowance inside the garment for letting out if required or for
strength at a given position.
48. Jigger
The button on the inside of a double-breasted coat (usually sewn with a long
shank). Also a style of lady's short, loose jacket.
49. Lape1
4
The upper part of the front edge of a jacket or coat, which folds back onto the
forepart. The length of the lapel extends from the gorge seam to the break.
56. Model
The original garment made up from a design. The original sample.
57. Non-Iron
A term used to indicate that a garment will be wrinkle-free and crease-free after
appropriate washing and that ironing will not be necessary.
58. Pattern
A replica of a garment in flat card or paper. A template used for marking out the
parts of a garment on material prior to cutting. Block Pattern. A template of the
basic pattern shape upon which design details can be superimposed.
60. Pleat
Material folds introduced to allow for expansion to provide style features.
61. Pocket
A bag inserted into or attached to a garment, for practical or decorative use.
Pockets may have flaps, jettings or welts.
Cross Pocket. A pocket which lies horizontally. In the case of a trouser the pocket
mouth can run from the waistband on the front to a point approximately 10 cm.
down the side seam from the waistband.
Frog Pocket. A trouser pocket opening approximately 12 cm. across the waist
band from the side seam, and about 12 cm. down the side seam from the waist
band seam, which is fastened in the corner with a hole and button and when
opened folds down to form a triangular flap.
5
Hare Pocket. An extra large jetted pocket inserted into the lining of a coat, usually
fastened with buttons.
Jetted Pocket. A pocket mouth on which the edges are finished by the application
of jettings.
Welt. The extended edge of a pocket cut. A folded piece of material attached to
form a finished edge of a pocket opening.
62. P.T.U.
Abbreviation of "Permanent Turn-Up" (e.g. on trouser bottoms). See Turn-Ups.
64. Scye
The armhole of a coat. Derived from the words "Arm eye".
65. Seam
Line of junction between two or more pieces of fabric.
Plain Seam - A seam formed by a row of stitching joining together two pieces of
material, their face sides together.
For a detailed description of seams, see British Standard 3870 "Schedule of
Stitches, Seams and Stitchings".
67. Seat
Part of trousers covering the buttocks.
Seat Angle - The quantity of material (5 cm. ~ 8 cm.) allowed at the seat on the
underside for ease of movement.
70. Single-Breasted
Style of coat with minimum overlap (left over right former, and vice versa for
women), and a centre front fastening.
71. Skirt
That part of a coat, dress or other garments that hangs below the waist.
A garment worn by women, suspended from the waist or hips.
6
72. Slacks
Trousers, normally used for leisure wear for men or women.
73. Sleeve
That part of a garment that covers all or part of the arm.
Magyar sleeve. A sleeve which is cut integrally with the body of the garment, the
two sections being joined from neck wrist over the shoulder, and from side-seam to
wrist. Wedge shaped pieces are inserted under the arm to allow freedom of
movement.
Raglan Sleeve. A sleeve with the armhole line extending from the front and back
scye to the neck point so that the shoulder section is joined to the sleeve crown,
combinating the conventional shoulder and sleeve head seams.
76. Stand
That part of a collar which joins the neck edge of the garment and terminates at the
crease of the collar where the fall commences.
77. T-Shirt
A simple style of short-sleeved shirt where the sleeves are cut in one with the back
and front of the garment.
79. Trousers
A two-legged garment covering the body from the waist to the ankles. Trousers
may be made up with pleats in the topside and described as "pleated fronts";
otherwise they are known as "plain fronted trousers".
7
82. Vent
A short opening or cut into the hem of a coat, jacket, skirt or shirt.
83. Vest
An undergarment covering the top part of the body, in the tailoring trade used as
an alternative for waistcoat.
84. Waistband
A narrow piece of material or binding attached to the top of trousers and skirts to
achieve style and fit.
Grown on Waistband. A waistband in one piece with a trouser or skirt.
85. Waistcoat
A garment normally sleeveless, made to be worn under a jacket and styled
according to fashion.
88. Yoke
The upper section of a garment covering the front and/or back from the shoulder
seams, usually to chest level. This section is separately sewn to the main body of
the garment.
B. Technical terms
89. Back-and-Fore
A hand stitch employed for sewing linings and pockets. It involves taking a back
and then a running stitch before the needle is removed. (A combination of B.S.
Stitch Types 202 and 209).
91. Backing
A strip of linen or other material placed on the under side of part of a garment to
take the strain.
93. Bagging
8
A method of joining facings and/or linings to the outer fabric of a garment by
sewing them together face to face in the form of a bag and then turning the
garment out to the right side.
