10 Story Book - March 1939
10 Story Book - March 1939
READ •••
Confession of
& aji/aW York
Jiam m er
^Murderer
Transition N vm ber---- Page 23
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Vol. 37 10 STO R Y BOOK, March, 1939 No. 10
Presents
C O N F E S S IO N O F A N E W Y O R K
HAM M ER MURDERER
.........................................A. Gerard M acau ley
H O L L Y W O O D H OSS T R A D E R S
............................................. A1 H icks Senior 8
T H E H A N D S ............................Dillard Stokes 11
COLLEGE CAPERS J. Oke Smith 13
IN N E W S P A P E R S T Y L E Satiricus 14
W IT H L O V E T O T H E E D IT O R
................................................A rnold Fletcher 17
T I M E S U R E F L IE S J. Oker 18
B IT O’ B LA C K AN ’ W H IT E 19
W O M A N IN A W H IT E H A T .........................
.................................................. A lm a Paschall 20
P O P P E R W R IT E S T O D E SON
M EELTON H. N. W ebster 24
ESCAPE A lfred Clark 28
T H E C A SE O F T H E M IS S IN G
M A N U S C R IP T A. Lincoln H icks 32
W E N T ’R O U N D A N D ’R O U N D J. O. K e r 36
Q U A IL ...............................D onna R eigh Scott 40
THE LAST W ORD J. R . M cC arth y 46
S A ID B L U B T O B L U R P J. O. K . E r 48
DEAR CLARA G. K . B eam 50
P L U G G IN G A L O N G Lou Seguin 54
I T ’S A N IL L W IN D M on t Hurst 58
Globe Photo.
Confession of a
New York Hammer M urderer
By A. Gerard Macauley
H IS is what happened, the whole in-law’s son. I know this old burg like a
the trains. W e slugged our way into one of man’s appearance on Earth. They were
them and clung to straps. formed by the action of the river seeking
“ Some mob, eh, V ictor,” I said proudly. an outlet to the sea. O n their crests can
H e drew a big breath. “ Y es,” he said, be seen many huge boulders left there by
“ your subways last year carried over a billion receding glaciers tens of thousands of years
and a half passengers. In nickel fares that ago. A few years ago the Palisades exist
amounts to one hundred million dollars.” ence were threatened by the blasting of
A n express roared by in the opposite di quarrymen, but happily the states o f New
rection. Y ork and New Jersey combined to end
“ Going some, eh, V ictor?” I chuckled. this outrage.”
“ It surely is,” he said. “ These subway “ W e ’ll go downtown,” I said, “ and see
expresses are said to make as high as a the East River, and the ships and bridges
mile a minute at times, but generally they and things.”
average forty miles an hour. A t rush hours “ Fine,” said Victor, “ I ’m especially in
there is a three minute interval between terested in seeing the Brooklyn Bridge.”
trains.” W e stood under the old bridge and looked
A t 125th Street we got off and squirmed up, and then we stood upon it and looked
and forced our way to the exit stairs. down.
“ Some station, isn’t it?” I said to Victor. “ This first and undoubtedly most beauti
“ The express stations,” he said, “ are ap ful of the East River Bridges,” said Victor,
proximately four hundred feet lo n g ; in some “ was begun January 3rd, 1870 and opened
instances close to five hundred feet.” M ay 24th, 1883. The stone towers are 272
W e walked over to Grant’s Tom b on feet above the river. The length of the
Riverside Drive. bridge over all is 6,016 feet, and the length
“ Imposing structure — this, don’t you of the central span is 1,595.6 feet. Its total
think?” I asked him. cost was 25 million dollars. The inventor
H e viewed it critically. “ The tomb is and engineer was John Roebling.”
150 feet high and 90 feet square,” he said. “ Y ou w on’t want to see the other bridges,”
“ It is built of granite from Maine and New I said, “ they’re just like this one, except
Hampshire. The cost was $600,000, which they’re built a little different.”
was raised by popular subscription. The Leaving the bridges and walking through
corner stone was laid April 27, 1892, the a narrow street V ictor halted suddenly to
date of Grant’s birthday, and the dedica point to a funny looking building on a
tion ceremonies were held April 27, 1897.” corner. “ W hy, there’s Fraunce’s Tavern,”
I took him down to see the Hudson River. he said enthusiastically, “ one of the oldest
“ Some creek, eh, V ictor?” buildings in the city. It was General W ash
“ The Hudson R iver,” he said, “ is 350 ington’s Headquarters during the R evolu
miles long. Its source is Lake Sanford in tionary W a r.”
the Adirondacks. It attains its greatest “ Y ou want to see the Statue of Liberty,
width between Nyack and Tarrytown, New don’t you,” I said.
York. It is navigable for large boats as “ Oh, yes. Y ou know, of course, that the
far as T roy, N ew Y ork, above which city Goddess of Liberty was the gi-------”
it narrows abruptly. The Hudson has been “ Look out— that ca r !” I yelled, shoving
termed the American Rhine.” him violently toward the curb.
“ Those are the Palisades, V ictor.” I said, “ W hat car? W h ere? I don’t see any
pointing to the Jersey shore. car,” he said, looking around puzzled.
“ The Palisades,” said Victor, “ antedate “ It’s gone,” I said, “ it went around the
THE ODDEST STORIES IN PRINT! 5
V ictor seemed sore about something. But distinction of possessing one of the highest
after a good lunch and we were sitting down elevations in the city.”
for a little smoke he cheered up again. Then I went to the nearest police station
“ Had a great day so far,” he said, “ Aside and gave myself up.
from that— that accident. I ’m looking for “ I ’ve just killed a man,” I told the Lieu
ward with keen anticipation to the W ool- tenant at the desk. “ H e was my cousin from
worth Building and Central Park. A s I was Dove-cote, Vermont. M y father was his
saying Central Park contains 843 acres, of mother’s brother and this makes the fourth
which 185 are in lakes and reservoirs. W ork brutal murder in this city within the past
was begun on the park in 1857 and it was forty-eight hours. The Police will express
officially opened in------- ” themselves as baffled for a motive for the
“ It was that big fellow,” I said, “ he shoved crime. Y ou will find his body in the dining
you. W e have some rough people in New room of my private suite on the thirteenth
York— he looked like some sort of a foreigner floor of the Hotel Pistachio Arms. This
to me.”
apartment-hotel is forty stories high. Besides
“ These foreigners-------” said Victor. “ W e 1,468 single rooms there are 523 suites of
have nothing like them in Dove-cote, thank
from 2 to 9 rooms with 5 to 14 baths. The
God. W hy, do you know that 28% of the total floor area is 745.6 acres and the halls
population of New Y ork City is foreign b orn ; if laid end to end would reach from here to
that 2 5% have one foreign born parent, and there and back again. Send a couple of your
2 3% two foreign born parents?” trusted men over to verify what I have told
“ W ill you have a glass of sherry?” I asked y o u ; I ’ll wait here until they return.”
him, reaching down into the buffet behind his
I took the chair they offered me. A squad
chair.
of plain-clothes men rushed out.
“ Sherry, eh? W ell, don’t mind if I do.
Back home, of course, we have bonded “ The New Y ork City police force,” I said
to the Lieutenant, “ is undoubtedly the
whiskey that is bonded. But everybody knows
world’s finest. It consists, you know, of ap
that New Y ork City is the bootlegging center
proximately 14,153 Patrolmen, 125 Police
of the country. The number of liquor con
women, 212 Doormen, 964 Sergeants, 543
victions in New Y ork City alone last year
amounted to seven thou-------” Lieutenants, 95 Captains, 30 inspectors, 7
Chief Deputy Inspectors, 1 Chief Inspector
H e put up a good fight but I brought him
down in the end. and 1 Commissioner at a salary of $10,000
a year.”
“ This is murder,” he moaned, as I rained
blow after blow with the hammer on his “ The rank of Doorman, sir,” corrected the
naked skull. Lieutenant courteously, “ was abolished by
“ There were 372 homicide cases in New Act of Legislature April 16, 1912.”
Y ork City last year,” I screamed in his ear “ I beg your pardon, Lieutenant,” I said,
just before he lost consciousness, “ an average “ I did not know that.”
of 8.5 per hundred thousand of population. They found my cousin V ictor’s body as I
This one won’t affect the figures for the cur said they would and I am writing this from a
rent year, although the homicide rate in Italy cell 9]/2 feet long by 6 % feet wide in the
in 1925 was 4.7 as compared to that of 7.2 Tom bs Prison, New Y ork City. This City
for the United States. Unless your family Prison is located at Center and Pearl Streets
claim your body it will probably be interred and has long out-grown its capacities. Its
in Greenwood Cemetery, Brooklyn, which in surrounding walls are 18 feet high and the
addition to containing over 500 acres has the stone blocks composing it are 3.8 feet thick.
H O W T O H O R S E B A C K R ID E W IT H O U T A H O R S E
This young lady shows us how she takes a morning canter around the Lincoln
Park bridle path without even going out to Lincoln Park. Just a part of our
synthetic age! Globe Photo.
HOLLYWOOD HOSS TRADERS
A Cheerful Cataclysm Concerning Chiseling Anent
THE CINEMA CAPITOL
in
7 Plain and Airmail Letters — 3 Inter-office Communications
1 Night Letter — 1 (one only) Straight Day Message
DANIEL GARFIELD
Publisher — Literary Agent
3 1 8 Westcott Dr.
CHICAGO, ILL.
Dec. 2, 1938
Mr. Edward Burke
6242 Sunset Blvd.
Hollywood, Calif.
Dear Edward:
Sometime ago I sent you a copy of
Eliza Duane's book "Simpering Sally"
which I published for her with her very
kind assistance. I requested you as my
West Coast representative to read the
book, give me an opinion that I might
read my client, and then to get it before
Abe Wenzel who is producing and super
vising for Freckles Smithers the child
cinema prodigy.
