Blackbox User Manual 1.7c
Blackbox User Manual 1.7c
Table of Contents
WELCOME 7
SET UP BLACKBOX 8
MicroSD Card for Storage..............................................................................................................................................8
Power ..........................................................................................................................................................................................8
Standard Power Outlet: ...........................................................................................................................................8
USB Power Outlet:.......................................................................................................................................................8
Output Connections .........................................................................................................................................................9
Control the Volume .........................................................................................................................................................10
Test Your Setup...................................................................................................................................................................10
Connect an Audio Input for Sampling ...............................................................................................................10
OVERVIEW 11
Navigation Highlights..................................................................................................................................................... 11
Display Highlights ............................................................................................................................................................ 12
QUICK START 13
Explore PADS ....................................................................................................................................................................... 13
Explore KEYS ........................................................................................................................................................................14
Explore Sequences...........................................................................................................................................................14
Explore Song Sections................................................................................................................................................... 15
Song Mode and REC | STOP | PLAY Buttons.................................................................................................. 16
To Save a Preset:................................................................................................................................................... 17
CREATE A NEW PRESET 18
To Create and Name a Preset: ....................................................................................................................18
SCREEN NAVIGATION MAP 19
WORK WITH PADS 20
Steps Common to All Pad Modes .........................................................................................................................20
To Load WAV Files and Assign Pad Modes:....................................................................................... 21
To View Wave with Start, End, Loop and Slice Points: .............................................................. 22
To Configure Pad Parameters and Choose a Pad Mode: ....................................................... 23
Set Up a Sample Pad..................................................................................................................................................... 27
Single Sample Pads.................................................................................................................................................28
WELCOME
Welcome to the blackbox user manual. Thanks for taking the team to read this. If you
want to get a quick overview of the basic features of blackbox, please check out the Quick
Start Guide. You can find it in the box with your blackbox, or on the blackbox support
page at:
https://1010music.com/blackboxdocs
If you are ready to get more detail about a specific feature or learn more of the
capabilities of this portable sampling studio, then this is the document for you. We will
get into more detail about setup options, explain the features in each of the screens, get
your MIDI connections working, move files around and cover some tips to get the most
out of your blackbox.
If you still have questions after reading this manual, join our forum at
forum.1010music.com. You can specifically get blackbox support at:
https://forum.1010music.com/forum/products/blackbox/support-blackbox
Our support team and other users are out there to help you and to exchange ideas about
how to get the most out of blackbox. Registered forum users can also get the latest
firmware with new features and bug fixes in the downloads section of the forum.
Registration is free, but you will need to provide an email address.
Before you get started, you may want to check for firmware updates for your blackbox.
Learn how to do that in Update Firmware, Audio Files and Presets section near the end of
this document. This document covers version 1.7 firmware.
SET UP BLACKBOX
You have probably already plugged in your blackbox and started to play with it. Let’s
make sure you have everything set up properly so you can follow along with the manual.
Blackbox stores all of the samples and presets on the microSD card. Before you can use
the blackbox, you will need to insert the microSD card, connect to power and connect to
one or more outputs. You can then also connect an audio input for recording.
If you are using your own USB power supply, plug the
flatter end of the USB power cord into a 2 amp USB
power supply, such as a USB outlet or a USB battery
NOTE:
► Not all USB power supplies are created equal. Make sure your power
supply can provide 2 amps of power. The USB power supply included
with blackbox will do this.
► Not all USB Type B cables are the same. Some are made only for data,
while others are designed to carry power. Blackbox comes with a USB
Type B power cable. If you want to replace it with a longer cable, be
sure it is rated to carry power.
► You can take the microSD card out and reinsert while blackbox is
powered up.
► When you plug blackbox into a USB power bank, keep in mind that
these power banks do not send information to blackbox about how
much power is remaining. There may be a low power indicator light on
the power bank itself. Blackbox will not give you a warning when power
is low, so be sure to save your presets before the power bank runs out.
Output Connections
Connect speakers or headphones to the audio outputs
on the back panel. To start, we recommend connecting
external speakers or headphones to the PHONES jack,
since all outputs are routed to the PHONES jack and you
can control volume from blackbox. All of the audio jacks
are stereo 3.5mm connectors. This makes for a total of 6 Back Panel
audio outputs (3 Audio Out jacks x2), stereo headphones,
and a stereo input. The audio output will be at Eurorack
levels which is +/- 5 volts. This is louder than a consumer
electronics line level, so you may need a mixer to
connect with consumer electronics gear.
OVERVIEW
BACK
blackbox INFO
Blackbox is a compact sampling studio.
With blackbox, you can record and play
samples, sequence those samples into
patterns and riffs, and then record those
sequences into sections, which together can
form a song. Use blackbox to record
complete compositions from the comfort of
your studio or, with the help of a USB power
block, from the seat of your train or the park
bench. You can also use blackbox to create PADS KEYS SEQS SONG FX MIX PSET TOOLS
Blackbox has a fairly simple set of input controls. You choose which functional area you
are controlling by pushing the white navigation buttons. You control playback and
recording of clips, sequences and songs using the black REC, STOP and PLAY buttons.
You select and trigger sound elements and configure parameters using the touch screen
and the knobs. The INFO button allows you to drill into an item selected on the screen to
edit more details. Push it again to access more detailed information about the item. The
BACK button takes you to the previous screen.
Navigation Highlights
To build your song with blackbox, start by working through the navigation buttons from
left to right. You can certainly jump around and do things in any order, but the general
flow is to start on the left and move to the right.
PADS Play, record, and organize a bank of samples. Blackbox comes with hundreds of
samples and allows you to record or transfer over your own WAV files.
KEYS Play samples chromatically. You can also connect a MIDI device to blackbox to
trigger pads.
SEQS Record sequences as you play pads or keys. Each sequence can record any one
or more of the pads. Toggle sequences on and off over time.
SONG Enable Song Mode to record Song Sections as you turn sequences on and off.
FX Apply effects to individual pads. Adjust the parameters for the delay and reverb
effects.
Pads Screen
Display Highlights
The black bar along the top of the screen displays the blackbox playback state and
recording context. The number pair on the left displays the overall playback time in
measures and beats. The text in the middle displays the recording context. In Song Mode,
this will display the name of the section that you are recording into. When not in Song
Mode, this displays the number of the sequence that will be recorded. You can toggle the
state of Song Mode by pushing the SONG button, then touching the on-screen Song
button. Song Mode is active when the on-screen button is blue. In the top right-hand
corner, a progress bar displays the current playback progress of the sequence or section
that has recording context.
QUICK START
Blackbox comes with a number of presets on the included microSD card. Let’s explore
one to see how blackbox works. We will dive into more detail later. We will start by loading
a preset:
1. Push the white PSET button to see the preset loader screen.
2. Turn any knob to scroll through the list of presets until you have SL BASS MUSIC
KIT highlighted in blue.
3. Touch the Load button at the top of the screen to load the preset and go to the
PADS screen. If this preset is already loaded, the Load button will be disabled.
Explore PADS
Touch the PADS button to go to the Pads screen with a grid of 16 WAV files. Touch a pad
to trigger it. Depending on how the pad is configured, the sample might play all the way
through each time you press it, it might play only while you are touching the pad, or it
might play until you touch it again. A blue progress bar appears at the bottom of the pad
while it is playing. You can trigger multiple sample pads at once.
The pink box indicates which pad is currently selected. Use the touch screen or a knob to
select a pad. Push INFO to cycle between the WAV screen and the parameters screens for
the selected pad. Touch the page names at the bottom of the parameters screen to
access additional parameter pages. Touch the name of the WAV file at the top of the
waveform screen to select a different WAV file for this pad. Touch the grid icon in the top
left corner to select a different pad to edit. The colored square in the grid indicates the
selected pad.
While on the Pads screen, turn the lower right knob to access the Clipboard menu, where
you can cut, copy, paste and clear pads. Turn the knob the other way to bring back the
Velocity slider.
Explore KEYS
Let’s find some new ways to play with our samples on the Keys
screen. To start, please select one of the pads labeled SY Chor and
push the KEYS button. Blackbox displays a keyboard on the screen.
Touch some of the keys on the keyboard to hear the selected pad
play pitch shifted by key. You can adjust which octave is playing by
touching the arrow buttons above the keyboard or by turning a
knob. The C keys are numbered so you can quickly identify which Keys Screen
octave will be playing.
Push INFO to access the Grid Based keyboard. Use the two buttons
at the top right of the screen to select the Key and Scale that will be
used by the grid keyboard. Now you can play without worrying
about hitting an off-key note.
If you have a slicer pad selected when you are on the Keys screen, Grid Keyboard
the keys and grid squares will trigger different slices. The first slice
plays with C2. We will go into more detail about slicer pads later.
