0% found this document useful (0 votes)
85 views4 pages

Revisi - Richard Rogers - 09020321046 - Rio Naufalindra 1

Richard Rogers was a renowned British architect known for his high-tech modernist designs. Some of his most famous works include the Pompidou Centre in Paris designed with Renzo Piano, and Lloyd's of London building. He studied architecture at the Architectural Association in London and Yale University. Throughout his career, Rogers championed sustainable and human-centric urban design principles. He received many honors for his contributions to architecture, including the Pritzker Prize and Royal Gold Medal.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
85 views4 pages

Revisi - Richard Rogers - 09020321046 - Rio Naufalindra 1

Richard Rogers was a renowned British architect known for his high-tech modernist designs. Some of his most famous works include the Pompidou Centre in Paris designed with Renzo Piano, and Lloyd's of London building. He studied architecture at the Architectural Association in London and Yale University. Throughout his career, Rogers championed sustainable and human-centric urban design principles. He received many honors for his contributions to architecture, including the Pritzker Prize and Royal Gold Medal.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 4

Sejarah dan Teori Arsitektur

Program Studi Arsittektur


Fakultas Sains dan Teknologi
UIN Sunan Ampel Surabaya THE
LORD of
Riverside
Understanding “A place for
What all people”
Architecture Is?

DOSEN PENGAMPU : architect who pioneered


High-Tech architecture
Dr. Rita Ernawati, MT.
with his modernist and
198008032014032001 functionalist designs have
PENYUSUN : shaped and influenced
Rio Naufalindra architectural styles
09020321046 throughout the world.
Building
1971-1977: the Pompidou Centre (with Renzo

Lord Rogers of
In that same year, the commission to design the Piano), Paris, Prancis.
Centre Pompidou in Paris was won, which would
project both Rogers and Piano onto the world stage of

Riverside
architecture. The Centre Pompidou took six years and
most of the practice to Paris for that time.

In 1978, the separation of Piano and Rogers was


finalized. At that same time, Rogers produced his new
What Architecture is? practice which was formed based on relationships
"Architecture is too complex for just one person to developed over the past twenty years: Richard
do it, I can’t use my two hands, Architecture is part Rogers Partnership, in 2007 renamed to Rogers Stirk
of me and architecture is not just about buildings Harbour + Partners.
it’s about space and place" in virtual design
festival, youtube
1978-1986: Lloyd's of London

Biography
Richard Rogers, Original Name In Full Richard
George Rogers, From 1996 Lord Rogers Of
Riverside, (Born July 23, 1933, Florence, Italy—Died
December 18, 2021, London, England) Architect
Noted For What He Described As “Celebrating The
Components Of The Structure.”
He Was Born In Florence, In An Apartment With A
View Of The Duomo. His Father, Nino, Was A Doctor,
Whose Own Father, A Dentist, Was A British Émigré
To Italy. His Mother, Dada Was An Art-Lover, Who
Became A Potter.
They Moved To Britain In 1939 To Escape The Rise
1996-1999: Millennium Dome, London, UK
Of Fascism, Finding Lodging In A Single Room In A
Boarding House In Bayswater. Rogers Studied At
Achievements
The Architectural Association In London (1954–59)
And Yale University (1961–62). At Yale He Met His many honors include
Norman Foster, And Was Taught By Paul Rudolph,
Whose Designs For Yale’s Art And Architecture In 2008 he was made a member of the Order of
After graduating, He returned to London to open a
Building Would Have A Great Influence On His Own the Companions of Honour. the Pritzker Prize in
partnership with his then wife, Su Brumwell, along with
Designs For The Lloyd’s Building Years Later. 2007, the Praemium Imperiale in 2000, The
another married couple, Wendy Cheesman and Norman
Thomas Jefferson Memorial Foundation Medal
Foster, in a firm called Team 4 (1963–66). heir first
in 1999, In 1995, Rogers was the first architect
significant commission was Creek Vean, a home for Su’s
ever invited to give the BBC Reith Lectures—a
parents. Shortly, Team 4 broke up and Rogers and Foster
series titled, these were later published as Cities
each formed their own firms in 1967
for a Small Planet (1997) Rogers was knighted
From 1970 to 1977 he practiced with Renzo Piano, and in 1991
together they planned the landmark Pompidou Centre. National Assembly for Wales, Cardiff (2005)
the Arnold W. Brunner Memorial Prize from the
This exposed-steel structure was a tour de force of high-
American Academy & Institute of Arts and
tech design, with a dramatic skeletal exterior clad with
Letters in 1989, the Royal Gold Medal for
tube-encased elevators and brightly coloured ductwork
Architecture in 1985.

Reference
https://www.nytimes.com/2021/12/18/arts/design/richard-rogers-dead.html
https://www.archisoup.com/richard-rogers-architectural-career

https://www.rsh-p.com/ From Official Website Rogers Stirk Harbour + Patner


Compact, multi-centred cities are the only Barajas Airport, Madrid, Spain (2005)

DESIGN PRINCIPLES
environmentally sustainable form of urban
development for future generations. They are a JUNE 2030
rational and economical way of creating human
settlements that offer a high quality of life.

AND PHYLOSOPHOES Legibility.


