User Manual


Congratulations on the purchase of your ColorChecker Passport. You’ve entered a powerful new world of
effortless color control and creative finesse for your RAW workflow. You’ll be able to quickly and easily capture
accurate color, instantly enhance portraits and landscapes and maintain color control from capture to edit. You’ll
get expert color results in a fraction of the time.
ColorChecker Passport combines 3 photographic targets into one pocket size protective case that self-stands to
adjust to any scene. Together with the software you get the ultimate in functionality, flexibility and portability.
You’ll gain the biggest benefit when you shoot RAW, but even JPEG shooters will find many useful benefits. So
whether you take advantage of just one feature or incorporate them all, we’re confident you will find your
ColorChecker Passport one of your most valuable tools.
This guide provides an overview of the many ways ColorChecker Passport can be used. We’ve included specific
steps to show you how to take the best advantage of this powerful color tool for your specific workflow. Using the
table of contents and sample workflows located in the back of the book, select the sections that are most relevant to
you.
ColorChecker Passport is so convenient and portable. Make sure you take it with you to every shoot!

C olorChecker Passport ......................................................................................... 3

What’s Included ......................................................................................................................................3

Why Color Management? ...................................................................................... 4

Camera Calibration and DNG Profiles ...........................................................................................................5

Why Custom DNG Profiles? .......................................................................................................................................5

Color Management in a RAW Workflow ........................................................................................................................6

Camera Calibration with Adobe® Photoshop® Lightroom® ...................................................................................................6

Benefits of a Calibrated Display ....................................................................................................................6

Benefits of Printer Profiles ..........................................................................................................................7

White Balance...................................................................................................... 8

What is White Balance? .............................................................................................................................8

White Balance in a RAW Workflow..............................................................................................................................9

White Balance in a JPG Workflow ...............................................................................................................................9

The Targets ....................................................................................................... 10

The ColorChecker White Balance Target ...................................................................................................... 11
How to Use the ColorChecker White Balance Target ....................................................................................................... 11

The ColorChecker Classic Target ............................................................................................................... 12

How to Use the ColorChecker Classic Target ................................................................................................ 13

Tips for Capturing the ColorChecker Classic Target ........................................................................................................ 13

The ColorChecker Creative Enhancement Target............................................................................................ 15

Use and Care of ColorChecker Passport ....................................................................................................... 16

Use ................................................................................................................................................................... 16

Care.................................................................................................................................................................. 16

Longevity ........................................................................................................................................................... 16

Carrying the ColorChecker Passport............................................................................................................................ 17
Quality Guarantee Label......................................................................................................................................... 17

Opening and Closing the Passport Case ....................................................................................................................... 17

Positioning Options ............................................................................................................................................... 18


 

T he Software ..................................................................................................... 19

Raw Processing Applications ..................................................................................................................... 19

Adobe Photoshop................................................................................................................................... 19

ColorChecker Passport Desktop Application.................................................................................................. 20

Installing the ColorChecker Passport Desktop Application ................................................................................................. 20

Passport System Requirements................................................................................................................................... 20

Setting White Balance ........................................................................................ 22

How to Set In-Camera White Balance .......................................................................................................... 22

How to Set White Balance in Lightroom, Photoshop and Photoshop Elements ......................................................... 24

How to Set White Balance in Capture One.................................................................................................... 24

How to Set White Balance in Aperture......................................................................................................... 24

How to Set White Balance in Bibble ............................................................................................................ 25

Correcting Image Color with Spectrum Patches ................................................... 26

HSL Sliders .......................................................................................................................................... 27

Visual Comparison ................................................................................................................................. 27

Enhancing Images with the ColorChecker Creative Enhancement Target ............... 28

Exposure Verification and Correction .......................................................................................................... 28

Identifying Clipping ................................................................................................................................ 28

Highlight Clipping Correction ................................................................................................................... 30

Shadow Clipping Correction ..................................................................................................................... 30

Warming and Cooling with White Balance .................................................................................................... 30

White Balance Portraits with “Warming” Patches ........................................................................................................... 31

White Balance Landscapes with “Cooling” Patches .......................................................................................................... 32

Creating DNG Profiles ........................................................................................ 33

Creating DNG Profiles in Lightroom ........................................................................................................... 33

Creating DNG Profiles in Photoshop and Photoshop Elements ............................................................................ 36

Creating a Dual-Illuminant DNG Profile in the ColorChecker Passport Desktop Application or the ColorChecker Passport
Lightroom Plugin ................................................................................................................................... 40

Creating a Dual-Illuminant DNG Profile in Lightroom ................................................................................................... 41

Creating a Dual-Illuminant DNG Profile in Photoshop Camera Raw................................................................................... 42

Automating Color Control in Raw .............................................................................................................. 43

Automating Color Control in Lightroom ...................................................................................................... 43

Copy and Paste Settings in the Develop Module ............................................................................................................. 43

Copy and Paste Settings in the Library Module .............................................................................................................. 45

Synchronize Settings.............................................................................................................................................. 46

Saving Presets ...................................................................................................................................................... 47

Default Presets ..................................................................................................................................................... 48

Sync Settings ....................................................................................................................................................... 49

Saving Presets ...................................................................................................................................................... 50

Default Presets ..................................................................................................................................................... 51

Saving Basic Adjustments ........................................................................................................................................ 53

The Complete Photo Workflow ............................................................................ 55

Raw Workflow ..................................................................................................................................... 55

JPEG Workflow .................................................................................................................................... 56


 

ColorChecker Passport
ColorChecker Passport is a unique solution for any photographer looking for accurate, consistent color and creative
flexibility – especially those working in RAW format. ColorChecker Passport includes a set of three ColorChecker
photographic targets, both a desktop camera calibration application and an Adobe® Photoshop® Lightroom® camera
calibration plug-in to create DNG profiles that encompass your specific camera, lens and lighting conditions for use
in a RAW workflow – everything you need to attain full creative control from image capture to post-processing.

What’s Included
A set of three ColorChecker photographic targets housed
in a functional plastic case that’s small enough to fit in your
pocket, yet sturdy enough to go everywhere you go.
• ColorChecker White Balance target, a spectrally-
neutral white balance target that provides in-camera
white balancing for both JPEG and RAW photography.
• ColorChecker Classic, the industry standard 24-patch
ColorChecker target for fine tuning critical color and
building custom DNG profiles.
• ColorChecker Creative Enhancement target with
spectrum patches to ensure color fidelity across all
hues, adjust white balance, verify exposure and make
creative portrait and landscape enhancements.
The ColorChecker Passport Desktop Application to create
DNG profiles for use in a RAW workflow to help you
achieve consistent results from image to image, regardless
of the camera and lighting environment.

• Creation of DNG and dual-illuminant DNG profiles that

can be used with Adobe RAW processing applications.
• Repeatable, creative white balancing with warmer or
cooler effects in RAW processing software.
• Accurate color correction that can be applied to one
photo or a group of images, providing consistency
within shoots.
The ColorChecker Passport Lightroom plug-in for creating
DNG profiles.

This user guide will teach you how to use ColorChecker

Passport and associated software in a color managed
workflow that is customized to your individual needs.


 

Why Color Management?

Before we get into detail about how to use ColorChecker Passport, it’s important to understand a little about Color
Management and how this tool fits into a color managed workflow.
The art of color management is all about getting your colors to match from input to output. That means your camera
captures true colors, your monitor displays them accurately, and your printer produces a photo that is true to the
original scene. With so many input and output devices, this can be a challenge. However, technology has come a
long way in the past few years, and creating a color-managed workflow is no longer reserved for just photo
professionals.

