Summary ICS Partial Test
Summary ICS Partial Test
What is a theory?
- Ernest Bormann: “an umbrella term for all careful, systematic and self-conscious
discussion and analysis of communication phenomena”
o Used in previous editions of the book
o General enough, but too broad so it doesn’t give us any direction on how we
might construct a theory, nor does it offer a way to figure out when thoughts
or statements about communication haven’t attained that status.
- Judee Burgoon: a theory is nothing more than a set of systematic, informed hunches
about the way things operate.
A set of hunches
- Theories always involve an element of speculation or conjecture.
- Hunches and not hunch: a theory is not just inspired by one thought or an isolated
idea. Theory construction involves multiple hunches.
Informed hunches
- Before developing a theory, there are articles to read, people to talk to, actions to
observe, or experiments to run, all of which can cast light on the subject.
- Theorists should be familiar with alternative explanations and interpretations of the
types of phenomena they are studying.
- Fred Casmir’s description of theory (further affirms the informed hunches part):
Theories are sometimes defined as guesses – but significantly as “educated” guesses.
Theories are not merely based on vague impressions nor are they accidental by-
products of life. Theories tend to result when their creators have prepared themselves
to discover something in their environment, which triggers the process of theory
construction.
Images of Theory
Theories as nets
- Karl Popper: “theories are nets cast to catch what we call ‘the world’… We endeavor
to make the mesh ever finer and finer”.
o The world can be interpreted as everything “under the sun”, requiring a grand
theory that applies to all communication, all the time
o Catching the world could be construed as needing many special theories,
different kinds of small nets to capture distinct types of communication in
local situations.
o Criticism: The idea that theories could be woven so tightly that they’d snag
everything humans do seems naïve. It also raises questions about our freedom
to choose some actions and reject others.
Theories as lenses
- The lens imagery highlights the idea that theories shape our perception by focusing
attention on some things while ignoring others, or at least pushing them to the
background.
- Two theorists could analyze the same communication event and, depending on the
lenses each uses, find completely different conclusions.
- Criticism: We might regard what is seen through the glass as so dependent on the
theoretical stance of the viewer that we don’t try to discern what is real or truth.
Theories as maps
- In this analogy, a communication theory is a kind of map that’s designed to help you
navigate human relationships.
- Criticism: The map is not the territory. Like a still photograph, no theory can fully
portray the richness of interaction between people that is constantly changing, always
varied, and inevitably more complicated than what any theory can chart.
What is communication?
- There is not one single definition that is standard in the field of com.
- The working definition is: Communication is the relational process of creating
and interpreting messages that elicit a response.
1. Messages
- Communication involves “talking and listening, writing and reading, performing and
witnessing, or, more generally, doing anything that involves ‘messages’ in any
medium or situation”.
- Communication theorists use the word text as a synonym for a message that can be
studied, regardless of the medium.
o Definition of text: A record of a message that can be analyzed by others (a
book, film, photograph, or any transcript or any recording of a speech or
broadcast).
2. Creation of messages
- The content and form of a text are usually constructed, invented, planned, crafted,
constituted, selected or adopted by the communicator.
- These imply that the communicator is making a conscious choice of message form
and substance.
- There are many times when we speak, write or gesture in seemingly mindless ways.
These are preprogrammed responses that were selected earlier and stored for later use
(like thank you, excuse me, etc)
3. Interpretation of messages
- Many scholars believe that “words don’t mean things, people mean things” ->
“Humans act toward people or things on the basis of the meanings they assign to
those people or things.”
- Words and other symbols are polysemic.
o Definition of polysemic: A quality of symbols that means they’re open to
multiple interpretations.
4. A relational process
- Communication is a process.
- “Communication is a process of relating. This means it is not primarly or essentially a
process of transferring information or of disseminating or circulating signs (though
these things can be identified as happening within the process of relating).
- Communication is a relational process not only because it takes place between two or
more persons, but also because it affects the nature of the connections among those
people.
- When you can compare and contrast theories on the basis of their interpretive or
objective worldview, you’ve begun an integration that’s more impressive than rote
memorization.
- The scientist (objective theorist) is convinced that knowing the truth about how
communication works will give us a clearer picture of social reality. The interpreter is
equally sure that unearthing communicator motivation and hidden ideologies will
improve society by increasing free choice and discouraging unjust practices.