I requested merely that you place a
copy of the book upon Mr. Wenzel's desk
with a request that he read it and dis
cover that it was a superb vehicle espe
cially fitting for the Smithers child.
So far and to date I have not heard a
word from you. One of my clients pass
ing thru Chicago stopped to confer with
me last week and from him the rumor came
that you had done nothing since you were
thrown off the Canyon Comedies lot as a
comedy constructionist for suggesting
that Miss Biddy of the Biddy and Betty
Comedies do a featherless fan dance. He
added something about your being jailed
later for attending a premier of the
latest Canyon Comedy and breaking out
into loud sobbing while it was being
shown.
I have asked very little of you and
paid very well for your work for me in
Hollywood. I have not leaned toward the
cinema market very heavily to date, but
I must ask that you give me some infor
mation and action on the above matter at
once or I shall be forced to contact an
other outlet for my Hollywood material.
Trust that this will suffice to bring
you to your senses,
I remain,
Very truly yours,
Daniel Garfield.
P.S. When can I expect further of
your inimitable tales of the Cinema cap
ital, with editors enquiring? Nothing
but your own apparent lacadaisicalness
prevents us both from making some money.
6 2 4 2 SUNSET BLVD.
HOLLYW OOD, CALIF.
December 7, 1938
Daniel Garfield
Publisher
Chicago, 111.
My dear Mr. Garfield:
By other mail and on Hotel Roosevelt
stationery am sending you an opinion on
"Simpering Sally" which you may show
10 THE ODDEST STORIES IN PRINT!
your client Lizzie Duane (and the Lord instructions I have placed the book in the
have mercy on my sou l). hands of Fred Dineen, father of Dimples
Personally, to me the book is ousy-lay. Dineen, the child darling of the universe who
Lizzie must have read all the Allcott books is cuteing them to death on the Blasted P ic
and then tried to out-sweeten even Allcott. tures lot and stages. I happen to have a
The adult leads in the book talk like a couple drinking acquaintance with Fred and further
of characters out of “ The Drunkard” and as happen to know that he can recommend a
for the Smithers brat playing the child fea good story in for his kid and they will listen
ture in it, listen, you got scenes in the book (if lie's sober) the kid is officially about eight
where this Sally kid runs around showin’ years old and about ripe for a change in
her panties; he it ever such a shock to you, character. I know the book will get where
the Smithers kid has had to wear a brassier it will do the most good because I had to tie
and elastic girdle in her last two pictures and it into Fred’s pocket when I left him the other
they had to cut out entirely a tree swing scene morning in front of the Cinegrill at closing
closeup and take a telescopic shot of it ac time. Quote ten grand for the story when
count of tiny freckles the nation’s joy is be they start asking and don't take a cent less
ginning to roundhouse like W est herself. than four g's.
You talk of laying a book on old Baldy W ith kindest regards to the shorter of your
W enzel’s desk like I was a hen or something. two stenographers, I remain,
W hat do you think associate producers are Ed. Burke
doing out here ? H olding open house to book W est Coast Rep.
and manuscript layers ? The hook and manu Garfield Publishers.
script layers’ line forms before daylight every P.S. If you don't wire that fifty address
morning and by six o ’clock there’s still a half me next care of Gen. Del. H ollywood,
dozen optimists who don’t get up to the in Chloroformia.
formation window to throw theirs in the bin This also goes for any more delightful
provided for them by Brutal Pictures, Inc. yarns from me as the man came and took the
where as you know is where Abe W enzel is old Underwood this morning.
now fighting.
Regarding your further insinuations as per Airmail— Special
your letter, I still have 500 ft. of Miss Biddy Daniel Garfield
doing that featherless fan dance which I will Publisher— Literary Agent
rent to smokers and stags for a yard and a 318 W estcott Dr.
quarter a night if you can do any business Chicago, 111.
around the loop with it. And it wasn't a Dec. 11.1938
premier, it was a preview of the Canyon Mr. Edward Burke
Comedy that 1 sobbed at and I wasn’t the 6242 Sunset Blvd.
only wet eye in the house either. If that was H ollywood. Calif.
a C O M E D Y then YOU laff at it when you Dear Mr. B urke:
see it. W hat in heavens name do you mean by
Speaking of my job and your payments, I turning over the copy of “ Simpering D olly”
could use fifty right now to keep my standing to Dimple Dineen’s father. I said nothing
(o r leaning) at Sardi’s, The Silver Dollar, along these lines. It is absolutely not a story
Perry’s Brass Rail and other dubs that I for the unsophistication and sweetness of
belong to, so let it come if you want concen the Dimples child. It is a vehicle for the tom-
trated action on this thing. boyish and bedeviling Smithers girl.
However, according to your request and (Continued to Page 27)
The H ands
O B O D Y really gave a damn when rich Beneath this her face was white, the way
C O L L E G E CAPERS
P R O FES S O R : "W hat's that! You say you don't know how
many grains make a scruple?"
FLIP CO -ED : "Yes, and what's more, I don't give a dram!"
FARM >! RESENTED
wd- had a club in
ut to u.': oKe o f
-X* (hew m y . gun
X
O pp"
lo drop the club,
’the air at the same EXPI |
jpt the club, but he
:roWd. Vandalia
automobile with ers and l
i it, and they had county dee
One o f the sity o f llli
and with a red here, w h'
mentally
crop problems common io the ».
Eight months ago the farmers con
ceived the idea of providing a farm
for the university. Money was sought
by public subscription. Business men
aided. Subscriptions ranged from 50
cents to more than $100.
N ow .the old Morey farm, 80 acres
of prairie land and 40 acres o f tim
ber, belongs to the university, and
agricultural scientists will have op
portunity to show what can be done
toward soil conservation, better land
use, and improved crops and cropping let
on land that has been farmed almost ck
a century with no treatment what-
,_0MCE GREELEY-
fa th e r < f Jou rn a lism
Father: “ W ell, did you enjoy yourselves?” M other: “ Yes, we were engulfed in the
M other: “ Yes, we had a much needed tanned and sun-burned throngs that fought
respite from the heat of the sweltering city.” their way, tired but happy, through the
crowded railroad station.”
Father: “ W hat time did you get in ?”
Little O sw ald: “ A t times, daddy, the vast
M other: “ W e arrived with the returning
multitude strained the patience of railroad
hordes that poured into the city by every
attendants and special police were detailed to
incoming train and boat.”
handle them with the least confusion, but
Little O sw ald: “ The trains, taxed to their there was no panic and little disorder.”
utmost, disgorged us at about 5 o ’clock,
Daddy.” M other: “ Bad as was the influx, the
exodus was worse.”
Father: “ Y ou came home at the peak of
travel.” Little O sw ald: “ Oh, it was an awful
I ryii
»he
r Uam
f i rett
Dam W A . f,.V M tt, W ^ TZ * t ;.f
--- j>taKe.. the i^aiiii»i-^merican
independent union form ed iit -opposi* .hospital. where physicians said he had by the agents o f the federal bureau
Ition to the Committee for .tndustriaf a fair chance to recover. The bullet
Organization union at the Inland
-estigation. Completion o f the
fourteen A uare miles oE
t to the home’
single shred
firm,
illy cet ___________
bherif ''- ;xa».
iding inST Youngstown were being Then Miss Denges heard outhouses, and barns, in a sear?*
Republic plant rose to 10 with the
ised. He telephoned police chiefs the thud o f a f i li n g M y . Fa the body o f Mrs. Parsons. Like A
death of Lee Tisdale. 50 years old, of
surroipiding towns, asking them to moaning reach r R eal ize activities in the case, however, that
5246 South State street, colored. what had h a t ^ ^ g ^ . , * sent her
(nmon the necessary men to block- Tisdale was employed at the search was in vain.
all entries to the city. brother-in-law. . Marie. 4515
Youngstown plant, but joined the N orth T ripp
Ask Governor for Troops. rioters who marched against »»- -
Little O swald: “ You should have seen the during the holiday, and merchants reported
railroad station when we went away. It was their biggest business in many years.”
black with pleasure seekers.” Little Oswald : “ The weatherman did him
M oth er: “ H ours before each train de self proud and won the thanks of the delighted
parted there was a long line of eager vaca public.”
HOW TH EY GUARD GREAT T h e y put R oselle T ow ne— as shown here— in front of one, and all the burglars
BANK VAULTS N OW ADAYS! forget their burglaring. V ery simple!
Globe Photo.
WITH LOVE TO THE EDITOR
By ARNOLD FLETCHER
“ Ha-ha— that Luigi, never he forgets to His last venture was to net him two grand.
send me raviola. H e knows what mama loves. It was well worth that money, too, as it was
18 THE ODDEST STORIES IN PRINT!
his most fool-proof explosive up to now. at the headlines with a frown of puzzlement.
Luigi smiled as he thought of the editor N o mention of any bombing. Oh, hell, prob
of the Daily Herald opening that Christmas ably the editor was one of those guys who
package. W ell, it served the damn fool right. never opened their packages till Christmas
he crusaded against organized rackets. Outside the dusk had changed into a deep
Suddenly, to his ears, strangely muted by blackness. The wind had risen and blew
the falling snow, there came from the street through the half-open window a hurrying
below, the cry of the evening news-hawks. crowd of flickering crystals that shone for a
brief second on the frayed rug.
Rising and stepping to the window, Luigi
raised its protecting frame and called into Luigi Becalli paid no heed to the biting
"W hat is the last thing your boyfriend does, after he kisses
you good-night?"
"H e goes as far as the gate, comes back and kisses me good
morning.
“H e’s a vegetarian.’