Workflow Workflow With

Without Color Color
Management Management

Original

Unprofiled Monitor Profiled Monitor

Unprofiled Printer Profiled Printer


 

Camera Calibration and DNG Profiles

It all begins with the camera. If it doesn’t capture accurate color, how can you expect realistic reproduction?
The challenge lies in the fact that different cameras “see” color differently, and the way they capture it varies from
brand to brand. Different lenses have different color characteristics, which creates a bigger problem when you start
mixing camera and lens brands. But the truth is, even two camera models from the same manufacturer can capture
colors differently. Custom profiles will reduce the differences so they behave more alike. Adobe calls these profiles
DNG profiles or Camera Profiles and they are selected in the Camera Calibration sections of their Camera RAW
and Lightroom software.
Creating a custom white balance with the ColorChecker White Balance target will ensure you’re starting with
accurate color. Shooting a physical reference will make color corrections quicker, plus allow you to assign them to a
large batch of images for greater productivity. Before you know it, you’re working in a color-managed workflow.

Anyone who shoots color critical work, including studio product photography, fine art reproduction and high quality
portrait photos, can benefit from color management. Photographers who shoot large numbers of images on various
cameras - weddings, youth sport teams, yearbooks, and organization photo directories - will especially reap the
benefits of consistent color across different cameras.
Cameras that capture JPEG can benefit from improved in-camera white balance with ColorChecker targets for
further color fine-tuning, but cameras that shoot in a RAW format can benefit even more from custom profiles.

Why Custom DNG Profiles?

Most manufacturers offer standard profiles with their cameras, and your RAW processing software may even offer a
profile for your exact model. But if you are looking for true, accurate color, you need to create a custom profile
based on the RAW output from your camera in your shooting conditions.
Although it is possible to get the color you want through custom image editing, the faster, easier and more
consistent method is to start with good color from a custom profile; then apply your subjective edits.
Custom profiles can be especially useful when editing a lot of images that all need to be consistent, like from a big
event or a catalog shoot. If you are shooting an event with multiple cameras, ColorChecker Passport will minimize
color differences by providing a starting point for each image in all of the cameras. Then, back at the studio, you
can make all of your creative color edits from the same starting point.
ColorChecker Passport’s Desktop Application is based on an advanced profiling technology that provides excellent
results with only 24 patches. To build a profile, simply photograph the ColorChecker Classic under even lighting;
ideally the same lighting you are using for your photo shoot. The ColorChecker Passport Desktop Application also
offers an option for an adaptive dual-illuminant DNG profiles to provide for better color across a wider range of
lighting conditions.

See “The Software” section for more information about capturing the
ColorChecker targets.


 

Color Management in a RAW Workflow

In the past, most camera calibration solutions required a controlled and consistent studio environment to obtain a
good profile, and usually only worked for TIFF or JPEG image formats. However, many of today’s photographers
are taking advantage of their camera’s full capabilities by capturing images in RAW format. ColorChecker Passport
has opened the door for these photographers by making the RAW calibration and profiling experience fast and
easy.
Shooting RAW provides greater flexibility to color-adjust images based on how a particular camera captures color.
A calibrated RAW workflow minimizes color differences between cameras and lenses, adapts for mixed lighting,
and makes it possible to color match across different scenes. You also have a greater capability to calibrate and
correct color because you’re starting with a consistent foundation. And shooting RAW enables you to apply color
management to a large number of files, automatically.
Adobe RAW processing software can make use of the ColorChecker Passport’s custom DNG profiles. If your RAW
processing application does not support custom DNG profiles, you can still use ColorChecker targets to provide a
physical reference for color editing. The target offers such things as exposure evaluation and one-click white
balancing for RAW editing packages that support these features.

Camera Calibration with Adobe® Photoshop® Lightroom®

ColorChecker Passport comes with a Lightroom plug-in, which provides fast, automatic and reliable RAW camera
calibration to build DNG and dual-illuminant DNG profiles and installs them automatically. The profiles you create
can be used in Lightroom and Photoshop, as well as any other Adobe Camera RAW (ACR) program.
Adobe Camera RAW 4.5 and higher now supports custom DNG profiles, and is supported by Photoshop (CS3 and
later) and Elements 7 and up. Using the Lightroom plug-in with Lightroom 2 or higher, you can work seamlessly and
build custom DNG profiles without switching between multiple applications. Plus, Lightroom attempts to
automatically detect the ColorChecker target in your image, so most times you won’t even need to crop.

See “The Software” section for more information about Lightroom and its use
with ColorChecker Passport.

Benefits of a Calibrated Display

Have you ever wondered why the colors you see on your monitor don’t match the scene you photographed? That’s
because what you see on-screen is only as accurate as your display. Over time, the color performance of monitors
changes – phosphors and liquid crystals begin to fade, and the display’s colors will drift. Calibrating and profiling will
optimize your monitor’s settings and bring back the true colors.
Since your monitor is the only place for you to view your digital data in its native form, working on a calibrated
monitor can be indispensable for previewing edits and making color-critical decisions. Seeing colors as they’ll print
will save you the time associated with trial-and-error editing.
If you’re going to take the time to make custom DNG profiles, it just makes sense to take this easy step to ensure
you’re seeing true colors so your edits are actually making the changes you want.

Benefits of Printer Profiles

Following the same logic, wouldn’t you like to know the colors you send to the printer are the colors that will show
up on the paper? Printer profiles provide this assurance.
Many printer manufacturers provide profiles with their printers. These are fine for photo hobbyists who may not be
as critical with color. But if you rely on consistent, accurate color, especially if you wish to use media that is not sold
by your printer’s manufacturer, it’s a good idea to create a custom profile that defines the specific color
characteristics of your exact printer, inks and paper.

X-Rite offers a range of products to meet your specific color management

needs. Visit http://www.xritephoto.com for more information.

White Balance
Starting with an accurate white balance is critical in any photo workflow because it ensures the colors you are
capturing are true and provides a point of reference for post-shoot editing. With ColorChecker Passport, you can
easily edit the white balance to achieve a custom warmer or cooler look.

What is White Balance?

Light comes in many different qualities and colors. Daylight can appear bluish or yellowish. Artificial indoor lighting
can range from a warm, yellowish tungsten light to the greenish hue you see in offices and shops. Since the human
eye does a great job of compensating for all of these different color light sources, our perception adjusts without us
really noticing. However, since cameras see light literally, these subtle shifts can pose a problem.

The Effect of White Balance

The only difference between these images is the applied white balance.

When using film, photographers have to select a specific film type or change filters on their lenses to make sure
their whites were actually white and their grays remained gray. In some cases, a photographer might even use a
filter to artificially add warmth to an image. This process is what we now call “white balancing”.
Digital cameras make white balancing easier, but they aren’t perfect. Most include a range of preset white balance
settings, such as tungsten, fluorescent, daylight, flash, cloudy, and shade. These settings are based on averages,
so they don’t necessarily represent the actual lighting you are shooting under, and they can’t easily or accurately
account for mixed or blended lighting.
Out-of-the-box, your digital camera’s “Auto White Balance” is pretty good at correcting for ambient light color, but it
can be fooled. For example, a camera may not be very accurate at selecting a white balance under low lighting, and
may even add a color cast.
The ColorChecker White Balance target provides a starting point for all edits, reducing the time and effort required
to get accurate color. Plus, camera previews and software histograms can be judged more precisely. Without a
standard reference like the ColorChecker Passport, you’ll spend a lot more time color correcting each image
manually.

White Balance in a RAW Workflow

Setting a consistent white point in a set of images also reduces editing time in a RAW workflow because there’s no
need to individually adapt white points for each image. But the real power of RAW format is the selection of in-
camera custom white balance or in-software white balance, and the flexibility to alter images without destroying
original image data.
While some users wait to adjust the white balance sliders or click on various near-neutral objects to get the balance
they like in the software, the results are not consistent. This becomes even worse when shooting an event like a
wedding where the lighting changes from one location to the next, yet the entire event should have a consistent
feel. ColorChecker Passport makes color consistency a breeze. Simply use the target to set the white balance in
your software; then apply the same white balance to all of the images that were shot under those same lighting
conditions.

