Untitled
Untitled
Melody, lyrics, and rhythm give a certain feel to a song, but chords have
their own personalities that can greatly affect the mood as well. Major seventh
chords are beautiful; dominant ninth chords are bluesy; minor ninth chords are
dark and soulful; diminished chords build tension; augmented chords sound
mysterious; major 6/9th chords sound bright and happy; dominant 7#9 chords
sound bold and exciting. A minor ninth chord with a major seventh or a sharp
eleventh can add drama to an ending-so can a major seventh.
It is my great desire that the study of this book helps you in making
your own chord melody arrangements. When one arranges a song and makes
it one's own, it is a very satisfying feeling and gives a sense of pride and
accomplishment.
-Robert B. Yelin
DEDICATION
This book is dedicated to my first guitar teacher, Gus DeGazio, who made
me aware of the inherent beauty of the sound of guitar chords from Johnny
Smith records. This book is also dedicated to the premier guitarist, Johnny Smith,
who has no equal in revealing the beauty of the guitar. Though he was never my
teacher, his playing is the reason I play guitar. I strive for his beauty and to reap
the rewards that dedication and hard work bring. I am also very blessed to have
Gus and Johnny as two, very dear, loving friends.
CONTENTS
10 Cheek to Cheek
64 My Romance
Verse
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pure of you, the eyes, the arms, the mouth of you, the
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5
Apri I in Paris
Wordsby E.V. Harburg
Music by Vernon Duke
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7
Beautiful Love
Words by Haven Gillespie
Music by Victor Young, Wayne King and Egbert Van Alstyne
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Copyright© 1931 and 1959 by Movietone Music Corporation, New York, New York
Copyrights Renewed
This arrangement Copyright© 2002 by Movietone Music Corporation, New York, New York
Sam Fox Publishing Company, Inc., Santa Barbara, California, Sole Agent
International Copyright Secured All Rights Reserved
8 Used by Hal Leonard Corporation by Permission
1.
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thrill ing my soul with your song.
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Additional Lyrics
2. Beautiful love, I've roamed your paradise,
Searching for love, my dreams to realize.
Reaching for heaven, depending on you.
Beautiful love, will my dreams come true?
9
Cheek to Cheek
from the RKO Radio Motion Picture TOP HAT
Words and Music by Irving Berlin
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1., 3. Heav en, I'm in heav en. And my heart beats so that
2. See additional lyrics
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Additional Lyrics
2. Heaven, I'm in heaven.
And the cares that hung around me through the week
Seem to vanish like a gambler's lucky streak
When we're out together dancing, cheek to cheek.
12
Come Rain or Come Shine
from ST. LOUIS WOMAN
Words by Johnny Mercer
Music by Harold Arlen
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15
Cry Me a River
Words and Music by Arthur Hamilton
Verse
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17
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I cried a riv er 0 ver you.
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Additional Lyrics
2. Now you say you're sorry
For bein' so untrue;
Well, you can cry me a river, cry me a river,
I cried a river over you.
18
Day By Day
Theme from the Paramount Television Series DAY BY DAY
Words and Music by Sammy Cahn, Axel Stordahl and Paul Weston
Verse
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grow. There is n't an y end to my de
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Copyright© 1945 (Renewed 1972, 1973) by Famous Music Corporation and Hanover Music Corp.
This arrangement Copyright© 2002 by Famous Music Corporation and Hanover Music Corp.
International Copyright Secured All Rights Reserved 19
Em Em(maj7) Em7 A9
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yours
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21
Easy Living
Theme from the Paramount Picture EASY LIVING
Words and Music by Leo Robin and Ralph Rainger
Verse
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eas y to live when you're m love, and I'm so in love, there's
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23
Verse
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is eas y liv - ing. It's eas y to live when you're in love, and
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I'm so in love, there's noth - ing in life_ but you.
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Additional Lyrics
2. I never regret the years I'm giving.
They're easy to give when you're in love,
I'm happy to do whatever I do for you.
24
Georgia on My Mind
Words by Stuart Gorrell
Music by Hoagy Cannichael
Verse
Slowly
F A7 Dm Dm!C GIB Bbm6
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old sweet song keeps Geor -gia on my mind (Geor -gia on my mind).
