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Modes in Music

There are seven musical modes that each have their own unique sound and qualities. The modes are types of diatonic scales that have seven notes with two semitone intervals and five whole tone intervals. The seven modes are: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. The modes can be categorized as major or minor depending on whether the third note is a major or minor third above the tonic note. Modes have been used in music for thousands of years and were originally named after regions in Greece.

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74 views

Modes in Music

There are seven musical modes that each have their own unique sound and qualities. The modes are types of diatonic scales that have seven notes with two semitone intervals and five whole tone intervals. The seven modes are: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. The modes can be categorized as major or minor depending on whether the third note is a major or minor third above the tonic note. Modes have been used in music for thousands of years and were originally named after regions in Greece.

Uploaded by

Jada Knights
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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The Musical Modes: What Are

They?
By Dan Farrant
When learning music we tend to think of scales having either a happy,
cheerful and bright sound (major scale) or sad, melancholic sound
(minor). But, in reality there are a whole host of other scales each with
their own unique mood.

In this post we’re going to taking a look at these other scales which
are known as the music modes.

What are Modes in Music?


Modes, which are sometimes called the church modes, are a series of
seven musical scales each with their own unique qualities and sound.

These seven scales are all types of diatonic scale which means they
have seven notes and have two intervals that are semitones (half
steps) and five intervals that are tones (whole steps).

The Seven Types of Mode


There are seven different types of mode which are:

 Ionian mode
 Dorian mode
 Phrygian mode
 Lydian mode
 Mixolydian mode
 Aeolian mode
 Locrian mode
We can also categories these seven modes into two types, major
modes and minor modes.

The three major modes are: Ionian, Lydian and Mixolydian and the
four minor modes are: Dorian, Phrygian, Aeolian and Locrian.

Major modes are major because the third note in their scale is a major
3rd above the tonic and the minor modes are minor as the third note in
their scale is a minor third above the tonic.
Let’s take a look at the seven modes in a bit more detail.

Ionian Mode
Up first is the Ionian mode. You most likely have already come
across the Ionian scale without knowing about it.

That’s because it’s the same as the major scale.

Dorian Mode
Next we have the dorian mode.

A dorian scale is a type of minor scale as it contains an interval of a


minor third.

To make a dorian mode scale we flatten the 3rd and 7th notes of the
scale.

Phrygian Mode
The third mode is the Phrygian mode which is very recognisable as it
contains a minor second interval.

Like the dorian scale, it’s also a minor mode as it contains a flattened
third.

To build a Phrygian mode we flatten the 2nd, 3rd, 6th and 7th notes
making it a very dark sounding scale:

Lydian mode
The fourth mode is called the Lydian mode.

It’s the brightest sounding of the modes.

It is like the Ionian mode except it contains a raised 4th note.


To play a Lydian scale we sharpen the 4th note of the scale:

Mixolydian Mode
Probably one of my favourite modes is the Mixolydian mode or
sometimes it’s called a dominant scale.

The only difference between this mode and the Ionian mode is that it
has a flattened 7th note as shown below.

Aeolian Mode
Another minor mode is the Aeolian mode.

If you’ve seen our post on minor scales you might recognise it as it’s
the same as the natural minor scale.

To build an Aeolian scale we flatten the 3rd, 6th and 7th degrees of
the scale.

Locrian Mode
And lastly we have the Locrian mode.

It’s probably the most uncommon mode and isn’t used very often
although is used quite a lot in Jazz music.

It’s sometimes known as a half diminished scale as its 3rd and 5th
notes are flattened.

To make a Locrian scale we flatten the 2nd, 3rd, 5th, 6th and 7th
notes.

The History of Modes


Modes have been around for thousands of years and are named after
regions in or around Greece.
Famous Greek philosophers Plato and Aristotle thought that the
modes that people listened to actually molded their character!

But the modes we know today are actually from Medieval times and
are more commonly known as the church modes.

They won’t sound anything like the ancient Greek ones they’re named
after!

Summing up Modes
I hope that helps make a bit more sense of modes.

It can be fun to experiment with their different sounds when


improvising or composing.

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