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Lecture 3 - Format & Style

This document discusses various formats and styles used for broadcast scripts in television and radio. It provides examples of single-column and two-column formats used for different types of productions. It also outlines the typical steps in script preparation, from an outline to treatment to final script. Additionally, it covers important differences between writing for broadcast versus print, emphasizing brevity, informality, and personalization for the intended audience. Common script abbreviations are also defined.

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0% found this document useful (0 votes)
71 views

Lecture 3 - Format & Style

This document discusses various formats and styles used for broadcast scripts in television and radio. It provides examples of single-column and two-column formats used for different types of productions. It also outlines the typical steps in script preparation, from an outline to treatment to final script. Additionally, it covers important differences between writing for broadcast versus print, emphasizing brevity, informality, and personalization for the intended audience. Common script abbreviations are also defined.

Uploaded by

micid
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
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Format & Style

Hilliard’s Chapter 3 & Other


Sources
Broadcast Script
Several basic script formats used in TV
and Radio:
 The single-column format (suitable for Radio)
 The single-column format used for screen plays and for
single camera TV shows
 The two-column TV format with video on the left and
audio on the right (sometimes the opposite ) is used for
multi-camera productions
 Final Production Scripts in Radio are two columns
 The film or screen format with each sequence
consecutively numbered.
Steps of script preparation
 It begins with a Summary or an Outline (a
short overview of the script written in a
narrative form)

 The Treatment or Scenario (a more


detailed chronological run down of the
prospective giving information on the
setting/ plot characters and sometimes
examples of the dialogues)

 The Script (the development of the outline


representing the different basic formats)
Writing for Broadcast is not
the same as Writing for Print..
 “Write for the ear, Shoot for the eye,
Aim for the heart”!
 Writing for print is writing for the eye.

 Writing for broadcasting is mainly


writing for the ear. It is designed to be
spoken and to be heard.
Writing for Broadcast is not the
same as Writing for Print..
 In the print, a reader can go back and
reread a sentence. If a sentence isn't
understood in a TV production, however,
the meaning is lost.
 The big thing in broadcasting is that
people only get one chance to hear what
you say
Broadcast: Style
Broadcast Style
1.Be brief.
 Broadcast writing is constrained with
time. video scripts use short, concise,
direct sentences – remove any
unnecessary words.
 Remember: “In broadcast, one important
decision is not what to include but what
you have to leave out”
Broadcast Style
2.Write in informal and conversational style
3.Tell-a friend-technique:
-Think of Radio & TV communication process as
one-to-one (Imagine the specific audience you
need.
The material should be written as if the presenter
is sitting in the viewer's living room making the
presentation.
4- Personalize to reach the specific audience intended &
to relate the style and content of writing to that audience.
5- Be natural
Broadcast Style
2.Write in informal and conversational style
3.Tell-a friend-technique:
-Think of Radio & TV communication process as
one-to-one (Imagine the specific audience you
need.
The material should be written as if the presenter
is sitting in the viewer's living room making the
presentation.
4- Personalize to reach the specific audience intended &
to relate the style and content of writing to that audience.
5- Be natural
Broadcast Style
Grammar:
 the writer should use proper and effective grammar,
especially in news/ documentaries/ features + non-
dramatic programs
 In drama slang/ incorrect grammar can be used.

 Slang can be appropriate for a given commercial or in


the continuity of a personality
 If the proper grammar creates a stilted sentence or
phrase difficult to read, then short cuts are required
Verbs:
 Use the present tense and active voice

 Be conversational
Broadcast Style
Use Few Numbers:
Numbers when read out loud, can easily
confuse.
UNACCPABLE: The proposed budget for
the 2022-2023 fiscal year calls for 2 million
pounds in property tax relief for the 300-
thousand property owners.
ACCEPTABLE: Next year budget calls for 2
million pounds in property tax relief.
Broadcast Style

 Put the Title before the name.

UNACCEPTABLE: Boutros Ghali, the former


United Nations secretary general, says…..
ACCEPTABLE: Former United Nations
secretary general Boutros-Ghali says..
Broadcast Style
 Attribution should come at the
beginning of sentences
 We don't hang attribution on the end of a
sentence. That's print style, and it violates a
basic rule of broadcast writing: Attribution
precedes statement.
 (e.g., According to President Obama...")
rather than at the end, which is common in
newspaper writing.
Broadcast Style
 Don’t use quotation marks.
 It is better to paraphrase a quote, or when the exact
words re required, write something like: “what he
termed”, “as he put it”, “in his words” to alert the listener
that it’s a quote.
 Broadcast use dash in place of parentheses( a
colon, or a semicolon.
 We also use dashes or ellipses for pauses.
 For example: At stores like this one, you can buy
anything from food---to clothes---to shoes.
 For emphasis underline the word or sentence and for a
questioning tone use (?)
Broadcast Style
Abbreviations:
Avoid abbreviations except in:
a) Common words that can’t be mispronounced such as
Dr./Mr./Prof.
b) Terms that are usually pronounced in their
abbreviations such as CIA/ NASA….etc.
c) Some common terms that frequently are seen as
abbreviations, but always are pronounced in full should
not be abbreviated e.g. Monday/ February
Punctuation:
They are more functional in broadcast scripts than in any
other type of writing
Some Common Script’s
Abbreviations

 TRT: Total Running Time (time of the


story)
 In-cue & Out-cue (the beginning and
ending words in VO, or SB)
 ANNCR: announcer
 KEY: electronic overlay of titles, credits or
other video sources over background video
 EXT and INT: exterior and interior settings
 VO (voice over): narration heard at higher volume than music
or background sound
 OSV (off-screen voice): voice from a person not visible to the
audience
 POV (point of view). Dramatic scripts may indicate that a shot
will be seen from the point of view of a particular actor.
 OS (over-the-shoulder shot): The picture shows the back of a
person's head and possibly one shoulder with the main subject
in the distance facing the camera. This is also designated as
O/S and X/S is designated for cross shot.
 SB (sound bite) is the exact words spoken by someone in his
or her own recorded voice.
Some Common Script’s
Abbreviations
 MIC: microphone (pronounced "mike").
 On mic: the performer speaks right at the mic
(used in a radio script)
 Off mic: the performer is distance away from
the mic (used in a radio script)
 POV (point of view)
 OS (over-the-shoulder shot)
 SFX or F/X (special effects): special effects

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