O R T O N strolled out of the sweltering town to
T
i■
* . /■
22 THE ODDEST STORIES IN PRINT!
Juan. H e drew back, frankly afraid. W ho feather. Y ou have had a stroke, perhaps.”
was she, a spy? A n escaping prisoner? A “ Didn’t they refuel their plane here?”
refugee? A n y o f these might mean trouble “ M orton, you need a stimulant. There has
for him, and while his job was a long been no plane, there will be no plane until the
anguish of dullness, he was unwilling to lose day after tomorrow. Come in. I will give
it yet. But he found himself being drawn you a drink that will clear your head.”
along.
“ H ow did I get back here to this bench?”
A bullet hissed over their heads, and a com asked Morton, as he followed Jocelyn.
mand came from someone at the plane.
“ Y ou have never left the bench.”
W hatever the language, there was no mistak
“ N ever . . . left the bench?”
ing the meaning, for it was accented by an
other bullet. M orton stopped. “ N ot until you rolled off.”
“ W e must ru n !” There was no resisting M orton sighed and remained quiet while
“ There has been no plane.” “ Never you mind, pal. Come out again
“ But yes, there was a plane, and a w om an!” soon. I w on’t let the women get you.”
“ But no . . . M orton, I have warned you to M orton walked slowly back into town to
be careful in this heat. There has positively his own not too comfortable quarters. H is
THE ODDEST STORIES IN PRINT! 23
head was swimming at little, whether because She gave him a long mournful look, re
of the heat, the cocktail, or the woman in turned to the plane, and soon became a part
the white hat he didn’t know. of the air.
The next night he found himself again on Morton stood and rubbed his eyes, shaking
the road to the airport. Might as well. his head and trying to awaken himself. W hen
Nothing else to do. he felt that he could be rational, he went into
roar of a motor. Taxiing across was a long Jocelyn sang out when he saw him, “ Y ou
foreign-looking plane, much ornamented with should have come a few minutes earlier,
chromium. It came to a stop. From it, as Morton. A plane from R io just refueled
soon as the steps were placed, came a beauti here. They had one passenger, a woman,
ful woman in a white hat with a silver quill. quite the most beautiful I ever saw. She
She came toward him. wore a dress from the R ue Faubourg, and a
“ W ould I be safe here?” she asked, in white hat with a feather.”
accented English.
M orton’s knees went weak. “ Better fix
“ N o, madam,” he replied coldly. “ Y ou had two cocktails,” he said. “ One for each of
much better return to the plane.”
BETTER STORIES
BETTER PICTURES
MOMMER
E n d w h y sh ould de preencipal, w o t h e’s u lso a dope,
w astin g de tim e to tailing m e ull h abou t eet? H e ’s tink-
ing, m ebba, I should b e proud, hah? B atter yat he should
steeking to de beezness end not w a stin g de texpayers’
m on eh on soch silleh latters, w ot d ey ’ ll ousting too sants
heach de pustage. W e ll, ennahow, w h en de bruddeh Sid-
neh he com es hum from de skul dees hefternun I ’ll sh ow
ing heem w o t eet’s feelin g like to gat a g o o t debating, w o t
I ’ll g eev in g it to heem w eet a harse-brosh.
W e ll, M eelton, de beezness ees ponk dees m ont. D ot
d o ity gen iff opp de street, G oldberg, w o t he’ s soch a sm ot-
elek, ees geevin g planteh trobble. A copple wiks h a g o I
geev in g a m onster fire end b en k ropsy sale, w it de pure w o o l NE ELTON
soots sailing fo r $17.98 w it a haxtra pare pents free. A t de
same tim e G oldberg, de d oity robbeh, g eev in g a sale at de
sam e price, unly instad o f geev in g free de haxtra pare pents
he g eev in g free a latest Perris style w o m e n ’ s hat w it heach
soot. S o w ot should be de resolt but I unly had W A N
costim er, w o t he w asn ’t rilly a costim er et ull bekuzz o f de
feet d ot he w anted de free pents w it-h ou t buyin g de soot
but G oldberg, oy, oy, soch a beezness he did. W a s halm ost
a co p p le pipple keeled in de rosh, w o t h alm ost every w om en
in de ceety m ade de hosbands g o b u y a s oot so she should
get free from charge de Perris hat. I ’m esking, is he in de
clu dd in g beezness odder yat de m eelinery beezness de d oity
robbeh.
W a s nottin h axiting d oin g de oddeh hevening, so I ’ll de
cid in g I sh ould take de M om m er to a talkie. So I’ll look in g
de n oose-pepper for a g o o t wan w o t I seein g a hedw ertize-
m ent fu r a re-run cu lled de “ S IN G E IN G F O O L ,” w eet
a M eester E l Julson. W a s teenking eet w as m ebba a fon -
neh peectu re habout a tailor w ot sin ged ull de pents, so w e ’ll gun to see it. So
enn ah ow I dunt k n ow yet w ot is de m in nin g o f de “ singeing,” w o t n obu d dy
deedn’ t singe nottin (m ebba E l Julson h e ’s a tailer in de reel life, h a h ? ), but
M eelton, h o w dot Julson cou ld S E E N G . O y, oy, eef I cou ld seeng o r even
1 /7 as g o o t I ’d be on de stage, b eleef me. E e t’s rilly
a d oity shame d ot Mrs. F loren ce Z e e g fe ld o d d er Oil
Carol sh ouldn ’t greb heem o p p kw eek end sine hees
name to a con trect. D e y should m ake a forshen. B e
leef me, M eelton , dees b o y Julson is w o t d ey cu lling
on de spotin g page a “ com er.” O n de stage he should
make a m eelion in no time heacy, I ’m pradeecting. He
made de M om m er cryin g like he w as a honion she was
pilling, w eech is halways de pruf o f a g o o d hector.
S ID N E H
26 THE ODDEST STORIES IN PRINT!
“I have nothing to say, you r H onor— unless you care for risque jokes.’
THE ODDEST STORIES IN PRINT! 27
o f the design was to get two sides alike. W e Had she been in Versailles, she would still
have since learned to admire nature in its have been in Chicago. She smiled sadly, as
wild infinite variety; but in the days of le she remembered the old excuse for getting
Grand Monarque, an unspoiled natural land drunk, that it was the easiest way out o f
scape, such as the Dunes shore line she now Chicago. But she had never been drunk,
beheld, would have been thought uncouth, and she feared “ the morning after” . She
savage. passed beyond the wood, and descended a
slope o f yellow sand. Here, in spite o f the
The iconoclastic realism o f the French
heat, and the tumult o f her thoughts, she
Revolution was to shatter this Dresden china
paused fo r a moment to drink in the vista.
heaven.
The marshy bottom was bordered by a rich
The Gardens as she had seen them were green, shading into brown towards the cen
beautiful though neglected, as were also the ter, where a stretch o f deep blue water re
Palace itself and the Trianon. L ife had flected the cloudless sky. The green was
passed them by. They were now merely flecked with bright yellow and purple blos
show places for visiting Americans. soms, and at the far end where tall trees
She did not wish to g o back to Versailles. arose, a large patch o f flowering cactus gave
She knew that Europe was experiencing a a touch o f vivid gold. The cut and dried
depression worse than anything we had ever landscape at Versailles seemed tawdry.
imagined in these United States. The people
But again her thoughts rushed back to
o f France were immersed in their business,
Chicago. I f only she could forget it and
their poverty, their fear o f war, and their
all it stood for. Versailles would have one
general misery. She imagined the Gardens
advantage over the Dunes. I f she had met
were more deserted than ever. Besides, it
any one in the Gardens o f Le Notre, it would
was not Versailles itself she longed for. She
probably not have been a Chicagoan, per
merely sought escape from Chicago, with its
haps not even an American.
worries and miseries. That was what
brought her on week-ends to the Dunes.
She remembered descending the steps o f
She felt, however, she had wasted her car
the Place and encountering a polite fo r
fare, for she had not succeeded in forgetting
eigner who spoke English with an enchant
Chicago— which meant forgetting herself.
ing accent, and the thrill she experienced as
A t this thought, she rebelled. She did not
she let him scrape an acquaintance with her.
want to forget herself, but to find h erself;
She had so pleasant a time, and as the eve
and to find herself free, emancipated from
ning shadows deepened he raised his hat and
Chicago and all it stood for.
bade her a courtly adieu. H e seemed a
The breeze from the the Lake was cool, gentleman o f the ancient regime come to life
but the sun was hot. A t Burns Ditch she again. It was not improbable he was des
turned aside and, passing between the cot cended from the old nobility. H e had a
tages and traversing the outermost line o f title— or so he said. It was likely enough
Dunes, she lost herself in the woods. She that he spoke the truth. So many continen
scarcely saw the people she passed. She tal Europeans have perfectly genuine titles,
might have played ball, or gone in swimming and his card bore the name “ Le Marquis
with the bunch she knew, but she avoided Jules Du Puis.” A title means nothing where
them. They were part o f Chicago, and she thousands o f people possess one. But it
wanted to forget Chicago. But it pursued seemed romantic to have a flirtation— yes,
her. It was with her wherever she went. let her be honest with herself, that was the
THE ODDEST STORIES IN PRINT! 31
right word— with a genuine marquis, even the nakedness o f her culture, which embar
though it was quite possible he was a sales rassed her more than that o f her body,
clerk, or even a laborer. But no, he could though she was alone in the w ood with a
not be that. H is hands were soft, and he strange man, and in a two-piece bathing suit.
was certainly a cultured man. H e spoke “ I am flattered, Mademoiselle. Come, see
English, too, after a fashion. A t least she this scene from where I am standing.”
understood it better than he did her French. The sand was burning her feet. There was
A s these thoughts floated through her no plausible escape. W here the easel stood
mind she felt a welcome lightening o f spirit. the grass was long and cool, and the shade
She was really putting some distance be o f a large oak promised protection for her
tween herself and Chicago. blistering back. A s he seemed so courteous,
The hot sand was burning her feet, and she so natural and harmless, almost involuntari
began to move towards the cool grass be ly she walked around the bush. Then sud
low. Suddenly she saw, above a low bush, denly she changed her mind, waved her
the upper part of what proved to be a paint hand to him and turned towards the little
er’s easel. Involuntarily she slackened her footpath beyond the easel, which went in
pace, then stood still, watching an artist’s the direction she had intended to go, skirting
putting deft little finishing touches to a pic the wood and the marsh.
ture o f the scene which had entranced her. “ W h y leave me so suddenly, Mademoiselle
H e had not seen her, and she felt shy at R ose?”
being discovered impertinently looking over
She started.
his shoulder. She could not go forward
“ H ow do you know my name ?”
without being seen, and she did not want to
turn around and re-climb the hot slope. “ Have you forgotten m e?”