Keep in mind, even if you are using custom DNG profiles, you will still need to
do a custom white balance each time you change to a different lighting
condition. This custom white balance can be performed in-camera before
shooting, or afterwards in the ColorChecker Desktop Application.

When shooting RAW with the ColorChecker Passport, you have the ability to set the white point in your RAW
processing software for added creativity. The ColorChecker Creative Enhancement target includes the White
Balance patch as well as patches for warming portraits and warming or cooling landscape images. Simply shoot the
Creative Enhancement target in each new lighting condition and use the patches to warm up flesh tones in portraits
or add richer blues and greens in landscapes.

See “The Creative Enhancement Target” and “Setting White Balance” sections
for more information.

White Balance in a JPG Workflow

ColorChecker Passport adds high value to JPEG workflows, too. Many wedding, sports and event photographers
choose JPEG when shooting high volumes of images, and an inaccurate white balance can render these images
essentially unusable. Simply shooting the included ColorChecker White Balance target in each unique lighting
environment can provide accurate starting color and save hours of color editing work later. Consult your camera
manual for specific workflow information.


 


The Targets
ColorChecker Passport is a rugged, pocket-sized case that houses and protects three indispensible targets:
• ColorChecker White Balance Target: A spectrally-neutral white balance gray card target for in-camera white
balancing for RAW and JPEG photography.
• ColorChecker Classic: The recognized industry standard 24-patch target for fine tuning critical color and
building custom DNG profiles.
• ColorChecker Creative Enhancement Target: A Creative Enhancement target for white balance adjustment
and exposure verification.

Positioning the Targets

The ColorChecker Passport is positionable and self-standing so you can place the targets exactly where you


 


The ColorChecker White Balance Target

The only way to get a consistent, neutral gray is to shoot a proper gray reference. Why gray? You cannot white
balance if any of the RGB values are at the maximum limit, with no tone value. It is much easier to expose a light
gray card so that the values are all very light, but not so light that they don’t have any tone. A gray patch on the
ColorChecker target will actually provide a more balanced neutral for JPEG and RAW photography. The
ColorChecker White Balance target is produced to be a spectrally flat target, meaning it provides a neutral point of
reference across the different types of lighting conditions you encounter during a photo shoot. Since it reflects back
the light equally across the visible spectrum, a camera in white balance mode can properly compensate for the
lighting. The result is a more accurate, truer representation of image color.

How to Use the ColorChecker White Balance Target

Some photographers try to do a white balance on whatever white object they happen to be carrying (printed
directions to the shoot) or see in the distance (the side of the house next door). While these objects may appear to
be gray, it’s unlikely that any of them are actually spectrally neutral (neutral under all lighting conditions); and
they’re certainly not consistent. Not only will this add a color cast to every image, but each new custom white
balance will be a little different. Although a piece of paper may seem to be a safe choice, it may not be neutral.
Plus, most have optical brighteners, which will only amplify your problems.

See the “Setting White Balance” section for more information.

Tips for Capturing the ColorChecker White Balance Target

Shoot the ColorChecker White Balance target in the same lighting conditions you’ll be photographing.
Make sure the lighting is even and properly exposed. Strong shadows or reflections will alter the
results. Accurate exposure is very important, and will affect the final results.


 


The ColorChecker Classic Target

ColorChecker Passport includes the legendary 24-patch X-Rite ColorChecker Classic. This target has been used by
photographers, videographers and for scientific evaluation of color rendition since 1976. In fact, it has become an
industry standard. Each of the 24 color patches represents the colors of natural objects, such as sky blue, flesh
tones and leaf green; and each patch reflects light just like its real world counterpart. Each square is individually
colored using a solid tone to produce pure, flat, rich color without dots or mixed tints.
The colors are produced by the Munsell Color Services lab, which has over 75 years of experience in the creation
of physical color targets and standards. They have produced color standards for use in a range of industries, from
sciences to commercial quality control tools. Each color is very closely monitored and controlled during the
manufacturing process, so you can be confident your color references are exact.
Here’s a closer look at the chart. Each of these patches can be used to get a quick visual check on color in your
images.

Description of the ColorChecker Classic Patches

1: These patches represent skin tones.

2: These patches represent blue sky and foliage green.
3: These patches represent a variety of common natural tones and secondary colors.
4: This row represents RGB and CMY.
5: These are the steps of neutral gray.


 


How to Use the ColorChecker Classic Target

Photographing a ColorChecker Classic is the first step in attaining consistent, predictable color. Photograph it in the
same lighting as your images; then open it in your photo processing software for a built-in point of color reference to
help with color correction. With the included ColorChecker Passport application, you can also build DNG profiles for
Lightroom, Photoshop and Photoshop Elements.

See the “Creating Profiles” section for more information about using the
ColorChecker Classic.

Tips for Capturing the ColorChecker Classic Target

When capturing the ColorChecker Classic, there are a few things you need to keep in mind.
• Size. For highest profile quality the ColorChecker Classic should comprise at least 10% of a 10 megapixel
image. If it is too small within the image, the color patches may not contain enough pixels to sample accurately
and profile quality may suffer.
• Rotation. The ColorChecker Classic may be rotated within the image, but as far as possible it should be placed
parallel to the plane of the lens. Try not to tilt the target towards or away from the camera.
• Distortion. Avoid placing the ColorChecker Classic in images where its shape will be distorted. If it is necessary
to place it in an image containing distortion, such as a shot taken with a fisheye lens, place the ColorChecker
Classic in the least distorted part of the image. Do not cover or shade patches, and make sure the chart doesn’t
fill the frame. Some lenses may vignette around the edges, so it may be helpful to bracket the target.
• Focus. The ColorChecker Classic should be in focus. If the focus is too soft the auto-location feature may have
difficulty recognizing the edges of the target.
• Exposure. The ColorChecker Classic should be properly exposed in the image. If color channels are clipped
you will not be able to make a profile with the image.

When creating a profile, correct exposure in the camera is necessary. Using

your software to correct bad exposure will not make it usable.

• Lighting. The lighting of the ColorChecker Classic should match the lighting of the subject of the image. This is
especially useful for unusual and mixed light sources. Even lighting is important. When you set up the target,
make sure there are not any strong shadows or reflections on it. In daylight conditions, it can sometimes be
helpful to use a reflector to fill the shadows.
Then, focus and shoot!

See the “Creating Profiles” and “Creating a Dual-Illuminant DNG Profile in the
ColorChecker Passport Desktop Application” sections for more information.


 


Proper Exposure

Adequately Exposed. Even steps are visible between each shadow and highlight patch.
Black does not go to 0,0,0 and white does not go to 255, 255, 255 (or 100%, 100%, 100%).

Overexposed. This capture shows no distinction between Underexposed. Notice there are not visible steps between
the highlight clipping patches and goes p to 255 (or 100%). the black patches in the exposure clipping row.

Dappled Lighting. Although this capture is well exposed, the

dappled lighting is not ideal for building a profile.


 


The ColorChecker Creative Enhancement Target

The first step to better color is accuracy achieved with in-camera white balancing and custom DNG profiling. The
second step is creative enhancement.

Most photographers recognize when skin tones don’t look right, but only those with strong color correction skills can
fix it. This type of creative editing usually requires a lot of know how and experience. Even then, it can be a time
consuming game of trial and error, and results are often random and non-repeatable. It only gets worse when you
need to manually correct a large number of images to appear the same.

The ColorChecker Creative Enhancement Target provides absolute reference points for creatively changing white
balance, so photographers can enjoy the benefits of creative white balance editing. Portrait warming and landscape
warming and cooling patches help create pleasing and repeatable edits with just the click of the eyedropper. Now
anyone can attain the truest skin tones and an accurate basis for color correction and editing, and apply them to
multiple image edits. Plus, the ColorChecker Creative Enhancement target can be used with virtually any Raw
processing software.


