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Epp 400

This document provides an overview and instructions for the Ibanez EPP400 Effects Patching Programmer. The EPP400 allows users to program up to 128 effects patches, with each patch controlling effect order, bypass status, and input/output routing. The front panel includes buttons and LED displays to select and program patches. Users can store patches for recall and control the unit remotely via MIDI.

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0% found this document useful (0 votes)
121 views37 pages

Epp 400

This document provides an overview and instructions for the Ibanez EPP400 Effects Patching Programmer. The EPP400 allows users to program up to 128 effects patches, with each patch controlling effect order, bypass status, and input/output routing. The front panel includes buttons and LED displays to select and program patches. Users can store patches for recall and control the unit remotely via MIDI.

Uploaded by

Brandon Newsom
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Ibanez EPP400 Effects Patching Programmer

Features
• 128 separate programmable patches
• within each patch, effect on/off, effect order, input assign, output assign, SUB
output assign
• 8-digit, 7-LED readout displays all important functions
• multiple remote program selection features, including user-assignable MIDI
channel capability
• separate remote bypass capability
• convenient single rack-space design and reliable Ibanez construction

Operation Description

Front Panel Description


1. PROG / BANK Display Digits
These two digits display the number of the memory bank called up for
programming or recall. The 13 available banks range from 00 to 12. The bank is
the first two digits of the MIDI program number.

2. PROG/ PATCH Display Digit


This digit displays the number of the patch called up for programming or recall.
The patches in banks 00 through 11 range from 0 to 9. The patches in bank 12
range from 0 to 7. The patch number is the third digit of the MIDI program
number.
NOTE: For more information about the available banks and patches, refer to
section 2 of Application Notes

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3. ORDER / LOOP Display Digits
These five digits display the loops that are active and in which order they occur.
For a given patch, when a digit appears under the ORDER / LOOP, that loop is
activated in the given patch. When a dash appears under the ORDER / LOOP,
that loop is bypassed in the given patch. Further, the number indicates the order
in which each loop occurs.
NOTE: The bank / patch and loop digits described above will also display the
word “PASS” when a total system bypass is programmed into the patch. For
more information about programming the EPP400, refer to section 1 of
Application Notes

4. SUB Output Indicator


This indicator is an LED dot that is displayed after one of the loop display digits
when the SUB output has been assigned and programmed into a patch. It
indicates which loop’s SUB RCV has been assigned to the SUB output jack by
lighting up just to the right of the loop display digit corresponding to the loop
assigned to the SUB output.
NOTE: For more information about the SUB output, refer to sections 1 and 4 of
Application Notes

5. BYPASS LED
This LED indicates when the EPP400 has been bypassed, either by programming,
by the BYPASS button (see item 21), or by one of the remote facilities. When the
EPP400 is in bypass mode, the input signal appears at both the main outputs and
the SUB output.

6. INPUT Assign LEDs


These LEDs indicate whether INPUT 1 (see item 23) or INPUT 2 (see item 24) is
selected as the unit’s input. The left LED indicates input 1 and the right LED
indicates input 2.

7. OUTPUT Assign LEDs


These LEDs indicate whether MAIN OUTPUT 1 (see item 38) or MAIN
OUTPUT 2 (see item 39) has been selected as the unit’s output. The left LED
indicates main output 1 and the right LED indicates main output 2.

8. SUB Output LED


This LED lights in the Program Mode when the SUB output is ready to be
assigned to a specific loop.
NOTE: For more information about the SUB output, refer to sections 1 and 4 of
Application Notes

9. INPUT Assign Button


This button selects between INPUT 1 (see item 23) and INPUT 2 (see item 24).
When in Program Mode, it is used to program the desired input assignment.

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When not in Program Mode, it can select either input without having the selection
memorized.