The painter paused and stood back from his “ JU L E S ?” she exclaimed, “ or am I
work, taking a critical view. She moved dreaming?”
her foot and a twig snapped. The artist
“ N ot unless I am dreaming the same
turned his head.
dream,” he smiled.
"A h 1 Mademoiselle you have been watch
ing me painting.” They faced each other. She hesitated. It
really was Jules, the Marquis. She felt the
H is accent and appearance seemed
hot sun. She touched the trunk o f the tree
French: clean shaven, dark hair standing
with her hand. The ground was firm under
up straight without any parting, o f uncertain
her feet. There was no doubt about it she
age and courteous demeanor.
was awake. Her subconscious prayer had
She blushed beneath her one day tan. been answered as if my a miracle. But what
“ Sorry— I didn’t mean to butt in. I’ve should she d o ? She had only met him once
only just come.” before, and spent a single afternoon with
him. Besides, it was one thing to be roman
“ Y ou need not apologise. I am glad to see
tic with a stranger in a public park and quite
you. W hat do you think o f my picture? It
another in a wood, and clad only in a two-
is nearly finished.”
piece bathing suit. But on the other hand was
She was not an artist. She felt her inabili not this just what she had wanted? W ould
ty to say anything that would not be hide not another afternoon with him be just one
ously banal. more pleasant mem ory? She could go on
“ O h ! Fine.” She felt her remark revealed (Continued to Page 45)
THE
CASE
OF
THE
MISSING
MANUSCRIPT
or
HOLLYWOOD BUYS A STORY
B y the same author: “ The President phone numbers. drawn across the throat, sometimes known
Needs Advice,” “ Heinz Minus Pickles” as the Sign of the Double Cross. H e waits a
“ Cloudy California” and “ The Barren The action of the play is set in the ornate minute, clears his throat, M ister Throttle -
Diones.” and inner grandeur of Throttlebaum’s P ri baum looks up from script impatiently.
This little playlet has been especially vate and E xecutive bungalow on the Bellicose T H R O T T L E B A U M : Oh, so it’s you,
rtacionpH fn r -nm HnrKnn anrl rpaHincr Hv T.nt A m .n ix iu p d a s h ppntrp. n th r n n p G. P w e ll. w h e r e ie it-? G iv e it to m e ! I ’m
v- w % * * * v .* .™ — v- — & ~j
your own home town W riters Guild and chair from the prop room behind it . . . on busy and in a hurry!
is faithfully dedicated to those brave the desk phones and phones and buzzers and G. P . : I ’m sorry, Mister Throttlebaum,
souls who have or vowed to submit a dictos. A secretary’s nook in one corner. but I haven’t been able to locate the script
scenario to The H ollywood Film Fac The remaining space is cluttered up with you mean. I ’ve looked everywhere, even
tories for their Plagiaration, Mutilation, Early Renaissance statuary, Mid Victorian over in the hack writers’ cell block, thinking
and Condemnation. chairs, and deliciously inviting Late Grauman their “ grapevine” might have smuggled it
TH E CAST couches. in to them in order to give them an idea that
(In the order of their appearance and salary) N ote— In the original and unbridled version would effect their release, but it ain’t even
Sid Throttlebaum................................. Big shot of this play which was given at the A rth there, so there!
producer of Superepics for Bellicose ritis Club of Pottstown, Pa., a prologue TH ROTTLEBAUM : Listen, G. P.,
Pictures. and epilogue was used. It was omitted or somewhere around this lot is a manuscript,
G. P. De M oron ............................... Assistant forgotten after the first performance, it was “ The Deep End.” I looked it over, it’s a
and official echo to Mister Throttlebaum. abstract trivia anyway, having to do only story of small town life, boy goes to city,
(A lso a relative by matrimony.) with the author before and after he sent meets vamp, you know, goes up fast and then
Miss Teidlebaum.................. Exec. Secretary, the famous script to H ollywood. What- Phhhhhhhht. Some punk back in New Y ork
and adopted niece by a former bank hell, after all, he’s only the author, and as wrote it, never heard of him. I want that
ruptcy, to “ Sid.” they say at the Fillum factories, “ Sure this script to put in Iris Divot’s hands tonight for
Orville Astigma........................ Head Reader, Midsummer N ights’ whatsis is a good yarn, her next picture. I got ideas about the thing,
Story Department, Bellicose Pictures, plenty production in it, B U T W H O T H E change the title to “ The Cheap Hens,” move
H ollywood, California. H E L L E V E R H E A R D O F T H IS G U Y the action from city to country, make the girl
Miss Glace......................................... Assistant W H A T S H IS N A M E T H A T W R O T E the lead . . . and yuh got somepin. N ow
to Astigma and “ one of the finest pals IT .’ ’ get the hell out of here and find that story.
in the world to help a guy review a And so . . . on with the show. G. P . : Yes, chief. I remember the story,
script over the week end.” A t the curtain, Throttlebaum is seated at ’member I brought it in to you first. I got
“ Lenseye” Barnet........................Cameraman his desk, deeply engrossed in a manuscript a new angle on it, too. I think it’s good
for the Throttlebaum unit. he is reading and which he has extracted (M ister Throttlebaum appears to keep right
Ryan Danielson.................... Casting Director from a pile at his elbow. In fact, he is so on reading his script) you see we change the
for Bellicose. deeply engrossed that it is hard to believe name to “ The Leap Ends,” build it around an
Gloria Dixie (D an ielson )......... Ryan’s niece that he hasn’ t a copy of Ballyhoo folded in airport, aviator and his girl friend innocently
by a former marriage. She gets fairly behind the script, but no . . . he is really get mixed up with a gang of air mail robbers,
regular work by using the name Daniel looking at the script. boy finds out, tells gal, they both go up for a
son (although she has no right, heaven G. P. (D e M oron ) enters briskly up cen last air ride and leap . . . suicide . . .
knows) when applying to the casting ter, stops before desk, makes short bow, ac strong scene where they go over the cockpit
window. Unkie Ryan sez “ Give her a companied by the H ollywood Salaam, you . . . they jump and land on the plane of
break, boys, blood is thicker than tele- know, the action of the forefinger being the air mail gang . . . big fight, boy makes
34 THE ODDEST STORIES IN PRINT!
good by capturing plane and gang along with (W h en he is sure she is gone, Throttle
mail he let ’m get away with. Good eh? baum makes copious notes on another sheet
(Throttlebaum appears not to know of G. P .’ s of paper on his desk. Then places both sheets
existence.) W ell, I gotta go over the Sound in his inside coat pocket. Picks up his script
Department. I ’ll get Miss Teidlebaum after again and appears to read, as Orville Astigma
that script for you. enters from left.)
( A s he closes the door behind him, Throt A S T I G M A : I ’m sorry, Sidney, but the
tlebaum peers around to make sure he’s gone, only check I have on that script Miss Teidle
then grabs pencil, makes few notes on paper baum says you are looking for is a memo
on desk, then resum es ms. reading.) that I recommended to your unit with some
(M iss Teidlebaum enters from left, she changes. I thought the title could be changed
affects a M ae W est stance, the Harlow swing, to “ W e Keep Friends” and build the thing
and the Garbo putt.) around an international adventuress and
M IS S T E I D L E B A U M : G. P. gave me female spy, who after a long career of intrigue
your memorandum on that script that’s miss in which she sells her very soul, dies in an
ing, Sid, you know, the one we read together attempt to keep her boy friend at home from
at Arrowhead over Thanksgiving. I can’t discovering her true nature. I think it will
In EveryIssue o f
10-STOKYBOOk
One-Act Play
find it, looked everywhere, even called my click. ( Throttlebaum still has his nose buried,
maid, had her look to see if we, that is if I well partially buried, after all a Throttlebaum
could have left it around my boudoir any nose is not to be buried so easily . . . in
wheres, but ‘no peanuts’ it just ain’t. I ’mem the script.) I seem to remember seeing “ The
ber it well, I gave an idea on it . . . you Deep E nd” around the camera department
’member . . . changing the name to “ W e a few days ago. I ’ll contact Barnet on it and
W eep and Lend” y ’know, sort of a mixed up see what he can tell you. ( Sidney appears not
story about a couple guys get tired of their to see, hear, or smell A stigm a.)
wives and start swappin’ y’know it rahlly ( A s Astigma bangs the door after him,
happened out here . . . and then it winds Sidney again makes some lengthy notes on
up in a bedroom farce in reverse where the paper and it joins the others in his pocket.)
guys really get into their own wives’ bed (Barnet enters through a window playfully
rooms . . . by mistake. I think we could knocking over a fine marble of Venus D e
get it past Hays and Brennan alright, y ’know, M ilo.) '
dress it up. (Throttlebaum keeps on read B A R N E T : L ook a, T h rottleba u m , I
ing.) I ’ll check with the Story Department haven’t got that script you’re looking for. I
an’ see if they have anything on that script. did read it, a friend of mine, Miss Glace in
THE ODDEST STORIES IN PRINT! 35
the Story Department, asked me to look at it (R yan Danielson and Gloria D ixie enter
for camera angles. I did and got a new slant hand in hand through the French window
on it. Y ou know change the title to “ T o opening to the lawn; they stop at the side of
Sleep W hen,” make it one of those Calgarri Throttlebaum’s desk as he slowly turns over
Cabinet things, weird, girl under spell of a sheet of his manuscript to stare at the n ext.)