Explore Sequences
Now that we know how to trigger the pads, let’s play some sequences. Before we do that,
let’s take a minute to turn off Song Mode. Push the white SONG button. You will see a list
of sections that have been created for this song. Touch the on-screen Song button to
toggle the state of Song Mode. The on-screen Song button is blue when Song Mode is
active, but for now let’s make it gray for inactive so we can focus on sequences.
Push SEQS to go to the Sequences screen with a grid of 16 sequence
cells. The cells that have sequences have dots in the mini-piano roll
icon on the cell. Touch one or more filled cells to make them active.
A white box appears around the active sequences. Push the black
PLAY button to play the active sequences. Touch sequences to turn
them on and off. There may be a delay in response as the blackbox
Sequences
waits for the next quantization point before triggering the sequence.
Playing sequences have a blue progress bar at the bottom of the cell.
Sequences that are queued and waiting for a quantization break to
play have a white box in place of the blue progress bar. Push STOP
when you are done. Push STOP a second time to interrupt any pads
that continue to play out after the sequence ended.
Select a sequence by touching the cell or turning a knob. The
currently selected sequence is highlighted pink. The number of this
sequence is displayed in the context bar above the grid. This is visible
on all of the top-level screens. This is the sequence that will capture
the notes and pad triggers you play while recording. Push the INFO button repeatedly to
cycle through the piano roll and parameter pages for the sequence.
Select an empty sequence cell and we will record into it. Push PADS to go to the Pads
screen. Hold down the REC button and push PLAY to start recording a sequence. After
the 4 beat count down, tap some pads to create a sequence. By default, the sequence is
one bar long. Blackbox will play the sequence in a loop as soon as you finish recording it.
If you tap some more pads, you will add more pad triggers to the sequence. Push REC to
stop recording while the sequence still plays. You can choose different sequences to
record into while the other sequences are playing. Press STOP when you want the
sequences to stop.
Before we move on to song sections, go back to the SEQS screen and touch OFF on the
right. This will deactivate all sequences.
To record a song section, select the section you want to record into and then hold REC
while you press PLAY. Any sequences that are active at this time will start to play and be
recorded into the section. Touch sequence cells to activate and deactivate them and add
them to the section. If you record on top of a previously recorded section, it will add to the
content that is already there.
To Save a Preset:
If you want to save the work you have done so far:
1. Push PSET to display the Preset Screen.
2. Touch File and then touch Save or Save As. If you choose Save As, you will have
a chance to save to a new preset so you don’t overwrite the original preset.
Note:
► Blackbox does not automatically save changes as you work. If you don’t
save your changes, the preset will remain in its original state on your
microSD card when you load a different preset, create a new preset or
power down blackbox.
Next we will create a new preset and dive into more detail about each of the functional
areas of blackbox.
Note:
► When blackbox first starts up, it loads the last preset you used on this
microSD card.
I
I
B B
Pads I Waveform Pad Parameters Modulation
(e m "New Rec" Parameters
pty
pad
)
"Load" “1X”→”MX”
B
Load and Record Load and Record
Multi Mode
Presets
I
I
B
I
Keys Grid
I I
Sequence
Param. Pg 2
B B
Piano Roll Sequence
Sequences B
Parameters Pg. 1
I
Seq
PADS PSET KEYS
blackbox
BACK INFO
B
SONG Song Sections Song Parameters
B
FX FX Parameters B FX Modulation
Parameters
Key
B FX = Push Button
Mix Mute I = Push INFO
B = Push BACK
Tools "Option" = Touch On Screen
Set
Pad Reverse Beat Loop Play Poly-
Icon Mode Description Playback Sync Points Slices phony
Sample Use to play single notes or 16
drum hits. You can control notes
start and end points for
playback and looping. √ √
Supports reverse playback,
along with forward and
bidirectional looping.
Set
Pad Reverse Beat Loop Play Poly-
Icon Mode Description Playback Sync Points Slices phony
Slicer Use with a WAV file with 2 notes
different sections that
you want to trigger √
independently.
Each pad can have a different Pad Mode. You can use the same WAV file in different pads
in different Pad Modes.
4. If you are on the WAV Load and Record screen, touch Load in the top menu bar.
If you are on the Waveform screen, touch the name of the WAV file at the top of
the screen (SY Chord1 LF in the example). You will now be on the WAV File
Selection screen.
5. From the WAV file selection screen, use the control knobs to scroll through the
list of files. Blackbox displays the directories at the top of the list followed by the
individual files in alphabetical order. The selected file or directory name has a
blue highlight. Touch Play to preview the highlighted file. The Play button will
turn blue to show that auto-preview is enabled. Blackbox will play each WAV file
once when you pause on it while scrolling. If you have a sequence or a MIDI
input trigger playing for this pad, blackbox will play the selected WAV file
whenever a trigger is received for this pad. Touch the Play button again to
disable auto-preview mode. Touch Load to assign the selected WAV file to this
pad. When looking at the list of files, list items that start with a slash \ are
directories. Load a directory to see its contents. The file path is displayed above
the list of files (e.g. SoundtrackLoops\SL Bass Mu in the example above.) Touch
the caret ^ to navigate back up the directory tree. Touch the back arrow to go
back to the previous screen.
Note:
swipe to scroll along the length of the waveform. You can quickly jump to a different
section of a long waveform by touching that section of the wave in the top view.
If the pad is in Sample or Granular mode, the bottom waveform shows a pink bracket that
indicates the portion of the WAV file that will be played by this pad. Turn the top left knob
to adjust the start position, and the top right knob to adjust the length. If this pad uses
looping, a white bracket is displayed to show the loop points. Turn the bottom two knobs
to adjust the loop start and loop end points.
If the pad is a Slicer, you will see pink bars that indicate the position
of the slices. If a wav has slices embedded in it, you may also see
slices when the pad is in Clip mode.
WAV Screen
with Slice Points
To Configure Pad Parameters and Choose a Pad Mode:
1. Touch the icon immediately to the left of the WAV file
name at the top of the screen to display the Pad Mode
selector. Touch one of the options to set the Pad Mode. The
icon changes to represent the selected Pad Mode. See the
table at the beginning of this section for a description of
each of these modes.
Pad Mode
2. From the waveform screen, press the INFO button to Selector
display the Pad Parameters Screen. Touch the buttons
across the bottom to access the different pages of pad
parameters. You can press INFO again to toggle between
the Pad Parameter screen and the Waveform screen.
3. On the Main Pad Parameters page, there are four menu
items at the top, just below the measure and beat count.
The left most item is the grid icon and pad selector. Touch Main Pad
this icon to change which pad you are editing. The pink Parameters
square in the grid indicates which pad you are currently
editing. The second menu item is the output selection
button (Out1 in the example). Touch this menu item to
display the list of output options:
Grid Pad
Selector
Output Description
Option
Out1L, 1R, 2L, The output of this pad is sent to the left or right stereo Output Selector
2R, 3L, 3R channel of the selected output.
Note:
► The PHONES output jack will always contain a mix of all of the outputs.
Note:
6. The last menu item displays an abbreviated version of the WAV file name (PC O
and NAS_9 in the examples). Touch this menu item to start playback of the pad.
The playback functionality will depend on the other parameter settings. The
WAV file is playing when this menu item is highlighted blue. For Clips, when this
square is filled in white the clip is queued up to begin when the Play transport
button is pushed.
7. As you push the buttons across the bottom of the Pad Parameters screen,
blackbox will cycle through the Pad Parameter pages. Some of the pad
parameters are the same for all Pad Modes, while others vary by mode. Touch
the control knob closest to each parameter to set its value. Here are the
parameters that are the same for all Pad Modes:
Level Adjusts the loudness level of the pad -24.0 to +24.0 dB Yes
Pitch Adjusts the pitch of the pad up or -24.0 to +24.0 semitones Yes
down
Filter Applies either a high pass or low pass -100% to +100% Yes
filter to this pad. Negative values apply a low pass filter.
Positive values apply a high pass filter.
Launch This controls how a note trigger Trigger: Activate the Pad by touching the No
Mode affects the playback of a pad. pad or through MIDI note on. Blackbox
will start playback of the WAV file and
play through to the end.
Gate: Begin the WAV file playback in the
same manner as Trigger mode. But in
Gate mode, playback will stop when you
release the touch or the MIDI note is
released.
Toggle: Begin the WAV file playback in
the same manner as Trigger mode.
When another trigger event happens,
the playback will stop.
Attack The time it takes for the sound to 0.0 to 100.0% The attack percentage is a No
reach its loudest level. logarithmic scale between 0 and 9
seconds.
Decay How long it takes for the sound to go 0.0 to 100.0% The decay percentage is a No
from the initial peak to the sustain logarithmic scale between 0 and 38
level. seconds.