10. OUTPUT Assign Button


This button selects between MAIN OUTPUT 1 (see item 38) and MAIN
OUTPUT 2 (see item 39). When in Program Mode, it is used to program the
desired output assignment. When not in Program Mode, it can select either main
output without having the selection memorized.
NOTE: For more information about switching between inputs and outputs, refer
to sections 1 and 4 of Application Notes

11. Loop Selection Buttons (0, 1, 2, 3, 4)


These buttons serve two purposes. They are numbered 0 through 4 and, in
conjunction with the SUB output assign buttons (see item 13), are used to select
the bank and patch numbers to be programmed or recalled. Also, in the Program
Order Mode, they are used to select which loop is on and in which order the loops
occur. Note that for this second function, the legends above the loop select
buttons apply, not the number on the buttons themselves.
NOTE: For more information about patch programming and patch recall
procedures, refer to section 1 of Application Notes

12. INC / DEC Buttons


These buttons are used to increase or decrease the bank / patch number. They
may be used for patch programming and recall. The right button (upward
arrowhead) is used to increase the bank / patch number. The left button
(downward arrowhead) is used to decrease the bank / patch number. Momentarily
pressing either button increases or decreases the bank / patch number by 1.
Pressing and holding either button causes the bank / patch number to increase or
decrease more rapidly.

13. SUB Output Assign Buttons (5, 6, 7, 8, 9)


These buttons serve two purposes. They are numbered 5 through 9 and, together
with the loop select buttons (see item 11), are used to select the bank / patch
number to be programmed or recalled. In Program Sub Output Mode, they are
used to assign the SUB output to a specific loop. Note that for this second
function, the legends above the loop select buttons apply, not the number on the
buttons themselves.

14. ENTER Button


This button is used to save all of the programmable data into memory. In a given
Program Mode, pressing ENTER saves the data for that mode and returns the
EPP400 to Performance Mode.
NOTE: For more information about programming the EPP400, refer to section 1
of Application Notes

15. MIDI Button

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This button is used to display and / or change the MIDI channel over which the
EPP400 recognizes MIDI information.
NOTE: For more information about the MIDI interface, refer to section 7 of
Application Notes

16. COPY Button


This button is used to duplicate a patch from one bank / patch location to another.
NOTE: For more information about the COPY feature, refer to section 1 of
Application Notes

17. SUB Output Button


This button is used to enter the Sub Output Assign Sequence. When the EPP400
is in Program Mode, it is used to enter Program Sub Output Mode. When not in
Program Mode, it is used to temporarily assign or reassign the SUB output. When
SUB output is not assigned, the SUB output is a duplicate of the main output.
NOTE: For more information about the Sub Output Assign Sequence, refer to
section 1 of Application Notes

18. ORDER Button


This button is used to initiate the Program Loop Order Sequence. When the
EPP400 is in Program Mode, it is used to enter the Program Order Mode. When
not in Program Mode, it is used to temporarily assign or reassign the loop order.
NOTE: For more information about the Program Loop Order Sequence, refer to
section 1 of Application Notes

19. PROG Button


This button is used to enter Program Mode.

20. PASS Button


This button is used in Program Mode to program a total system bypass into the
selected patch location. When this feature is active, the LEDs display “PASS”.
When the EPP400 is in bypass mode, the SUB output is a duplicate of the main
output.

21. BYPASS Button


When the EPP400 is not in Program Mode, the BYPASS button is used to
temporarily switch the EPP400 into or out of total system bypass.

22. POWER Button


This button powers the EPP400 on and off. When powered on, the EPP400’s
LEDs are lit.

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Rear Panel Description
23. INPUT 1 Jack
The INPUT 1 jack accepts a standard ¼” mono phono plug such as those found
on standard guitar cords. When INPUT 2 is activated (see item 24), INPUT 1 is
inactive.

24. INPUT 2 Jack


The INPUT 2 jack accepts a standard ¼” mono phono plug such as those found
on standard guitar cords. When INPUT 1 is activated (see item 23), INPUT 2 is
inactive.

25. LOOP 1 SEND Jack


The LOOP 1 SEND jack accepts a standard ¼” mono phono plug and is
connected to the input of the effects processor to be placed in loop 1.