fiendish scientist, boy goes to rescue, big D A N I E L S O N : Say, T h rot’, old sock,
laboratory shots, electrical transmigration of about that manuscript you can’t find, as a
souls and personalities, boys soul gets into matter of fact, here’s the little gal that brought
scientist by mistake and vice versa, surprise it on the lot, gentleman friend of hers sent
ending girl marries scientist, boy carries on it on to her to get it in for a reading. N ow
search for good 5c soul transformer. H a, ha, I got an idea on that thing, let’s switch the
good, eh? (T o Throttlebaum, Barnet doesn’ t title to “ It A ll Depends.” It’s a triangle angle,
exist. ) one of those big sister and little sister things,
(Barnet starts upstage to leave by center both trying to hold the big banker boy friend.
d oor; as he does, M iss Glace enters center Little sister goes glorified all over trying to
door quietly, they clinch in an eighty foot outdo the big gal, Big sister has the little gal
tonsil massage, and as Throttlebaum stirs kidnapped by boyhood sweetheart and they
uneasily, Barnet goes on out slamming the fall in love. B ig Sis sees way cleared for
door behind him. Throttlebaum immedi banker’s love nest when the banker outsmarts
ately grabs his trusty pencil and goes to them all by marrying a rich widow who can
work on another notation as M iss Glace cover up his short count at the bank. I kinda
com es slowly down stage. Throttlebaum, had in mind my niece here, you know her,
realising he is not alone, quickly drops pen Gloria Dixie, for the little sister part . . .
cil and resumes interest in manuscript.) (H ere Gloria gives a whoop and pointing
M IS S G L A C E : Sorry to bother you, to the script that Throttlebaum is still hiding
Throttle, old boy, but that manuscript you behind says.)
are looking for, I ’ll try and buzz him on it. G L O R IA : W hy, there’s the script you
H e introduced it on the lot and I looked at are all looking f o r : what dumb clu cks! That’s
it first. I had a good idea on it . . . chang “ The Deep End.” I ’d know one of m ’boy
ing the title to “ T o Sleep W hen,” make it frens scripts anywheres even if I didn’t see
one of those Calgarri Cabinet things, weird the name on it . . . Look, Throtty, this is
girl under spell of fiendish scientist, boy the one you’re looking for.
goes to rescue, big laboratory shots . . , (Throttlebaum goes red, white, and blue,
(Throttle, old boy, perks up here as if seeing grabs script back out of Gloria’s hand, stut
double, then turns to M iss Glace.) ters, hems, haws, sputters, starts to call his
T H R O T T L E B A U M : Gerradahere, can’t lawyer, then remembers not to. Laughs
you see I ’m busy? w eakly:)
(M iss Glace turns with a swirl and a T H R O T T L E B A U M : Yeh, yeh, I know
fillup and goes up stage, turning to thumb just a little joke. Forget about it, forget all
her proboscis at Sidney behind his back about it, and Gloria gets a nice fat part in the
. . . then the door booms after her.) picture . . . yeah sure, yeah sure . . .
(Throttlebaum sneaks a peck, and sure no good day.
one has slipped in on him as before, starts (O n their exit, Throttlebaum makes an
to make another sheet of notes, stops for a other set of heiroglyphics on his note paper
moment as if having difficulty remembering, and plants that one with the rest in his
then finishing the notes, puts them with the pocket.)
rest.) ( H e then throws the key on his desk Dicto
36 THE ODDEST STORIES IN PRINT!
and calls for M iss Teidlebaum to come in. advise me on the practicability and costs
She enters center and comes up, stands along of the story as here laid out.
side of his chair, her notebook and pencil
Take a letter to . . . (here he picks up
poised for action.)
script of “ The Deep End” ) of . . . to . . .
T H R O T T L E B A U M : Take an interoffice
the author of that . . . “ Dear Sir, After
memo, Miss Teidle . . . fer Gawd’s sake,
looking over your script, ‘The Deep End,’
stop breathing that way. Passion, h ell! that’s
which has come to me from our story de
croup! Memo to each . . . G. P., Mr.
partment, I find that in its present form, we
Astigma, Miss Glace, Mr. Barnet, and Ryan
could not use it. The story is weak, and in
Danielson . . . Subject, story conference
spots impossible. It would be possible per
. . . After some hard work on my part, I
haps, with the injection of some new ideas
personally found the missing manuscript,
in this, that we might be able to allow you
“ The Deep End.” I have decided to make
something for what we might use of it, which
this story with some changes and ideas of
would be, maybe, a small part of the title for
my own put in. I may retain the original
which we are prepared to offer you $300.00
title or I have in mind, “ The Tree Bends”
at this time. If you are interested, please
in its place. Th e rough idea on changes is
notify our legal department in New Y ork
(here he extracts notes he has made from his
and they will close with you. Y ou rs” , so and
pocket, upon which are drawn funny little
so, oh yes . . . Miss Teidlebaum, “ P. S.
men and animals and houses such as the
O f course, you understand that in buying
Egyptians of old w ere wont to use for decora
any part of the title, we expect to retain the
tion and story upon the sides of their um
entire script as our property, worthless as it
brella jars.) I will put the story in an inter
apparently is. This will be explained to you
national air service setting, (he continues to
in the New Y ork office.”
search through his notes as he dictates) with
a woman adventuress and her little sister try TH ROTTLEBAUM : That will be all,
ing each to land a big, foreign banker, there Miss Teidlebaum.
will be a sequence where the banker turns out
(Teidlebaum starts off, then turns:)
to be financing a scientist, who is attempting
a soul-switching machine for wealthy widows. T E I D L E B A U M : Shall I read this letter
There is an angle in it where the adventuress to you before I send it off ?
is reunited with her home-town boyfriend,
T H R O T T L E B A U M : W h y do you al
who is an aviator . . . she helps him fool
ways have to rub it in ? ? ? ? ? Y ou K N O W ,
some air bandits . . . please report to my
S O M E B O D Y has to R E A D it to me.
office (Bungalow 21) at 11 A. M . tomorrow
for discussion on this and be prepared to C U R T A IN .
GOr»
lished, w on’t that be nice, and lots of chance far simply because a Garfield H ouse w ord is
for you to be naughty in. Unky W enzy as good as its books and to show for the
future that we stand behind our representa
B R U T A L P IC T U R E S , IN C .
tives in any dealings they may begin regard
H ollyw ood, Calif.
less of our own feelings or profit.
Dec. 16, 1938
I feel it necessary to notify you that be
M r. Edward Burke,
cause of your actions and conduct in this
6242 Sunset Blvd.,
matter your association with this house will
H ollyw ood, Calif.
terminate immediately and hereby enclose a
Dear Sir B u m :
check for thirty dollars your two weeks
Y ou are a low life no good chiseling
drawing account in advance.
soanso, if ever you put foot on this lot again
W ith sincere regret that I could not have
I ’ll have it thrown off you.
more pleasant news for your holiday season
Y ou are no pal to Dineen, this I know,
and wishing for your future only the best,
you are pals to nobody, you double crossing
I remain, Sincerely,
chiseler, I call you it again. Ask me for a
Daniel Garfield.
job fixing my pictures, ask me that’s all.
P. S. W ill still be more than delighted to
Respectfully,
handle any of your semi-humorous literature
A . M. W enzel
at the usual agent’s rates.
P. S. The least you can do is call me up
and let me know how high I got to go to beat
B y straight Western U nion wire C O L L E C T
the Blasted people to “ Simpering Sally” —
T o D A N IE L G A R F IE L D ,
for 2 % on what you save me.