- Gerbner claimed that because TV contains so much violence, people who spend the
most time in front of the tube develop an exaggerated belief in a mean and scary
world.
- The violence they see on the screen can cultivate a social paranoia that counters
notions of trustworthy people and safe surroundings.
- Gerbner regarded television as the dominant force in shaping modern society.
- He was convinced that TV’s powers come from the symbolic content of the real-life
drama shown all the time.
- Violence is one of the major staples of the TV world.
o “Violence is the simplest and cheapest dramatic means to demonstrate who
wins in the game of life and the rules by which the game is played”
- While some people were worried that the violence on TV might encourage aggressive
behavior in younger audiences, Gerbner was more concerned that it affects viewers’
beliefs about the world around them and the feelings connected to those beliefs.
o If viewers come to believe that the world is filled with crime, they are likely to
feel scared about that world.
- Cultivation theorists are concerned that television violence convinces viewers that it
is indeed “a jungle out there”.
- Cultivation theory isn’t limited to TV violence, other scholars have used it to theorize
about how TV affects perceptions of the health risks of smoking, political positions,
gender roles.
- Gerbner introduced the theory of cultivation as a part of hid cultural indicators
paradigm.
o Paradigm is a conceptual framework that calls for people to view events
through a common interpretive lens.
- Gerbner’s framework consists of three prongs, each uniquely equipped to tell us
something different about the world of TV. They are each associated with a particular
type of analysis that Gerbner considers a critical componenent in understanding the
effects if television on its viewers:
Critique
- Opponents have challenged Gerbner’s definition of violence, the programs he
selected for analysis, his decision to lump together all types of dramatic programs, his
assumption that there is always a consistent television answer, his non-random
methods of selecting respondents, his simple hours-per-day standard of categorizing
viewers as light or heavy, his measuring methods, his statistical method of analysing
data, and his interpretation of correlational results.
- Because the cultivation researchers shun the experimental method in favor of the
survey, they can’t establish an evidence of causality. This is the most daunting issue
of cultivation research.
- Critics say that the correlation established by Gerbner could be real, that TV
cultivates or causes a fear of crime, but it could also be the other way, fear of crime
causes people to watch more TV.
- Longitudinal studies could help determine what comes first, but those type of studies
take many months or years to complete.
- Because of that, there are basically no longitudinal studies on this, and it causes the
theory to have low testability.
- Another possibility is that neither one causes the other, they are caused by something
else. Someone’s living situation could be the cause of fear of crime and heavy tv
watching, per example.
- Cultivation effects tend to be statistically small.
- Critics say that Gerbner’s original assumption that TV viewers are constantly exposed
to the same images and labels is no longer true due to today’s large options on cable
and streaming, If the theory is to continue to exert influence, many critics maintain
that it will have to adapt to the new media environment.
Critique
- Childhood viewing habits accounted for only 10% of the difference in later aggression.
- Social learning theory shares the problem of almost all reinforcement theories – it
doesn’t predict what the learner will regard as positive.
Invisibility of Environments
- Medium shapes us because we partake of it over and over until it becomes an
extension of ourselves
- Because every medium emphasizes different senses and encourages different habits,
engaging a medium day after day conditions the senses to take in some stimuli and
not register others
- The ordinariness of media is what makes them invisible.
- When a new medium enters society, there’s a period of time in which we’re aware of
its novelty.
- But when it fades into the background of our lives we become vulnerable to its
patterns – its environmental influence
Laws of media
1. Enhance: Media can enhance various social interactions, such as the telephone, which reduced the need
for face-to-face interactions.
forms may not be able to incorporate into their new technologies. For example, the Internet has
promoted new forms of social conversations, which may have been lost through television.
4. Reverse: “the reverse of enhancement; the unexpected dissatisfactions. Pushed to its limits, the
artifact flips on its user” and creates new problems.
Critique
- McLuhan’s theory suggests objectivity without scientific evidence; he used an
interpretive approach to make objective claims, but his theory fails to meet most of the standard
criteria used to assess either type of theory.