 


Use and Care of ColorChecker Passport

Use
The ColorChecker Passport case is designed to serve many purposes.
• The rugged outer shell keeps the ColorChecker targets secure during transport and away from the elements
and UV exposure.
• The hinged opening will bend to accommodate proper positioning of the targets for shooting.
• The lanyard attached to the hinge spine makes it easy to carry and access the Passport during photo shoots.
Here are some tips to help you get the most out of your targets.
• The case is designed to open and close like a booklet. To open it, hold the Passport case in your fingers by the
sides, press the button and pull the sides apart. Hold the frame, and if necessary, push on the inside of the
hinge. Be sure to hold the outside of the frame and not the target inside.
• Always close the case when you are finished to protect the targets from extended exposure to direct sunlight.
UV energy in the sunlight is the most damaging type of light and will fade the ColorChecker patches.
• Dirt and moisture can destroy the ColorChecker targets, so use caution when handling them with the case
open.
• Carrying the Passport with the lanyard over your shoulder and across your back will help keep it from banging
into your camera bag.

Care
The ColorChecker Passport case can be wiped with a mild cleaning solution. Use care so liquid does not enter the
case. If the ColorChecker targets become dirty, brush them as gently as possible with a dry cloth or blow with a can
of compressed air. The color chips can be marred in the cleaning process, so cleaning liquids should never be
used.

Longevity
The typical lifespan of a ColorChecker target is two years. However, you must take care of it to achieve this
longevity. Heavy outdoor usage, especially with exposure to the sun or unfriendly environmental conditions, may
reduce the lifespan. The proper use of the Passport’s case makes it easy to protect the targets from extended
exposure to light and can help them last longer.


 


Passport Use and Care

Opening and Closing the Passport Case

Since the hinge is rigid enough to hold positions, opening and closing the case can be tricky.
• To open it, push the latch button. Hold the outside of the case and pull it open.
• When you close it, be careful not to touch the patches.

Quality Guarantee Label

The targets are designed to last two years. Write the
date of the first use on the Quality Guarantee label so
you know when the target expires.

Carrying the ColorChecker Passport

The attached lanyard is great for carrying the Passport
and keeping it handy. Carrying it diagonally across your
chest, over one shoulder and under the opposite arm, will
keep it from banging against the camera as you move
around.


 

Positioning Options
To help you get the best possible shot, the ColorChecker targets can be positioned a variety of ways.
Self-Standing ColorChecker Classic and Creative Enhancement Target. The Creative Enhancement and Classic
targets can be positioned inline with each other. Use the back page to stand the targets and adjust the angle with
respect to the camera.

Self-Standing ColorChecker Classic or Creative Enhancement Target. The Passport case can be articulated so that
either target is exactly facing the lens. When positioning the target, be careful to not rest patches straight down on a
surface where they could become soiled.

Horizontal. When shooting at 90º to the subject is required, use the back page to support the target.

Hand Holding. The passport is small and rigid enough to be easily held by its edges in the scene in plane with the
camera. Be careful to not cover any of the patches with your fingers.

 


The Software

Raw Processing Applications

There are a number of applications you can use for basic Raw photo color correction, such as Lightroom 2, Phase
One’s Capture One, and Bibble Lab’s Bibble. These applications are designed specifically for photographers to
make basic color corrections, adjust for exposure and contrast, crop images and build a collection of images. You
can also quickly import, process and manage images—from one shot to an entire shoot. Plus, when paired with
ColorChecker Passport, you can be confident you’re making corrections based on accurate color information.

This guide focuses on the most popular Raw processing applications. Since
these applications share many of the same tools and steps, this document often
cites the process in one program; but you can easily adapt it to work in
whichever program you use.

The main differentiator between these programs is that Bibble and Capture One support the use of ICC profiles,
while Lightroom works with Adobe DNG profiles. Custom profiles can be especially useful in getting to accurate
color fast. Both ICC and DNG profiles can represent your camera, lens and lighting conditions, but there are
differences in how they are made and used.

DNG profiles are currently unique to Adobe applications. They perform virtually the same tasks as ICC profiles, but
are proprietary to Adobe products. The ColorChecker Passport Desktop Application allows independent creation of
DNG profiles. ColorChecker Passport also includes a Lightroom plug-in that can seamlessly build DNG profiles in
the background while you continue to edit images. It is as simple as exporting a file. The profile is generated quickly
and automatically stored so that it is accessible from any ACR enabled application, such as Elements, Photoshop
or even Adobe Bridge.

X-Rite has other applications that can be used to make custom ICC profiles. Visit http://www.xritephoto.com for
more information.

DNG profiles are not intended to be used exclusively in a DNG workflow. They
can be used for any camera manufacturer’s Raw files, and besides DNG, can
be used to create TIFF, JPG or any supported file format.

Adobe Photoshop
Photoshop is a robust photo-editing program that is designed to meet the diverse needs of professionals in a wide
range of fields, including professional photographers, serious amateurs, graphic designers and web designers. In
addition to the tools offered with the applications listed above, Photoshop can also be used for creative pixel editing
and precise photo retouching. Like Lightroom, Photoshop uses powerful DNG profiles.


 


ColorChecker Passport Desktop Application

The ColorChecker Passport Desktop Application integrates with Adobe Raw processing applications, and can be
used to build DNG and dual-illuminant DNG profiles. It’s based on an advanced profiling technology that provides
excellent results with just the small 24 patch ColorChecker Classic target. This application is especially useful for
unusual artificial light sources, and can create DNG profiles for adaptive dual-illuminants. The software even tries to
detect the ColorChecker in your image, so cropping may not be necessary.

If you like Adobe software, you can now make DNG profiles for Photoshop
Camera Raw, Photoshop Elements Camera Raw and Lightroom, and access
them from right inside the Adobe Bridge!

Installing the ColorChecker Passport Desktop Application

Installing from a CD on Windows
1. Insert the CD into the CD drive. The setup program should start automatically.
2. Follow the onscreen instructions to complete the installation.
Installing from a CD on Mac
1. Insert the CD into the CD drive.
2. Double-click on the CD icon that appears on the desktop.
3. Double-click on the ColorChecker Passport.mpkg icon to start the installation process.
4. Follow the onscreen instructions to complete the installation.
Installing from a Downloaded File on Windows
1. Double-click on the downloaded file.
2. Follow the onscreen instructions from your extraction program to extract the setup file.
3. Double-click on the extracted setup file and follow the onscreen instructions to complete the installation. The
application will be installed in Program Files/X-Rite/ColorChecker Passport. You can check version of the Plug-
in and its status in Lightroom by selecting the File menu then selecting Plug-in Manager…
Installing from a Downloaded File on Mac
1. Double-click on the downloaded file.
2. Follow the onscreen instructions from your extraction program to extract the setup file.
3. Double-click on the extracted setup file and follow onscreen instructions to complete the installation. The
application will be installed in Applications/ColorChecker Passport. You can check version of the Plug-in and its
status in Lightroom by selecting the File menu then selecting Plug-in Manager…

Passport System Requirements

Windows
• Microsoft Windows XP 32 or 64 bit (with latest Service Pack installed) or Microsoft Windows Vista 32 or 64 bit
(with latest Service Pack installed)
• 512MB RAM
• Intel Pentium IV or AMD Athlon XP or better CPU
• 200 MB of available disk space
• User must have Administrator rights to install, uninstall the application.
• Monitor resolution of 1024x768 pixels or higher
• Internet connection required for software update


 

Macintosh
• MacOS X 10.4.11 or 10.5.X (with the latest update installed)
• 512MB RAM
• G4 Processor or higher (G5 recommended)
• 350MB of available disk space
• User must have Administrator rights to install and uninstall the application
• Monitor resolution of 1024x768 pixels or higher
• Internet connection required for software update


 


Setting White Balance

How to Set In-Camera White Balance

Image quality lies in the balance. Setting a custom white balance in the camera will adjust it to compensate for color
cast, while still maintaining all of the subtle shades of color that the camera can capture.
If you’re working with a JPEG or TIFF workflow, the best way to get accurate, neutral color is to do a custom white
balance in the camera, before you begin your shoot. Without a custom white balance, it’s not possible to adapt for
gross errors of white balance.
Custom white balance is especially powerful in a Raw workflow because you can shoot the target anytime you’re
working under the same lighting. Setting the in-camera white balance is not required, but it will help improve the
previews on the camera’s built-in display, speed up post-production color editing, and provide more accurate
software histograms. Plus, having a consistent white point for a set of images will reduce editing time later because
there is no need to individually adapt white points for each image.
Setting in-camera white balance varies slightly from camera to camera. For detailed instructions and to fully
understand how much of the image area is covered by the target, read your camera manual.