318 Prescott Drive, Chicago, 111.
Daniel Garfield U N PACK YO U R RUBBER COLLAR
Publisher— Literary Agent AND IN D E S T R U C T IB L E T O O T H
318 W escott Dr. B R U S H G R E E L E Y G A R F IE L D A N D
Chicago, 111. S T A Y E A S T T H E R E ’S E N O U G H ON
B y Air-mail Special Del. T H E R E L IE F R O L L S O U T H E R E
Dec. 20th, 1938 N O W L E T E L IZ A C O M E O N A N D
M r. Edward Burke, C R O S S T H E IC E IF S H E W A N T S T O
6242 Sunset Blvd., G E T H IT W I T H T U R K E Y B L A D D E R S
H ollywood, Calif. A N D H A V E T H E C H A IR S P U L L E D
Dear M r. Burke: OUT FROM UNDER HER STOP
I have just closed tentatively with Mr. T H A T ’S W H A T T H E Y DO TO SUPER
W enzel for “ Simpering Sally” for $8,000. V IS IN G A U T H O R S O U T H E R E S T O P I
Three times he raised his bid of his own C LO SED W IT H A L P H O N S E TU C K E R
volition and for no reason except that he W I T H A T N O T A N S O F P U T R ID
likes the way I do business. I am packing a PRODUCTIONS F O R F IF T E E N
few things to leave tomorrow on the W hippet T H O U S A N D F O R A L L R IG H T S T O
Busses for Los Angeles to close the deal in S IM P E R IN G S A L L Y S T O P L E A V IN G
person. Miss Eliza Duane will accompany M E L A S T N IG H T A F T E R S IG N IN G
me as a fellow passenger to supervise her first H E S A ID A S H E F E L L IN T O A T A X I
motion picture adaptation and production. Q U O T E I ’ M G O IN G T O M A K E T H IS
Be notified hereby therefore to terminate T H IN G W I T H A M ID G E T E D D IE
any dealings you may have with Dimples S T O P I ’ M S IC K O F T H E S E S W E E T
Dineen, her father, and the Blasted Pictures A N D S O U R F A C E D K ID S C U T T IN G
Corporation. I have allowed you to go this I N T O M Y B O X O F F IC E R E C E IP T S
THE ODDEST STORIES IN PRINT! 39
A N D I G O T A P E R F E C T 36 IN C H W IT H A L IT T L E N U D G E H ER E A N D
H IG H M ID G E T B U IL T L I K E A B A B Y T H E R E A N D A H E L P IN G H A N D
W H O W IL L T A K E EM L IK E G R A N T F R O M A M ID G E W H O U S E D T O B E
TO O K RYE AND BOURBON COMM A ON TH E DE K R A C K O SH OW S W H E N
Y O U R B O S S ’ C H E C K W I L L B E IN I W A S PRESS A G E N T FO R TH E M
T H E A I R M A I L Y E T T O N IG H T U N A N D O L D L O U S Y F R E D D IN E E N
Q U O T E A N D IT W A S A N D I S A W T O H A D A T E N IN O N E F R E A K S H O W
IT T H A T IT W A S STOP YOU R IN T H E S A M E O U T F I T S T O P I ’L L
F R IE N D W E N Z E L H IS T E D H IS B ID T A K E A F I V E D O L L A R R A IS E O N
T H R E E T IM E S B E C A U S E I C A L L E D T H E W E E K L Y D R A W A N D W IR E
H IM T H R E E T IM E S W H E N T H E M Y CHECK FOR A GRAND TO TH E
D IN E E N K ID S O L D M A N H IS T E D H O TE L R O O SEVELT HERE STOP
T H R E E T IM E S S T O P I H A D T U C K E R A F T E R IT S A R R I V A L A N D F O R T H E
F O R A N A C E IN T H E A R M P I T A L L N E X T TH R E E W E EK S M Y ADDRESS
T H E T I M E S T O P M Y B IT O U T O F W I L L B E S E C O N D C U S P ID O R F R O M
T H IS S H O U L D B E H A L F O F Y O U R T H E R IG H T S T O P S L O P P Y J O E ’ S
L E G I T IM A T E B IT W H I C H S H O U L D PLACE STO P T IA JU AN A STO P
BE TEN PER CENT AN D PR O B A B LY M E X IC O W H E R E T H E Y K N O W H O W
IS T W E N T Y F I V E P E R C E N T S T O P T O P U T Y O U T O B E D A T N IG H T
IT S H O U L D B E M O R E F O R M E G IV S T O P A M B U Y IN G M Y T Y P E W R I T E R
IN G Y O U A G R A N D L E S S O N IN A N D T A K IN G IT W IT H M E T O T H E
H O L L Y W O O D H O SS T R A D IN AS FRO N T STOP O F TH E BAR STO P
P R A C T IC E D B Y T H E M O R E A D E P T W IL L T R Y A N D D O SOM E STU FF
C H IS E L L E R S A N D G U L L E T S L I T F O R Y O U W H I L E IN C U M M U N IC A D O
T E R S O U T H E R E IN T H E B A L M Y B U T B E L IE V E I W I L L T R Y M Y H A N D
A R E A STOP N OBODY W A N TS A N Y AT DRAMA STOP S O M E T H IN G
T H IN G O U T H E R E U N L E S S A T ABOU T AN U NSCRUPULOUS AGENT
LEAST T W O OTH ER PEOPLE W A N T D R IV IN G H IS P U B L IS H E R B O S S
T H E S A M E T H IN G S T O P I P L A N T E D ACROSS TH E H O LL Y W O O D STE P
T H E Y A R N O N D IN E E N IN T H E P E S IN A B U G G Y T H E W H I L S T
F IR S T P L A C E K N O W IN G T H E IN TH E Y ARE PU RSUED BY A PACK
T E N S E A N D O V E R W H E L M IN G O F S L A V E R IN G S T U D IO W O L V E S
L O V E B E T W E E N T H E D IN E E N A N D STO P OR W O U LD T H A T BE D R A M A
T H E S M IT H E R S K IN D E R G A R T E N S TO YOU QUERY
STO P A F T E R T H A T I JU ST L E T TH E A D IO S A M IG O
C L IM A T E T A K E IT S C O U R S E S T O P E D W A R D B IS M A R C K B U R K E
The O D D E S T
Stories Printed in
Am erica or England
are Found in
10-Story Book
Nuff Sed!
Hcture By
p W m . O. Roberts
C A N ’T sit on
■' the stairs with me,
Tony. Y a can’t!
Leggo my arm,” insisted
Maymee. “ I gotta g o an’
pay the landlady m y rent.
I ’m alius a week behind. If
I don’t come in the minute
I gits my pay, on Saturday
noon, she comes up an’
jaws me.” Maymee’s gray
eyes flashed with resent
ment. She advanced several
steps along the narrow,
shabby hall toward a partly
opened door to the rear of
the staircase. “ A n ’ I gotta
mend my skirt. I tore it on
the machine this mornin’ .”
“ Y ou likes me, M aym ee?”
“ Yes, I like you, T ony, if
ya ain’t American, an’ can’t
talk good United States,”
she answered, with a smile.
T on y’s dark boyish face
quivered with a world of
devotion. “ Maymee, I— ”
“ A w , cut it out,” she
sighed. “ D on’t start follerin’
me ’round again. I w on’t
hook up with ya, T on y .”
She lowered her voice.
“ Cookin’ over a gaslight fer
two is worse’n fer on e! I
tol’ ya that a hundred times. I ain’t gonna “ Oh, Maymee, never I pay rent no more.
listen to y a !” I— ”
“ M aym ee! Y ou listen never when I try She paused, her hand suspended toward
tell. Maymee, please! W hen I sail my fruit the knob, her little slender form tense. “ The
stan’ I go— ” cops gonna git ya? Y a goin’ to ja il!”
“ G oo’bye, T on y.” Once more she at “ No, no, I got house, Maymee. I own
tempted to reach the door leading into the heem.” H is voice squeaked in his exultation.
landlady’s kitchen. An expression of wide astonishment
dawned in her eyes, and then disappeared in “ Cut out the fairy tales. I can tell you,
incredulity. “ Y a don’t know what ‘ow n’ no feller’s gonna git me with a line a hot
means, T on y.” gush. The truth fer me.”
“ Sure I own house. Make heem mysel’. T on y’s sturdy, brown-clad form straight
A n ’ little piece o f land. Oh, fine place, ened. H e raised his hands and eyes in vow
Maymee. I am plant grape, an’— ” like attitude toward the cracked ceiling.
42 THE ODDEST STORIES IN PRINT!
“ Sure! I make ’em my-sel’ !” Tony regarded her with excited admira
“ W hat ya make?” tion, relieved her of the handbag, and closed
“ M y fine house, Maymee. Marry me. Y ou the door after them into the October sun
can have. A ll furn’tu’— all ever’thin’.” shine.
“ Y a mean ya got a house in the country A n hour later when they emerged from
that ya ow n ?” Justice Smith’s rooms in San Francisco,
W ords failed h im ; he nodded his head in Tony, beaming in Latin rapture, was scarcely
violent acquiescence. able to find the sidewalk, teeming with a
“ Y a never hafta pay rent ? An no-body kin chattering crowd. “ Come,” he said in tones
put ya out? A n ’ furnished?” that trembled with love, drawing her arm
H e clasped his hands emotionally. “ Sure. closer, “ we go eat swell place.”
S u re!” “ No, T on y,” she declined. “ W hat kinda
“ A n ’ yo wanta marry me ?” stove ya go t? G as?”
“ A w , Maymee, I walk hand on feet!” “ Gas? Country. No, no. W ood. Make
“ Y a sure ya ain’t lyin’ to me, T o n y ?” mysel’ . Tree ever’where.”
“ Oh, not lie. I save— save— I sail stan’. “ O -oh, great! O ven?”
Get land. Make fine house. F ix fer you, “ Sure.”
Maymee. Nice lace on winder. M y sester “ It’ll be grand to cook a dinner in our
sen’— I write— tell my house.” own kitchen on a real stove.” She giggled
“ I guess ya ain’t lyin’ . Tony, an’— ” with joyous anticipation. “ H urry. W here we
“ Marry me, now, Maymee, pleese!” git the street-car, T o n y ?”
“ I sure iike ya, T ony, if ya ain’t American. After several hours’ journey by trolley and
A w , Gawd, nothin’ but work fer eats an’ jitney and a walk on an ascending road in
rent,” she ruminated, unconsciously running a canyon, cultivated here and there, with
her fingers over the clawed plaid of her skirt. hazy blue mountains in the distance, they
“ A house in the country!” Suddenly a soft drew near to their destination.
pink that made her pretty beat into her Ton y tremulously pressed his wife’s hand,
cheeks. “ Sit down on the step, T ony,” she and motioned to a mass of juniper twined
whispered, “ till I put on my glad rags.” with poison oak and wild roses. “ Back tree,
“ Maymee— ” W ith a rush of feeling he Maymee, you see house.”
extended his arms. They dipped into a hollow, fragrant with
She pushed him gently aside, and patted the perfume of the roses, pushed aside some
his shoulder. “ W ait ’till we git in our own branches and came within a dozen feet of a
house, T on y,” — she pitched her voice un tiny, rough shack. It was a rough shack
necessarily loud— “ where there won’t be no with a touch of soul; Ton y had felled trees
body snoopin’ ’round.” and had fashioned a pergola across the front.
She rapped at the partly opened door. Immovable Maymee stood for a moment,
“ H ere’s your rent, Mrs. Topins.” There was her lips apart, her eyes staring. “ M y Gawd,”
a grumbling reply, a hand grasped the money, she cried finally, “ do you call that a house?”
and the door was slammed. “ Maymee— ”
Maymee sped lightly up the rickety stairs “ It’s nothin’ but a one-room gol-darn
and T on y leaned against the banister and shack! Call that a fine house? I ’m goin’
sank into a rapturous dream. When she re right back. Y a liar, Tony. I ’m goin’ right
appeared, she wore a blue serge dress and a back!” She swung round, sobbing, and be
coquettish blue velvet cap on her straw- gan to patter up the hill toward the road.
colored hair. She carried an ample cloth H e grasped her arm. “ A w , Maymee, you
handbag. marry me. See porch— I fix. Think all you.”