Fmaj7
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0th - er arms_ reach out to me.L, oth - er eyes .., smile ten - der ly;_
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26
Outro
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find, just an old sweet song keeps Geor gia on my
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mind. mind.
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27
God Bless' the Child
Words and Music by Arthur Herzog Jr. and Billie Holiday
Verse
Moderately
Ebmaj7 Eb7 Ab6 Ebmaj7 Eb Ab6
I. Them that's got shall get, them that's not shall lose, so the
2. See additional lyrics
nt n Bb7 Ebmaj7 A7 Ab 13 07#5 Gbmaj7 Ebmaj7 Bb 13b9 Bb 11 Bb7#5 Bb9#5
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29
Verse
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take too much! Ma-ma may have, pa - pa may have, but God bless' the child that's
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Additional Lyrics
2. Yes, the strong gets more, while the weak ones fade,
Empty pockets don't ever make the grade.
Mama may have, Papa may have,
But God bless' the child that's got his own,
That's got his own.
30
I Can't Get Started With You
from ZIEGFELD FOLLIES
Wordsby Ira Gershwin
Music by Vernon Duke
Verse
Slowly
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l. I've flown a round the world_ in a plane; I've set tied
4. See additional lyrics
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can't
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par, _ and all the mov ies want_ me to star; I've got a
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32
Verse
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twen ty - nine _ sold short; _ in Eng - land I'm pre - sen ted at
6. See additional lyrics
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Additional Lyrics
4. I do a hundred yards in ten flat; Bridge When first we met, how you elated me!
The Prince of Wales has copied my hat; Pet, you devastated me!
a
With queens I've la carted, Yet, now you've deflated me
But can't get started with you. Till you're my Waterloo.
33
Here's That Rainy Day
from CARNIVAL IN FLANDERS
Words by Johnny Burke
Music by Jimmy Van Heusen
Verse
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here's that rain y day. Here's that rain y day they told me a
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35
I Remember You
from the Paramount Picture THE FLEETS IN
Words by Johnny Mercer
Music by Victor Schertzinger
Verse
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1., 2. I re mem ber you, you're the one who made my dreams come
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the thrill of them all, _ then shall tell them re - mem - ber
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38
I Thought About You
Words by Johnny Mercer
Music by Jimmy Van Heusen
Verse
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2. See additional lyrics
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-- and I thought a bout you.
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Copyright© 1939 (Renewed) by Music Sales Corporation (ASCAP) and Commander Music
This arrangement Copyright © 2002 by Music Sales Corporation (ASCAP) and Commander Music
International Copyright Secured All Rights Reserved
Used by Permission 39
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Additional Lyrics
2. At ev'ry stop that we made,
Oh, I thought about you,
But when I pulled down the shade,
Then I really felt blue.
I peeked through the crack and looked at the track,
The one going back to you, and what did I do?
I thought about you.
41
I've Grown Accustomed to Her Face
from MY FAIR LADY
Words by Alan Jay Lerner
Music by Frederick Loewe
Verse
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makes the day be gin. I've grown ac cus - tomed to the tune she
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Fm7
1• •• .-
Fm7sus4 Fm7
-•
.-
Bb9 Ab07 Bb 13
•-
Bb7
..--
Db9# 11
•
Db9
·•-
Db9#11 C7b9b13 C7b9
--
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43
1.
- II
... I
F9 Abm
. Eb Gm7 Fm7
....
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II
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Fm7
....
Bb9 Eb
.. ...
- -....
., ., -
...
I
.., " I
......
-
face.
I I I
-.....
2. I've grown
- ac - cus- tomed
-.....
to
....
her
I . . ..
-
face.
-~
II I
-- ... ~
-
--- ..
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><
Additional Lyrics
2. I've grown accustomed to her face.
She almost makes the day begin.
I've gotten used to hear her say: "Good morning," ev'ry day.
Her joys, her woes, her highs,
Her lows are second nature to me now;
Like breathing out and breathing in.
I'm very grateful she's a woman and so easy to forget.
Rather like a habit one can always break and yet,
I've grown accustomed to the trace of something in the air;
Accustomed to her face.