 


1. Position the target.

See the “Use and Care of ColorChecker Passport” section for tips to position
the target.

2. Since your camera can’t focus on the white target, change the settings to Manual Focus and Automatic
Exposure.

When white balance is completed, be sure to set the camera back to auto
focus!

3. Aim the camera at the ColorChecker White Balance target in the Passport. Try to fill the center of the viewfinder
with the target and snap the picture.
4. Set the camera to Custom White Balance mode.
5. To use this custom white balance later, select it from your camera’s white balance custom list.

Instead of disabling auto focus, another option for shooting the ColorChecker
White Balance target is to focus and recompose. Point the camera at an object
with detail at about the same distance as the ColorChecker White Balance
target and press the shutter down half way. Recompose the shot with the
ColorChecker White Balance target in the center and press the shutter down
the rest of the way.

Check out the “Automating Color Control in Raw” section for details on how to
assign a custom white balance to other images that were shot under the same
light – a great time saver!


 


How to Set White Balance in

Lightroom, Photoshop and
Photoshop Elements
Photoshop and Photoshop Elements both use the same
Camera Raw Plug-in, and the white balance tool works
just as it does in Lightroom. Select the White Balance
eyedropper tool. For a neutral white balance, select
either the first patch, on the left, in the portrait row, or
the middle patch on the landscape row.

Because you are working in a Raw workflow, the custom white balance settings
are non-destructive. This means you can keep clicking and testing until you get
the look you want. If you aren’t happy with the results, you can always revert to
the white balance settings from import.

How to Set White Balance in

Capture One
In Capture One, select the eyedropper in the toolbar. This is
the Pick White Balance tool. The curser will become an
eyedropper. As you move your curser over the image, the
current values for that area will appear on the window above
the image. For a neutral white balance, select either the first
patch on the left in the portrait row, or the middle patch on
the landscape row.

White balance can be saved as a preset so you can assign it to other images
that were shot in the same lighting. See the “Automating Color Control in Raw”
section for details.

How to Set White Balance in

Aperture
Aperture’s white balance is similar. In the Adjustments
panel, scroll down to white balance. Click on the
eyedropper; then, for a neutral white balance, select
either the first patch on the left in the portrait row, or the
middle patch on the landscape row.


 


How to Set White Balance in Bibble

In Bibble, the white balance tool is called the Click White Curser. The easiest place to find it is in the upper tool bar,
the third tool from the left. For a neutral white balance, select either the first patch on the left, in the portrait row, or
the middle patch on the landscape row.

Color Casts
In cases where the color of the light is very important you won’t want to negate color casts

This image has a custom white

balance applied.

This image has a daylight white balance applied.

.


 


Correcting Image Color with Spectrum Patches

When editing images, wouldn’t it be nice to know the exact color of an object in the photo to determine whether your
colors are accurate? Shooting the ColorChecker Passport can tell you.
Event and catalog photographers often shoot a large number of images that all require the same color correction.
Generally, they’ll make edits based on a few key photos; then apply them to the rest of the images. This process
can pose a problem if the edited images don’t contain every color found in the others. For example, one image may
have a wide range of colors, but no yellows. Another may have no reds. Which image should you edit first? How will
you know what effect your edits have on the missing color?
A good solution is to capture an image of the ColorChecker Passport during the shoot, under the same lighting.
When you open the shot of the target in your image editing software and make edits, you’ll see how they will affect
the rest of the colors BEFORE you apply them to your images.

Spectrum Patches
Using the ColorChecker Passport’s spectrum patches during color correction of an initial image
ensures you aren’t losing perspective on colors that might show up in subsequent images and
increase the success rate during automation.

In this example, there are no elements that are cyan-purple or red.

See the “Automating Color Control in Raw” section for way to apply color edits
to multiple images in Adobe applications.


 


HSL Sliders
One way to describe colors is by Hue, Saturation, and Lightness (or Brightness). Most photo editing applications
offer HSL sliders to help you make specific color edits to these three characteristics.
• Hue is the main attribute of color that distinguishes it from others, such as red, yellow and green.
• Saturation describes how vivid or pure a color is.
• Lightness describes a color’s lightness or darkness.
Treat your profile as a starting point, then use the color and tone rendering controls to make specific adjustments.
In Camera Raw, these sliders are located in the “Hue-Saturation-Luminance” tab. In Lightroom, they can be found
in the “Develop” dialog.

Visual Comparison
Visually comparing the colors in an image to a physical target will help you make educated color decisions. These
steps are written for Lightroom but are almost identical in Photoshop.
1. In the Develop window, select the Target tool from the upper left corner of the HSL panel.
2. Roll over the colors. They roughly correspond with the HSL sliders in the Lightroom Develop dialog.
3. To select a color and make edits, either hold down the mouse button and move the target tool up or down, or
use the sliders or numbers in the HSL panel.

Further visual color matching is possible with the ColorChecker Color Rendition patches. When doing visual color
matching, be sure to use a calibrated monitor and controlled lighting conditions, such as a viewing booth, to
illuminate the ColorChecker Passport.

See the “Why Color Management?” section to learn more about the benefits of
calibrating your devices.


 

Enhancing Images with the ColorChecker Creative

Enhancement Target

Exposure Verification and Correction

The ColorChecker Passport provides a convenient, robust solution to color correction in the field. Without a visual
reference, it can be a challenge to judge, control and edit images for the best shadow details and to ensure
highlights are not clipped. It’s also hard to tell what your selective edits will do globally in other color regions. The
Creative Enhancement target provides a visual 1/3 stop gray ramp to control shadow details and highlight clipping.
The Creative Enhancement target contains a collection of 8 patches that are designed to warn photographers of an
exposure problem. The patches are separated into two groups: light and dark. The light patches are ordered with
1/3 of an F-stop difference between them. The dark patches are ordered the same, with the exception of the last
patch; which represents the blackest patch in the ColorChecker target. The exposure difference between the
darkest and next darkest patch is roughly 1/10th of a stop. The dynamic range of the target is roughly 32:1, or 5
stops.
So what does this all mean? First and foremost, every patch should be visibly different in the final reproduction, or
there is something wrong with the workflow. The most typical problem is over-exposure. In this case, the two
whitest patches may not be different. In other cases, the shadow detail will not be resolved. This is a very typical
issue in an sRGB workflow when the camera or color management system sets the black point to zero rather than
physical black point in the scene.

Identifying Clipping
Clipping can be your enemy. In a wedding portrait, it is important to capture the fine details of the dress. If the
highlights are too bright, you will lose that detail, and the bride will surely notice. On the other hand, if you are
shooting a dark product, such as a leather couch, it can be difficult to hold the fine shadow details that show the
surface texture.
This is where the power of Raw stands out. Although it may appear from a preview that shadow or highlight details
have been lost, it is possible that the processing software just clipped them and they are still available in the Raw
file. With some careful
adjustments, you may be
able to bring them back.
However, once the details
get clipped in a JPG or TIFF
file, they are gone forever.
Not all clipping is bad. For
instance, you may want to
throw something in silhouette
for creative reasons. That
would require clipping.
Similarly, when shooting very
shiny objects like chrome or
jewelry, you probably want to
clip the “specular” highlights
for a pure, bright, shiny white
appearance. This image offers an example where shadow clipping is perfectly acceptable.

