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Summative Test Creative Writing

This document contains a test on figurative language and poetry analysis. It consists of 30 multiple choice questions about identifying figures of speech, analyzing poetic devices and techniques, and interpreting themes in two poems - "A Lady" by Amy Lowell and "Out in the Field with God" by Elizabeth Barrett Browning. It provides directions for students to circle the best answer for each question about the use of similes, metaphors, imagery, rhyme schemes, and other elements of poetry. It also includes lines from the two poems for students to analyze.
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0% found this document useful (0 votes)
477 views4 pages

Summative Test Creative Writing

This document contains a test on figurative language and poetry analysis. It consists of 30 multiple choice questions about identifying figures of speech, analyzing poetic devices and techniques, and interpreting themes in two poems - "A Lady" by Amy Lowell and "Out in the Field with God" by Elizabeth Barrett Browning. It provides directions for students to circle the best answer for each question about the use of similes, metaphors, imagery, rhyme schemes, and other elements of poetry. It also includes lines from the two poems for students to analyze.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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ANTIPOLO CITY SENIOR HIGH SCHOOL

(#342175 - SHS within Sta. Cruz Elementary School)


Brgy. Sta. Cruz, Antipolo City
Email add: [email protected]

1st Summative Test in Creative Writing


I. Directions: Identify the figurative language used in each statement. Encircle the letter that best
corresponds to your answer.

1. Old Mr. Johnson has been teaching here since the Stone Age.
A. Hyperbole B. Synecdoche C. Metonymy D. Personification
2. She was just a trophy to Ricardo, another object to possess.
A. Simile B. Metaphor C. Oxymoron D. Paradox
3. The moon turned over to face the day.
A. Simile B. Irony C. Personification D. Hyperbole
4. if you don't risk anything, you risk everything.
A. Oxymoron B. Synecdoche C. Metonymy D. Paradox
5. Let's take my new wheels out for a spin.
A. Synecdoche B. Oxymoron C. Metonymy D. Paradox
6. Looking at her son's messy room, Mom says, "Wow, you could win an award for cleanliness!" 
A. Simile B. metaphor C. Irony D. hyperbole
7. She is as slippery as eel.
A. Hyperbole B. Simile C. Metonymy D. Personification
8. The traffic noises argued long into the night and finally Cal went to sleep.
A. Simile B. Irony C. Personification D. Hyperbole
9. After eating candy, Billy ran around like a chicken with his head cut off
A. Simile B. Irony C. Personification D. Hyperbole
10. Bob’s new corner office was just the icing on the cake.
A. Simile B. Metaphor C. Oxymoron D. Paradox
II. Directions: Read and analyze each statement. Then Encircle the letter of your answer.
11. What refers to the operating language of poetry, language employed in a manner that sets poetry apart
from other kinds of speech or writing?
A. figurative language
B. poetic diction
C. rhyme scheme
D. sensory image
12. Which does not belong to the group?
A. Diona
B. Fable
C. Haiku
D. Sonnet
13. Which of the following refers to appealing to the reader's senses through descriptive language?
A. Dialect
B. Dialogue
C. Diction
D. Imagery
14. What is the difference between tone and mood?
A. Tone is the author's attitude toward a subject, while mood is how we are
made to feel as readers, or the emotion evoked by the author.
B. Mood is the author's attitude toward a subject, while tone is how we are
made to feel as readers, or the emotion evoked by the author.
C. Tone is the used of sound pattern in poetry, while mood is the diction use by the writer to convey
feelings.
D. Mood is the used of sound pattern in poetry, while tone is the diction use by the writer to convey
feelings.
15. What elements of poetry can you associate the following words: onomatopoeia, rhyme, assonance,
consonance and alliteration.
A. form B. imagery C. sound D. word
16. All the given lines are assonance EXCEPT one which is it?
A. Let the cat out of the bag
B. A stitch in time saves nine
C. The squeaky wheels get the grease
D. upon a midnight dreary while I pondered weak and weary
17. Why is it that all haiku does not have a title?
A. It need not because the poem will stand for itself.
B. Haiku writers usually forget to write a title.
C. It doesn’t need a title because it only has 3 lines.
D. it is because all Haiku has one theme-nature.
III. Read the poem and answer the questions that follow.
A Lady
by: Amy Lowell