44
Imagination
Words by Johnny Burke
Music by Jimmy Van Heusen
Verse
Slowly
Bb7 Bb7sus4 Bb7 Ebmaj7 Eb6 Bb07 Fm7 Bb7 Bb9 Ebmaj7 Bbrn Bbm(add9)/A Bbm/Ab
b
1. 2.
-- -
Gm7 Fm7 Bb7 Eb9 Bbm7 Eb9 A
.." .. I
,.. -
....
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Bb7sus4 Bb7
-
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L ..
-
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-
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L_
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.
"7 0
c -t"n -t"'n :,, ~ x x ~ ~
~ 'o 'o ~ ~ ~ ~ "' "'
"' "' "' ~ ~ "' "' ,. ,.
"' "' "' "'
Copyright© 1939, 1949 by Bourne Co., Marke Music Publishing Co., Inc.,
Limerick Music, My Dad's Songs, Inc. and Reganesque Music
Copyright Renewed
This arrangement Copyright© 2002 by Bourne Co., Marke Music Publishing Co., Inc.,
Limerick Music, My Dad's Songs, Inc. and Reganesque Music
All Rights for Marke Music Publishing Co., Inc. Administered by BMG Songs, Inc.
All Rights for Limerick Music, My Dad's Songs, Inc. and Reganesque Music
Administered by Spirit Two Music, Inc.
International Copyright Secured All Rights Reserved 45
Bridge
Ab Fm7 c D7 Gm7
-..,
·-
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r,v
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- _.
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......
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Have you ev er felt a gen tie touch and then a kiss and
--- .-
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.
....
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Verse
Bb Bb9 Bm Eb
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v r',J
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sil ly, you go a round wil ly nil ly.
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46
Fm C+ Fm7 Fm Gm G+ G7
C7 F°7 C7 Fm
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and yet,
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can't im
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ag
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ine that
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.--
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.., II
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you
Bb7
want
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me
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I
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too.
Eb6 Db9
I
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I
Eb8
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Additional Lyrics
2. Imagination is crazy,
Your whole perspective gets hazy,
Starts you asking a daisy,
What to do, what to do?
47
It Could Happen to You
from the Paramount Picture AND THE ANGELS SING
Words by Johnny Burke
Music by James Van Heusen
Verse
Slowly
-..,"
II ,ii,
of!'
.........,.
,. .... G G#07 E7 G#07 E7 Am A#07 F#7
~-
A#07 F#7
"" . (,.
.....
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.....
-
,-
I
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I., 2. Hide your heart from sight, lock your dreams at night,
-
r:,
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r..
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tJ,41
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u
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c
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fl
G c B+ B7 B7b5 B7 Om E7 Am7
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....
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r- ,- - -
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it could hap pen to you. Don't count
Bm7
:- 1..b:
., -
Bb7
..-
Am7sus4 Am7
e
F9 B13
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B7#5
11~
E9sus4 E7b9 Am(add9)
i:2.
Am(add9)/Ab
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stars or you might stum ble some one drops a sigh, and
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down
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you
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tum
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ble. Keep
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-
an
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eye
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on
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spring,
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run when
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1. 2.
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hap pened to me! me!
Am7 09 Ab7#9 08 D7#9b 13 Db7#9b 13 C7#9b 13 Ab majl J 08
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49
It Might As Well Be Spring
from STATE FAIR
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Verse
Moderately
2.
E7 Am7 D7 Am7 D7 G Dm7 G7
I
~,J
I
- I - - - I
......
- -- I
I keep wish - ing I were some - where else walk - ing down a strange new street
~:- ..=
Am Am(maj7) Am7 B7#9 B7b9 B7 Dm7 07 Dm7 G7 013 Cmaj7 C7
~
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...... I: .i+=: ~ 1.-• ~- -- 1.-• ~- -- -- --
II. Jj,
- - -""'-
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n
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v "'
v "'v "'v I
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I
hear - ing words that have nev - er heard from a i man l I' yet to meet, 3. I'm as
l girl i ve
Am Am(maj7) Am7 B7#9 B7b9 B7 A 07 C07 B7 B7#5 Em7 A7 Aml 1 Bb7 D7 Aml 1 D7b5
Verse
06 C9 Bm7 E7 Am7 07 0
51
Dm7 G7 c C#m7 F#7 Em7 Am7 D9 D7/C
-
...l'I J.I, I I I
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swing.