 

If you set your white balance with the neutral gray target, you can use the ColorChecker Passport patches to do
a quick check to confirm proper color, and the clipping patches to fine-tune highlights and shadows.
1. Sample the black patch with the eyedropper. This patch should be nearly neutral, so the R, G and B values
should be close to equal. Although the black patch is very dark, it should not read as pure black.

2. Do the same thing with the white point. The white square should be very light, but not pure white; and the RGB
values should be nearly equal.

3. To check the color cast, select the gray patches in the middle. Red, green and blue values should not vary from
each other more than seven points on a 0-255 scale, or three points on a 0-100% scale.


 


Highlight Clipping Correction

The Highlight Clipping patches can help verify whether you are holding details in the highlights and shadows. In
Adobe applications, use these patches along with the clipping preview to see if you are losing details. Here’s how to
do this in Lightroom and Camera Raw.
1. In the Histogram window, click on the triangles in the
corners to turn on the clipping preview for the shadow
and highlight areas.
2. Roll over the patches to check for blow out. There
should be a difference in value from one patch to the
next, and none of the values should be at 255 or
100%.

While editing an image, settings like brightness, exposure

and contrast can affect these values. If after adjusting
these settings you notice you have lost some highlight
detail, try using the Recovery tool to darken the highlight
without darkening the rest of the image. If these
adjustments do not bring back the highlight details, the shot was probably too over-exposed and can't be recovered.

Shadow Clipping Correction

Use the Shadow Clipping patches to verify whether you are holding details in the shadows. This is how it’s done in
Lightroom and Camera Raw.
1. In the Histogram window, click on the triangles in
the corners to turn on the clipping preview for the
shadow and highlight areas.
2. Roll over the patches to check for blow out. There
should be a difference in value from one patch to
the next, and none of the values should be at 0.
Editing brightness, exposure, blacks and contrast can
affect these values. You may be able to open up
shadow details with the Fill Light tool, which will lighten
mostly in the shadow areas. If you unable to bring back
the details, the shot was probably too under-exposed.

Warming and Cooling with White Balance

In addition to the white balance patch, the ColorChecker Creative Enhancement target includes blue patches for
warming portraits and red patches for cooling landscape images. Just like using lens filters with film, you can warm
up portraits to make flesh tones look healthier. Or if you’re shooting outside, you can alter the white point to achieve
richer blues and greens in a landscape.
Choosing a blue or red tint actually creates a new “neutral” to allow for a little more creativity. When you select a
warming or cooling patch, the white balance values will be corrected to the neutral values shown in the preview
window of whichever photo editing software you are using. For example, when selecting a warming patch, the
actual patch is a blue tint. The software will balance that sample patch to neutral, and all other colors will shift
slightly to the opposite of blue, which is yellow. Then, if you select a patch that is more blue, it will shift all of the
colors to more yellow.


 


White Balance Portraits with “Warming” Patches

Warming up portraits can portray a more appealing and healthy look than purely accurate tones. Try each of the
ColorChecker Passport warming patches to see which gives the effect you’re looking for. When you find something
you like, use the same patch to white balance for other lighting conditions to achieve a more consistent appearance
for cases where a similar look is required.

Warming and Cooling Portraits with White Balance

Choosing a new neutral can change an image’s white point.
These images show the gradual shift from warmest to neutral.


 


White Balance Landscapes with “Cooling” Patches

While some landscapes can benefit from a warmer appearance, others would benefit from a richer green look. The
reddish cooling patches on ColorChecker Passport are designed specifically to enhance the cool greens in
landscape photos. Click on each of the patches to preview the adjustment, and select the patch that gives you the
best look. Save the setting and apply it to other landscape images that were shot under that lighting.

Cooling Landscapes with White Balance

Coldest on left, balanced in middle, warmest on right


 


Creating DNG Profiles

Calibrating your camera to produce custom DNG profiles is a must for any photographer who relies on consistent,
accurate color. Creating a custom white balance with the ColorChecker White Balance target will ensure you’re
starting with accurate color. Shooting a physical reference like the ColorChecker Classic target will make color
corrections quicker, plus allow you to assign them to a large batch of images for greater productivity. But if you are
looking for true, optimal color, you need to create a custom profile that is specific to your camera and your lighting
conditions.

Just because ColorChecker Passport helps you build a DNG profile doesn’t
mean you need to convert to a DNG workflow. This is just Adobe’s camera
calibration profile format. You can still use your Canon, Nikon, etc. Raw image
in your standard ICC profile workflow.

When creating a profile, correct exposure in the camera is necessary. Using

your software to correct bad exposure will not make it usable.

Only manually delete profiles if you are sure they aren’t being used for existing
images and won’t be needed in the future.

Many high-end Raw image processing applications support ICC or DNG profiles. Some Raw image processing
applications, like PhaseOne’s Capture One software or Bibble Lab’s Bibble, use ICC profiles. X-Rite has other tools
to make ICC profiles for use with these applications. Visit http://www.xritephoto.com for more information.
Lightroom, Photoshop, and Photoshop Elements use DNG profiles. ColorChecker Passport’s Desktop Application
can build DNG profiles for single and dual-illuminants.

See the “Camera Calibration and DNG Profiles” section for more information on
custom DNG profiles.

Creating DNG Profiles in Lightroom

If you are using Lightroom, the ColorChecker Passport Desktop Application makes building a DNG profile a very
simple and automated process.
1. Open the Raw image of the ColorChecker target that you shot earlier. You do not need to perform a white
balance; the ColorChecker Passport application will analyze the image and make adjustments automatically.
2. Do not edit the image. In fact, any edits will be ignored when you begin building the profile. Make sure to verify
that it was exposed properly.

See the “Exposure Verification and Correction” section for more information.


 

3. Under the File menu, select Export…

4. From the Export window, click anywhere in the banner at the top of the window, below the Export Selected
Photos message. When the menu appears, select X-Rite Presets from the list.

5. Enter a name for the profile that describes the lighting conditions of the shot and click the Export button. It’s not
necessary to include the camera model in the name because the resulting profile will only be available when
you are editing images from that camera.
6. You can continue to work while Lightroom finishes the profile. Watch the progress bar in the upper left corner.
The new profile will be created automatically and placed in the location where Adobe stores DNG profiles for
Camera Raw and Lightroom.
• Mac: /Users/<user name>/Library/Application Support/Adobe/Camera Raw/Camera Profiles/
• PC: You must set up your folder options to View Hidden Folders to be able to navigate to these paths.
• Vista - [root drive, typically
C:]\Users\[username]\AppData\Roaming\Adobe\CameraRaw\CameraProfiles
• XP - [root drive, typically C:]\Documents and Settings\[username]\Application
Data\Roaming\Adobe\CameraRaw\CameraProfiles

Only manually delete profiles if you are sure they aren’t being used for existing
images and won’t be needed in the future.


 

7. You may be asked to re-launch Lightroom before you can select the new DNG profile.

8. With an image selected, go to the Develop module.

9. In the right panel, scroll down to Camera Calibration and select the Profile pull-down. Choose the new DNG
profile from this list. Keep in mind, this new profile can also be used by all ACR applications, such as
Photoshop, Bridge and Elements.

See the “Automating Color Control in Raw” section for ways to use this profile
on multiple images in Adobe applications.


 


Creating DNG Profiles in Photoshop and Photoshop Elements

Photoshop and Photoshop Elements both use Adobe’s Camera Raw Plug-in. To make a DNG profile based on your
camera’s output:
1. Open an image of the ColorChecker Classic in the Camera Raw plug-in. You do not need to perform a white
balance; the ColorChecker Passport application will analyze the image and make adjustment automatically.
2. Don’t edit the image, but make sure to verify that it was exposed properly.

