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a d e m i c w r i t i n g
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How o l w r i t i n g a n d
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what can r i t i n g s t y l e s ?
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transition
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‘d is c o v e ry cov e
th e “p ro b le m -s o lv in g a n d d is s a n d n o v ic e s a n d c o m p o se d
re se a rc h in g fr o m w ri ti n g e
x p e rt ri te rs
p ro c e ss in fo rm a ti o n
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w ri ti n g
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a m o d e l o f th e ri ti n g th
ly d if fe re n t a p p ro a c h to w w ri ti n g m u st so lv e ..
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overy: D efinin
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ch
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e v id e n c e su p p
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ti n g P ro g ra m a t th e ir u n iv e rs
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u th o rs e x a m in e th e S u m m e r e g a p b e tw e e n h ig h sc h o o l
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le n s fo c u si n g o n h o w to b ri d tw o st u d e n t w ri te rs w it h a
w it h a a te d
c o ll e g e w ri ti n g . T h e y e v a lu e ss m e n t. T h e y c o n c lu d e d
w ri ti n g a n d -a ss
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chool and colleg
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e
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g
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im p ro v e m h is fi n d in g s
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t: T e e na g e stu d ents, college
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M isu nderstanding the o f gro w th [book review]
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writing, and th
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ti to
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AAVE. T le ss
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sh o w li te ra c ud e n ts w h
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T h e se a u ng a n d h ig h s
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wha c u
s a ss ig n e d b y fa
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ri ti n
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college:
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l
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m m o n u n d e rs ta n d in g s o f st a ti n g is ta u g h t d if fe re n tl y in
b u il d c o w ri
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.
w ri ti n g in st ru anda rd is n e
n t p la c e s a n d a c o m m o n st n c e o f th e li m it a ti o n s
and
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chers of writing in
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een
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h ig h sc s
w ri ti n g . T h is re v ie w sh o w
th e st y le s o f
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sa y s
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What is real c
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P e n
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t
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m
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s
H ig h s c h o o l is m o r e
n m o r e s tr a ig h tf o r w a r d a n d p p le m a n a n d G r e e n ).
w r it in g is o ft e in a l. (A
it in g is m o r e li v e ly a n d o r ig to w r it e in a m o r e
h ig h s c h o o l w r r s b e g in
n to c o ll e g e w r it in g , w r it e s k il ls , li k e th e u s e o f
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In th e
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r ic . B e h ig h
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e th is b a tt e m p
d e s c r ib
a r e m u lt ip le m e th o d s th a t
c o ll e g e . T h e r e tr a n s it io n .
s m o o th e n th is
in g , s o m e s c h o la r s s h o w
f h ig h s c h o o l v s c o ll e g e w r it o th e r s show how
s ti o n o s a n d
O n th e q u e e e n th e tw o w r it in g s ty le a p p r o a c h is
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ig h s c h n s it io n e
to te a c h h ts h o w to m a k e th is tr a y b e tw e e n
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h ig h s c h o o g p r e s e n te
c o ll e g e a n d a te g ie s to fa c il it a te w r it in s th a t summer
o u r s e s tr u m p ti o n
is u s in g d is c le m a n u s e s it to s h o w a s
s
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, a n d A p p . B a r n e s
and Hayes c o m in g s tu d e n
ts
g p r o g r a m s m a k e a b o u t in
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w r it in
n s c a n b e u s e d to h e lp m a k r o a c h e s to im p r o v in g
c o n v e r s a ti o p
g e th e r to s h o w v a r io u s a p l a n d c o ll e g e .
p o in ts c o m e to in h ig h s c h o o
th e s e g
d e n ts fa c e b e tw e e n w r it in
th e g a p s tu
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er ?
d si ia
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of
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has "a b ro a d ly a h a s "m e c h a n is b e rs "
g o a ls " on among mem
c o m m o n p u b li c m m u n ic a ti
unity are to ease in te rc o
The goals of this
comm
s in this com
munity cite each
tion from college writing to high Article
nic ate with each other.
the transi other and c om m u
school writing.
er
m m u n ic a ti o n s th a t h e lp fu rt h
u se s th e se "c o h a s "o n e o r m o re g e n re
n is m s to p ro v id e in fo rm a ti o n f th e d is c o u rs e c o m m u n it y "
mecha th e g o a ls o
a n d fe e d b a c k " ach in this conversation is
comm unicate with e The main g en re
nd
olars viewed articles a
These sch
p e rt
is (s p e c ia li z e d is "a th re sh o ld le v e l o f e x
"A sp e c if ic le x T h e re 6 )"
se d m e m b e rs (2 4 -2
la n g u a g e )" is u
language in this are many m embers in this
Some specialized There
rsation is rhetoric, genre, and conversation .
conve
curriculum.
at I've learn
h ed
W i n h igh
twee n w r i t i n g
t r a n s i t i o n b e
le a r n e d t h a t the c o m p le x . I t i s not
I o ll e g e i s quite
n d w r i t i n g i n c m a n y s m a ll
schoo l a u a l; h o wev e r ,
b y the i n d i v i d a li t y
a lw a y s n o t i c e d n ’ s w r i t i n g q u
r r i n g i n t h e p erso
cc u are
changes are o u r i n g t h is tr a n s i t i o n . T h e r e
i t i n g p r o c e s s d g s k i ll s a nd
an d w r p e r s o n’s w r i t i n
s t o me a s u r e a a li t y.