94. Balance
Garment balance is the adjustment of the relation of one section of a garment to
another, in harmony with the natural attitude; of the figure, especially that of back
and front lengths.
98. Bias
An oblique direction to warp and weft. True bias is at an angle of 45 degrees from
both warp and weft.
Bias cut. A cut at an oblique angle to warp and weft.
Also known as cutting on the cross.
100. Bluffing
The process of fastening down the front edge of facings onto the forepart canvas to
preserve the shape of edges finished without outside stitching. (See Bluff edges).
106. Closing
The operating of joining side seams and/or machining the lining to the forepart.
201. Cuttings
Small pieces of cloth left over after cutting.
205. Dressing
A process whereby a finish is applied to impart additional properties to the
material, such as stiffness or lustre.
206. Drilling
10
Marking key positions such as pockets and darts through all thicknesses of a lay by
use of a drilling machine, or similar machine with a hollow needle.
Note: The treatment may involve the use of synthetic resin which may be applied
and cured either before or after fabricatic of a garment, or, in the case of textiles
composed of heat-settable fibres, high-temperature pressing. (T.I.)
209. Easing-In
The manipulation of an additional amount of one of the materials into a seam in
order to create fullness.
213. Felling
The operation of over-sewing a piece of material by its edge (raw or turned in)
upon the body material. Blindstitch machine, are used for many felling operations,
(e.g. B.S. Stitching Type EF1-1 and B.S. Hand Stitch Type 214)
215. Fullness
11
The additional amount of one of the materials joined at a seam which is allowed in
order to create the desired shape in a part of a finished garment, e.g. a sleeve head.
(See Easing-in)
216. Fusing
The action of bonding a fusible interlining to a garment piece the action of heat
and pressure.
217. Gathering
The shortening of the fabric length of drawing together and holding a succession
of small folds of material by stitching. Machine gathering or gauging is achieved
by the use of a special presser foot or attachment.
218. Gauging
See Gathering
219 Glaze
A term used to describe the finish of a cloth which has been given a smooth high-
polished surface. Obtained by means of friction when calendering in fabric form.
A shiny mark or effect of glaze obtained by excessively hot ironing or bad pressing
in garment form.
220. Gloss
Shine on the fabric after pressing, usually caused by heat and pressure in the areas
of extra thickness such as pockets and seams.
221. Grading
The process of producing a range of patterns of different sizes from a master
pattern.
222. Grain
The direction of the warp of the fabric.
Cutting straight grain - cutting with the grain.
Cross grain - across the grain.
Off grain - See bias.
223. Grinning
The term applied to a seam which has opened as a result of incorrect sewing thread
tension.
227. Inserted
A seam in which a single or number of piles of fabric is inserted between two
others which are turned in. The complete assembly is sewn in one operation.
229. Lashing
The fastening of the inside seams of coat edgings or facings to the outer fabric or
interlining, in order to hold them in position. Usually sewn by a blind stitch
machine.
230. Laying Up
The process of spreading cloth to form a lay.
Often called "Spreading".
233. Making Up
Converting material into garments.
234. Marking-In
Marking around the component garment patterns with chalk or other means to
indicate where fabric is to be cut. The term can also apply to marking with pencil
when making paper markers.
236. Neatening
Finishing a cut edge to prevent fraying. Various methods include: turning in the
edge, pinking, overedging, tapin, etc.
237. Notches
Small cuts made in the edges of garment parts which are used as guides during
garment assembly. See also Balance Marks.
238. Offpressing
The final pressing operations on a garment after assembly. Also called Pressing
Off.
13
239. Offshape
A variation from an establish-consistent colour normally arising from a defect in
dyeing either yarns or fabrics.
240. Openness
The provision for leg stance in the angle of the leg seams.
241. Overedging
The use of the overedge stitch either by hand or machine which binds the edge to
avoid fraying. Can also be used as a decoration: Overedge Stitch: The description
applied to B.S. Stitch numbers 501, 502, 503, 504, and 505. In its basic form it is
a chain stitch, the needle thread loop being carried from the underside of the fabric
over the edge and returned to the line of stitching to be secured by the needle on its
next downward stroke. Varying amounts of edge cover can be obtained by using
machines employing more threads. Also described as Overlocking.
243. Overlocking
See Overedging.
244. Padding
The operation of imparting shape by successive rows of sewing, normally at the
lapels and collar.
245. Pinking
Gimping or serrating an edge in the form of V-shaped cuts by a machine or
handshears normally having a serrated blade. The operation is undertaken
primarily to prevent fraying and achieves a decorative raw edge.
246. Piping
A strip of material cut on the bias, applied folded, normally to the edge of a
garment with or without filling. Also a narrow fabric having a cord on one edge.