1. You are beautiful and faded


2. Like an old opera tune
3. Played upon a harpsichord;
4. Or like the sun-flooded silks
5. Of an eighteen-century boudoir
6. In your eyes
7. Smoulder the fallen rose of outlive minutes,
8. And the perfume of your soul
9. Is vague and suffusing
10. With the pungence of sealed spice-jars.
11. Your half-tones delight me,
12. And I grow mad with gazing at your blent colors

1. My vigor is a new-minted penny,


2. Which I cast at your feet.
3. Gather it up from the dust,
4. That its sparkle may amuse you.

17. Which lines exemplify a simile?


A. Lines 1 & 2 B. Lines 3 & 4 C. Lines 4 & 5 D. Line 6 & 7
18. What is being compared in the poem?
A. perfume and soul
B. the lady & old opera tune
C. old opera tune & sun flooded silks
D. eighteen-century boudoir & fallen rose
19. Which of the following statements is TRUE about the poem?
A. The poem contains 1 simile,1 metaphor and 1 hyperbole.
B. The poem contains 2 simile,2 metaphor and 1 personification.
C. The poem contains 1 simile,1 metaphor ,1 personification, and 1 hyperbole
D. The poem contains 2 simile,2 metaphor ,1 personification, and 1 hyperbole.
20. In the first two lines of the poem what poetic technique/device is used by the author?
A. enjambment and line break
B. enjambment and sound device
C. figurative language and imagery
D. figurative language & enjambment
21. What is the dominant sensory image used in the poem?
A. auditory B. olfactory C. kinesthetic D. visual
22. Where literary device is used all throughout the second stanza?
A. figurative language B. sound device C. line break D. diction
23. In lines 8 and 9 of the 1st stanza what poetic device is used?
A. figurative language B. line break C. enjambment D. imagery
24. What is the tone of the persona speaking in the poem?
A. appreciative B. empathetic c C.kind D. mean

Out in the Field with God


By: Elizabeth Barrett Browning

The little cares that fretted me,


I lost them yesterday
Among the fields above the sea,
Among the winds that play,
Among the lowing of the herd,
The rustling of the trees,
Among the singing of the birds,
The humming of the bees.

The foolish fears of what might pass


I cast them all away
Among the clover-scented grass,
Among the new-mown hay,
Among the hushing of the corn,
Where drowsy poppies nod,
Where ill thoughts die and good are born —
Out in the fields with God.

25. What is the rhyme scheme of the 2nd stanza?


A. ababcdcd B. aabbccdd C.eeffgghh D.efefghgh
26. Which of the following BEST conveys the message of the poem?
A. To fear about what to happen in the future is foolishness.
B. We should stop worrying to things that doesn’t really matter.
C. As human we encountered trials, but we should always keep our faith.
D. We should avoid committing mistakes in order to avoid problems coming.
27. What is the theme of the poem?
A. Trials are to make us strong.
B. Nature has its own way of healing.
C. Set yourself from worry and trust God.
D. There is always hope amidst all the trials.
28. What is the mood of the poem?
A. chaotic B. cheerful C. peaceful C. overwhelming
29. The following lines from the poem used auditory imagery EXCEPT one. Which is it?
A. The rustling of the trees.
B. The humming of the bees
C. Among the lowing of the herd
D. Among the singing of the birds
30. To what sense do the lines “Among the clover-scented grass” and Among the new-mown hay appeal to?
A. kinesthetic B. olfactory C. organic D. visual

BONUS points

Pick out two lines from the poem that used personification

Prepared by:

MARIA VICTORIA B. VELASCO


MT2/Creative Writing Teacher

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