dif f e r e n t w a y t ten p i e c e ’ s q u
a s s e s s a w r i
i f f e r e n t c r i t e ria to d t o i m p r o ving
d a c le a r me t h o
u s u a ll y be
There is not i v i d u a l' s diff e r e n c e s m u s t
tin g . I n d here
s o m e o n e 's w r i a c h t o teach i n g w r i t i n g . T
d i n t h e a p p r o e n s t a r t i n g
cons i d e r e t s s u c ceed w h
o h e lp s t u d e n
are m a n y w a y s t
t h e s e t e c h n i ques
r i t i n g a n d I n otice t s
co ll e g e - le v e l w n e d t h a t t e x
c la s s e s . I a ls o le a r
i n g t a u g h t i n my a n d t h e r e a re
b e d i f f e r e n t w ay s
n i c a t e i n ma n y s I d i d n ’t
c o m m u u r r i ng in p la c e
rs a t i o n s o c c
c o m p le x c o n v e tio n s w e r e p o s s i b le .
think conversa
Curiosity
r i o u s a b o u t m y
a d e m e c u
This m r a n s i t i o n o f
n c e i n t h e t
own experie c o m p a r e d t o
h i g h s c h o o l
writing in l s o m a d e m e
l l e g e . I t a
writing in co r w r i t i n g
o u s a b o u t o t h e
cur i r y t o
l i f e : e l e m e n t a
transit i o n s i n
m i d d l e t o h i g h
mid d l e s c h o o l ,
o l l e g e t o t h e
school, and c n s i t i o n s
A l l o f t h e s e t r a
workforce. w o u l d b e
d i f f e r e n t a n d
are s w e l l .
t o r e s e a r c h a
interes t i n g
ibliography
B c o lle g e :
w ri ti n g in
sc h o o l/
e e . (2 0 10 ). W ri ti n g in h ig h a ti o n 6 2 .1 , 14 7 -1 7
9.
m e s M c G C o m m u n ic
n e ; S h a ro n Ja n and
A d d is o n , Jo a n c ti o n s. C o lle g e C o m p o si ti o
a rc h tr e n d s a n d fu tu re d ir e
ry b e tw e e n h ig h sc h o o l a n d
R e se ounda
9 9 3 ). M a p p in g th e e lu si v e b
re e n . (1 9.
m a n , D e b o ra h ; D o u g la s E . G C o m m u n ic a ti o n 4 4 .2 , 19 1- 19
A p p le n and
w ri ti n g . C o lle g e C o m p o si ti o H ig h S c h o o l S tu d e
n ts .”
c o lle g e S h o u ld T e a c h
W h y C o lle g e T e a c h e rs
P la c e s:
. “S w it c h in g
B a rn e s, N a n c y o . 3 (1 9 9 9 ): 2 9 3
– 3 13 . e
rr ic u lu m in q u ir y 2 9 , n
e n ts , c o lle g e w ri ti n g , a n d th
C u e st u d
a ss ig n m e n t: T e e n a g 82.
4 ). M is u n d e rs ta n d in g th e
C o m m u n ic a ti o n 5 5 .3 , 5 8 0 -5
. (2 0 0 n and
C la rk , A n n a H o lle g e C o m p o si ti o
o f g ro w th [b ook re v ie w ]. C
c o lle g e w ri ti n g . Jo u rn a l o f
p a in s ro a c h to
r: T h e w ri ti n g p ro c e ss a p p
m p to
T h o m a s G . (1 9 9 0 ). C a v e a t e
D e v in e , .x
d u c a ti o n 14 .1 , 2 -4
D e v e lo p m e n ta l E
a g re e m e n t n e v e r e n d [b o o k
th e d is
is re a l c o lle g e w ri ti n g ? Le t
0 11 ). W h a t is tr a ti o n 3 4 .2 ,
15 3 -1 6 1.
E lb o w , P e te r. (2 g ra m A d m in
: W ri ti n g P ro al
re v ie w ]. W P A v e ry : D e fi n in g a R h e to ri c
o f D is c o
s. “T h e C o g n it io n 32.
e r, Li n d a , a n d Jo h n R . H a y e
u n ic a ti o n 3 1, n o . 1 (1 9 8 0 ): 2 1–
Fl o w d com m
le m .” C o lle g e c o m p o si ti o n a n n h ig h sc h o o l E n g li sh c la ss
.
P ro b n u rb a
0 8 ). C ri ti c a l p e d a g o g y in a
i. (2 0
A m a n d a J. ; A n g e la M in n ic
G o d le y , 6. hool
n 4 3 .3 , 3 19 -3 4 g e a n d h ig h sc
U rb a n E d u c a ti o gap b e tw e e n c o lle
3 7 .3
ry g ie r. (2 0 10 ). B ri d g in g th e in th e T w o -Y e a r C o lle g e
; G ig i K g E n g li sh
ri ff in , M e ri le e ; A m y Fa lb e rg ss m e n t c o m m u n it y . T e a c h in
G li n e a ss e
w ri ti n g in a n o n .
te a c h e rs o f
te ra c ie s] , 2 9 5 -3 0 4 3,
e c ia l Is su e : 2 1s t C e n tu ry Li
e a d in g s o n W ri ti n g V o lu m e
[S p e s: R
C o m m u n it ie s. ” W ri ti n g S p a c 2 0 2 0 , p p . 10 0 -1 15 .
is c o u rs e P a rl o r P re ss ,
n d e rs ta n d in g D a tt h e w V e tt e r,
M e lz e r, D a n . “U S te w a rt , a n d M
a D ri sc o ll, M a ry
e d it e d b y D a n