Release The release specifies how long the 0 to 100% The release percentage is a No
note will continue to play and fade logarithmic scale between 0 and 38
out when the note is released. In Gate seconds.
mode, the release begins when the
touch ends, the gate signal goes low,
or the MIDI note off event occurs. In
Toggle mode, the release begins
when the toggle off occurs. In Trigger
mode with sample pads the release
begins when reaching the Loop End
point in loop mode, or the Start + Len
point when not looping. In Trigger
mode for Clips and Slicers, the release
has no effect.
MIDI Out Specifies a MIDI Channel that will None, Ch1 through Ch16. No
be used to send out notes when this
pad is triggered. When this pad is
triggered using notes, the
corresponding note will be sent out
on the specified MIDI channel. If
this pad is triggered as a pad hit,
the corresponding pad note will be
sent out on this channel. If the Pad
Note is set to Default, this will be a
note in the range of 36-51.
Otherwise, the note specified in Pad
Note will be sent. Please note that
Sequences can also be assigned to
MIDI Outputs. See the section Use
MIDI Devices with Blackbox below
for more information about MIDI
Outputs.
Pad Note Controls which MIDI note on the Default, C#-1 through G9. No
MIDI Pads channel will trigger C#-1 maps to MIDI Note Number 1.
playback of this pad.
Note:
9. To the right of the exclusive grouping option is the Playback quality option, set to
Normal in the screenshot. For most WAV files, the normal mode provides high
quality playback with a moderate draw on the processor. If you hear aliasing
during playback of your WAV file, touch this button and select HighQ mode.
HighQ mode has a higher draw on the processor, so it is recommended that you
use Normal mode unless you are having issues.
Several of the pad parameters have three black boxes below them. These pads are
potential modulation targets, and these boxes are used to control the modulation
parameters. We will discuss modulation later in the Work with MIDI Inputs section.
There are additional configuration options for a pad that vary based on which Pad Mode
is selected. We will walk through the configuration of each of the Pad Modes next.
Loop Mode Controls whether the WAV file plays in a loop, None: Plays once from the No
and the direction of the loop. value assigned to the Start
parameter through the value
When looping is enabled (Forward or Bidirect), assigned to the Length
if you have the Launch Mode set to Trigger, parameter.
looping will happen for the duration of the
Release phase of the note. Forward: Plays from the value
assigned to the Start
If you have the Launch Mode set to Gate, parameter through the value
looping plays through the gate pulse and the assigned to the Loop End
release time. Parameter, then jumps back
If you have the Launch Mode set to Toggle, to the value of the Loop Start
looping starts to play when the initial pulse is parameter. Play continues to
received and continues until the terminating loop between Loop Start and
toggle pulse is received. Loop End for the duration of
the note.
If Loop Mode is Bidirect, and Rev is ON,
playback will start from the end of the sample, Bidirect: Works similarly to
and then loop as described, but starting with forward, but loop playback
the Loop End to Loop Start pass. proceeds from Loop Start to
Loop End then backwards to
Loop Start. It then repeats the
looping back and forth.
Rev When Reverse is ON, the WAV file will play in ON, OFF No
reverse.
Root Note The base sample will play for the note specified None, C#-1 through G9 No
here. The sample will be pitch shifted up or
down one semi-tone for each note away from
the root note. This will load from the WAV file if
available when you add the WAV to the preset.
You can specify a different value here to be used
for this WAV on this pad in this preset.
When None is specified, the sample is assumed
to have a root note of middle C.
If you save the WAV file from this pad, the Root
Note value will be saved with it.
Start Point where playback will begin when playing 0 to number of samples in the Yes
forward or ends when playing in reverse. file
Expressed as the number of the sample to be
played first.
Len When Loop Mode is None, how long the sample 0 to number of samples in the Yes
will play past the value of the Start parameter. file
Expressed in number of samples.
LpStr Point where the looping will begin when 0 to number of samples in the Yes
playing forward, or looping will end when file
playing in reverse. Expressed as a sample
number. Must be before or equal to LpEnd.
LpEnd Point where the looping will end when playing LpStr to number of samples in Yes
forward, or looping will begin when playing in the file
reverse. Expressed as a sample number. Must be
after or equal to LpStr.
You can also set the values for Start, Len, LpStr and LpEnd from the Waveform screen.
When viewing the waveform, the pink frame on the large waveform represents the Start
and Len parameters. You can move these end points by turning the top two control
knobs. If Loop Mode is set to Forward or Bidirect, you will also see a white frame within
the pink frame that defines the Loop Start and Loop End points. Use the bottom two
control knobs to adjust these end points. The corresponding values for the end points are
displayed above and below the large waveform. The sensitivity of the control knobs
depends on the Zoom level. Zoom out to make big adjustments then zoom in to make
fine adjustments.
Loop Fading
Let’s talk a little more about loop fading. Loop Fading is a
good way to smooth the transition when looping a sample.
The diagram to the right shows how the loop cross-fading
is applied at three different settings for the Loop Fade
parameter. The colored bars in the diagram represent
different equal length sections of the WAV file. The loop
points have been configured so that sections E, F, G and H
of the WAV file are looped. When Loop Fade is zero,
blackbox does not overlay any extra content on top of the
looped sections.
When Loop Fade is 25%, section D, which is a section of
WAV that is 25% of the length of the loop from immediately
before the loop start point, would be gradually faded in over
the last 25% of the looped section. So as section H starts,
section D fades in and section H is gradually faded out until
on D is left as we reach the loop point.
When Loop Fade is 100%, sections A, B, C and D are faded in
on top of sections E, F, G and H.
Note:
► In order for the Loop Fade to work to the full extent, there must be
enough audio signal before the Loop Start point to draw from. For
example, if your WAV file is 1000 samples long, and your Loop Start is at
250 samples, you only have 250 samples, or 33% of the loop length,
before the Loop Start point to use for Loop Fading. You can set the
Loop Fade to a higher number, but it won’t be able to add additional
improvement because there’s no signal available to use.
► To minimize the impact of Loop Fading on CPU usage, use the smallest
value for Loop Fade that gets the sound quality you need. This will vary
based on the sample.
Multi-Sample Pads
When you pitch shift a single sample across the entire range of the keyboard you may get
less than stellar results. A better approach is to record multiple samples across the range
of the keyboard and let the sampler interpolate the sounds between the available notes.
The more samples you use, the less stretching the sampler has to do, and the better the
resulting sound. Multi-sample pads are mapped to multiple WAV files. If the WAV files
contain root notes embedded in them, blackbox will play the corresponding WAV file
when that note is played, and use pitch shifting to create the notes in between. If there
are no root notes defined, blackbox will load the files in alphabetical order and map one
file to each successive note, starting at C2. You can also use this approach to map a list of
different sounds across the keys of the keyboard, for example if you want to map different
drum sounds to different notes.
6. From the WAV file selection screen, use the control knobs
to scroll through the list of files and directories. The
selected file name has a blue highlight. When looking at
the list of files, list items that start with a slash \ are
directories. Load a directory to see its contents. The file path
is displayed above the list of files. Touch the caret ^ to go
back to the previous directory. Highlight one of the files in
the directory of samples that you want to load into the pad.
A good example of a directory to use with multi-samples is
\Symplesound\Housepiano. You can select any file within
that directory.
7. Touch File and then Load All. WAV Selection
File Menu
Blackbox will now load all of the files in the current directory into this pad and map the
files to notes across the keyboard based on the root notes defined in the WAV files. Now,
use the KEYS screen or an external MIDI controller to play notes for that pad. Blackbox will
play the sample with the root note that is closest to the note played, and pitch shift as
needed to achieve the necessary tone.
You can also use multi-sampling to map multiple waves across the keyboard. This can be
useful if you have a folder full of drum sounds that you want to trigger with a keyboard. If
you follow the steps above and load a folder where the files do not have root note
mappings, it will load the files in alphabetical order, map the first file to note C2, and then
each subsequent file to the next note above that. If you load the folder
\SoundtrackLoops\SL Acoustic kit, you can see this in action. This folder has 16 drum
samples which get mapped to notes C2 through D#3. Notes below C2 will play the first
WAV file pitch shifted down the appropriate number of half steps.
You can use blackbox to map the files to specific notes if you want. Open the files as
individual samples on blackbox and edit the Root Note on the Misc tab of the Parameters
screen. Save the WAV file with the root note information. To save the WAV file, push Info
on this pad to display the WAV form screen. Touch the WAV file name at the top of the
screen, then touch File and Save. After you have done this for all of the files in the folder,
use File-> Load All to load them all into a pad. Now when you play the pad chromatically
you will hear this root note mapping in use.
Because a multi-sample pad uses multiple WAV files, it is not possible to set start, length,
loop start or loop end points for these pads. Therefore, it doesn’t make sense to enable
looping for these pads either. As a result, the POS and MISC tabs of the parameter page
are not used when multiple samples are loaded in a pad. Only the standard Main, ADSR
and MIDI parameters are supported for Multi-samples.
Note:
► Anytime you use File -> Load All to load a directory of samples into a
pad the pad mode will automatically be changed to Sample.