THE ODDEST STORIES IN PRINT! 43
Tears choked her throat and blurred her “ W hat ya gonna git ?”
vision. She snatched away her arm. “ Come “ Quail for Maymee.”
inside, see how nice? F ix other room, bye, “ Q u ail! Only swells have quail— on toast.
bye, Maymee, pleese!” Some kindda bird. I heard about it. Y a can’t
A fter a period of pleading, she protestingly stuff me with a new line a goff.”
allowed herself to be led inside. W ith the “ Sure, Maymee.” H e unlocked his trunk
hand of a lover and the eye of an artist, Ton y and brought out a gun. “ I eata quail ever’
had mingled the limbs of the buckeye and the day.”
willow and had achieved a table, a bench and “ Point that outside. I— I don’t believe ya.”
an armchair. A cheap bed, an old cookstove “ I get— than you believe?”
and a large trunk constituted the remainder “ A ll right,” she said in a resigned manner.
of the furniture. Pictures, taken from maga “ But if ya ain’t back in a half-hour with a
zines, were grouped under the two lace-hung bunch of ’em, I ’ll know ya been stuffn’ me.”
windows. H e departed, twisting his head to gaze at
“ Sit-down, Maymee,” he begged, bringing her adoringly. “ N ot lie, Maymee. Bring
forth the chair. quail for weddin’ dinner.”
She petulantly refused. H e hastened up a trail leading into a grove
“ H un gry?” he asked with an apologetic of scrub oak and manzanita, where he heard
laugh. “ I fix soup.” H e took a half-gallon quail calling. A s he scrambled through the
tomato can from the window ledge, and brush, cottontail and other game ran or flew
placed it upon the stove. H e stepped out about him unheeded. H e was determined on
side the door to pick up some kindling. quail.
Indignation was swelling up within her. H e moved along a rush fence, adjoining a
She took the can from the stove, sniffed at grain field. Before he got near enough to
the contents, and then hurried to the door, shoot, a flock of plump quail, with a whirr
“ Call that a kettle,” she sobbed, “ an’ that like a miniature airplane, rose in the air. In
dago stuff— sou p!” She swung the can to desperation he took aim. Just then, a
ward him. It slipped from her hand; the screeching tribe of blackbirds flew from the
spaghetti, tomatoes and onions rolled into grain field and circled him, flying between
the weeds. him and the quail. Nevertheless he shot, and
“ Maymee,” he said sorrowfully. birds flopped to the earth.
She banged herself down on the foot of W hen he gathered his spoil from the leaves
the bed, her face buried in her arms, her and twigs, he found that he had shot six
shoulders heaving. blackbirds. The quail were winging their
H e bent over her and attempted to em way to a tall grove o f eucalyptus across a
brace her. “ Maymee, mus’ get use to house.” deep ravine.
“ D on’t call it a house,” she jerked. “ If— Sunk in gloom, fearing his half-hour had
if— ya’d called it a— shack— I ’d know— what elapsed, he decided to exhibit the blackbirds
to— expect.” to Maymee to prove that he was a good shot,
“ Maymee. N o cry. Hungry. N ot like and to beg for another half-hour.
soup, so I— ” H e paused listening to outside A s he approached the cabin, she stood in
sounds. the doorway, swinging her handbag. “ M ay
“ Yes, I am hungry.” She rose and made mee,” — lie began pleadingly, holding aloft the
her way to her handbag. “ I ’m goin’ back to blackbirds.
my room, an— ” She whirled back into the room, laid her
H e continued as tho he had not heard the bag in a corner, tossed her hat onto the bed,
last remark, “ I get, Maymee, quail.” and pushed up her sleeves. “ Got any spuds ?”
44 THE ODDEST STORIES IN PRINT!
In the space of thirty seconds the expres W hen the wedding feast was spread, Tony
sions of astonishment, consternation, joy, de drew up the bench and tenderly helped her to
termination chased one another over T on y ’s a seat. She sighed, dropped her head on his
countenance. H e eagerly brought in a pail
shoulder, and proudly regarded her sur
ful of the vegetables.
roundings, tinged with the mauve-russet of
“ I ’ll cook the spuds,” she tendered, con
templating him with proud eyes, “ you cook the setting sun. “ In our own house,” she
the” — she gestured toward the game— “ I breathed, “ an’ eatin’ quail— ya’d think we
don’t know how.” was millionaires!”
“I told y ou w e shouldn’t have put water in pa’s liquor jug— now I bet
he’s dead!”
THE ODDEST STORIES IN PRINT! 45
L D Martin Gilroy fed the seven hens. He was tempted to mend the wire in the chicken
O yard, just for something to d o ; but there wasn’t any sense in it. H e would be moving
uptown to live with his brothers in another week or two.
Becky was dead. N ow , on the third day, he had finally come to realize that Becky was
dead. The funeral was to be that afternoon. All the villagers would come to help Martin
Gilroy bury his wife.
Martin smiled. H e threw the seven hens an extra handful of grain. H e squared his thin
shoulders. This was his day and he intended to make the most of it.
People couldn’t say he hadn’t cared for Becky. O f course he had cared for her. A ny man
who quarrels with a woman for fifty years and still does not leave her, must love her after
a fashion. The only trouble, of course, was the way the quarrels had always turned out.
There was no use denying to himself what everyone else knew— that Becky had won every
argument in half a century. That quick m in d ! That sharp tongue! That last w o r d !
But the last word would not be Becky’s today. She could not talk now. Ordinarily,
according to the local customs, Martin would not be expected to have anything to say
either. But Martin Gilroy had planned to upset custom and win his first battle with one
stroke.
H is sister-in-law, poor Becky’s sister, came out of the house and approached him there
by the chicken yard. She had an air of proprietorship, lifting her feet rather high for an
old woman and surveying the grounds with a satisfied look.
“ W ell, Martin,” she said, “ you’ve kept the fences in pretty good shape.”
“ Yes, Elvira.”
“ A nd the roses ain’t exactly ruined.”
“ N o, Elvira.”
“ Thanks mostly to Becky’s prodding of you all the time.”
“ Yes, Elvira.”
“ Can’t you say nothing but yes and n o ?”
“ N o, Elvira.”
“ A smirk on your face, too, Martin Gilroy.
A s I live and breathe! If Becky was here she
would tell you something.”
“ Y es. But she isn’t,” said Martin with feel
ing. “ A nd what’s more, Elvira, this is one
time when I ’m going to have the last word.
Y ou just wait and see.” H e stuck out his chin
and wiggled his goatee at her in the way which,
he remembered, always roused her ire just as it
had Becky’s.
“ O h !” said Elvira. “ So that’s it, eh? That’s
just what poor dear Becky was afeared o f on
her last bed. A nd I believe you would do it,
you wicked old goat y ou ! W ell, all I can say
is, as soon as the funeral is all over I want
you to pack up and get out of here as fast as
you can.”
“ A ll right, Elvira. N o hard feelings. It’s
your house, of course. Anyhow, you always got
your rent on time. There’s no answer to that.”
“ Isn’t there? I got the rent on time because
Becky saved it out of what should have been
clothes and good times and trips. N o answer,
ain’t there? There’s an answer to everything.”
Martin sighed and walked toward the house.
Maybe there is always an answer if the person
is still alive, he thought. But it seemed better
not to say it aloud.
The funeral was a splendid affair, with the
VI w V//' VH t I I \
\>«
Iv
, I V\W W'/K
48 THE ODDEST STORIES IN PRINT!
whole village in curious attendance. Martin, won, she would remain at her labor or in the
in his good black suit, rode alone in the car battle until the last syllable. The last syllable.
behind the hearse, not because he particularly N ow that she is no longer able to speak for
wished to be alone but because the only other herself, 1 am sorrowfully happy to say, in
person who had a right to ride as a chief her honor, this last w ord.”
mourner was Elvira, and Elvira preferred to H e bowed his head. A murmur of approval
ride in her own car. from the crowd was suddenly broken by the
voice of Becky, loud and shrill and real as
Martin’s plan for final victory was an abso
life: “ Y ou don’t say, Martin, you don’t
lute secret. But the fact that he had a plan
s a y ! I ’ve had the last word for fifty years and
was not a secret. The expectant faces of the
rapidly assembling crowd in the cemetery if you think I can be licked by a little thing
like a funeral you’re much mistaken. N ow go
proved that some rumor was afloat.
right back to the house and take off that black
Martin was pleased. The Rev. Mr. Pitkins, suit and fold it up with those moth balls,
in charge of the proceedings, turned to the be and . . . ”
reaved widower at exactly the right moment
The voice suddenly ceased. Elvira, looking
— the last moment. “ And now,” said Mr.
out grimly from her sedan, held up a small
Pitkins, “ our brave and mourning brother
phonograph. The villagers were polite, decent
will speak a few w ords.”
folk. They did not laugh. Martin walked
“ Becky Gilroy,” said Martin in a firm slowly through the crowd, which fell apart
voice, “ was an excellent and dutiful and pa for him. H e shook his head in a dazed way.
tient wife. H er patience was unbelievable. If “ I might have known,” he kept saying to
there was work to be done, or a fight to be himself, “ I might have known.”
BLIBB: How could you tell by his nose that traffic cop was
drunk?