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have - n't seen
.....
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a
.....
cro - cus
l
........
,,.-
or
-
a rose
-..... -
bud, or
-.....
a rob in on the
I
Dm7 Db7 Cmaj7 Bmaj7 Cmaj7 C07 Bb7 B7 Em7 A13 A7 Am7add4 D7b9 C07
,,....
-- ...- ..,.- .... - - -J ............ .,-- .... ....
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.--
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-
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might as well be spring. It might __ as well ___ be sprmg.
. ___ '
G7 G13 G7#5 G7 AIC# Cm13 Bm7 Bbm13 Gmaj7 Em7 Bm7 Bbm9 Am7 Ab7 Ab maj l S G~
...---
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Additional Lyrics
2. I am starry-eyed and vaguely discontented,
Like a nightingale without a song to sing.
Oh, why should I have spring fever
When it isn't even spring?
52
Little Girl Blue
from JUMBO
Wordsby Lorenz Hart
Music by Richard Rodgers
Chorus
Moderately
F Gm7 C7 F
·--------
Gm7sus4 Gm7 C9#11 C9 Fmaj7sus4 Fmaj7 F6
C7 F
·---------
Gm7 C7 F C7
--_......
with ev 'ry star in the sky, a bove the ring,_
Copyright© 1935 by Williamson Music and Lorenz Hart Publishing Co. in the United States
Copyright Renewed
This arrangement Copyright © 2002 by Williamson Music and Lorenz Hart Publishing Co. in the United States
International Copyright Secured All Rights Reserved 53
F Dm7
. .
I I I I I I
..
'-'-
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old, gone are the tin sel and gold.
-... ---·--·
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Verse
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1. Sit
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count your
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what
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can you
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do?
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Old
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girl you're
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Sit there and count your lit tie fin gers. Un luck - y lit - tle girl blue.
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54
2. Outro
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blue. No use, old girl, you may as well sur ren der, your
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hope is get ting slen der, why won't some - bod y send a ten der
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blue boy to cheer lit - tle girl blue?
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Additional Lyrics
2. Sit there and count the raindrops, falling on you.
It's time you knew
All you can count on is the
Raindrops that fall on little girl blue.
55
Lover
from the Paramount Picture LOVE ME TONIGHT
Wordsby Lorenz Hart
Music by Richard Rodgers
Verse
Brightly
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1. Lov er, when I'm near you ___
2., 3. See additional lyrics
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soft ly in my ear, you breathe a
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All of my fu ture is in you.
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57
D7
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-- to my heart.
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Additional lyrics
2. Lover, when we're dancing keep on glancing in my eyes,
Till love's own entrancing music dies.
58
My Foolish Heart
Wordsby Ned Washington
Music by VictorYoung
Moderately slow
A F#m Bm7
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The night ___ lS like a love - ly tune, be ware my fool - ish
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care my fool ish heart! There's a line be-tween love and fas ci
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Copyright© 1949 by Chappell & Co., Largo Music, Inc., Catharine Hinen Music and Patti Washington Music
Copyright Renewed
This arrangement Copyright© 2002 by Chappell & Co., Largo Music, Inc.,
Catharine Hinen Music and Patti Washington Music
International Copyright Secured All Rights Reserved 59
A7 D G#m7b5 C#7b9
for they
G9 G7b9
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both give the ver y same sen sa tion when you're lost in the mag-ic of a kiss. Hist
Her
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lips are much too close to mine, be ware my fool ish
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heart. But should our ea ger lips com bine, then
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61
Moonlight in Vermont
Words and Music by John Blackburn and Karl Suessdorf
Verse
Freely
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Tel - e - graph ca bles, they sing down the high - way and
Copyright© 1944 (Renewed 1972) Michael H. Goldsen, Inc. and Johnny R. Music Company in the U.S.
This arrangement Copyright© 2002 Michael H. Goldsen, Inc. and Johnny R. Music Company in the U.S.
All Rights outside the U.S. Controlled by Michael H. Goldsen, Inc.
62 International Copyright Secured All Rights Reserved
Amil Ab9#11 Gmaj7 G6 Bbmll Eb7
Bbm7 Bm7
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mont, you and I and moon light in Ver mont.