“My architecture tends to be legible, light and flexible.
You can read it. You look at a building, and you can
see how it is constructed. I put the structure outside.”
Richard Rogers has several different architectural
Richard Rogers
styles. What is common with most of his designs,
however, is the fact that his structures have exceedingly Flexibility
large indoor spaces.
Today’s buildings are more like evolving landscapes
To this day his work plays with similar motifs, utilizing than classical temples in which nothing can be 2002-2006: Hyatt Regency Barcelona Tower
bright colors and structural elements to create a style added and nothing can be removed.
that is recognizable, yet also highly adaptable.
Open ended, adaptable frameworks with large, well-
Inside-out is one of the most common ways of defining serviced and well-lit floors – spaces that can be used
the buildings of Rogers – or to use a term coined by for multiple activities in the short term – offer the
Archigram founder Michael Webb, "Bowellism". possibility for a long life span for the building and a
variety of possible long term uses.
Some of the principles of zen wisdom can easily be
identified in Richard Rogers’s work: simplicity Sustainability
(eliminating what doesn’t matter to make room for what
It isclear that the risks associated with climate change
does), austerity (refraining from adding what is not
will pose serious challenges to society and our natural
absolutely necessary in the first place) and naturalness
world
(incorporating patterns and rhythms into the design).
Sustainability has always been a major force in 2010- 2016: International Towers Sydney
This was an enduring stylistic motif of high-tech
shaping RSHP’s approach to design, As a practice,
architecture – to express a building's services and allow
every project we work on is a direct response to its
pipes, elevators and structural members to be a visual
wider context. We adopt an integrated design
element rather than hidden away in walls or concrete
approach, benchmark against global standards, and
cores.
develop innovative, practical solutions for all our
While often justified as a means of creating vast, flexible projects
spaces, there was clearly a great aesthetic enjoyment
being had there

The Pompidou Centre is another great illustration of


Rogers’ simplicity at work. In order to create large and
flexible spaces on the inside, all non-essential elements
(lifts, mains, pipes and tanks) were placed on the Public Realm. 2014: Gedung Leadenhall
outside of the building.
Public space between buildings influences both the built
form and the civic quality of the city, be they streets,
squares or parks.

A balance between the public and private domain is


central to the practice’s design approach. Buildings and
their surrounding spaces should interrelate and define
one another, with external spaces functioning as rooms
without roofs.

City & Context.


At RSHP, we believe that cities are the physical
framework of our society, the generator of civil values, the
engine of our economy and the heart of our culture
The Leadenhall The Leadenhall Building
The Leadenhall Building comprises a number of distinct
architectural elements that provide clarity to the
composition both as a whole and as a legible expression
of its constituent parts. These elements include the
This 50-storey tower opposite Lloyd’s of London primary stability structure, the ladder frame, the office

Building
rises to a height of 224.5 metres (802 feet), its floor plates, the northern support core, the external
slender form creating its own distinctive profile envelope and the public realm.
within an emerging cluster of tall buildings in this
part of the City of London. The building’s DESIGN
tapering profile is prompted by a requirement to The Leadenhall Building comprises a number of distinct
respect views of St Paul’s Cathedral, in architectural elements that provide clarity to the
particular from Fleet Street. The tower’s design composition both as a whole and as a legible expression
ensures that from this key vantage point the of its constituent parts. These elements include the
cathedral’s dome is still framed by a clear primary stability structure, the ladder frame, the office
expanse of sky. floor plates, the northern support core, the external
envelope and the public realm.
The office floors are designed to meet the
highest quality office space standards taking the The building is designed to express all its constituent
form of rectangular floor plates which elements behind a single glazed envelope. Façades to
progressively diminish in depth towards the the office areas require the highest comfort criteria in
apex. relation to heat loss, daylight, glare control and solar
gain. Here, the façades are supplemented with an
CONCEPT AND FUNCTION internal layer of double-glazing, forming a cavity which
Llyod's of London is an insurance market that incorporates the structural frame.
acts as an intermediary between clients,
brokers, underwriters, and insurance IMAGE
companies. Members operate as syndicates to 1. This is one of the more unique skyscrapers in
spread out the risk of different clients. the city. Understandably dubbed the
Flexibility is a key concept in the design of Cheesegrater due to its shape. It stands out
Lloyd’s of London and the provision of amongst its peers.
uninterrupted trading space – known as The 2. Another iconic London building. Attended a
Room – is a necessity. From this need the form great function at the top of the building. Views
of the building is set, allocating all renewable were amazing.
elements required by a complicated office
building to the extremity of the floor plate, and
giving the central plan the flexibility to act as a
space-efficient, single market place.

CONCLUSION
Like what he say about architecture, it cant be
just one being to construct what architecture
want, so if we look at every building what he
made, it contains high-tech building who need a
lot of subject to construct that. and also we
know that attention to the environmental context
and creating a comfortable place

Reference
https://www.britannica.com/biography/Richard-Rogers
https://www.theguardian.com/artanddesign/2021/dec/19/richard -rogers-lord-rogers-obituary
https://www.pritzkerprize.com/biography-richard-rogers
https://www.theguardian.com/artanddesign/gallery/2020/sep/01/richard-rogers-10-best-buildings-in-pictures#img-6

You might also like