26. LOOP 1 RECEIVE Jack


The LOOP 1 RECEIVE jack accepts a standard ¼” mono phono plug and is
connected to the output of the effects processor to be placed in loop 1.

27. LOOP 2 SEND Jack


The LOOP 2 SEND jack accepts a standard ¼” mono phono plug and is
connected to the input of the effects processor to be placed in loop 2.

28. LOOP 2 RECEIVE Jack


The LOOP 2 RECEIVE jack accepts a standard ¼” mono phono plug and is
connected to the output of the effects processor to be placed in loop 2.

29. LOOP 3 SEND Jack


The LOOP 3 SEND jack accepts a standard ¼” mono phono plug and is
connected to the input of the effects processor to be placed in loop 3.

30. LOOP 3 RECEIVE Jack

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The LOOP 3 RECEIVE jack accepts a standard ¼” mono phono plug and is
connected to the first output of the effects processor to be placed in loop 3.

31. LOOP 3 SUB RCV Jack


The LOOP 3 SUB RCV jack accepts a standard ¼” mono phono plug and is
connected to the second (stereo) output of the effects processor to be placed in
loop 3.

32. LOOP 4 SEND Jack


The LOOP 4 SEND jack accepts a standard ¼” mono phono plug and is
connected to the input of the effects processor to be placed in loop 4.

33. LOOP 4 RECEIVE Jack


The LOOP 4 RECEIVE jack accepts a standard ¼” mono phono plug and is
connected to the first output of the effects processor to be placed in loop 4.

34. LOOP 4 SUB RCV Jack


The LOOP 4 SUB RCV jack accepts a standard ¼” mono phono plug and is
connected to the second (stereo) output of the effects processor to be placed in
loop 4.

35. LOOP 5 SEND Jack


The LOOP 5 SEND jack accepts a standard ¼” mono phono plug and is
connected to the input of the effects processor to be placed in loop 5.

36. LOOP 5 RECEIVE Jack


The LOOP 5 RECEIVE jack accepts a standard ¼” mono phono plug and is
connected to the first output of the effects processor to be placed in loop 5.

37. LOOP 5 SUB RCV Jack


The LOOP 5 SUB RCV jack accepts a standard ¼” mono phono plug and is
connected to the second (stereo) output of the effects processor to be placed in
loop 5.

NOTE: For more information about effects processor hookup and the “loop”
concept, refer to section 3 of Application Notes

38. MAIN 1 Output Jack


The MAIN 1 output jack accepts a standard ¼” mono phono plug. Connect
MAIN 1 output to an amplifier or a downstream processor. When MAIN 2 output
is activated (see item 39), MAIN 1 output is inactive.

39. MAIN 2 Output Jack


The MAIN 2 output jack accepts a standard ¼” mono phono plug. Connect
MAIN 2 output to an amplifier or a downstream processor. When MAIN 1 output
is activated (see item 38), MAIN 2 output is inactive.

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NOTE: For more information about output assignment, refer to sections 1 and 4
of Application Notes

40. SUB Output Jack


The SUB output jack accepts a standard ¼” mono phono plug. This output is
active when a SUB output has been assigned. Connect SUB output to an
amplifier or to a downstream processor.
NOTE: For more information about the use of the SUB output feature, refer to
sections 1 and 4 of Application Notes

41. BYPASS ON/OFF Jack


The BYPASS ON/OFF jack accepts input for remote control of the EPP400’s
active/bypass switching via a standard ¼” mono phono plug. Connect this jack to
a remote footswitch or other switching device. Use a momentary-type footswitch
such as the Ibanez FS1M.