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Additional Lyrics
2. Icy fingerwaves,
Ski trails on a mountainside,
Snowlight in Vermont.
63
My Romance
from JUMBO
Wordsby Lorenz Hart
Music by Richard Rodgers
Verse d~
ModerateSwing ( lJ = J ) ) (Am7)
....
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moon in the sky, my ro mance does - n't need a blue la
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Copyright© 1935 by Williamson Music and Lorenz Hart Publishing Co. in the United States
Copyright Renewed
This arrangement Copyright © 2002 by Williamson Music and Lorenz Hart Publishing Co. in the United States
All Rights Administered by Williamson Music
64 International Copyright Secured All Rights Reserved
Fmaj7 Bb9 Cmaj7 F#m7b5 B7 Em7
Verse
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66
The Night Has a Thousand Eyes
Theme from the Paramount Picture THE NIGHT HAS A THOUSAND EYES
Words by Buddy Bernier
Music by Jerry Brainin
Verse
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1. Don't whis per things to me you don't mean, for
2. See additional lyrics
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I've lived my life walk - ing through a dream.
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Additional Lyrics
2. Tho' romance may have called in the past,
My love for you will be everlasting and bright.
As bright as the starlit skies
And this wond'rous night has a thousand eyes.
69
Nuages
By Django Reinhardt and Jacques Larue
Slowly
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72
Samba De Orfeu
Wordsby AntonioMaria
Music by Luiz Bonfa
~ Verse
Samba
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3. See additional lyrics
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Additional Lyrics
3. Vamos viver, vamos sambar.
Se a fantasia rasgar Meu amor, eu compro outra.
vi'mos sambar, vamos viver.
O samba e livre. Eu sou livre tambem, ate morer.
75
Satin Doll
from SOPHISTICATED LADIES
By Duke Ellington
Verse
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2. See additional lyrics
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Copyright© 1953 (Renewed 1981) and Assigned to Famous Music Corporation in the U.S.A.
This arrangement Copyright© 2002 by Famous Music Corporation in the U.S.A.
Rights for the world outside the U.S.A. Controlled by Tempo Music, Inc. c/o Music Sales Corporation
76 International Copyright Secured All Rights Reserved
Bridge
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no bod y's fool, so I'm play ing it cool as can be.
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my sat in doll.
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Additional Lyrics
2. Baby, shall we go out skippin'?
Careful amigo, you're flippin'.
Speaks Latin, that satin doll.
78
Sophisticated Lady
from SOPHISTICATED LADIES
Words and Music by Duke Ellington, Irving Mills and Mitchell Parish
Verse
Moderately
B07 Bbm E7 Eb7
I.
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Copyright© 1933 (Renewed 1960) and Assigned to Famous Music Corporation and EMI Mills Music Inc. in the U.S.A.
This arrangement Copyright© 2002 by Famous Music Corporation and EMI Mills Music Inc. in the U.S.A.
Rights for the world outside the U.S.A. Controlled by EMI Mills Music Inc. (Publishing) and Warner Bros. Publications Inc. (Print)
International Copyright Secured All Rights Reserved 79
2. Bridge
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Additional Lyrics
2. Then, with disillusion deep in your eyes,
You learned that fools in love soon grow wise.
The years have changed you, somehow;
I see you now ...
81
Stardust
Wordsby Mitchell Parish
Music by Hoagy Cannichael
Verse
Moderately
c F9 E7
I. And now the pur - pie dusk of twi - light time steals a - cross the mead - ows of my
2. See additional lyrics
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Copyright© 1928, 1929 by Songs Of Peer, Ltd. and EMI Mills Music, Inc.
Copyrights Renewed
This arrangement Copyright© 2002 by Songs Of Peer, Ltd. and EMI Mills Music, Inc.
All Rights outside the USA Controlled by EMI Mills Music, Inc. (Publishing) and
Warner Bros. Publications U.S. Inc. (Print)
82 International Copyright Secured All Rights Reserved
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won der why I spend the lone ly night dream -ing of a song. The
See additional lyrics
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2. You wandered down the lane and far away,
Leaving me a song that will not die.