See the “Automating Color Control in Raw” section for more details.

3. To save the image as a DNG so you can open it in the ColorChecker Passport Desktop Application, click the
Save Image button in the lower left corner. A new window will appear.

4. In the Format drop-down, specify DNG by selecting Digital Negative. Click Save.


 

5. Launch the ColorChecker Passport Desktop Application.
• On a Mac, it is located in Applications/ColorChecker Passport
• On a PC, it is located in c:\Program Files\X-Rite\ColorChecker Passport
6. Select the DNG tab and drag and drop the DNG file into the window.
7. Click the Create Profile button. The software will automatically search for the patches and build the profile. If the
software cannot find the patches, you will be asked to manually identify the corners of the patches.

8. Give the profile a meaningful name that describes the lighting conditions and click Save. By default, it will be
saved to a directory that Photoshop, Photoshop Elements
and Lightroom use to store DNG profiles.
• Mac: /Users/<user name>/Library/Application
Support/Adobe/Camera Raw/Camera Profiles/
• PC: You must set up your folder options to View
Hidden Folders to be able to navigate to these paths.
• Vista: [root drive, typically C:]\Users\[username]\AppData\Roaming\Adobe\CameraRaw\CameraProfiles
• XP: [root drive, typically C:]\Documents and Settings\[username]\Application Data\Roaming\Adobe\
CameraRaw\CameraProfiles

Only manually delete profiles if you are sure they aren’t being used for existing
images and won’t be needed in the future.


 

9. Restart your Adobe applications to use the new DNG profile. It will be available in the Camera Calibration
panel in Lightroom and Camera Raw.
10. In Camera Raw, open an image and click on the Camera icon to see the Camera Calibration tab.

11. From the pull-down, select the new profile.

See the “Productivity and Automation” section for ways to use this profile on
larger groups of images in Adobe applications.

 


Auto-Detect Function
If the auto-detect function in your Desktop Application is having trouble finding the ColorChecker
target, check out these helpful tips.

If the software doesn’t auto-detect the target, match up the dots

with the corner brackets on the ColorChecker Classic.

This image is dramatically under-exposed, so the

Passport Desktop application can’t find the
When holding the ColorChecker target for a ColorChecker target in the image.
shot, be sure your finger does not cover any
of the patches. Obscuring even a small
portion of any of the patches can prevent the
ColorChecker Passport software from auto-
detecting the target.

This image is too curved. With a fisheye, keep the ColorChecker target in the middle of the frame and
backup a bit so that the lines don’t bend so much. For best results, aim to have about 10% of the image
covered by the target. Fisheyes are tricky because the auto-detection in the ColorChecker Desktop
Application is looking for straight lines.


 


Creating a Dual-Illuminant DNG Profile in the ColorChecker

Passport Desktop Application or the ColorChecker Passport
Lightroom Plugin
A very powerful feature of the ColorChecker Passport Desktop Application and the ColorChecker Lightroom Plugin
is the ability to create custom DNG profiles with two illuminants. This type of profile, called dual-illuminant, can
provide very good results in a wide variety of light sources.

Dual-Illuminant DNG profiles can be made with any two of the supported illuminants. However, they must have
different correlated color temperatures (CCT), and for best results, the CCT (in degrees Kelvin) should not be very
close.

0 = Unknown
1 = Daylight
2 = Fluorescent
3 = Tungsten (incandescent light)
4 = Flash
9 = Fine weather
10 = Cloudy weather
11 = Shade
12 = Daylight fluorescent (D 5700 - 7100K)
13 = Day white fluorescent (N 4600 - 5400K)
14 = Cool white fluorescent (W 3900 - 4500K)
15 = White fluorescent (WW 3200 - 3700K)
17 = Standard light A
18 = Standard light B
19 = Standard light C
20 = D55
21 = D65
22 = D75
23 = D50
24 = ISO studio tungsten
255 = Other light source
This variety of combinations allows you create profiles that are optimized for almost any kind of lighting you may
encounter. For example, if you’re a wedding photographer who regularly photographs events in the big church
downtown, you can create a profile that includes the lighting in the church, plus daylight conditions in the garden
outside. This adaptive profile will work well in both settings, as well as a variety of other lighting conditions, so you
can concentrate on getting fabulous photos of the wedding couple.

When creating a dual-illuminant profile, use the same camera, lens and ideally
ISO/ASA for both shots.

Here’s how it works.


 


Creating a Dual-Illuminant DNG Profile in Lightroom

1. Shoot the ColorChecker Classic under the first light source.
2. Shoot the ColorChecker Classic under the second light source.
3. Import the images into Lightroom.
4. Select the two images.
5. Click the Export button and follow the steps for creating a DNG profile.

6. The profile will automatically be created with both light source tables and saved. You will need to restart your
Adobe applications to use this new profile.

When you select this profile, your Adobe Raw software will use both light source tables to adapt the profile to match
the image’s illuminant.


 


Creating a Dual-Illuminant DNG Profile in Photoshop Camera Raw

1. Shoot the ColorChecker Classic under the first light source.
2. Shoot the ColorChecker Classic under the second light source.
3. Open each of the images in Photoshop Camera Raw.
4. With each image, click the Save Image button to save them as DNG files.
5. In the ColorChecker Passport Desktop Application, select the Dual-Illuminant DNG tab. Drag and drop the DNG
files, into the window. After each is located, click the Create Profile button.

6. The profile will automatically be created with both light source tables and saved. You will need to restart your
Adobe applications to use this new profile.

When you select this profile, your Adobe Raw software will use both light source tables to adapt the profile to match
the image’s illuminant.


 


Automating Color Control in Raw

When shooting an event or a series of product shots under the same lighting conditions, editing the basic color
settings all at once and applying them to the rest of the series can save a lot of time. Whether it’s applying your
DNG profile or white balance settings, or even doing some general color correction, this automation can help you
achieve consistent edits across the board in a fraction of the time.
Corrections can be made to any shot in the series – not just the first one – and applied to 1 or 1,000+ shots taken in
the same lighting. Wedding and event photographers who process thousands of Raw images will appreciate this
automation.
Most Raw processing applications have color control automation options. This section explores Lightroom, Adobe
Camera Raw, and Capture One.

Automating Color Control in Lightroom

In Lightroom, there are three strategies for applying settings to several images at once.

• Copy and Paste Settings is perfect if you have a few images shot under the same lighting that require the
same color corrections. Simply copy the settings you adjust in one photo and paste them into other images.
This can be done either in the Develop Module or the Library Module.
• Synchronize Settings is very useful to apply settings to a whole series of images. When viewing a series of
images in the main window, or filmstrip, select an image that has the setting that you want to share across to
other images. Select all of the other images you want to share the settings with and use the Sync option.
• Save as a Preset is ideal if you regularly shoot under the same lighting, such as in your studio. Simply save the
settings as a preset and apply them to future images taken under the same conditions. You can apply a preset
when opening images.
• In Lightroom, there are two strategies for applying settings to several images at once.

Copy and Paste Settings in the Develop Module

Use these steps to copy settings from one photo and paste them into other images from the Develop Module.
1. Select an image and set the white balance. If you’re using a custom DNG profile, set it; then make any
necessary color corrections.
2. Click the Copy button. The Copy Settings dialog window will appear.


 

3. Select the settings to copy to another image. If you want to copy your custom profile, make sure to select the
Calibration check box.
4. Click the Copy button.

5. From the filmstrip at the bottom of the window, select an image. Click the Paste button. These settings will be
applied to the selected image.


 


Copy and Paste Settings in the Library Module

If you already have an edited image and are viewing it in the Library Module and want to copy the settings, use
these steps to copy settings from one photo and paste them into other images from the Library Module.
1. Under the Photo menu select Develop Settings.