Note:
Loop Mode Controls whether the WAV file plays in a loop. On, Off No
The whole WAV file will be played in the loop for
clip pads. Only forward looping is supported
with clip pads.
Beat Count Enter the number of beats in the clip file to give Auto, 1 to 512 No
blackbox more information to work with when
synchronizing playback to the current song
BPM. If set to Auto, blackbox will attempt to
detect the beat count automatically.
Quant Size Use Quant Size to quantize when the playback None - always start and stop No
starts and stops. Quantization will cause immediately
playback to snap to a musical grid with intervals
specified by the Quant Size parameter. When 1/16, 1/8, 1/4, 1/2, 1 bar, 2 bars, 4
quantization is used, the note trigger will cause bars, 8 bars
playback to start and end on the next Quant Size
boundary. For example, if the Quant Size is set to
1-bar and you press the pad, the playback will
begin at the start of the next bar.
Sync Sync is only enabled when quantizing is enabled None – playback will occur at No
(the Quant Size parameter is not None). The the original rate. Looping will
Sync feature prevents timing drift that can occur happen as soon as the sample
when the length and BPM of a clip does not ends.
align exactly with the tempo of playback. When
Sync is used, blackbox will realign the audio to 1/16, 1/8,1/4, 1/2, 1 bar, Slice (See
match the clock at the step size specified here. To Use Slices to Synchronize
Playback of Clip Pads below
Even slight differences between WAV file BPM for more information.)
and clock tempo can cause significant drift over
time. Select a value for Sync that will control the
size of the musical unit to which the clip will be
synchronized. Choose small settings, like 1/16th,
for rhythmic or percussion clips. Choose large
settings, like 1-bar, for sustained tones or drones
Note:
► Blackbox assumes your clips use 4:4 time. If you are using other time
signatures or polyrhythms, blackbox will have trouble synchronizing
the clip.
Beat Count Enter the number of beats in the clip file to Auto, 1 to 512 No
give blackbox more information to work
with when synchronizing playback to the
current song BPM. If set to Auto, blackbox
will attempt to detect the beat count
automatically. Only used when Sync is set
to ON.
Quant Size Use Quant Size to quantize when the None - always start and stop No
playback starts and stops. Quantization will immediately
cause playback to snap to a musical grid
with intervals specified by the Quant Size 1/64, 1/32T, 1/32, 1/16T, 1/16, 1/8T,
parameter. When quantization is used, the 1/8, 1/4T, 1/4, 1/2T, 1/2, 1 bar, 2 bars.
note trigger will cause playback to start and
end on the next quant size boundary. For Assumes 4/4 time.
example, if the Quant Size is set to 1-bar
and you press the pad, the playback will
begin at the start of the next bar.
Sync The Sync feature prevents timing drift that OFF – playback will occur at the No
can occur when the length and BPM of a original rate. Looping will happen
clip does not align exactly with the tempo as soon as the sample ends.
of playback. When Sync is used, blackbox
will realign the audio to match the clock at ON – blackbox will synchronize the
the step size specified here. playback of the slice.
Slice Indicates which slice will be played when a 1 through the number of slices in Yes
note is triggered. You can use modulation the pad.
to vary this value over time.
Slice Seq When Slice Seq is set to a value other None: This parameter will not be used to No
than None, each new note will control the order of playback of slices.
advance the selection of the next
slice to play. Forward: A trigger will cause the
playback to move to the next slice.
The value of this parameter controls Backwards: A trigger will cause the
the order in which slice selection is playback to move to the previous slice
advanced.
Random: A trigger will cause the
playback to move to a randomly selected
slice
Stagger: A trigger will cause the
playback to move through the slices in a
somewhat random way. It will move
forward a few slices, then back a couple
of slices, and repeat.
PlayThru Controls whether or not playback ON – playback will continue past the end No
continues through the end of the of the slice to the end of the file.
slice.
OFF – playback will stop at the end of the
triggered slice.
In addition to setting parameters for a slicer pad, you also need to create the slices. There
are three ways to do this: manually, auto scan, and slice to grid. When you configure slices
manually, you use the Split and Join menu options to add and remove slice points. The
manual process may also be used to refine the results after you use auto scan or slice to
grid. When you use auto scan, blackbox uses an internal algorithm to decide where to
place the splits. You can control the sensitivity of the algorithm. When you use slice to
grid, you define a fixed number of slices, and blackbox will create splits that evenly divide
the WAV file into the specified number of slices.
Grain Size The size of the small segments of the WAV file that 1024 to 16384, which is No
will be played, measured in number of samples. about 10ms to about
200ms
Grain Count How many different grains are layered together 2 to 8. Keep in mind that No
during playback. more grains require
more processor power.
Spread The width of the range from which the grains are 0 to 75,000 No
randomly chosen for playback. The range is centered
around the current playback position in the WAV file.
Speed How quickly the playback of the grains advances 0 to 200% Yes
through the source WAV file. At 100% it will sound
most like the original file. At 50% it will be half speed.
At 200%, it will progress through the WAV file at
twice the original rate.
Gain The VU meters represent the level of the signal -96.00 dB to +20.00 dB
to be recorded. You can adjust the gain to get
the desired level and avoid clipping. For best
results leave some room (a few dB) between
your loudest level and the max allowed, which is
0dB. If a red bar appears to the right of the level,
the signal is clipping and the level of the input
signal should be lowered for best quality.
Mon Output Controls where the input signals are played out Out 1, Out 2, Out 3, Out1L, Out1R,
to enable you to monitor the recording. Out2L, Out2R, Out3L, Out3R
Length This parameter allows you to specify a Custom, 1/4, 1/2, 1 bar, 2 bars, 4 bars, 8 bars, 16
length of time that you want to record, bars, 32 bars, 64 bars, 128 bars
in terms of notes and bars.
Rec Quant This parameter lets you quantize the None - always start and stop immediately
recording to start and stop at the
designated musical time interval. This is 1/16 - quantize to the next sixteenth note time
not available when Threshold recording 1/8 - eighth note
is enabled.
1/4 - quarter note
1/2 - half note
1 bar - a whole note assuming 4/4 time
2 bars
4 bars
8 bars
RecThresh When set to On, recording will not start On, Off
until the audio input meets or exceeds
the audio level set in the Threshold
parameter.
Rec Mon Controls whether the input signal Off - Inputs are never played through the
received through Audio IN is played out outputs.
through Out1 and Out2 to enable you to
monitor the recording. Auto - Inputs play through the outputs while
recording or the recording screen is visible.
6. Send a signal to the audio Input. The source will play through the selected
output if the Rec Mon setting is ON or Auto. The VU meters at the top of the
screen display the input levels. Adjust the gain as needed.
7. To start recording, hold the REC button while you press the PLAY button.
Note:
► If you have the global Lead In option enabled (See Tools below),
Blackbox will wait four beats and then will start recording.
► If RecThresh is ON, the recording will start once the input level meets
the threshold level specified in the Threshold parameter.
► If you selected a time value for Length, recording will stop after the
selected length of time.
► The Load and Record screen displays a running clock of measures and
beats and time while recording.
► There may be a delay between when you push Rec + Play and when
the recording starts as blackbox waits to quantize the recording to the
selected Rec Quant time interval. See Synchronize Playback with a
Clock below for more information about clocks and quantization.
8. Push Stop to end recording. There may be a delay between when you touch
Stop and when the recording ends due to quantization.
Note:
► When the recording has stopped, the PADS screen is displayed with the
new WAV file loaded in the selected pad. The pad name will be RC with a
numeric suffix. We will discuss changing file names and managing WAV
files in Manage WAV Files below.
► The new WAV file is stored on the microSD card in the folder associated
with the preset. This folder is located under \Presets and has the same
name as the preset. For example, if your preset name is KickinGroove
then your recordings will be in the folder \Presets\KickinGroove.
Note:
► Blackbox won’t stop you from loading a WAV file from a Preset B folder
into Preset A. However, if you do this, you could potentially break Preset
A if you ever move or rename Preset B for any reason. Therefore, if you
have WAV files that you want to re-use across presets, we encourage
you to move these WAV files into library folders outside of the \Presets
folder, and to Pack your presets often.
► If you record into a loaded pad, the original WAV file remains intact on
the microSD card and a new WAV file is created.
► You can turn off the Lead In and Metronome on the TOOLS pages.
Note:
\Presets\MySong\MyBank
7. Now you are free to delete or move the original MyBank preset if desired, or
leave it there for future re-use.
If you are using a MIDI trigger, connect a cable between either the USB MIDI
device or TRS MIDI out jack of blackbox to the MIDI input of the instrument to be
recorded. You may need to use the TRS to MIDI 5 pin DIN adapter included with
blackbox.
If you are using a CV trigger, connect the audio OUT 1 of blackbox to the CV and
Gate inputs of the instrument to be recorded. The CV signal will be sent on the
left channel, and the gate will be on the right channel of audio OUT 1. Use a TRS
splitter to break out the channels.