W ell not exactly— just the eyes of a banjo player— Jean Chapburn— looking
straight at you — and laughing at you while they d o it!
that her name was Rosie. And wasn’t she I don’t imagine that I ’ll ever see you again,
a model? W ell, if she wasn’t, she should Clara, and I want you to know that I hold
have been. My, what beautiful E Y E S she no hard feelings. Y ou can keep the car and
had. our furniture. W ill you ever forget how
And then, after the police had departed hard we had to scrimp and save to pay for
and the party was over, we couldn’t get rid the Chesterfield set ? And that big overstuffed
of Carl, the young artist. And I felt sorry chair I used to love to lounge in ? Remember,
for him, thinking that maybe he didn’t have when I ’d come home from the office, you’d
a home to go to. A nd then, after Carl had have my slippers setting hv it, and the eve
been with us a month or two, I suggested ning paper close by.
that if he’d get a haircut I might be able to It isn’t so bad up here, Clara, the food ’s
get him a job. And he flew into a tempera good and I ’ve met a lot of interesting people.
mental rage-—•and you did, t o o ! After all, ten years w on’t be such an awful
But enough was enough, and I was tired long time. A t least it is a consolation to
of watching him kissing your hand, and wear know that they don’t inflict the death penalty
ing my clothes. So I put my foot down and on one in this state for killing an artist.
said one of us would have to go— and you
As Ever,
handed me my hat— the hat that Carl didn’t
like. ROGER.
T S E E M S that this is to be a story of a minds, dear readers, the writer is not writing
two-bits in his pocket. around the collar and says: “ So that’s it,
“ W hen I marry a man,” Fannie tells hey? W ell, something’ s going to be done
M orbid Dick one night when for the seven about that.”
teenth time he proposed to her, “ he must be Fickle Fannie comes to. “ Something’s g o
handsome with curly hlond hair and pinkish ing to be done about what?”
blue eyes and who whispers sweet words of “ Y ou r being nuts about anybody but me,”
love in my ear. A h !” She sighs heavily. Morbid Dick snarls.
"A n d another thing,” she continues, “ he must “ Tee-hee,” Fannie giggles, “ I do believe
have oodles upon oodles of money.” you’re jealous. But don’t worry, darling.
“ A w , gnats!” M orbid Dick growls. “ You I love you.”
women are all alike. Y ou don’t appreciate a Herman Glootz, says: “ 1 0 -S tory B ook
good man when you see him.” made me the popular man I am today. You,
Fickle Fannie giggles. “ Do you burn up too, can succeed.”
. . . tee-hee.” W ell, anyway, what Fickle Fannie says to
Herman Glootz, the famous authority on Morbid Dick she does not really mean. She
marriage, says: “ 10-S to ry B ook is a good only wants to see what effect her words have
thing. It keeps your mother-in-law out of upon him. And she doesn’t have a long wait
trouble.” to find out because our fine-feathered hero
goes completely off his nut. H e yells his fool
W ell, anyway, Fickle Fannie persuades
head off. H e runs up and down the street
Morbid Dick to take her to a movie with the
like a mad dog. He tears down fences, street
money she made all by herself. No, she
lamps, signs; breaks windows, and pulls up
doesn’t counterfeit.
fire hydrants. All of which causes a lot of
The picture is a stirring love drama star
damage, indeed. This uncalled for demon
ring the movie idol whom women come from
stration on the part of M orbid Dick scares
all over to see. (Guess w h o?) All through
the living daylights out of Fickle Fannie and
the show Fannie is in something of a daze.
she starts to yell for help. She yells so loud
More than once does she heave a sigh of
that she brings out the cops, the firemen, the
adoration and utter a long “ ah” which can
undertaker, the W P A and everybody else to
be heard all over the place.
her aid. F or awhile there is quite a bit of
Finally, the performance over, Dick and excitement around there but finally the (log-
Fannie leave the theater and are on their catcher brings his net down upon Morbid
way home. It is a beautiful moonlight night. Dick and throws him into the wagon. Morbid
There is a scent of roses in the air. Frogs Dick is hauled away to the nut house. Poor
are croaking. Cats are doing a one-night Dick.
stand on the alley fence. All is love; all is
Herman Glootz,- the notable psychiatrist,
romance. That is, with all but Morbid Dick.
says: “ Y o u ’ll be simply nuts about 1 0-S tory
H e is completely down in the dumps. Fickle
B o o k .”
Fannie just won’t pay any attention to him.
W ell, anyway, Fickle Fannie feels no sor
“ Say,” he bellows, “ what goes on here?
row, no regret for putting M orbid Dick in
W hy don’t you say something?”
this position. Rather, living up to her name,
“ Shhh . . she takes on a good-riddance-to-bad-rubbish
“ D on’t shush m e !” attitude. The writer frowns upon Fickle Fan
“ Shhh . . .” nie. She has done her man wrong.
Y e Olde Greene-eyed Monster whispers W ell, anyway, it doesn’t take Fickle Fannie
something to M orbid Dick. Dick gets hot long to snatch up a rich sucker after she
THE ODDEST STORIES IN PRINT! 57
gives him the old come-on act. O f course, At this point the writer could spring a
this sort of thing is being done all over but joke with that line but he’s afraid it is too
the writer hangs his head in shame to think moldy.
that a heroine of his is about to take a guy for Fannie gasps. “ Y ou mean . . .”
a ride.
“ Y es.”
Gowns, wraps, bats, shoes, cars and an
“ O h !” The shock is too much for Fickle
apartment are all Fannie’s now. It is no time
Fannie. She goes into a tantrum, a rage.
at all that the sucker’s fortune is completely In fact, she goes absolutely goofy.
depleted. lie is a sad man when he breaks
A few hours later M orbid Dick and Fickle
the news to Fickle Fannie.
Fannie meet again at G oof’ s Domain. They
“ W ell, Fannie,” he begins, “ I ’m afraid fall into each other’s arms.
you’ll have to take in washing from now on.” “ D arling!” he says.
“ W hy, what do you mean?” Fannie asks, “ D arlin g!” she says.
surprised. Herman Glootz, the celebrated book re
“ W ell . . .” he hestitates. T h e n : “ M y viewer, says: “ For less stories like this one,
wealth is no more. Today I am a pauper.” read 10-S to ry B o o k ."
The
ODDEST
Stories Printed in
Am erica or England
are Found in
10-Story Book
Nuff Sed!
£ £ T U S 'F wait! Just wait until you liear her! W hen tliat
I girl whistles— well, it’s the most beautiful music in
the world and you fellows’ll be saying the same thing!”
Ed Reade was eulogizing his pet radio “ find” all over again.
Tt had been going on like that in the office for nearly a year.
H e claimed that the place he’d hunted in was the best for
ducks he’d found, so we had arranged a little party of four
to go down there this season. But we began to wonder if we
were going after ducks or to listen to a whistling waitress
who worked in a roadside lunch stand!
Th e day we took off for the Coast on our duck hunt, our
car contained Ed Reade, Jim Miller, Bill Neill and myself.
It was some two hundred miles to the place where Ed claimed
the ducks were flying like snowflakes.
W e almost had to hold him down as we down there and hear h e r ! Then, Ed will give
passed up one cross highway down below us a rest.”
Lake Charles. That particular highway was
“ H ow far down the road is this ‘temple of
the one that led to the whistling Calliope. Ed
music’ ?” Jim asked.
made us swear that we’d drive down there
and listen to the whistling female when we “ Only about eighty miles,” Ed cheered us.
returned. W e solemnly promised, keeping I drove down the intersecting road and
our fingers crossed all the w hile! mashed the throttle flat on the floor. It
wasn’t long until Ed pointed out the place.
It started raining the third day of the duck
hunt and we weren’t having much luck. All I pulled up at a pretty dirty and disreputa
four of us were taking our ten day’s vacation ble looking lunch stand. It was a ramshackle
and it looked like our duck hunting would dump that looked like a couple of shotgun
turn into a big washout. The fourth day a shanties thrown at each other. Tin cans
damp, biting wind blew in from the Gulf. and debris were piled all around in the rear. A
N ext day rain started coming down in tor mangy dog huddled under the rusting body
rents. W e just sat around playing cards. of an ancient flivver. All kinds of tin signs
A t the end of the week we decided to call it were tacked upon its outer walls and the
a day and spend our last day in New Orleans. scene wasn’t conducive to the propagation of
an appetite.
“ Sw ell!” Ed exuberated, “ This’ll give us
Ed led the way inside triumphantly. There
just enough time to drive down that highway
was an expression of utter happiness upon his
and stop at the lunch stand so we can hear
beaming face. W e sat down at the greasy
that girl whistle! Gee, you fellows think I ’m
counter shooing the flies away. A smell of
kidding— but w ait! Y o u ’ll get the biggest
garlic and spoiled onions insulted the air.
surprise of your life!”
Ed looked at us and smiled. “ W ell, fel
Our nerves were just about shot and it was lows,” he said, happily, “ here’s where you
with great difficulty that we restrained our learn I wasn’t talking out of my head! Y o u ’ll
selves from doing Ed Reade real bodily hear music that will stay in your soul— it’s
harm. H e’ll never know just how close he whistling that’s going to be on the radio even
was to the brink of another world. It was if I have to pay for it out of my own p ock et!
bad enough having our duck hunting ruined Y o u ’ve heard a lot of professional whistlers,
by weather. but you’ve never heard anything like this.”
W e killed as much time in New Orleans as W e smiled resignedly. After all, it might
we could, thinking Ed would forget the be worth listening to and we were here and
whistler and beat it straight for home. But had to take it anyway.
on the way back Ed raved so vigorously that
A swarthy looking fellow shuffled out from
we had to humor him.
the kitchen, wiping his big hands on a very
I gave in first. “ All right, let’s go on dirty apron. H e was badly in need of a
L ov ely Jane W ym an — thinking perhaps of Shangri-La?
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Ed looked perplexed. “ But, where is she?”
Every type of pose imaginable
“ I know who yuh mean,” said Pleasant
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“ W hat— what— ” Ed stuttered.
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