RPH Lesson 3 Reporting
RPH Lesson 3 Reporting
According to some art experts, the fallen gladiators who are being dragged in the painting are the
Filipino people, while the men dragging them are representative of the Spanish rule. It is
believed that the woman crouched on the right side of the painting is the Mother Country or the
Inang Bayan who weeps for her Philippines. The blood thirsty crowd to the left represents the
social cancer on that time. Truly, there is more than meets the eye when it comes to the painting
Spoliarium.
PARISIAN LIFE
Despite the civilized middle-class body, their brown faces disclose their racial identity. They are
identified as the Filipino patriots Jose Rizal, Juan Luna (frontal pose), and Ariston Bautista Lin
(holding cane handle) discovered paregoric, a medicine that stopped the onslaught of
countrywide cholera epidemic at the turn of the century. He was also the financier of the
Propaganda movement, Katipunan, Philippine Revolution and Philippine America War.
literal and popular interpretation where the lady sitting in the sofa was identified as a flirt and
prostitute, by tragic and biographical interpretation which discusses the personal experience of
Luna with his wife who had an affair with another man. Juan Luna brought to light the hypocrisy
and duplicity of his social environment. Whose double standards Luna and
the ilustrados enjoyed.
One interpretation claims the lady as the mirror image of the Philippine archipelago. the woman
in the painting has a “geographical likeness” to the mirror-image of the archipelago of the
Philippines. Simply the interpretation contends the lady as our motherland. The motherland is
awkwardly poised, disturbed with a about-to-cry face, unsure whether to stand up or remain
seated.
ANTIPOLO FIESTA
notice the recognition of and unity of the self with others wherein a complete trust and bond
between strangers who are obviously not of blood is currently unfolding.
A month-long celebration to honor the Our Lady of Peace and Good Voyage.
a rural scene where a group of people are shown celebrating a fiesta in Antipolo. The main focus
is on a fair of dancers in the field surrounded by revelers both young and old. Abundant food is
presented in the basketfuls of assorted fruits on benches and on the ground, as well as the
traditional roasted pig or lechon being prepared by two men. Nearby is a house with huge
windows from where dwellers watch the revelers. At the background is a huge church, a
symbolic town structure. A vast number of townsmen complete the essence of a fiesta.
PALAY MAIDEN
celebrated the Filipina in her own likeness, carrying new harvest to symbolize the hope for a
rising nation.