2. From the sub menu, select Copy Settings. The Copy Settings dialog window will appear.
3. Select the settings to copy to another image. If you want to copy your custom profile, make sure to select the
Calibration check box.

4. Click the Copy button.

5. From the grid or filmstrip view, select another image or group of images.
6. Select Photo - Develop Settings - Paste to apply the settings.


 


Synchronize Settings
Lightroom allows you to synchronize settings in the filmstrip of either the Library or Develop modules, or in the
Library Thumbnails.
1. Click to select an image that has been edited to your liking.
2. Select an image, or group of images, that you would like to share the settings with and hit the Sync… (or Sync
Settings… ) button in the lower right corner.

3. All of the settings from the first image will be applied to the selected images.


 


Saving Presets
If you shoot a lot of images under the same lighting on a regular basis, in your studio for instance, it might be helpful
to save a preset that can used over and over.
1. In the Develop module, open an image of the ColorChecker target that was shot under the desired lighting.
2. Set the white balance and select your camera’s DNG profile. On the left side panel next to the word Presets,
click on the + button.

3. This will open a window that allows you to select any setting that you want to include in this preset. Select only
the settings you need.

4. Give this preset a meaningful name that describes the lighting

conditions and camera that was used.
5. Click the Create button.
When you need this preset, simply open an image and select it from
the list. Keep in mind, you may need to reselect your white balance
for each change of lighting.


 

Default Presets
Lightroom allows you to save your Camera Raw settings as a default. Since even the same model camera may
capture color a little differently, it will be useful to save unique settings for each of your cameras. To ensure these
settings are only used for a specific camera’s serial number and ISO setting, set that option in your Preferences.
1. Under the Lightroom menu, on the Mac, or Edit menu in Windows, open Preferences.

2. In the Presets tab, select the option to make specific defaults for individual cameras by serial number, or for
specific ISO settings. Keep in mind, this feature may not be supported by every camera manufacturer.

 


Automating Color Control in Adobe Camera Raw

In Photoshop, in Mac OSX, you can select multiple Raw image files and open them at the same time in Camera
Raw. Once you edit one, you can apply the same edits to the entire series.

Sync Settings
Sync settings will copy settings from one image to all other images you select.
1. Edit an image.
2. From the thumbnails on the left side, command-click to select other images you want to share these settings.
3. Click the Synchronize button in the upper left corner.

4. Select your desired settings to sync and click OK.


 


Saving Presets
If you shoot a lot of images under the same lighting conditions, saving a preset will allow you to use these settings
over and over.
1. On the right side panel, click the little button that looks like a list. From the pull-down, choose Save Settings….

2. Select any of the settings that you want to include in this preset, but only the ones you need.

3. Give it a meaningful name that describes the camera and lighting conditions.
4. Click the Save button.
To use this preset, simply select the Preset tab on the far right and select the preset of your choice from the list. It
will automatically be applied.


 


Default Presets
Adobe allows you to save your Camera Raw settings as a default. Since even the same model camera may capture
color a little differently, it will be useful to save unique settings for each of your cameras. To ensure these settings
are only used for a specific camera’s serial number and ISO setting, set that option in your Preferences.
1. From the Photoshop menu on the Mac, or the Edit menu in Windows, select Camera Raw Preferences.

2. Under the Default Image Settings, select the

option to make specific defaults for individual
cameras by serial number, or for specific ISO
settings. Keep in mind, this feature may not
be supported by every camera manufacturer.

If, for example, you would like to save a custom

DNG profile as the default for your camera, open
an image and select the DNG profile, then click
on the button that looks like a list and select Save
New Camera Raw Defaults.
These settings will then be applied automatically
anytime that you open an image from this
camera. Keep in mind, you may need to reselect
your white balance for each change of lighting.


 


Automating Color Control in Capture One





 

The Adjustment Clipboard is used to hold a selection of image adjustments including color corrections, white
balance, exposure settings and other adjustments. These adjustments can be copied from one image and them
applied to other images.
1. If you do not have the Basic Adjustments window open, go to the Tools menu and select Basic Adjustments.

2. Click the Copy button. This will copy all adjustments that you have edited in this image.
3. Uncheck any adjustments that you would not like to apply to other images.
As you edit other images, you can open the Adjustments tab and click on the Apply button to apply these
adjustments to those images.


 


Automating Color Control in Bibble

Saving Basic Adjustments
1. Under the Tools menu, select Basic Adjustments.

2. Select the button with the icon of a down arrow in the upper right corner of the window and select Save from the
menu.


 


3. Type a name for your saved Basic Adjustment panel settings file. This will save all of the adjustments made to
this image.
As you are editing other images, you can apply these adjustments by selecting your saved Basic Adjustment panel
settings file. Open the Basic Adjustments window, use the down arrow button, and select Load.


 


The Complete Photo Workflow

There are many ways to use ColorChecker Passport in a digital photography workflow to improve both quality and
productivity. Here are a couple of examples to help you get started with either a Raw or JPEG workflow.

Raw Workflow
One of the touted benefits of the Raw workflow is that you can wait to make a lot of your decisions until you process
your Raw files. Although the back panel of your camera may not provide a very accurate preview, it can be
improved if you do a custom white balance.
1. If you choose, set the in-camera white balance. This will not change any of the actual Raw data, but it can
speed up processing by providing a good suggested white balance for your images when you open them in
your Raw processing software.

See the “How to Set In-Camera White Balance” section for the steps.

2. Capture the ColorChecker Passport, including the ColorChecker Classic and Creative Enhancement targets in
one image. When shooting Raw, you can do this anytime during the shoot.

See the “Tips for Capturing the ColorChecker Classic Target” and “Positioning
Options” for specific information.

3. Capture your images under the same lighting conditions that you shot the targets. Each time you change light
conditions, shoot the targets again.
4. If you choose, use the ColorChecker Classic to build a custom DNG profile that encompasses your
camera/lighting/lens combination.

See the “Creating Profiles” section for instructions.

5. In the Raw processing software, select a DNG profile.

See the “Creating Profiles” section for more information about DNG profiles.

6. Select a white point. To use the custom in-camera white balance from when the image was shot, select As
Shot.


 

7. Use the white balance selection tool in your Raw processing software to select the gray balance in the
Creative Enhancement target. This can be a neutral patch, or one that provides the warmer or cooler look you
want.

See the “How to Set White Balance in [your software]” and “Warming and
Cooling with White Balance“ sections for more information.

8. In the photo editing software, edit the image of ColorChecker Passport using physical targets as visual guides.

See the “The ColorChecker Classic”, “Correcting Images with Spectrum

Patches”, and “Exposure Verification and Correction” sections to learn more.

9. Copy and apply these edits to other images that were shot in the same lighting conditions.

See the “Automating Color Control in Raw” section for specific instructions.

JPEG Workflow
When working in a JPEG workflow, simply doing an in-camera white balance will go a long way to improve your
JPEG captures. Better accuracy in the camera’s histograms will guide you to make better decisions on exposure.
Plus, you can trust the camera’s highlight warnings, reducing the risk of overexposing highlight areas. Overall, you’ll
experience better image quality and faster editing.
Using ColorChecker Passport to prepare before shooting can help you reduce editing time even more.
1. Set the in-camera white balance.

See the “How to Set In-Camera White Balance” section for specific instructions.

2. Capture the ColorChecker Classic and Creative Enhancement targets in one image.

See the “Tips for Capturing the ColorChecker Classic Target” and “Positioning
Options” sections for more information.

3. Check the exposure in-camera using the camera’s histograms and the Passport clipping patches with the
camera’s highlight warning tool.
4. Capture your images under the same lighting conditions.


 

5. In your photo editing software, edit the image of ColorChecker Classic and Creative Enhancement targets,
using the physical targets as visual guides.

See ”The ColorChecker Classic “, “Correcting Image Color with Spectrum

Patches” and “Enhancing Images with the ColorChecker Creative
Enhancement Target” sections to learn more.


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