Bass

Solo
Concerto for Double Bass and Orchestra
Ed. Isaac Trapkus Serge Koussevitzky
(b.1984) (1874-1951)
version: 2021/7/1 I

     


           
         

     
Allegro

     

  
 



 


            
 

 
     
9

     
   
  


                              
18 Alla breve

  
 3

                       

25

 
 3 

    
   
32

        

     
 

         
        
     
rit.
 
a tempo
   
44

 

 
  3 

                        
50

       
 

54
                      
rit.

     

•Please report errors to: [email protected]
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021.
  
                 
a tempo

    
61

       
3


poco rit.

 *)     
63

             
        

     
65 a tempo

             
       


67
               
  
        



69
   
 
        
          
       
    
 
   
 
    
       


                 
71 **)
 
        

 cresc.
73
                     
                 
 

                                
75


 cresc.

77
    
   



*Alternate slurring shown by dashed lines.

** Another option is to play mm.71-72 all separate starting down bow.
2 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021.
 
Alla breve
  
        
a tempo

       
82 rit.




          
           
88

94
                   




100
                  
      
  

106
        
            
  



 
             
    
111

   
        
116

    



  
122

           

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021. 3
 
                                  
128


                                      
130
*)


               
132

                 

134
         
                          
                  



                                  
137

 *)                          
139

                          

         
**)


141
      
        

 
143
        
   

*Alternatively, the G's in m.131 and 139 can be changed to G♯ (accompaniment instructions are provided in their part).
** This passage can be played slurred or all separate.
4 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 License. Isaac Trapkus - 2021.