247. Pitch
The balanced insertion of the sleeve into the garment controlled by balance marks
in the scye line.
250. Pressing
The removing or creating of creases or shape into fabrics by heat and/or steam
and/or vacuum, or a combination of these with pressure.
14
251. Pressing Off
See Off Pressing
254. Puff
A small wedge of the same material sewn on to a "V" cut at various positions in
canvas or lining making to create "Spring" or length over a prominence, such as
the shoulder-bones.
255. Quilting
Raised or padded effect produced by stitching, in parallel rows or to a pattern, two
layers of fabric lined or interlined with wadding or similar material. The operation
can be performed by single needle or multi-needle machines.
259. Seaming
Joining together the component parts of a garment, at a given distance from the
edge of the material.
260. Serging
The operation of neatening the cut edge to avoid fraying, by means of an overedge
stitch.
264. Shaping
15
Cutting the correct shape and size by use of a template or shaper, for example at
the lapel and collar.
265. Spiking
The use of spikes fixed to one edge of a hinged table to facilitate the even laying-
up of fine fabrics. The tabletop is titled vertically for hanging the fabric, and back
to the horizontal for cutting.
267. Stitch
One of a series of units of conformation of threads resulting from the
thread/threads being repeatedly passed through or into the material during sewing.
268. Stoting
A hand stitch used to draw together two cut edges of fabric. (B.S. Stitch Type 216)
270. Suppression
The creation of shape by removal of a calculated amount of fabric from the surface
area of the garment. In women's wear the term shape is commonly used for this
operation.
272. Tacking
Machine or hand stitching, sometimes decorative, to reinforce parts of a garment
(see Bar Tacking). In some sections of the industry this term is also used to
describe the temporary joining together of parts of a garment, prior to final sewing,
which is defined above as Basting.
274. Tease
To raise a nap on fabrics. To open out a fibrous mass.
278. Top Stitching Exposed stitching normally sewn at a uniform distance from a seat.
Mainly used for style or decorative effect.
279. Underpressing
The pressing operations carried out during manufacture of the garment; usually
seam opening but fusing in included, as is first edge pressing.
281. Block
A piece of hard wood, smooth faced, used for setting work during pressing.
282. Blowing
The issue of air from the buck of a pressing machine, the reverse of vacuum.
284. Bodkin
A pointed instrument for piercing holes in cloth. A needle with a blunt point and a
large eye for drawing tape, elastic etc. through a hem, etc. A bone or plastic
instrument for removing bastings.
285. Buck
The lower, static, work surface of the pressing machine which incorporates the
shape or contour onto which the garment is laid.
289. Cladding
17
Any item of covering material which is applied to the head or buck of a pressing or
underpressing machine.
299. Dolly
A strip of cloth rolled up tightly and bound with tape or striping at one end. Used
like a brush for applying moisture during pressing.
300. Donkey
A pressing board in which an upper padded board is supported above the base.
Designed so that parts of a garment may be pressed without creasing the garment
as a whole.
301. Dummy
A padded frame, shaped like a human torso, usually mounted on a pedestal.
Dressings stand for tailor or dressmaker (see Bust).
302. Gauge
A standard measure of distance, e.g. the distance between needles on a sewing
machine.
303. Goose
An old term used to describe a pressing iron which was somewhat similar to a
goose in shape. See also Weasel.
305. Head
The upper, movable, working surface of the pressing machine which incorporates
the mating shape or contour to that of the buck. The head comes into contact with
the garment with or without pressure.
307. Iron
A hand tool used when pressing, usually pointed at the front and square at the rear,
with a handle over the body of the iron so that a balanced grip may be obtained. It
may be heated by electricity, gas, and steam or on a stove.
308. Jumper Underpress
That type of underpressing machine which has a steam heated buck and an iron
which is mounted on the end of a swinging arm (jointed or straight). Pressure is
applied through a linkage from a foot pedal to the movable arm and so to the iron.
312. Shears
A hand-cutting tool similar to scissors but with angled blades and thumb rests, and
with a cutting edge of upwards of 20 cm.
317. Thimble
A metal or plastic cover for the end of the finger, used to force the needle through
the material when hand sewing. A series of indentations on the surface prevents
the thimble from slipping.
319. Weasel
An old term for a long, thin type of pressing iron.
(See also Goose).
320. Yard Stick
A rule used for measuring, 36 inches in length.
322. Bundle
19
A number of similar garment parts temporarily kept together for convenience of
handling. (See Conventional Bundle System, Progressive Bundle System).
323. C.M.T.
An abbreviation of "Cut, Make and Trim". A branch of the trade in which a
contractor is supplied with material only to produce garments for a principal.