- The theory attempts to make sense of the fact that people consume a dizzying array of media
messages for all sorts of reasons, and that the effect of a given message is unlikely to be the same for
everyone. The driving mechanism of the theory is need gratification. By understanding the particular
needs of media con- sumers, the reasons for media consumption become clear.
- The study of how media affect people must take account of the fact that people deliberately use
media for particular purposes.
- Prior to this proposal, scholars thought audiences were passive targets waiting to be hit by a
magic bullet (the media mes- sage) that would affect everyone in the same way. In uses &
grats, audiences are seen as anything but passive. They decide which media they want to use
and what effects they want the media to have.
- The reasons to consume media—even the same type of media—can change over time.
- Those choices are undoubtedly influenced by a host of other factors, including the
environment in which we were raised, our friends, and our past media exposure.
- Just as people eat in order to satisfy certain cravings, uses & grats assumes people have needs
that they seek to gratify through media use.
- The deliberate choices people make in using media are presumably based on the gratifications
they seek from those media. Thus, uses and gratifications are inextricably linked.
- But Katz thinks the key to understanding media depends upon which need(s) a person is
trying to satisfy when selecting a media message.
- Not only do media compete with each other for your time, they compete with other activities
that don’t involve media exposure.
- According to uses & grats, we won’t understand the media choices we make until we first
recognize the underlying needs that motivate our behavior.
- the same media message doesn’t affect everyone in the same way.
Assumption 5: People can accurately report their media use and motivation
- The controversial aspect of this measurement strategy is whether or not people are truly
capable of discerning the reasons for their media consumption.
- While some scholars have attempted to show that we can trust people’s reports of the reasons
for their media consumption,16 this assumption of the theory continues to be debated.
Sometimes assumptions turn out to be wrong.
- Notice that each category describes both a reason for TV use as well as a potential
gratification experienced from that use.
1.Passing time. Consider the waiting room at the doctor’s office. The primary reason for watching TV is
to simply pass the time until you’re called in for your appointment.
2.Companionship. When sports fans get together to watch the big game, some fans are there primarily
for the chance to get together with friends. Watching the game is secondary.
3.Escape. Instead of focusing on that anxiety-causing term paper due in two weeks, a college student
might just turn on the tube to escape the pressure.
4.Enjoyment. Many report that the main reason they watch a TV show is that they find the whole
experience enjoyable. This might be the most basic moti- vation to consume any media.
5.Social interaction. TV viewing provides a basis for connecting to others. If I make sure to watch the
most recent episode of a series like Game of Thrones, I may find that I have more opportunities to start a
conversation with someone else who saw the same show.
6. Relaxation. After working all day, many people report that they find it relax- ing to watch TV. Today,
many households have at least one bedroom with a TV. People sometimes report that watching TV
relaxes them so much that they have difficulty falling asleep any other way.
7. Information. News junkies report that watching TV is all about keeping up with the latest information
of the day. If they don’t get to watch TV for sev- eral days, they report feeling uncomfortable about the
information they know they’ve missed.
8. Excitement. Sometimes media consumers are after an intense sense of excite- ment. This could be one
reason why media violence is a staple of TV enter- tainment. Conflict and violence generate a sense of
excitement that few other dramatic devices can match.
- it’s easy to see that these broad categories may not be mutually exclusive.
Parasocial relationships
- A sense of friendship or emotional attachment that develops between TV viewers and media
personalities.
Critique
The theory has an emphasis on description rather than explanation.
Audience is “variably active – they are not equally active at all times” (ritualized vs.
instrumental media use)
o Ritualized: Habit, distraction and enjoyment
o Instrumental: Purposeful, selective, information
- this subconscious sorting of ideas occurs at the instant of perception. We weigh every new
idea by comparing it with our present point of view.
Higher ego-involvement:
Stronger anchor
Smaller latitude of acceptance
Larger latitude of rejection
Smaller latitude of noncommitment
Critique
- How can we measure assimilation and contrast?
- Not particularly informative about which message characteristics work well (e.g.,
argument quality)
Chapter 15: Elaboration Likelihood Model – Richard Petty & John Cacioppo
Critique
- Focus on cognitive processes (thinking), not much attention for affective processes
(emotion)
Critique
- Overly complicated
- Too hard to observe dissonance; the theory isn’t testable