3. Now configure the pad for recording. Push PADS and then select a pad in the
grid.
4. Push INFO. If the pad is empty, you will see the WAV File Load and Record
screen. If the pad is loaded, you will see the WAV form screen.
If you are on the WAV form screen, touch the Pad mode icon to the right of the
Grid icon, and then select New Multi.
Sample Every How many semi-tones or notes are between each 1 through 16
WAV file recorded. Set to 1 to record a WAV file for
each note. Set to 12 to record one note per octave.
Vel Layers How many velocity layers should be recorded for 1 through 16
each note.
MIDI Chan Select the MIDI channel that will trigger the instrument 1 through 16
to be recorded if you are using MIDI triggers.
Note Length In seconds, the length of time that the note gate will 1 through 60
be on.
Release Len In seconds, the length of time that recording will 1 through 15
continue after the note length is over. This will record
the tail of the note.
Rec Mon Controls when the incoming audio signal will be On - the audio input will always be played.
played out through the blackbox outputs.
Auto - the audio input will only be played when
you are on the recording page for this pad.
7. When you are ready to start recording, push REC and Play together and sit back
and let the auto-sampler do its work. Blackbox will display which note it is
currently recording. Blackbox will display the Waveform screen when the auto-
sampling is complete.
8. You can push Stop to interrupt recording. Any completed recordings will still be
on the micro SD card. You can remove them with the Preset Clean command.
Keep in mind that if you have a folder full of WAVs that you recorded but that are
not used on any pads, blackbox will assume you do not need them and the
folder and its contents will be deleted when you Clean a preset.
Note:
► The WAV files will be named <Filename> + “-” + <MIDI Note Number> +
“-” + <MIDI Velocity>. For example, if your preset name is Pet Sounds
and your multi-sample filename is Cat Meows, an example file name
would be \Presets\Pet Sounds\Cat Meows\Cat Meows-036-100.
► Each WAV file will have the Root Note and Vel Layer parameters set
based on the MIDI Note used to trigger it. Blackbox will use WAV tags
to embed this information into the files.
► The pad used for recording will be changed to a Multi-Sample pad with
the new sample bank loaded.
Root Note When you use Notes to play this sample, the base sample will play for Sample
this root note. The sample will be pitch shifted up or down one semi-tone (Single and
for each note away from the root note. Blackbox will read the root note Multi),
from the WAV file, if available, when you add the WAV to the preset. Granular
However, you can specify a different value here to be used for this WAV
on this pad in this preset.
If you save the WAV file from this pad, the Root Note value will be saved
with it.
Stored in the WAV smpl tag.
LpStr Point where the looping will begin when playing forward, or looping will Sample
end when playing in reverse. Expressed in samples. Must be before or (Single)
equal to LpEnd.
LpStr is read from the WAV file when sample is loaded, and saved to the
WAV file when the WAV is saved.
Stored in the WAV smpl tag.
LpEnd Point where the looping will end when playing forwards, or looping will Sample
begin when playing in reverse. Expressed in samples. Must be after or (Single)
equal to LpStr.
LpEnd is read form the WAV file when a sample is loaded, and saved to
the WAV file when the WAV is saved.
Stored in the WAV smpl tag.
BeatCount Enter the number of beats in the clip file to give blackbox more Clip
information to work with when synchronizing playback to the current
song BPM.
Stored in the WAV acid tag.
Slice Points The slice markers that are inserted into the file. Some other systems refer Slicer, Clip
to these as Cue Points.
Stored in the WAV cue points.
Note:
► When blackbox first loads a WAV file that has parameters stored in it, it
will load the values of the parameters that are in the WAV, and use
default values for the other parameters. If you change a value of one of
these parameters for the pad, those changes only apply to this pad,
and are not automatically saved back to the WAV file. This allows you to
override parameters for specific pads.
To save the values you have configured for a pad back to the WAV
file:
1. Open the WAV screen for the pad.
2. Touch the name of the WAV file at the top of the screen to
display the WAV selection screen.
3. Touch File and then Save or Save As. If you select Save,
blackbox will save the configured parameters into the same
WAV file you have loaded. If you choose Save As, you will
see the WAV file naming screen. Type in a new name to
save the changes to a different WAV file, and then touch
Enter to save. Blackbox will now load the newly modified
WAV file into the pad. WAV File Actions
Menu
To revert back to the parameter and slice values stored in the WAV
file, simply reload the file into the pad.
Note:
► If you use an existing file name when you use Save As, the old file will
be overwritten with the current WAV file and parameters.
Note:
► Trim is a destructive edit. You may want to use File -> Save As before
you trim the file to give yourself a backup copy of the file.
Cut Copy all of the WAV file references and parameter settings
for the selected pad and clear this pad. The copied
information is now in the clipboard for pasting into a
different pad. The current pad is now empty and all
parameters are set back to their default values.
Copy Copy all of the WAV file references and parameter settings
from this pad. The copied information is now in the
clipboard for pasting into a different pad. The current pad is
unchanged.
Pste Paste the pad information from the clipboard into the
selected pad. This pastes the WAV file references along with
all pad parameters.
Clr Clear all WAV file references and parameter settings from
the selected pad.
Note:
► WAV file names may use Alpha Numeric Characters (A-Z, 0-9) and
some special characters. The following characters are NOT allowed:
“ / \ ? * < > : |
File names must be less than 256 characters, including the path name.
Files that do not conform to these naming constraints will not be
recognized by blackbox.
Note:
► To remove a WAV file from a pad without deleting the file, go to the
Waveform screen and touch the Pad Mode icon to the left of the file
name, and then touch New Recording. You can press PADS to go back
to the Pads screen without loading a file and the pad will be empty.
To Pack a Preset:
After you spend time carefully creating a preset, you don’t want to worry about it getting
broken if you make changes to that WAV file or re-organize your sample library. You may
also want to gather up all of the files used in a preset so you can move it to another
microSD card or archive it on your computer. The Pack feature was created to address
these needs.
1. Load the preset you want to pack.
2. Push PSET and then touch File->Pack. Blackbox will find all of the WAV files that
are assigned to pads and copy them into the folder for this preset. Multi-sample
banks will be copied to a sub-folder.
Note:
► If you continue to add WAV files to your preset after you pack it, the
preset will still point to these WAV files in their source folders. Pack the
preset again to copy these files over.
► If the Pack option is disabled, then the preset is fully packed already.
To Play a Sample, Clip or Granular Mode Pad With the Grid Keyboard:
1. Push PADS to view the sample bank.
2. Touch a pad or turn a knob to select the desired pad. The
pad will be pink when selected.
3. Push KEYS twice to display the Grid Keyboard screen.
Touch the grid squares on the screen to play notes. You can
slide your finger across the screen to play adjacent notes.
4. Touch the arrow buttons at the top of the screen to scroll up
or down one octave. The current octave label is displayed
on each root note. Grid Keyboard
Launch Trigger This will cause the WAV slice to play from beginning to
Mode end when a trigger is received. Other values will work,
but let’s use this for the example.
Loop Mode Off We will turn off looping for this example.
Slice 3 This does not impact how the Keys screen plays the
slices.
Slice Seq None We will not use the Slice Sequencer in this example.
Note:
► On the traditional keyboard, the last slice will be played for all notes
above the last slice. Nothing will play for notes below C2.
► If you use the Grid-based keyboard with a slicer pad, the slices are
mapped to the notes available in the selected scale.
► The steps above show a simple example of using Keys alone to trigger
different slices within one pad. You can use this with Loop Mode ON
with Launch Modes of Gate or Toggle to achieve different effects. You
could also use this with Slice Seq if you want to have the Slice Seq
control what slices play when a pad trigger is received.
Note:
► To find the right key to match some music, tap a root note on the grid
while turning a knob to scan through the root notes.
To Record a Sequence:
1. Push SEQS to see the sequences grid.
2. Touch a cell or turn a knob to select a sequence cell. The selected sequence cell
will be pink. The context at the top of the screen will now display the number of
the selected sequence.
3. Push PADS or KEYS to play the sequence to be recorded. You can also trigger
pads using an external MIDI device.
4. Hold down the REC button while you push PLAY to start recording. If you have
the global Lead In option set to ON, blackbox will wait four beats, then start to
play any active sequences and start recording.
5. Touch pads or keys to add notes to the sequence you are recording.
6. Push REC to continue playing but stop recording. Push STOP to stop recording
and stop playing the loop.
Note:
► While recording, the sequence will record to the length specified in the
sequence parameters, and then loop back and play what has been
recorded. You can then layer additional notes into the sequence if you
continue to play.
► Any active sequences will play while you are recording. However, the
notes from other sequences will not record into the currently selected
sequence. Only the notes you trigger on the PADS screen, the KEYS
screens or via external MIDI devices will be added to the sequence.
