IDENTIFICATION

1. It is the techniques of an art production primarily used in the visual arts, where the artwork is made from on IDENTIFICATION
assemblage of different forms, thus creating a new whole. 1. It is the techniques of an art production primarily used in the visual arts, where the artwork is made from on
2. The art of shaving bamboo into artful creations that can be used as decor for arches or the home. assemblage of different forms, thus creating a new whole
3. It is also known as “The Healer” from illnesses. 2. The art of shaving bamboo into artful creations that can be used as decor for arches or the home.
4. The festival of a thanksgiving for a beautiful harvest. 3. It is also known as “The Healer” from illnesses.
5. OMA means . 4. The festival of a thanksgiving for a beautiful harvest.
6. NCIP means . 5. OMA means .
7. Ilocano Textile Weaver GAMABA awardee. 6. NCIP means .
8. Known for making tabungaw (upo) hat 7. Ilocano Textile Weaver GAMABA awardee.
9. A near-blind but a highly gifted Yakan musician. 8. Known for making tabungaw (upo) hat
10. He is an artist who has dedicated his life to creating religious and secular art in silver, bronze and wood. 9. A near-blind but a highly gifted Yakan musician.
TRUE OR FALSE; 10. He is an artist who has dedicated his life to creating religious and secular art in silver, bronze and wood.
1. In April 2, 1992, the Gawad sa Manlilikha ng Bayan or the National Living Treasures Award was institutionalized TRUE OR FALSE;
through Republic Act No. 7355. 1. In April 2, 1992, the Gawad sa Manlilikha ng Bayan or the National Living Treasures Award was institutionalized
2. There are seven categories of traditional folk arts in total. through Republic Act No. 7355.
3. The ad hoc panel of reviewers is composed of four members of the Gawad sa Manlilikha ng Bayan Committee 2. There are seven categories of traditional folk arts in total.
and five individuals identified by the Committee among scholars, practitioners, and experts in the traditional art. 3. The ad hoc panel of reviewers is composed of four members of the Gawad sa Manlilikha ng Bayan Committee
4. Nominations can come from the members of the ad hoc panel of experts, the sub-commissions on cultural and five individuals identified by the Committee among scholars, practitioners, and experts in the traditional art.
communities and traditional arts, government and private institutions, universities, and other persons 4. Nominations can come from the members of the ad hoc panel of experts, the sub-commissions on cultural
knowledgeable of any of the categories. communities and traditional arts, government and private institutions, universities, and other persons
5. A GAMABA awardee must be an inhabitant of an indigenous/ traditional cultural community anywhere in knowledgeable of any of the categories.
Southeast Asia that has preserved indigenous customs, beliefs, rituals and traditions and/or has syncretised 5. A GAMABA awardee must be an inhabitant of an indigenous/ traditional cultural community anywhere in
whatever external elements that have influenced it. Southeast Asia that has preserved indigenous customs, beliefs, rituals and traditions and/or has syncretised
6. A GAMABA awardee must have engaged in the folk-art tradition that has been in existence and documented for whatever external elements that have influenced it.
at least fifty (50) years. 6. A GAMABA awardee must have engaged in the folk-art tradition that has been in existence and documented for
7. A GAMABA awardee must have possessed a mastery of tools and materials needed by the art, and must have at least fifty (50) years.
an established reputation in the art as master of works of extraordinary technical quality. 7. A GAMABA awardee must have possessed a mastery of tools and materials needed by the art, and must have
8. A GAMABA awardee is required to pass on and/or will pass on to other members of the community their skills in an established reputation in the art as master of works of extraordinary technical quality.
the folk art for which the community is traditionally known. 8. A GAMABA awardee is required to pass on and/or will pass on to other members of the community their skills in
9. A Manlilikha ng Bayan awardee receives a specially designed grand collar. the folk art for which the community is traditionally known.
10. A Manlilikha ng Bayan awardee receives a maximum cumulative amount of P750,000 medical and 9. A Manlilikha ng Bayan awardee receives a specially designed grand collar.
hospitalization benefits annually (similar to that received by the National Artists). 10. A Manlilikha ng Bayan awardee receives a maximum cumulative amount of P750,000 medical and
11. Manlilikha ng Bayan awardee has a funeral assistance/tribute fit for a National Living Treasure. hospitalization benefits annually (similar to that received by the National Artists).
12. A Manlilikha ng Bayan awardee receives An additional monthly personal allowance of P15,000 for the awardees 11. Manlilikha ng Bayan awardee has a funeral assistance/tribute fit for a National Living Treasure.
13. A Manlilikha ng Bayan awardee receives an initial grant of P100,000 and P10,000 monthly stipend for life. 12. A Manlilikha ng Bayan awardee receives An additional monthly personal allowance of P15,000 for the awardees
14. November is National Indigenous Peoples Month. 13. A Manlilikha ng Bayan awardee receives an initial grant of P100,000 and P10,000 monthly stipend for life.
15. GAMABA is also known National Artist award. 14. November is National Indigenous Peoples Month.
FILL IN THE BLANK 15. GAMABA is also known National Artist award.
1. PAHIYAS in . FILL IN THE BLANK
2. TAKA from . 1. PAHIYAS in .
3. PAGBUBURDA in . 2. TAKA from .
4. PUNI OR PALM LEAF from . 3. PAGBUBURDA in .
5. SINGKABAN or BAMBOO ART from . 4. PUNI OR PALM LEAF from .
6. PABALOT OR PASTILLAS WRAPPER CUTTING ART in . 5. SINGKABAN or BAMBOO ART from .
7. SANIKULAS COOKIE MOLD CRAVINGS in _________________. 6. PABALOT OR PASTILLAS WRAPPER CUTTING ART in .
ENUMERATION 7. SANIKULAS COOKIE MOLD CRAVINGS in _________________.
 Give at least three (3) Unique Paper Collage Techniques ENUMERATION
 Give at least three (3) Unique Paper Collage Techniques