42. PROG SHIFT Jack


The PROG SHIFT jack accepts input for remote control of the EPP400’s bank /
patch selection via a standard ¼” mono phono plug. Connect this jack to a remote
footswitch or other switching device. Use a momentary-type footswitch such as
the Ibanez FS1M. Momentarily pressing the remote switch increases the bank /
patch number by 1. Pressing and holding the remote switch causes the bank /
patch number to increase more rapidly.
NOTE: Fore more information about the use of these remote foot switch
features, refer to section 5 of Application Notes

43. REMOTE DIN Jack


This jack accepts input for remote control of the bank / patch setting and bypass
switching via a standard DIN plug. This jack can be connected to the Ibanez
IFC60 Foot Controller.
NOTE: For more information about the IFC60 Foot Controller and its use, refer
to section 6 of Application Notes

44. MIDI IN DIN Jack


This jack accepts MIDI input for remote control of the bank / patch setting via a
standard DIN plug. This jack can be connected to a synthesizer, computer, or
other MIDI controller.
NOTE: For more information about the MIDI control of the EPP400, refer to
section 7 of Application Notes

45. AC Power Cord


This cord connects the EPP400 to a 120V AC outlet.

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Application Notes
The following section describes in detail the features of the EPP400 and how to use these
features. For a specific description of each component of the EPP400, refer to the
previous section Operation Description.

1. How to Program and Recall Patches

a. Recalling a patch in an adjacent program location


Press the INC or DEC buttons.

One press of these buttons will move the bank / patch setting up or down
one number. This is the fastest method of accessing bank / patch settings
so it is advantageous to arrange patches sequentially in the order they will
be used.

b. Recalling a patch in another bank


Press the PROG button to enter Program Mode.
Key in the required 3-digit bank / patch number using the buttons 0
through 9.
Press the ENTER button to return to Performance Mode.

When you press the PROG button, the bank and patch LEDs start to blink.
When keying in the bank / patch numbers, the numbers are entered on the
right and are “pushed left” as other numbers are entered.
When you press the ENTER button, the bank and patch LEDs stop
blinking.

c. Recalling a patch using the PROG SHIFT jack


Attach a momentary-type footswitch to the PROG SHIFT jack. Each time
this footswitch is pressed, the bank / patch setting is incremented.

d. Recalling a patch using the REMOTE DIN jack


Attach a foot controller such as the Ibanez IFC60 to the REMOTE DIN
jack. For more information about the IFC60 Foot Controller and its use,
refer to section 6 of Application Notes

e. Recalling a patch using the MIDI IN DIN jack


Refer to section 7 of Application Notes

f. Programming a patch
Select a bank / patch location using any of the methods described above.
Press the PROG button to enter Program Mode – the bank and patch LEDs
start to blink.
Press the ORDER button to enter Program Order Mode – the loop display
LEDs start to blink.

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Use the loop selection buttons to select the order of the loops for this
patch.
For example, if you wish to include loops 2, 3, and 5 in a patch and you
want to include them in the order 3, 2, and 5, you would press the loop
selection buttons 2 (loop 3), 1 (loop 2), and then 4 (loop 5) in that order.

In this example, the number 1 will appear under LOOP 3, indicating this
loop is the first in the chain of loops. Number 2 will appear under LOOP
2, indicating this loop is the second in the chain of loops, and the number
3 will appear under LOOP 5, indicating this loop is the third in the chain
of loops. The remaining loops (LOOP 1 and LOOP 4) will have dashes
under them, indicating they are bypassed in this patch.

If the LEDs display “Err”, the unit remains in Program Order Mode and
you must re-enter the loop order. Be sure that (a) each loop is selected
only once and (b) no more than 5 loop selections are made for each patch.

To select the input assignment, press the INPUT button. Each press of the
INPUT button alternates between the INPUT 1 jack and the INPUT 2
jack. The input setting is displayed by the INPUT assign LEDs.

To select the output assignment, press the OUTPUT button. Each press of
the OUTPUT button alternates between the MAIN OUTPUT 1 jack and
the MAIN OUTPUT 2 jack. The output setting is displayed by the
OUTPUT assign LEDs.