► You can push REC while another sequence is playing to start recording
immediately into the selected sequence.
To Play Sequences:
1. Push SEQS to see the sequences grid.
2. Touch sequence cells to toggle their active state. Active sequences have a white
frame. You can play multiple sequences at once.
3. Push PLAY to start playing the active sequences.
4. Touch sequence cells to turn them on or off. The cells start and stop in alignment
with the sequence quantization settings. A blue progress bar shows the current
playback state of the sequence. A white progress bar indicates that the
sequence will start at the next quantization break.
5. Push STOP when you are finished. If some WAV files remain playing, you can
push STOP again to turn them off.
Note:
► Some sequences trigger long WAV files. These WAV files may still be
playing after the sequence stops.
► Some sequences use toggle mode to trigger WAV files. It’s possible to
stop a sequence between the toggle on and the toggle off notes,
leaving the WAV still playing after the sequence stops.
► You can record a sequence while others are playing. Simply push REC
in this case to start and stop recording. You can even switch which
sequence you are recording into without pushing STOP.
You can use the INFO button with a selected sequence cell to view and edit the sequence.
1. Touch a sequence cell to select it.
2. Push the INFO button to drill into that cell. Blackbox will
display the sequence editor Piano Roll screen. If you
recorded the sequence using KEYS, the piano roll view will
have a keyboard representing the scale along the left side
of the screen. In Pads Mode, the left edge lists the pad
numbers. The piano roll displays the notes or pads recorded
for each step over time moving from left to right. You can Piano Roll Keys
touch the view mode button at the top of the screen to View
switch view modes between KEYS and PADS.
3. If you recorded Keys input for more than one pad, you can
select the pad to view and edit in the piano roll by touching
the grid icon in the top right in KEYS view, then touching
the cell for the desired pad.
4. You can use the control knobs and touch gestures to adjust
notes and to zoom and scroll through the sequencer: Piano Roll Pad
Selector
Action Result
Turn the top left control Cycles the note selection through the notes
knob on the piano roll
Turn the top right control Changes the length of the currently selected
knob note
Turn the bottom left control Moves the note left or right to change the
knob timing of the note.
Turn the bottom right Moves the currently selected note up or down
control knob through the piano scale. (Only works in KEYS
View.)
Note:
► The note position is restricted to the Step Count configured for this
Sequence.
► When recording, the sequencer will add the incoming notes to the
sequence. It will not remove previously existing notes. Touch Clear
before touching REC if you want to start with a clean piano roll.
► The C notes on the piano roll are numbered to indicate which octave is
currently displayed. If you zoom out too far the numbers will not be
displayed.
► The numbers across the top of the piano roll indicate the step
numbers. If you zoom out too far the numbers will not be displayed.
► To quickly switch the sequence you are editing, touch the grid icon at
the top left corner of the screen and then touch the square in the
selection grid that corresponds to the sequence you want to edit.
Cut Copy all of the notes and pad triggers and parameter
settings in this sequence and clear the piano roll of this
sequence. The cut information is now in the clipboard for
pasting into a sequence.
Copy Copy all of the notes and pad triggers and parameter
settings in this sequence. The copied information is now in
the clipboard for pasting into a sequence.
Paste Paste the sequence information from the clipboard into the
current sequence. Pasting is an additive action. This means
that it only adds notes and pad triggers to the piano roll. It
doesn’t remove them. This can be useful to merge two
sequences together. Keep in mind that the sequence
parameters are also copied along with the note and pad
events.
Clear Clear all note and pad trigger information from this
sequence. All parameter settings remain untouched.
Step Len Controls the length of time the sequence 1/64, 1/32T, 1/32, 1/16T, 1/16,
will spend on each step, in terms of fractions 1/8T, 1/8, 1/4T, 1/4, 1/2T, 1/2, 1
of a bar. bar, 2 bars, 4 bars, 8 bars
(T = Triplet)
MIDI OUT The MIDI Channel that this sequencer will None, Ch1, through Ch 16
use for output
Quant Size Defines precisely when to start the 1/64, 1/32T, 1/32, 1/16T, 1/16,
sequence. When a sequence is activated or 1/8T, 1/8, 1/4T, 1/4, 1/2T, 1/2, 1
deactivated, blackbox will wait until the start bar, 2 bars, 4 bars, 8 bars
of the next Quant Size interval to start or
stop the sequence. (T = Triplet)
Step Mode Step Mode controls whether the sequence ON, OFF
notes are quantized to the grid while
recording. When Step Mode is OFF, recorded
notes will no longer be quantized to the grid.
Use Step Mode ON to force your notes to the
quantization points for tight alignment to
the tempo. Use Step Mode OFF for more
natural sounding and free flowing notes.
Note:
Sequencer Result
Button
UNDO Rolls back the last of round of changes to the notes and pad
triggers added to the selected sequence. Any notes or pad
triggers added since the last time you pressed REC will be
removed from the sequence.
CLEAR Clears all notes and pad triggers from the selected
sequence. Sequence parameters remain unchanged.
5. Turn the bottom left knob to adjust the velocity for the selected note event. The
VEL parameter in the bottom left corner of the screen shows the current value.
6. Turn the bottom right knob to adjust the probability of playback for the selected
note event. The PLAY parameter in the bottom right corner of the screen shows
the current probability.
7. Touch the Event button again to disable note event parameter editing so you
can use the knobs to move and change the length of notes.
Note:
► You can use the Event editor in both PADS and KEYS mode on the
Piano Roll screen.
8. Push INFO to see the Sequence Parameters screen. Adjust the Step Length and
Step Count to match the imported sequence if needed.
Note:
► The sequence will be mapped to the pad selected in the pad grid at the
time of import. You can use Copy and Paste to move it to a different
pad if needed.
Note:
► Each time you record a song section, you add to the current song
section. Any previous sequence actions are still there. If you want to
start over again with a clean section, select the song section, then
touch Edit and Clear.
► Song sections record on and off events for sequences. If you change a
sequence, you will also change the song section.
► You can modify the BPM at any time to adjust the playback speed of
the song sections and the sequences.
► When in Song Mode, the context display at the top of the screen shows
the name of the active Song section, and the progress bar to the right
of that displays the progress of this section.
Note:
► You can play pads and keys on top of song sections that are playing.
Edit Action
Menu
Option
Cut Copies a song section and remove it. All sequence events, the section name and
the section length will all be copied. The information is held in the clipboard for
pasting.
Copy Copies a song section. All sequence events, the section name and the section
length will all be copied. The information is held in the clipboard for pasting.
Paste Pastes the section information in the clipboard into the selected section. All
information in the target section will be replaced.
Clear Clears all sequence actions from the selected song section and resets the
section length back to 32 beats.
Add Inserts a new song section below the selected song section.
Rename Displays a virtual keyboard where you can rename the section. Touch enter at
the bottom of the screen when you are ready to save the changes.
Note:
► Your sequence must have a step size of 1/16 or smaller for Swing to take
effect.
APPLY EFFECTS
Blackbox has two effects that can be applied to as many pads as you want. You apply an
effect by selecting the send amount for the pad for each of the desired effects (FX1 or FX2)
and then configuring the parameters for that effect. After the effect is applied, the wet
signal is routed to Audio Out 1. All pads will get the same parameter values for an effect.
FX1 = Delay Determines the delay length. When Beat Sync is On, Yes
Delay delay is specified in musical intervals:
1/64, 1/32, 1/16, 1/8T, 1/16D, 1/8, 1/4T, 1/8D, 1/4, 1/2T, 1/2, 1 bar
When Beat Sync is Off, delay is specified as a
percentage from 0% to 100%.
FX2 = Decay 0 to 100%. Determines how long the reverberation will Yes
Reverb ring out.
Note:
► The same effect parameter values are applied to all pads that are
sending signals to that effect.
► The Reverb effect is very processor intensive. Blackbox does not limit
what you can do based on anticipated processor needs. As a result, it is
possible to overdrive the processor, causing crackling and drop outs.
See Processor Management Tips below for more information about
preventing sound artifacts.
Note:
► You can hear adjustments to pan and volume in real time when a
sequence or pad is playing.
Note:
► Mute is useful if you want to use a pad to drive an external MIDI device
when the device is available, but play a pad when it’s not. Muted pads
still play out over MIDI.
MANAGE PRESETS
Blackbox stores a set of pad configurations, sequences and song sections as a preset. You
can save as many presets as you want, as long as there is room for the files on your
microSD card. When you turn on blackbox, it automatically loads the most recently used
preset on this microSD card. The microSD card that comes with blackbox has about 60
presets and corresponding WAV files loaded.
When blackbox loads a preset, it loads the set of WAV files and configured parameters for
each pad, sequence and song section saved in the preset. Review the loaded presets to
see some examples of blackbox features in action. The presets that are loaded on
blackbox use only a fraction of the WAV files that are available on the microSD card. You
can use the microSD card to load your own WAV files into blackbox, as well as record new
ones. Blackbox also enables you to customize and create your own presets.