Love is now the stardust of yesterday,
The music of the years gone by.
85
Tenderly
from TORCH SONG
Lyric by Jack Lawrence
Music by Walter Gross
~ Verse
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trees
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© 1946, 1947 (Renewed) EDWIN H. MORRIS & COMPANY, A Division of MPL Communications, Inc.
This arrangement© 2002 EDWIN H. MORRIS & COMPANY, A Division of MPL Communications, Inc.
86 All Rights Reserved
D.S. a/Coda
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lost in a sigh were we. 2. The shore was
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you took my love so ten der - ly. _
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Additional Lyrics
2. The shore was kissed, by sea and mist tenderly.
I can't forget how two hearts met breathlessly.
Your arms opened wide and closed me inside.
You took my lips. You took my love so tenderly.
87
Unchained Melody
Lyric by Hy Zaret
Music by Alex North
Chorus
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Additional Lyrics
2. Lovely rivers sigh, "Wait for me, wait for me!"
I'll be coming home, wait for me.
89
Wave
Words and Music by Antonio Carlos Jobim
Verse
Moderately
Gm7 C13 Dm7
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The fun - da - men - ta! lone Ii - ness goes_ when - ev - er two can dream a dream to geth -
B7 E9
..= #~. El 3 E7b9b 13 E7b9
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i---3---, r---3----i
Verse
Gmaj7 Dm7 G7b9
know the wave is on its way to be. __ Just catch ; the waves,_
91
Cmaj7 Cm6 Bl3 B7#5 E9 E7b9
B7#5 B7 E9
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Additional Lyrics
2. You can't deny, don't try to fight the rising sea,
Don't fight the moon, the stars above and don't fight me.
The fundamental loneliness goes whenever two can dream together.
92
What's New?
Words by Johnny Burke
Music by Bob Haggart
Verse
Slowly
G+ c Eb7
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94
Verse
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Additional Lyrics
2. What's new?
How did that romance come through?
We haven't met since then;
Gee! But it's nice to see you again.
95
When I Fall in Love
from ONE MINUTE TO ZERO
Words by Edward Heyman
Music by Victor Young
Verse
Moderately
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Additional Lyrics
2. When I give my heart
It will be completely, or I'll never give my heart.
And the moment I can feel that you feel that way too,
Is when I fall in love with you.
97
Willow Weep for Me
Wordsand Music by Ann Renell
Verse
Slowly
G C7 G C7 G
\._/ <:»
I. Wil - low weep for me,_ wil - low weep for me,_ bend your branch es - green, _ a-long the strearn .
2., 3. See additional lyrics
To Coda -$- 1.
GIB G7 C9 Db9 C9 Am7 07 G F7 E7
2. Bridge
Am7 07 G Dm7b5 G7b9 Cm Cm/Bb Am7b5 D7b9
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Additional Lyrics
2. Gone my lover's dream, lovely summer dream.
Gone and left me here to weep my tears into the stream.
Sad as I can be, hear me willow and weep for me.
99
ABOUT THE AUTHOR
Robert Yelin is a guitarist,
arranger, educator, and writer
who has been playing jazz
for over 40 years. His first
inspiration came from Johnny
Smith's chord-melody solos, and
it was the rich variety of guitar
chords that moved him to
arrange nearly 2,000 songs to
date. His 1982 album Night Rain was named best solo instrumental album in
Cadence magazine's critics poll. Guitar Player wrote: "Yelin's arrangements are
unique. He looks for the right chord; not the right lick. He uses alternate tunings,
harmonics, and pizzicato effects tastefully while he whips through difficult
passages with no sense of strain:' In the liner notes for Yelin's jazz trio album
Song For My Wife, Johnny Smith wrote: "Bob Yelin is an excellent jazz guitarist
and this is an excellent album. His music leaves a lasting, musical memory.'
Fellow jazz great Gene Bertoncini may have put it best when he described
Bob Yelin and himself as "chordiologists"
Buscarino Guitars
2348 Wide Horizon Drive
Franklin, N.C. 28734
(828) 349-9867
100
Guitar Notation Legend
Guitar Music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes.
D A D E G
n
staff. Strum chords in the rhythm indicated.