After selecting the loop order, input assignment and output assignment,
press the ENTER button. This saves the patch settings in memory and
returns the unit to Performance Mode.

g. Programming the SUB output location


Press the PROG button to enter Program Mode – the bank and patch LEDs
start to blink.
Press the SUB button to enter Program Sub Output Mode – the SUB
output LED starts to blink.

To assign the SUB output to a particular loop, press one of the SUB output
assign buttons (5 through 9) corresponding to the particular loop. After
selecting a loop for SUB output, the SUB output indicator appears next to
the loop selected.

After selecting a loop for the SUB output, press the ENTER button. This
saves the SUB output location in memory and returns the unit to
Performance Mode.

h. Editing an existing patch

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The following procedures are similar to those described in section f,
Programming a patch.

To edit the loop order and loop selection for a patch:


Press the PROG button to enter Program Mode – the bank and patch LEDs
start to blink.
Press the ORDER button to enter Program Order Mode – the loop display
LEDs start to blink.
Use the loop selection buttons to select the order of the loops for this
patch.
For example, if you wish to include loops 2, 3, and 5 in a patch and you
want to include them in the order 3, 2, and 5, you would press the loop
selection buttons 2 (loop 3), 1 (loop 2), and then 4 (loop 5) in that order.

To change the input assignment or output assignment:


Press the PROG button to enter Program Mode – the bank and patch LEDs
start to blink.
To select the input assignment, press the INPUT button. Each press of the
INPUT button alternates between the INPUT 1 jack and the INPUT 2
jack. The input setting is displayed by the INPUT assign LEDs.
To select the output assignment, press the OUTPUT button. Each press of
the OUTPUT button alternates between the MAIN OUTPUT 1 jack and
the MAIN OUTPUT 2 jack. The output setting is displayed by the
OUTPUT assign LEDs.

To edit the SUB output location:


Press the PROG button to enter Program Mode – the bank and patch LEDs
start to blink.
Press the SUB button to enter Program Sub Output Mode – the SUB
output LED starts to blink.
To assign the SUB output to a particular loop, press one of the SUB output
assign buttons (5 through 9) corresponding to the particular loop. After
selecting a loop for SUB output, the SUB output indicator appears next to
the loop selected.

To save changes to a patch:


After selecting the loop order, input assignment and output assignment,
and SUB output location, press the ENTER button. This saves the patch
settings in memory and returns the unit to Performance Mode.

i. Copying a patch to a different bank / patch location


Select a bank / patch location using any of the methods described above.
Press the PROG button to enter Program Mode – the bank and patch LEDs
start to blink.
Press the COPY button to enter Copy Program Mode – the bank / patch
LEDs change to three dashes and continue to blink.

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Enter the new bank / patch number using the 0 through 9 buttons. Valid
bank / patch numbers range from 000 (bank 00, patch 0) through 127
(bank 12, patch 7). When keying in the bank / patch numbers, the
numbers are entered on the right and are “pushed left” as other numbers
are entered.

After selecting the “copy to” bank / patch, press the ENTER button. This
copies the patch settings, saving them in memory, and returns the unit to
Performance Mode. The copied patch now resides in both the original and
the new program locations.

2. The IFCS “Bank / Patch” Format

The IFCS format divides the 128 program locations into 13 banks labeled 00
through 12. The first 12 banks, 00 through 11, have 10 patches each, labeled 0
through 9. The last bank (12) has 8 patches, labeled 0 through 7.

The PROG / BANK and PROG / PATCH display digits indicate which bank /
patch combination is currently selected in Program Mode or Performance Mode.

3. Using the Loop Concept

Using the “loop” concept is actually quite simple. The loop “send” is connected
to the external effects processor’s input and the loop “receive” is connected to the
same effects processor’s output. Always leave the effects processor powered on
and active during Performance Mode. The EPP400 will switch the effect into and
out of the signal path according to each patch setting.

