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Volume 68, Issue 3

Modern Art

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0% found this document useful (0 votes)
5K views24 pages

Volume 68, Issue 3

Modern Art

Uploaded by

ucgargoyle
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
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/ HE bOESHT Kiet; / THE Die eebnee perueen 4 volume sixty-eight, issue 2 october 5.2022 Masthead ‘match the nameto the role! = manayngedvorinshiy content sttoninshig — Gy ee production manager Bs polities o oS aha = = a — a YAO treasurer cA. Pipe) Cw wye = Editor's Address salma rgheb 6 nama eh star plenihes vik Hallo Gargins! contributors ane sik \ you allo the greases we are displaying the masterpieces written oles ge on camp, Te Gare aig ese vag ‘sh jan shop lo ror ho sect eine he ats goo ; 4 nse Ceci N’est Pas Un Art —2 Sy What the fuck does “real art” mean, anyway? pane oae oo Se rereaaratn emcee pom eraten ‘out there. If you're like me, ‘be. Art should be expensive, ce te cere, fila depiction ofthe mot Felton with the “Myo yeanad coud bave recone elemento Fetter at both pete Srerdy Merk oul! be Sing nad eeting the “reste by anyone and tdiem and snobbery ofthe cveryone fstalishment Moder rat tec Asbest fa reestion ofthe Toundarie fart, and the = = inthort ofthe Cvereelings. people tetblshment that ets them Scemto find the very Hen of Modem at ean nd. oder at dias that ffequety)anelonia $ryone calming appredate - feminine deply art artinjust some Need ad er ars ‘ramen Ths rection Penturingyuppe tying 0 ‘yore historically pase down ee ae Aejuntoome est dee eee argent pte dal fcc arta wt othe sone eben ‘fat stb, and ot ‘othered to paint anthing nd ablecethetodscontee ee ate ete Some, otestokerp the eee ee - fay arm and ult toine that eupboketlebook “Theda that her corn beds Thse thing are sally eating ho the human represents that lof he at experience ca anno {ers worth discovering ave referred to acral ater sient eres alr heen rind bythe hana, but why? What long-dead master ofthe takes panting mae sealeny, ina deep ne than renstiteh? unsere, Earn ein. The ejection of any Srthat is stighny more ttre, sy less "prety than whats come before is cacty the reactionary D sofuckthe academy! Go fendene hat sa Van gh snake at! {he penniless and unknown, that got the impressionist. bre tom the fine slleros oftheir day, ad that Aeris he sot of sci) Ines amateur at rts to this day a eh A recapitulation of Donna § Haraway’s seminal work 3 on science, technology and Pell socialist-feminism, rechncog is not neta The main trouble with exorgs is that they are Fi Br the legitimate ofpring of \wemake and t's inside oft Patriarchal optim z ©) For those too embedded in S} algorithms to notice how _ | | they move. rena AusterityTO | ‘Sam Rosati Martin Tory’s grotesque installations. The citys dcaying it's rotting on display. John Tory is the artist of our elective “isaster. The sidewalks and overpasses are his canvas, the police his paintbrush. ‘Abed ofthe municipal cletion, the nightmarish polices of the mayor and are being reconsidered as at instilations ‘AusterfyTO, which describes themes as “series of public art instillation Satirially drawing attention to decrep Violent, and exclusionary spaces in Toronto by lacing gllery-syle plaques in them. ‘The guerilla projec credits John Tory athe artist ofthe eitys devastating state ~ each plaque bears his name, Austerity asks us {ose the city a a gallery, and to move ‘through Toronto's spaces of decay with suspicion. At the same time, we ae attuned to how these sites of violence can be sspatpsed bythe very people his polices ‘The projet brings particular attention to ‘Tors psy nayor au wel ashi sustained, active commitment to vglence towards unhoused people, and black and Indigenous epic pole with clsabilities. In these works ofr, the pl Deas cee Srehismst omen form of xpreton Se ener ‘rethought asa