324. Cuttle
A method of folding finished cloth (in open width or folded down the middle) and
placing it in transerve folds of a predetermined width, often of approximately 1
metre lengths.
325. Double
Any material which has been folded along the middle of its length, normally with
the face side inwards, so that the selvedges are together. Cutting on the double is
performed by cutting through two thicknesses so as to obtain two pieces, i.e. a
right and left hand section.
326. Draft
A constructed plan of a garment; the application of body or garment measurements
to a flat plane.
320. Marker
The representation or drawing of the final arrangement of the patterns of the
component parts of a garment or garments in the form of a master plan for cutting,
intended to make the best use of the material. The marker is placed on the lay
prior to cutting. Also called Lay Marker.
321. Progressive Bundle System
20
A production system in which bundles pass from one operator to the next with
some work in hand at each operation. The operations are laid out in sequence with
the required number of machines for approximate balance allocated to each.
326. Spreading
Another term for laying-up.
328. Synchro-flow
Another name for Progressive line system.
331. Appliqué
A cutout design or shape attached to the face of a fabric for ornamentation,
frequently of a different type and/or shade of fabric.
333. Bridle
21
A narrow strip of material, usually cotton, which is padded to the canvas along the
roll of the lapel to hold and control it.
334. Button
A knob or disc which is attached to garments as a means of fastening or
ornamentation.
336. Canvas
A closely woven fabric used as an interlining in men's and women's jackets and
coats. Canvases are made from cotton, flax, hemp, jute and man-made fibres (see
interlining).
337. Cheese
A cylindrical package of yarn, cross-wound on to a flangeless support.
338. Cloth
Any woven material may be described as a cloth, but in the tailoring trade the
word cloth is usually applied only to the principal or outside material of a garment.
341. Cone
A conical shaped form on which yarn or thread is wound to form a package.
342. Cop
See spool.
344. Dommett
A variety of thin wadding.
346. Drape
22
An adjective describing the way cloth falls when hung. The draping. The draping
quality varies with the structure, composition and finish of the material.
347. Ends
The warp yarns in a fabric.
348. Fabric
An alternative name for cloth in the broad general sense, but in the trade normally
limited to cotton and silk materials. A material which can be knitted, woven or of
bonded fibre, made from the combination of manufactured textiles, fibres and
yarns.
351. Filament
A fibre of indefinite length.
354. Gimp
A special thread used to support and raise the buttonhole stitching. Also used for
embroidery.
355. Haircloth
A stiff wiry fabric normally used to strengthen coat interlinings (e.g. in the chest
area). It has a cotton or linen warp and a weft of horsehair. The hair is from the
mane or the tail.
356. Handle
The feeling of a fabric to the hand.
357. Interlining
A layer of material inserted in certain parts of the garment between the inner and
outer fabric for shape retention, strength, warmth or bulk.
359. Ligne
23
A standard measure, equal to ore fortieth of an inch, by which buttons and ribbons
are measured. E.g. A 10 ligne button is one quarter of an inch in diameter.
360. Lining
Material used to cover part or the entire inside of a garment.
364. Nap
A fibrous surface produced on a fabric or felt in which part of the fibre is raised
from the basic structure.
367. Offshade
A variation from an established consistent colour normally arising from a defect in
dyeing either yarns or fabrics.
368. Pad
Any form of wadding, felt, foam or rubber inserted into a garment for the purpose
of shape or fit.
369. Picks
The weft yarns in a fabric.
370. Pile
A surface effect on a fabric formed by tufts or loops of yarn, introduced into the
fabric for the purpose that stands up from the body of the cloth.
373. Selvedge
24
When used without qualification this term refers to the longitudinal edges of a
textile fabric, which are formed during manufacture in such a way that the
component threads are interlaced to prevent them from revelling or fraying.
375. Silesia
A smooth-faced cotton cloth used for pocketing, trimming or lining garments.
379. Swatch
A bunch or collection of sample cuttings of materials used to indicate their
representative characteristics.
380. Twist
(a) The direction in which yarns or filaments are rotated in order to form a thread.
Threads are supplied as 'right' (S) or 'left' (Z) twist thread.
(b) The type of thread principally used for buttonholes and topstitching. It may be
mercerised cotton or silk.
381. Trimmings
A wide variety of garment components including such items as canvas, linings,
buttons, twist, silk, zip and others.
382. Wadding
A loose, cohering mass of teased fibre. Usually in the form of a sheet or roll used
as padding in the making up of garments.
383. Warp
A series of longitudinal yarns (ends) in woven material.
25
384. Weft
A series of yarns (picks) woven across the warp, from one selvedge to the other.
385. Yarn
A continuous strand of fibres, usually twisted, used in weaving, knitting and thread
forming.
26