Presets are saved on the microSD card when you choose to save them. If you load a
different preset without first saving the current preset, you will lose your work. If you
change to a different microSD card, you will have a different set of presets. When you
switch to a different preset, all previous settings will be replaced with the settings of the
newly selected preset, which may be blank.
Blackbox stores all of the preset xml files in sub-folders under the \Presets folder. Each
preset has its own sub-folder with the name of the preset, and a preset.xml file within
that sub-folder. E.g. the preset My Kickin Grooves will be stored as a file named
preset.xml in the \Presets\My Kickin Grooves folder. When you first start working with
the preset, it will point to the WAV files in their source folders. The Pack function will copy
all of the used WAV files into the preset folder.
When you create a new recording, blackbox stores it in the folder for that preset. For
example, the first new recording for the My Kickin Grooves preset will be saved as
\Presets\My Kickin Grooves\RC000001.wav.
Note:
► All of the preset folders are gathered under one \Presets folder at the
root.
► Before you Pack a preset file, the .xml file lives in its own sub-folder
under \Presets which is created as soon as you create a preset, but the
WAV files stay in their source folders until you pack them.
► Blackbox will automatically move a legacy preset into the new folder
location the first time you load that preset after upgrading to the 1.5 or
newer firmware. You may then use the Pack function to consolidate all
of the files used by the preset into the preset’s folder.
► All presets have a file named preset.xml under the folder that has the
name of the preset. This file contains all of the settings for this preset.
To Load a Preset:
1. Press PSET to display the Preset Management screen.
2. Use the knobs to scroll through the list of presets. The blue highlight indicates
the currently selected preset.
3. Touch Load to load into blackbox the information that was previously saved for
this preset. The only values that are not stored in each preset are the values on
the TOOLS pages. These are global settings that apply across presets and are
stored separately on the microSD card.
To Pack a Preset:
After you spend time carefully creating a preset, you don’t want to worry about it getting
broken if you make changes to that WAV file or re-organize your sample library. You may
also want to gather up all of the files used in a preset so you can move it to another
microSD card or archive it on your computer. The Pack feature was created to address
these needs.
1. Load the preset you want to pack.
2. Push PSET and then touch File->Pack. Blackbox will copy all of the WAV files
used by this preset into this preset’s folder. Any multi-sample banks will be
copied with their folder. The preset.xml file will be updated to point to these
copies of the WAV files and will be saved.
Note:
► If you continue to add WAV files to your preset after you pack it, the
preset will still point to these WAV files in their source folders. Pack the
preset again to copy these files over.
► If the Pack option is disabled, then the preset is fully packed already.
WARNING: this action cannot be undone. You can touch anywhere besides OK
to cancel this operation..
To Delete a Preset:
When you delete a preset, you remove the preset from the list of presets on the Preset
Management Screen, and you delete the corresponding XML file from the microSD card.
You cannot undo this action. To delete a preset:
To Rename a Preset:
1. Push the PSET button to view the Preset Management screen.
2. Use the control knobs to scroll through the list of presets. The blue highlight
indicates the currently selected preset.
3. Touch File to display the Preset File Menu.
4. Touch Rename to display the keyboard screen.
5. Touch the back arrow <- to erase the preset name or turn a knob to position the
cursor where you want type. Then use the onscreen keyboard to type in a new
name. Use the caret button ^ to toggle between upper and lower case letters.
Touch the 123 button to display the numeric keyboard if needed. When the
name is complete, touch Enter to save the name and return to the Presets
screen with the preset selected.
Note:
Note:
► If you enter a name that is already in use, you will replace the old file
with the current preset.
Note:
► Blackbox stores all presets in self named folders under the \Presets
folder. Blackbox will not find them if you move the XML files outside of
these folders or move these folders outside of the \Presets folder.
Legacy Presets
Blackbox Firmware version 1.5 changed the way presets and new sample recordings
are managed. In older versions, the preset files were stored in the root folder, but
now the preset files are in individual folders under the \presets folder. New WAV file
recordings also used to be stored in the root folder and are now stored in the
preset’s folder. What if you have some legacy presets on your microSD card?
What will happen to my legacy presets? How do I convert them to the new file
structure?
When you load presets, blackbox will display a single list with all presets stored at
the root and all presets stored under the \Presets folder. The files will be in
alphabetical order by file name, independent of where they are stored. Each time
you open a preset that is stored in the root, blackbox will create the preset folder for
this preset and move the preset into that folder. In this way, as you open the presets,
they will be migrated to the new structure one at a time. You can then use the
File->Pack feature to collect all of the WAV files used by this preset into the
corresponding sub folder. Any new recordings you make will be stored in the preset
sub folder.
When will my legacy WAV files get cleaned out of the root folder?
We won’t move them automatically. We recommend that you pack up all of your presets
one by one, which will copy all of the files used by the presets into their respective folders.
When that is done, you may choose to delete the files that are stored at the root or safely
move them to a sub folder for future use.
TOOLS
The Tools screen is the home for global parameters that apply across
presets. This is where you can adjust the Headphone volume and
control the metronome. Push INFO or touch the page buttons along
the bottom of the screen to cycle through the available parameter
pages. Turn a knob to adjust the value of the nearest parameter.
Compressor When set to On, blackbox will apply a compressor to the signals sent to Out 1.
Rec RecToPlay When set to ON, blackbox will automatically start to play the new sample when
recording ends if the Length parameter was used for recording.
RecConfig When set to Global, changes made to recording settings on the Pad Loading
and Recording screen will apply to all empty pads.
When set to Per Pad, these changes only change the current pad and do not
change what is used for other empty pads. Use Per Pad when you want to set
up a Template preset with different recording configurations for each pad.
Lead In When set to ON, blackbox will wait 4 beats before recording begins. It will
display the count down as a negative number in the measure counter in the top
left of the screen.
MIDI In MIDI Pads Specifies which MIDI channel is used to trigger pads and sequences. If a channel
selected here is also chosen as the MIDI IN channel for a pad, that pad will also
play notes in response to signals received on this MIDI channel. See the section
Use MIDI Devices with Blackbox below for more information.
When set to Omni, pad hits and sequences can be triggered by all MIDI
channels. However, any MIDI channel that is assigned as the MIDI In for a pad or
as the MIDI Keys parameter will be excluded from the list of channels that will
trigger pad hits.
MIDI In MIDI Keys Specifies which MIDI channel is used to play notes for the currently selected
(Cont’d) pad. If a channel selected here is also chosen as the MIDI IN channel for a pad,
that pad will also play notes in response to signals received on this MIDI
channel. See the section Use MIDI Devices with Blackbox below for
more information.
When this parameter is set to Omni, notes will be triggered for the currently
selected pad by all MIDI channels. However, any MIDI channel that is assigned
as the MIDI In for a pad or as the MIDI Pads parameter will be excluded from
the list of channels that will trigger notes for the currently selected pad.
MIDI Program Change messages received on this channel will be processed
by the blackbox if the ProgChange parameter is set to ON.
ProgChange When set to ON, blackbox will respond to MIDI program change messages
received on the MIDI Pads and MIDI Keys channels by opening the Preset that
maps to the specified program number. See the section Use MIDI Devices
with Blackbox below for more information. Program change messages on
other channels will be ignored.
Remember that blackbox does not automatically save changes. This means
that when you change presets using a MIDI Program Change you will lose any
unsaved changes.
ClockSource Allows you to select a source for the clock signal when you have one or more
MIDI devices connected to blackbox. Select MIDI Port to use the device
connected via the TRS MIDI In port. Choose USB Port to use the device
connected via the USB Device port. Select All when you only plan to have one
device with a clock connected at a time and don’t want to have to keep
changing this parameter, or you want to let the two clocks fight it out. Select
None to ignore all incoming clock signals and always use the internal signal.
Metro Metronome Controls when the metronome is used. Select OFF to disable the metronome
completely. Choose Rec to only use the Metronome when you start recording.
Choose Play to use the metronome whenever the Play button is active.
Output The metronome will only play on the audio output channel selected here. You
can choose to play it on Stereo outs Out1, Out2 or Out3, or only the left or right
channel of any of those outputs. You can also choose to send it to the
headphones output by selecting HP. If you choose any channel other than HP,
the signal will not be included in the headphone output.
Clock Clock In Controls how the signal received in the Clock In TRS jack is interpreted. Set
this to the number of pulses per quarter note that are generated by the
external clock source.
Clock Out Controls the clock signal sent out through the Clock Out TRS jack. Set this to
the number of pulses per quarter note expected by the external device that
will receive the clock signal.
► You can customize the mapping of notes to pads on the MIDI page of
the Pads Parameters screen for each pad.