empleto Speed.” Along define: water fetid ara “trina often eit are purposely made inaccessible. The projet asks youto contemplate tvecty asitis and as how ican be. What if you ised inthe ruins Tory built for yous what could “art” be like lathe pie ereple eB roe if it wasn’t ET pu ake nite of met ten de ae po at commodified “To, > oo wees payee wa under Raa Capitalism? — 4ipoat fom openly le ty tyler riches fee meh, baal tn tel fo sores hoe ® Tak art auanonied {think if we're doing a issue on it's important that we unpack the “starving artist" artists are of Wesrtb commeclipcad ‘characterized as struggling financially and fe woe ‘ ‘mentally, particularly atthe begining of their eateers,as mich oftheir time, energy, "Keverstate’s Urbans aU the privtledses eae op to be Peaple de whatenes & want TE pet eee lanraladge Eloy Los | & gel ahead! te iy mar He Fiout QU Coke or bass = Hoag are Tectia! By You, treane Qy irretlina? and resourees go ito turning their art into Something that can sustain an income in this eaptalistsctety we liven. this process of eommadifation happens fverywhere! your friend sling handmade crafts on etsy, drag queens performing back-to-back nights atthe bar to earn reat, poo writing stret poetry at the Toeal pride festivities. al ofthese folks ae earning aliving with thelr art! but what if “starving artist” didn't exit? what could ar be fit wasnt commodified? how could it] flourish? for this aril, i walked around the gargoyle roduction night and asked folks to share ‘Some thoughts on this question. the fst Step to liberation is imagination, soa age thank you tothe flks who contributed! and tothe reader: ponder this question yourself! Art would be ne Nike fire for a ¥ Ondhe - pertgas bun Cnghter, & rare Autvral, reorain pe ween ne Rate ate owta nh eae eats i verge, fo St, comprehend. mb initely ba Coteng sore thing mtr a yoke aheags G30. iat menirs more. For ay, utd fase nue amma. a Fr i) Al He Peleg YT OLE Wie vi nage otitt tal be — Helios Gorteria Myiny reed. 0 5 Hse wed at We Ise only alle Class bu sfres And it valde Aga © beat ang MCU wriserg fo deecth wit omg bare heal for a te spew ast ye mich tof gartige And MCY WALL stand tor Mitiony , retin Ane matic, Univer Hf feerd. Mvp UCs Written So Even You Can Understand It The Laidlaw Wing and Beyond: A ‘Romanesque Revival Revival... Revival’ Zane Silk ‘was only in 960s, wth the fonding of umber baron Robert {ala that “the ffilment of the original plan fo the Coleg” veas posible. The Laidlaw wins purpose was to house new Tibrary anda efeteria inthe basement The Cllege choose tchitects whose vision waa fr the neve wing was to harmonize With these the older ilding” by copying general design ements A Romancuque Revival revival fyou wil Sone exterior? Check Some arched window with oaamentaion? Check Stone ‘ipports wth faces carved int them? Check, iva eo thd aly on ay Nesslieeratage acres ide toe otty a Sree od ee kl EM ee eerie: ° Ipanema macaagial i cateneet, aa hoe Counterparts. Nearly 60 years since ts completion, aldaw sands tas much as ever And herein es the timate ap ad lesson in Aesgningaditons wo od balding: ry to make it bend i nd you i a i Inside, the difrence is immediatly apparent, Entering Laidlaw from the wost wig, the ted ceilings tuddenly drop dawn and the walls are painted an awful shade of brown, acRanter effort to Itt he wood padling oth est fhe Coleg But onto, ‘UCneeded a new library and dining space, and an ation was ecesary. But what if the College had choca ssoderast le, ‘chewing the doomed efor to “harmonies” ld with new. Not bras, bot asta! and las afte, enclosing the quad but ‘suring it til ft open tothe world ouside Instead, 50 years from now, Laila wil rcsve heritage designation duet efforts fom Robert Laila’ great-great randhilden, Soom after the next adil to UC wil be ult ‘piling oct rom Laila, artmpting to “harmonine” withthe ‘detested wing to which ifs titachad,dsplacing the bac campus