Romanticism Definition
Romanticism Definition
The term Romanticism does not stem directly from the concept of love, but rather from the French word romaunt (a
romantic story told in verse). Romanticism focused on emotions and the inner life of the writer, and often used
autobiographical material to inform the work or even provide a template for it, unlike traditional literature at the time.
Romanticism celebrated the primitive and elevated "regular people" as being deserving of celebration, which was an
innovation at the time. Romanticism also fixated on nature as a primordial force and encouraged the concept of isolation
as necessary for spiritual and artistic development.
Romanticism was a literary movement that began in the late 18th century, ending around the middle of the 19th century—
although its influence continues to this day. Marked by a focus on the individual (and the unique perspective of a person,
often guided by irrational, emotional impulses), a respect for nature and the primitive, and a celebration of the common
man, Romanticism can be seen as a reaction to the huge changes in society that occurred during this period, including the
revolutions that burned through countries like France and the United States, ushering in grand experiments in democracy.
Characteristics of Romanticism
Romantic literature is marked by six primary characteristics: celebration of nature, focus on the individual and
spirituality, celebration of isolation and melancholy, interest in the common man, idealization of women, and
personification and pathetic fallacy.
elebration of Nature
Romantic writers saw nature as a teacher and a source of infinite beauty. One of the most famous works of Romanticism is
John Keats’ To Autumn (1820):
Romantic writers turned inward, valuing the individual experience above all else. This in turn led to heightened sense of
spirituality in Romantic work, and the addition of occult and supernatural elements.
The work of Edgar Allan Poe exemplifies this aspect of the movement; for example, The Raven tells the story of a man
grieving for his dead love (an idealized woman in the Romantic tradition) when a seemingly sentient Raven arrives and
torments him, which can be interpreted literally or seen as a manifestation of his mental instability.
Celebration of Isolation and Melancholy
Ralph Waldo Emerson was a very influential writer in Romanticism; his books of essays explored many of the themes of
the literary movement and codified them. His 1841 essay Self-Reliance is a seminal work of Romantic writing in which he
exhorts the value of looking inward and determining your own path, and relying on only your own resources.
Related to the insistence on isolation, melancholy is a key feature of many works of Romanticism, usually seen as a
reaction to inevitable failure—writers wished to express the pure beauty they perceived and failure to do so adequately
resulted in despair like the sort expressed by Percy Bysshe Shelley in A Lament:
O world! O life! O time!
On whose last steps I climb.
Trembling at that where I had stood before;
When will return the glory of your prime?
No more—Oh, never more!
Idealization of Women
In works such as Poe’s The Raven, women were always presented as idealized love interests, pure and beautiful, but
usually without anything else to offer. Ironically, the most notable novels of the period were written by women (Jane
Austen, Charlotte Brontë, and Mary Shelley, for example), but had to be initially published under male pseudonyms
because of these attitudes. Much Romantic literature is infused with the concept of women being perfect innocent beings
to be adored, mourned, and respected—but never touched or relied upon.
Personification and Pathetic Fallacy
Romantic literature’s fixation on nature is characterized by the heavy use of both personification and pathetic
fallacy. Mary Shelley used these techniques to great effect in Frankenstein:
Its fair lakes reflect a blue and gentle sky; and, when troubled by the winds, their tumult is but as the play of a
lively infant, when compared to the roarings of the giant ocean.
Romanticism continues to influence literature today; Stephenie Meyers’ Twilight novels are clear descendants of the
movement, incorporating most of the characteristics of classic Romanticism despite being published a century and half
after the end of the movement’s active life.
What is the dark side of Romanticism?
Dark Romantics focus on human fallibility, self-destruction, judgement, punishment, as well as the psychological effects
of guilt and sin. Authors who embrace this genre include Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and Emily
Dickinson.