An important principle to keep in mind when using a multiple loop system is


“signal level awareness”. The EPP400 will handle any signal level from line (0 to
+10 dBv) to low instrument (from -30 to 0 dBv) levels. So the signal level
awareness has to do with the effects processors you use. Phasers and time-delay
effects such as flangers, choruses, and doublers perform best at certain signal
levels. Other effects such as compressors, EQs, and distortion devices operate
over a wider range of signal levels. Care must be taken to operate all of your
effects processors at or near their optimum level to avoid signal clipping
(overload) or to avoid poor signal-to-noise (low signal level) ratios. Also, keep
levels in mind when changing the loop order.

More than one effects processor may be placed in a loop if desired. Hook the
processors in series in the order that they are to be used. The EPP400 will not
affect the order of an effects chain placed in one loop. The loop send should be
wired to the input of the first effects processor in the chain and the loop receive
should be wired to the output of the last effects processor in the chain. Always
leave all effects processors in the chain powered on and active during

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Performance Mode. The EPP400 will switch the effects chain into and out of the
signal path according to each patch setting.

4. Using the Input, Output, and SUB Output Assignment Features

Input assignment, using the INPUT 1 and INPUT 2 buttons, allows you to select
between two separate inputs. This feature can be used in any number of ways. It
can select between two instruments or other signal sources. It can also be used to
switch other upstream effects in and out of the signal path. This is done by
splitting your input signal, running one split into INPUT 1 or INPUT 2, the other
split into the input of an upstream effects processor, and running the output of this
effects processor into the unused input of the EPP400. By selecting between
INPUT 1 and INPUT 2, the upstream effects processor is switched in and out of
the signal path. Input assignment is programmed into the information for each
patch and is recalled with each patch.

Similarly, output assignment, using MAIN OUTPUT 1 and the MAIN OUTPUT
2 buttons, allows you to select between two separate outputs. This feature can be
used in several ways. It can select between two amps, two amp channels, two
mixers, or two recorder channels. It can also be used to switch other downstream
effects in and out of the signal path. Connect one MAIN OUTPUT to the input of
the downstream effects processor. Mix the output of this effects processor with
the output from the unused MAIN OUTPUT of the EPP400. By selecting
between MAIN OUTPUT 1 and MAIN OUTPUT 2, the downstream effects
processor is switched in and out of the signal path. Output assignment is
programmed into the information for each patch and is recalled with each patch.

NOTE: For information about programming input and output assignments, refer
to sections 1.f and 1.h of Application Notes

The SUB output is a secondary output that may be assigned to loop 3, 4, or 5. It


cannot be assigned to loop 1 or 2. Loops 3, 4, and 5 receive SUB outputs via their
respective SUB RCV jacks. These input jacks can be used to receive second or
stereo outputs from delays, stereo choruses, flangers, or duplicate outputs from
any effects processor. When a SUB output is assigned, the SUB output from the
chosen loop is connected to the SUB output jack. The SUB output can be
connected to an amplifier, another mixer input, or to a different chain of effects
processors. When SUB output is not assigned, there is no signal output at the
SUB output jack. SUB output assignment is programmed into the information for
each patch and is recalled with each patch.

NOTE: For more information about programming SUB output assignments,


refer to sections 1.g and 1.h of Application Notes

5. Using the Footswitch Features

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Two functions of the EPP400 can be controlled by remote footswitch facilities
located on the rear panel. The EPP400 bypass function can be controlled by the
BYPASS ON/OFF jack. The bank / patch number can be advanced by the PROG
SHIFT jack. To use these features, connect a momentary-type footswitch such as
the Ibanez FS1M using a standard ¼” mono phono plug to the PROG ON/OFF or
PROG SHIFT jack.

If controlling the bypass function of the EPP400, each press of the footswitch will
alternate between active and bypass. If advancing the bank / patch number, each
press of the footswitch will advance the bank / patch setting by one.

Non momentary-type footswitches (push on, push off) can be connected to either
of these jacks, but this type of footswitch must be pressed twice in order to affect
a change. For this reason, a momentary-type footswitch is recommended.