Fels nthe peoceah. A Romanesque Revival revival. revival ale ete pt part of UC common ran aang the ‘UCstudents Ive spoken to (an extremely ited sample, ‘eimi) But upline doesnt just happen by acdent, someone must fave designed his ugly building to Be ugly question is wy? Laie origins in the construction ofthe main UC building vera century before, University College was designed inthe ‘Romaneaque Revva yl to mimic he architecture ofthe colleges ‘vith the universes of Onford snd Cambridge, each of which Sesh wey ec an Then lee nd wa ot be traded upon by those deemed by eles as ‘Thi sentiment that remains prescient in regard to Cots ‘own Tiny Cllge quad today However, despite the wishes of UC {ovollow in he footsteps ofthis ett ea, there was simply ot. ‘nouph funding to enclose UCs quad onthe northside and as suc, itwould ave to remain open to the otade word, how trib! When the bling burnt dow in 890, it was rebuilt almost ‘actly tothe orginal peideatons, andthe goal o enclosing the ‘quad remained easve OrINioNS A Definitive Rating of Modern Toronto Buildings é A subjective guide from two people who know nothin, about architecture kenzy elmore & ishika rishi Backof the AGO + ike the: Modernism - “* » The People’ s Art Gallery: An Ode to Toronto Bar Tvecften said that one of i's greatest, Pleasures isa drunk pee, which is statement 1 stand (or sit, gues by, bt one a the drunk e's greatest pleasures is aking at th unique tnt eershangg ge bat oe Tact ‘bathroom stall, ‘ ‘When I walk down the creaky, syste ofa sew bar and walk into that tal eovered in Serbs rom hundreds of people before me, feel ike 'm coming home. The tall becomes out cave painting the olsoraive efoto ‘everyone's most pressing thought a the moment they sat onthe same vaguly gros it, physically removed from everyone they came With, Dut wit the haunting, echoing sound of arty happening upstairs The bathroom tle !mopen, continuous conversation with evenone BE creo has drunk ped inthe stall, and fe wer one wo wil one day be there Wo share advice: sebastian bas the biggest cookin the cast end" Sneaky Dee's Radlchead ie god 4, Sneaky De's “You canal god you want", The Green Room ‘+ "your vaginas Totally pertet, Because its yours” Sneaky Des = “STAY WETLADIES!” The Slline ‘Getopinions Tits ys Astaly chart, Loss Place “Fuck the Maddy”, The Maddy “Timon the worst second date ight now, over up with man rom instagram’, The Green Room at "And express things that are important tows: ek velns forever”, Sneaky Dee's “torn to shit forced to wipe” Seaky i aA Youtreneveralone none ofthese stalls they are | tive with the sentiments which dora thelr wall ‘My personal vost atthe Stine, pce TNebeen gong osince ae where eked pine comer isthe singe Stn, you are Sey precious tome” Somehow fsa 1 ce tt hi ia hs Cane before meth wel fo ths warmth, Sd that hing ia the word ear ming A fathom stan bean at gallery. The Shine fan fl home. Sebanlan cat have he ‘Begs cock nthe east end. Two People Who Know Absolutely Nothing About Modern Art Reacting to ARTFORUM’s Best of 2013- 2014 Entries in Real Time Comemiier that Sauky, Meed y book where she spills Jpicebon on hen project bat ° ass fin anisag? eat \ Brol wet tre habynrt eo OF art we realy shranizg Whi in BOD kayla ltschko and julian apotinario TEES a ates shovel. Study. Me cisht do bear a7 bit mate /P Lorain TF pare Te obs look tng: L Ree! Aas seryptd He bmest Like they V Krewt 43 tintege 2 Mente Evegy TWA OF es The ghoes ane nice +h but es ee as oad acer rages ae ic | me aS ae ae ia Th not sure i€ 143.0. donet on \ an Flafabie peal ning, bt a 2 = cabniel Gabriel fa Dream the te ad 7 . mm: (TI q". RAPTURE rel MANIFETSO_ _, es ye — we e. / ; LN the wif 7/1 WW fh 5 f f 1 P i UC Gargoyle ©Q@5 om ey tak a alt ¥oo3 @] _ cousin ace 07 SSWARHOLAN NIGHTMARE 2.0040 LES MAINS DANS La CROTTE LA CHAIR Coy A TAS P BU Eid UN S0VF NAPOLI TAIN FRANCIS PICABIA,

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