Use the chord diagrams found at the top of
the first page of the transcription for the
appropriate chord voicings. Round Notes:
) ) ) )~
noteheads indicate single notes. .I.I,_
~
THE MUSICAL STAFF shows pitches and ')
u
rhythms and is divided by bar lines into
measures. Pitches are named after the first Strings:
seven letters of the alphabet. highEr"T'~~~~~~~~~~r-++~~~~~~...,,_~~~~~~~~~~~~~~~~~~
I\ I\
B
xv ~
I
x
TABLATURE graphically represents the ,.,
... ~
v
guitar fingerboard. Each horizontal line
represents a a string, and each number A -
represents a fret. 4th string, 2nd fret 1st & 2nd strings open D chord
open, played together
- .- -j
II II I
,....
II
-II
~ ~
1/2 1/4
.,. .,.
"T' I "T' I
..
I _/ I
...
"./
v
/\ " l
I' I'
BEND AND RELEASE: Strike the note and PRE-BEND: Bend the note as indicated, PRE-BEND AND RELEASE: Bend the note UNISON BEND: Strike the two notes
bend up as indicated, then release back to then strike it. as indicated. Strike it and release the bend simultaneously and bend the lower note up
the original note. Only the first note is back to the original note. to the pitch of the higher.
struck.
/\
--
-~... •
I
...
"T' I
J
I
-
.,
r•
Lt
VIBRATO: The string is vibrated by rapidly WIDE VIBRATO: The pitch is varied to a HAMMER-ON: Strike the first (lower) note PULL-OFF: Place both fingers on the notes
bending and releasing the note with the greater degree by vibrating with the fretting with one finger, then sound the higher note to be sounded. Strike the first note and
fretting hand. hand. (on the same string) with another finger by without picking, pull the finger off to sound
fretting it without picking. the second (lower) note.
-~... .. """"~
/\
T
I
"""""""""""~
.,
I\
....gl.l
LEGATO SLIDE: Strike the first note and SHIFT SLIDE: Same as legato slide, except TRILL: Very rapidly alternate between the TAPPING: Hammer ("tap") the fret indicated
then slide the same fret-hand finger up or the second note is struck. notes indicated by continuously hammering with the pick-hand index or middle finger
down to the second note. The second note on and pulling off. and pull off to the note fretted by the fret
is not struck. hand.
101
NATURAL HARMONIC: Strike the note while PINCH HARMONIC:The note is fretted HARP HARMONIC:The note is fretted normally PICK SCRAPE:The edge of the pick is
the fret-hand lightly touches the string normally and a harmonic is produced by and a harmonic is produced by gently resting the rubbed down (or up) the string, producing
directly over the fret indicated. adding the edge of the thumb or the tip of pick hand's index finger directly above the a scratchy sound.
the index finger of the pick hand to the indicated fret (in parentheses) while the pick
normal pick attack. hand's thumb or pick assists by plucking the
appropriate string.
II
8va
... II
..i
H.H.
"r'
I
-
...
j
L.,
'l'"I
MUFFLED STRINGS: A percussive sound is PALM MUTING:The note is partially muted RAKE: Drag the pick across the strings TREMOLOPICKING:The note is picked as
produced by laying the fret hand across the by the pick hand lightly touching the indicated with a single motion. rapidly and continuously as possible.
string(s) without depressing, and striking string(s) just before the bridge.
them with the pick hand.
ARPEGGIATE:Play the notes of the chord VIBRATO BAR DIVE AND RETURN:The VIBRATO BAR SCOOP: Depress the bar just VIBRATO BAR DIP: Strike the note and then
indicated by quickly rolling them from pitch of the note or chord is dropped a before striking the note, then quickly immediately drop a specified number of
bottom to top. specified number of steps (in rhythm) then release the bar. steps, then release back to the original
returned to the original pitch. pitch.
-)
(accent) • Accentuate note with great intensity Riff • Label used to recall composed, melodic
lines (usually single notes) which recur.
(staccato) . Play the note short Fill . Label used to identify a brief melodic
figure which is to be inserted into the
arrangement.
D.S. al Coda Go back to the sign ( ~ ), then play until . Repeat measures between signs.
102
L. 11111<. E THE Jazz Guitar Instruction
& Transcriptions
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