When using a footswitch for controlling the bypass function or the bank / patch
advance function, the front panel BYPASS, INC and DEC buttons are disabled.

6. Using the IFC60 Remote Switching Feature

The IFC Intelligent Foot Controller allows immediate remote access to all 128
bank / patch locations in the EPP400 and to the bypass function. The IFC60 has a
3-digit LED readout that displays the current EPP400 bank / patch number.
Connect the IFC60 to the REMOTE DIN jack.

When the IFC60 is first powered up, its display flashes the MIDI channel number
3 times. Then the initial bank / patch setting will flash then hold. The MIDI
operation channel and the initial bank / patch setting can be changed. Refer to the
IFC60 Owners’ Manual for details about changing these settings.

7. MIDI Information

The 128 program locations of the EPP400 can be accessed by MIDI (Musical
Instrument Digital Interface) information from a synthesizer, computer, or other
MIDI controller. The EPP400 can be programmed to accept directives on any of
the 16 MIDI channels.

Connect the MIDI information source to the MIDI IN DIN jack using a standard
MIDI cable. Next, determine which MIDI operation channel is being used by the
MIDI information source. Change the EPP400 MIDI operation channel to match
the information source’s channel, as follows.

Press the PROG button to enter Program Mode – the bank and patch LEDs start to
blink.
Press the MIDI button to enter Program MIDI Mode – the current MIDI operation
channel is displayed using the bank and patch display LEDs.

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Enter the desired MIDI operation channel using the buttons 0 through 9.
After selecting the MIDI operation channel, press the ENTER button. This saves
the MIDI operational channel in memory and returns the unit to Performance
Mode.

The EPP400 comes factory set to MIDI channel 01.

NOTE: The EPP400’s patch numbers range from 000 through 127. When the
EPP400 receives a MIDI Program Change message with program ID 00, it loads
patch number 000. This is contrary to most other MIDI equipment whose patch
numbers range from 1 through 128. When these equipment receive a MIDI
Program Change message with program ID 00, they load patch number 1.

Specifications
1. Effects Loops:
Loops 1 & 2 Send / Receive
Loops 3, 4 & 5 Send / Receive / Sub Receive

2. Input Impedance:
Inputs 1 & 2 500 kohms
Receive (loops 1 through 5) 500 kohms
Sub Receive (loops 3 through 5) 500 kohms

3. Output Impedance:
Outputs 1 & 2 Less then 1 kohms
SUB Output Less then 1 kohms
Send (loops 1 through 5) Less then 1 kohms

4. Maximum Input Level +18 dBv

5. Equivalent Input Noise -94 dBv (1HF-A Input Shorted)

6. MIDI:
Program Number 0 through 127
MIDI Channel 1 through 16

7. Dimensions 19” (W) x 10½” (D) x 1¾” (H)


482mm (W) x 265mm (D) x 44mm (H)

8. Weight 7.5 lbs, 3.4 kg

9. Power Requirements:
120 Volts AC 16W
220 – 240 Volts AC (50 / 60 Hz) 18W

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Trouble Shooting
1. Check Software

While holding in the ORDER button, power on the EPP400. The LEDs should
display the following sequence:

• The LEDs display “E P P – 4 o o ”


• The following LEDs turn on one-by-one:
BYPASS, INPUT 1, INPUT 2, OUTPUT 1, OUTPUT 2, and SUB Output
• LEDs cycle through “0 0 0 0 0 0 0 0”, “1 1 1 1 1 1 1 1”, … “9 9 9 9 9 9 9 9”
• LEDs display “0 1 2 3 4 5 6 7”
• LEDs display “I L O V E Y O U”

2. Check Memory
While holding in the PROG button, power on the EPP400. The LEDs should display
the following sequence:

• During the memory check, LEDs display “SEL CHEC”


• If all is well, at the end of the memory check, LEDs display either “SEL Good”
• If the check detects either memory IC or bus line trouble, the LEDs display “SEL
Bad”

15

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