8. Push SEQS and you can watch the sequences start and stop on the Sequences
screen. A white rectangle will appear at the bottom of the sequence cell to show
that the sequence is queued up to play at the quantization break. This rectangle
is replaced with a blue progress bar when the sequence starts to play. The bar
will turn into a white rectangle again when the sequence is playing out after
deactivation.
To Play Notes and Use Common MIDI Modulation Signals with a Specific Pad or Pads:
You can also configure a specific pad to respond to MIDI notes by assigning a MIDI
channel to the pad on the pad’s parameters screen. How the pad responds will depend
on the Pad mode.
1. Push PADS and select the pad you want to control with the MIDI device.
2. Push INFO twice to see the Pad Parameter screen, and then touch MIDI at the
bottom of the screen to see the MIDI related parameters.
3. Turn the knob next to MIDI In to assign a specific channel to this pad. Now your
MIDI device transmitting on this channel will play this pad. If the pad is in sample
(single), granular or clip mode, each MIDI note will play the pad pitch shifted in
the same way the Keys screen works. If the pad is a Slicer, each MIDI note will
play a slice of the file in the same way it works on the Keys screen. If the pad is
using multi-sample, the notes will trigger the appropriate sample based on root
note or sample mapping.
Notes:
► You can have more than one pad mapped to a specific MIDI channel. In
this case, blackbox will play all mapped pads when a note is received
on that channel.
► If you are using a modulation source other than MIDI CC for this pad,
then the corresponding MIDI Modulation signals received on this pad’s
MIDI In channel (e.g. MIDI Velocity) will be applied as configured for
this pad.
To Play Notes and Use MIDI Modulation Signals with the Currently Selected Pad:
This is a more global version of the procedure described in the previous section. The
difference is that here you are setting up a MIDI channel that is not pad specific.
Whichever pad is currently selected will respond to the MIDI channel specified as the
MIDI Keys channel. As with the MIDI Pads setting, you can select OMNI for the MIDI Keys
channel to have blackbox respond to all channels in this way. However, any channel that is
assigned to anything else is pulled from the pool of MIDI channels that blackbox
responds to in Omni mode.
1. Push TOOLS and then touch MIDI In to see the global MIDI input settings.
2. Turn the knob next to MIDI Keys to select the MIDI Channel blackbox will use as
the global keys channel.
3. Connect a MIDI Device to blackbox and set the device to use the channel
assigned to MIDI Keys.
4. Go to the Pads screen and select a pad to play via MIDI. Play notes on the MIDI
device and you will see and hear the currently selected pad respond to the MIDI
notes. Select a different pad and play notes on the MIDI device and you will see
and hear the new pad respond.
Notes:
► If you have the same channel assigned to both a specific pad and to
the MIDI Keys setting, the assigned pad and the currently selected will
both respond to the MIDI input.
VEL – MIDI Velocity or the Velocity slider on the Pads screen. This is
note specific.
6. Use the control knobs to select the Amount of modulation that will be applied.
This is used to increase or decrease the amount of impact the modulation will
have on this parameter.
Notes:
► The Modulation sources described in this section only impact the pad if
the modulation signal is received on the MIDI In channel for this pad.
Notes:
► You can map the same MIDI control to more than one parameter on
more than one pad or effect.
► The MIDI channel assigned to a pad does not need to match the MIDI
channel used for MIDI CC modulation.
1. Create a slicer pad and create 4 or more slices by either using the Scan feature or
manually creating the slices.
2. Set the following values for the pad parameters:
3. Connect a MIDI device for input that uses the MIDI Channel you selected for the
MIDI parameter. Play MIDI note 36 (usually C2). You will hear that slice 1 is played.
4. Play MIDI Note 39 and slice 4 will be played. MIDI Notes 36 and up are now
mapped to Slices 1 and up for playback.
The steps above show a simple example of using MIDI alone to trigger different slices
within one pad. You can use this with Loop Mode ON with Launch Modes of Gate or
Toggle to achieve different effects. You can also turn ON PlayThru for even more fun.
NOTE:
► Blackbox supports using MIDI Program Changes to access the first 128
presets. This limit is the result of how MIDI manages program banks.
► Blackbox does not pass through or send out MIDI Program Changes.
NOTE:
► You can configure more than one sequence and pad to send MIDI out
on the same channel.
► Blackbox does not send out or pass through MIDI Program Change
messages.
MIDI Input via When a MIDI signal is connected to the Device USB 2
USB Device jack on the back of the case, blackbox will follow
port MIDI Start, Stop and Clock messages.
MIDI Input via When a MIDI signal is connected to the MIDI In TRS 2
MIDI In TRS jack on the back of the case, blackbox will follow
port MIDI Start, Stop and Clock messages
You can control whether blackbox responds to the USB Device MIDI input, the TRS MIDI
Input, or ignores MIDI clock on the TOOLS screen:
1. Push TOOLS and then touch MIDI In at the bottom of the screen.
2. Turn the knob next to the ClockSource parameter to select which MIDI clock
source you want to use. Select None to ignore the clock signal on both MIDI
inputs. Select All if you expect you will only use one clocked MIDI input at a time,
or if you just want the two clocks to fight it out.
Blackbox displays the current clock time in the top left corner of most screens in the
format <measure>: <beat>. If more than one clock input is available, the highest priority
clock signal (lowest priority number) will be used. Blackbox can adjust the timing of the
playback of a clip pad to synchronize it with a specified unit of musical clock time.
NOTE:
► The Clock input can be in range between 1 and 24 pulses per quarter
(PPQs). Use the TOOLS page to adjust this.
► If MIDI and CLOCK inputs are both used, Blackbox will select the
highest priority clock based on the following order of priority: 1.) CLOCK
Input; 2.) MIDI Input; 3.) Internal Clock.
► See Work with a Clip Pad above for more information about
synchronizing clips.
NOTE:
► Not all parameters are available before you add a WAV file to the Pad.
For example, you cannot add loop points to a sample mode pad
because blackbox does not know how long the file will be.
► You can use the SEQs, SONG, FX and MIX screens to configure other
elements as needed.
1. Open the parameter pages for the pad that is experiencing aliasing.
2. Touch ADSR to select that page.
3. At the top of the screen, to the right of the Exclusive grouping option, is the
interpolation algorithm option, which is set to Normal by default. Touch this to
display the options menu. Touch High Q to select the High Quality algorithm.
Note:
► The High Quality setting uses more processing power. This means you
may encounter drop outs or crackling sooner when this option is
selected. See Processor Management Tips below to learn techniques to
avoid drop outs and crackling.
7. While plugging in blackbox, hold the BACK and INFO buttons. When you see the
words “Blackbox Installer” on the screen, you can let go of the buttons.
8. When the upgrade finishes in about 15 seconds, the unit will restart with the
new software.
TECHNICAL SPECS
On-Board Memory
Blackbox has 64MB of on-board RAM. However, this is a cache--not a hard limit to what
can be loaded at once because blackbox streams content from the microSD card in real
time..
Samples Supported
Blackbox supports stereo samples. It can record in stereo and has stereo outputs.
Blackbox supports samples in the WAV file format. It supports 1 or 2 channel files with 16,
24 or 32-bit resolution at any sample rate. 48kHz is the preferred sample rate. The
blackbox engine uses a 24-bit ADC and DAC.
WAV file names may use Alpha Numeric Characters (A-Z, 0-9) and some special
characters. The following characters are NOT allowed: double quotes, forward slash, back
slash, question mark, asterisk, less than and greater than symbols, the colon and the pipe
symbol (“ / \ ? * < > : |). File names must be less than 256 characters, including the
path name. Files that do not conform to these naming constraints will not be recognized
by blackbox.
Pin Mapping for Mini TRS Jack to MIDI 5 Pin DIN Connectors
The musical instrument industry currently uses several different ways of mapping MIDI 5
Pin DIN signals to mini TRS jack connectors. The diagram below to the right shows the
numbering of the pins on a MIDI connector and the labels of the connection components
of a mini TRS jack. 1010music products are compatible with cables that use the following
mapping of MIDI signals between female MIDI connectors and mini TRS jacks:
SLEEVE
Connector
RING
TIP
Current Source Pin 4 Tip 3 1
SLEEVE
RING
TIP
Shield Pin 2 Sleeve
MIDI Connector to Mini TRS Jack Signal 5 Pin DIN and Mini TRS
Mapping Jack Connectors
For more information on the use of adapters, read the blog post on our website, Mini TRS
Jacks for MIDI Connections Compatibility Guide at:
https://1010music.com/stereo-minijacks-midi-connections-compatibility-guide
STAY UP TO DATE
Demonstration Videos and Latest Documentation
You can find links to video demonstrations of blackbox on our website at https://
1010music.com/blackboxdocs. You can also look there for updated versions of this user
manual and the Quick Start Guide.
Contact Us
Are you loving blackbox? Have questions? You can contact us through our website at
https://1010music.com/contact-us.